OTHERWORLDS’ como agua resto-bar unfolds like a huge bird’s nest in the indian forest
CategoriesArchitecture

OTHERWORLDS’ como agua resto-bar unfolds like a huge bird’s nest in the indian forest

como agua by otherworlds completes in North Goa, India

 

Step inside Como Agua, a new bar and restaurant on the Vagator cliff overlooking the sea in North Goa, India. Conceived by multidisciplinary practice OTHERWORLDS, the design combines sustainably sourced bamboo and a wild shrub, Lanternna Camara, a combination that playfully alludes to dining in an overgrown and enlarged weaver’s nest surrounded by lush tropical paradise. As an invasive species of plants widespread in the Western Ghats, the Lantenna Camara claims agriculture, forest growth, wildlife and tribal livelihood every year — yet, by repurposing it as a building material, ‘the project displays innovative building practices using biological materials while creating emphasis on lantenna removal, use and restoration,’ comments principal architect Arko Saha. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
all images © Fabian Charuau, Studio Charuau

 

 

evoking the wild nest of weaverbirds

 

The design of Como Agua is heavily inspired by forms found in natural environments. ‘We were fascinated by the wild women nests of weaverbirds. The weavers are social birds, usually nesting and feeding in colonies. They collect all sorts of natural materials like twigs, fibres and leaves to weave a membrane that acts as their nest, usually hanging from the branch of a tree,’ notes the studioMaterials used for building nests include fine leaf fibers, grass, and twigs. Many species weave very fine nests using thin strands of leaf fiber, though some, like the buffalo-weavers, form massive untidy stick nests in their colonies, which may have spherical woven nests within. OTHERWORLDS, therefore, wanted to explore the experience of dining within and around a weaver’s nest. Like the weaver, the team also foraged into the forests of the Ghats to collect wild Lantenna and weave them to create spatial structures for the space.

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
Como Agua by OTHERWORLDS

 

 

The top deck of the Como Agua restaurant houses two nests where one can sit and dine while enjoying the extensive views of the beach and sea of North Goa. On the ground floor, an undulating lantenna membrane wraps the bar and pizza counters and houses a wooden bench in between, offering a cozy corner for dinner. The wire mesh lamps spread across the bar-resto to light up the tables are also inspired by hanging nests found in trees; these lamps hang at different heights, creating a whimsically warm atmosphere that mimicks the organic nature of their biological counterparts found in the forests. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
the resto-bar sits on the Vagator cliff overlooking the sea in North Goa

 

 

building with bamboo and repurposed lantenna camara

 

Lantenna Camara has been listed as one of the ten worst invasive species in the world, invading over 40% of the Western Ghats, a total of 13 million hectares. Arriving in India as an ornamental plant in the early 1800s, predominantly by the British, Lantana has escaped from gardens and taken over entire ecosystems through its multiple hybrid varieties. In the 200 years of its arrival, the plant has evolved to now climb up the canopy as a woody vine, entangle other plants by forming a dense thicket, and spread on the forest floor as a scrambling shrub. Lantana is mainly dispersed by fruit-eating birds, monkeys, bears, and the like, but it also capable of growing from its root-stock, and nodes. This results in its widespread growth, ultimately affecting biodiversity, livelihoods, and human and animal health — from displacing native plants and reducing productivity in pasture through dense thickets formation to making it exceedingly difficult for tribal communities to access the forest for edible tubers and firewood collection. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
an undulating lantenna membrane wraps the bar and pizza counters

 

 

These alarming issues and threats expose the imminent danger of Lantenna growth, highlighting its eradication and the urgency of exploring new methods of removal/restoration. For Como Agua, OTHERWORLDS has repurposed Lantenna from Western Ghats, bringing it on site to cut, trim, bend, and wrap around metal mesh structures to create a membrane used for railings, compound wall partitions, nest-like structures, facades, and canopies. Completing the design is bamboo, sourced jointly with Bangalore-based company Bamboopecker. Native to the region, Bamboo is extensively used for structure and facade treatment. Varying thicknesses and sizes are first treated with saltwater and then used in the space. OTHERWORLDS recycled local wood pieces to create custom patterns for the bar counter tops and facade. Even the outdoor built-in benches are made using reclaimed pieces of Matti wood. Indian Kota stone makes up the interior flooring, while larger Kota stone slabs of varying polished and colors (rough to smooth) are cut into thinner pieces and then laid on site to interlock with the outdoor wooden deck. Locally available Matti wood comprises the furniture and outdoor decking.

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
outdoor built-in benches are made using reclaimed pieces of Matti wood

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest

 



Reference

Otherworlds transforms Goan villa into restaurant that “celebrates chance encounters”
CategoriesInterior Design

Otherworlds transforms Goan villa into restaurant that “celebrates chance encounters”

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into the Terttulia restaurant and bar.

Housed in a Portuguese-style villa, Terttulia Goa is defined by a central island bar informed by the balcão – an outdoor porch with built-in seats that serves as the entrance to a typical Goan home.

The restaurant takes its name from the Spanish word tertulia, meaning a social gathering with literary or artistic associations.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Intimate two-seater booths flank the bar

“The balcão is a crucial part of a Goan home as this is where one spends most of their time,” Otherworlds founder Arko told Dezeen.

“At a time of rampant urbanisation, all houses tend to become very self-contained, private and detached, separated away from the city or the neighbourhood,” he continued.

“The balcão becomes all the more important at such a time as it is built with the idea of reinforcing the kinship between the house and the neighbourhood.”

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Terttulia Goa is defined by a central bar informed by the balcão

Multidisciplinary studio Otherworlds overhauled the villa, which it describes as a “formerly enclosed shell”, by removing some of the external walls and extending the dining area into an outdoor porch.

This area is sheltered by a large bamboo canopy with elliptical openings that diffuse the natural light, transforming the space throughout the day.

The canopy is intended to mitigate the region’s extreme weather conditions; sheltering customers from the rain during monsoon season and providing a semi-open space with plenty of air circulation during the hot summer months.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Low-hung lamps add a sense of “whimsy”

Otherworlds designed the bar so that customers face each other, rather than facing the wall, in a bid to “encourage chance encounters”.

“The intention was to create an immersive atmospheric experience that inspires a feeling of being in a tropical, lush outdoor space under an overgrown natural canopy,” said Arko.

A metal and fluted glass structure hung from the building’s external walls floats above the white marble bartop and holds the arc-shaped lamps that light the intimate two-seater booths flanking the bar.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
A bamboo canopy was inserted to mitigate the region’s extreme weather conditions

At night, the restaurant is lit by low-hung sinuous lamps informed by sweeping stems that are intended to add a sense of “whimsy” to the interior.

Adhering to Terttulia’s signature green and white colour scheme, the studio opted for a palette of locally sourced materials, including the green-pigmented hand-cast concrete that it used to create the restaurant’s flooring.

“The green pigmented hand-cast concrete floor, largely termed as IPS [Indian Patent stone], is found in most places in the country and is also used to finish the balcão in all Goan homes,” Arko explained.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Terttulia Goa is housed in a revamped 1980s villa

Otherworlds worked with local workshop Jyamiti & Sea to create ovoid terrazzo accents that are scattered in various places across the floor and walls.

The studio achieved what it terms “the perfect green” using a mixture of white and grey cement and green oxide pigment.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Otherworlds opted for a palette of locally sourced materials

“The tricky bit with coloured concrete is achieving the exact shade [because] once the cement sets and is polished, the result is quite different from the initial wet mix,” said Arko.

“The process required numerous iterations and experiments to get the right mixture of materials that would yield the correct shade.”

The green cement is offset by dark wood derived from the matti, Goa’s state tree.

“We imagined the restaurant to be an extension of the house and while being part of it, [we also wanted it to] feel like a part of the city.”

Other projects that take a contemporary approach to Indian design traditions include a rammed-earth family home in Rajasthan designed by Sketch Design Studio and a Rain Studio-designed “native yet contemporary” home in Chennai.

The photography is by Suryan and Dang



Reference