Architectural Details: Why Metal Is the Perfect Material for Dynamic Educational Projects
CategoriesArchitecture

Architectural Details: Why Metal Is the Perfect Material for Dynamic Educational Projects

As designers imagine the future of educational buildings, the values and materials of today will inform school environments for decades to come. With priorities around durability, longevity, cost-efficiency, and ease of installation, metal plays a starring role in high-traffic education spaces.

For its renewability, durability, and ever-evolving versatility, architectural metal offers long-term solutions that bring beauty, reliability and safety to schools. At Presidio Knolls School in San Francisco, and the Seattle Academy of Arts and Sciences in Seattle, Washington, leading metal manufacturer BŌK Modern’s solutions have set a new standard for how educational spaces are designed and experienced.

Presidio Knolls School. Photo by Ken Gutmaker

Nestled in San Francisco’s SoMa District, Presidio Knolls School is a serene escape from the bustling city. Studio Bondy Architecture was tasked with renovating the PKS campus, including two historic buildings and the main U-Wing building containing the interior courtyard.

The team wanted to design a new public-facing identity while creating a safe, enduring environment for kindergarten through eighth-grade students. They called on BŌK Modern to design custom metal treatments for the building’s exterior façade, front gate, interior stairs, and balcony guardrails to strike that balance.

Presidio Knolls School. Photo by Kevin Quach

The distinctive element of the façade and interior courtyard is the perforated metal screen used across all solutions. The pattern is based on a Chinese ice-ray design, a common motif in wood lattice window designs in the Ming and Qing Dynasties,” says Laura Rambin, Principal at Studio Bondy Architecture. “On the street-facing façade, the pattern decreases in density as it rises to the third story of the building, giving a feeling of lightness. Within the interior courtyard, the pattern creates dynamic shadows and has the effect of standing in a bamboo forest.”

Presidio Knolls School. Photo by Kevin Quach

Designing patterns for kid-centric environments can be challenging, so BŌK and Studio Bondy Architecture carefully selected a pattern that didn’t prohibit climbing but naturally discouraged them from doing so. The custom ice-ray design also has holes too small for toes and feet to fit, and narrow vertical openings prevent anyone from crawling through.

Seattle Academy of Arts & Sciences. Photo by Rachel Godbe

In the common areas of the Seattle Academy of Arts and Sciences’ new STREAM building, The Miller Hull Partnership tapped BŌK Modern to collaborate on guardrails, stairs, and louver covers for the school’s interior. The fun and open patterning, combined with a consistent look, helped to unify the space for students and faculty alike.

Seattle Academy of Arts & Sciences. Photo by Rachel Godbe

Turning structural staircases into textural focal points, BŌK Modern fabricated their panels from 14GA steel with a primer and powder-coated finish for durability. Specified in the A26 pattern across all solutions, the finished products elevate the staircases beyond essential elements of the complex while letting the student’s art installations shine.

Providing architects and designers with endless possibilities to create engaging and resilient educational environments that can withstand the test of time, architectural metal provides sustainable, cost-saving solutions that will be part of a school’s identity for decades to come. Inspiring creativity and enhancing learning, BŌK Modern’s educational projects embrace metal materials as catalysts for resilient structures and compelling design.

To see more architectural case studies and learn more about how metal could be utilized in your next project, visit BŌK Modern’s website.

Credits & Key Information

Presidio Knolls School

  • Architect / Designer: Studio Bondy Architecture
  • Contractor: Plant
  • Construction Photography: Ken Gutmaker and Kevin Quach
  • Location: San Francisco, CA
  • Product Type: Wallscreen, Stair Guardrail, Gate, Balcony Guardrail

Seattle Academy of Arts & Sciences

  • Architect / Designer: Miller Hull General
  • Contractor: GLY Construction
  • Photography: Rachel Godbe
  • Product Type: Stair Guardrail, Balcony Guardrail, Louver Cover
  • Location: Seattle, WA

Reference

Modern Masterpiece: Architect David Strand on Designing the Perfect “Home in the Woods”
CategoriesArchitecture

Modern Masterpiece: Architect David Strand on Designing the Perfect “Home in the Woods”

If there is one thing that architects and their clients can agree on, it’s that architecture should always work in harmony with nature. When it came to Silver Residence, a stunning modern home located in Minneapolis, nature wasn’t just a consideration — it was the starting point for developing the architectural concept.

Local architect David Strand, Principal and Director of Strand Design, was tasked with creating a private residence that remained intimately connected to its site, while providing light, open spaces and high-end finishes to meet the needs of its client. The resulting house comprises an elegant arrangement of three volumes, cleverly oriented to provide a sense of privacy while maintaining uninhibited views of the surrounding forest.


Architizer’s Editor in Chief Paul Keskeys sat down with Strand to discuss the conception and development of Silver Residence, including the material choices and product specification decisions that helped make the design a reality.

Paul Keskeys: How did the client brief and the project’s unique site help to shape your initial concept for Silver Residence?

David Strand: This was a truly unique site. The lot was essentially an established woodland in the backyards of the neighboring homes. Encircled by their neighbors, our main goal was to utilize the large wooded site while maintaining discretion for the neighbors and our clients. Careful site placement and rotation, focused view corridors and room placement was our initial goal.

What most influenced your choice of materials and products for the project and why?

We wanted the house to stand stoically, but also fade into the surroundings. Getting two large, flat roofed volumes to blend in with nature isn’t that simple. The soft tone of the siding and mixed palette of dark brick and concrete helped reduce the impact. The vertical siding has a very calm and natural look that mimics the linear trees and sky.

The expansive windows reflect the woods, so it appears that you are seeing through the home to woods beyond, helping to minimize the mass of the structures. The home changes throughout the seasons, with the warm glow of the windows in the evening accentuating the natural wood ceilings and cabinetry.

For this project, we chose Marvin windows for several reasons. Firstly, both the builder and Strand Design are familiar and comfortable with the brand, and they know they can trust Marvin to stand behind its product. We were also aiming to maintain the crisp and clean aesthetic of the home, and wanted a product that was more streamlined for the windows within the primary spaces of the living room and kitchen.

The Marvin Modern line brings a refined option to the residential market and allows us to intermix supplier and installer within one brand, facilitating multiple sizes and styles of windows throughout the home. These windows allow for massive pieces of glass with minimal structure between them.

In the Silver Residence, the clean lines and minimal articulation create a truly modern and elevated experience for the public spaces of the home. To be cognizant of the budget and quality we established, we chose Marvin Ultimate due to its durable exterior aluminum extrusion and finish.

In terms of the building envelope, what were your goals and how did you achieve them through detailing?

The expansive glazing of the Silver Residence creates movement and intrigue within its harmonic envelope. From the exterior, during the day, the windows reflect the trees and sky surrounding the home, adding tones of green and blue to the otherwise neutral exterior palette. At night, they allow for the warm interior light to filter out to enliven the facade as it blends into the fading light.

From the interior, the glass connects the home to its site and allows the family to interact with nature, even while inside the home. By drawing natural light deep within the home, we created a dynamic and inviting quality that energizes the interior and enriches the time spent at home.

It is always about purposeful material usage and clean transitions. We strive to design each home within its own scale, allowing for quality material usage inside and out.  We aim to create a jewel box, whatever size that may be. The main problem with what is often perceived as the modern architecture aesthetic today, is the patchwork application of trendy materials that serves no purpose and has no correlation to the massing of the structure.

This home, like most of our homes, is thought of in terms of overall massing to create a relevant aesthetic for the site, with consideration for the scale of the project and also the clients. We created interest by using textural and material changes rather than jarring transitions. By maintaining one primary tone, we were able to create a refined yet tactile material palette. These elements carry subtly into the home, reminding you of what you are inhabiting.

What was the biggest design challenge you faced during the process, and how was it overcome?

For this question, we need to go back to the site. What seemed like a large and blank canvas became very compact and directional when taking all of the neighboring homes into account. Managing the sightlines and drawing the natural light into the homes was the main priority.

Which elements of the project do you feel are most successful and may influence your future designs?

From both the exterior and interior, the large expanses of glass that cleanly transition from one to another add depth and refinement to the home. Blurring that line of transparency and reflection is something we feel this home does well and will aim for in future homes. Purposeful material transitions are a huge part of the success of this home. Simplicity starts and stops with the absence of adornment.

Another programming element that is incorporated very well with this home is the screen porch. Protected between the wings of the house and backed by the glass breezeway, this space allows for intimate family moments and transitions from an open deck to a screened porch seamlessly. Watching the screen slice through the building façade is a satisfying moment.

What has the client’s response to the project been like?

Our clients truly love their home and utilize the residence to its fullest. It’s a home that selflessly demands little of their time and thought, while encompassing comfort, space and warmth. The home serves as the “form and function” backdrop, enriching their own free flowing lives within it.


To explore more case studies featuring Marvin Modern and learn how to harness windows and doors like these for your next project, click here.

Photographs by Chad Holder Photography; plan drawing courtesy of Strand Design.

Reference

Monolithic New York museum pavilion features “perfect cube” gallery
CategoriesArchitecture

Monolithic New York museum pavilion features “perfect cube” gallery

Spanish architects Alberto Campo Baeza and Miguel Quismondo have collaborated to create the Robert Olnick Pavilion for the Magazzino Italian Art museum in Cold Spring, New York.

The concrete-clad pavilion is the second structure on the campus of the museum, which is dedicated to promoting Italian art and design in the United States.

Quismondo, who designed the first building on the site, worked with Baeza to expand the gallery capabilities of the institution.

Concrete building with vertical protrusion and square windows
Alberto Campo Baeza and Miguel Quismondo designed the Robert Olnick Pavilion in New York

The pavilion is partially submerged into a sloping green hill, with entrances on either side of the building at the top and bottom of the grade.

It has a monolithic concrete facade with little detail, punctuated at points by simple square windows. At the top of the hill, the structure has a vertical element that gives the whole building an L shape.

Within this space a double-height gallery was conceived of as an isotropic room that is a “perfect cube”, according to the architects. Windows were placed at each corner to create a sundial effect when light from outside enters.

White interior room with light streaming through square windows
The architects included a perfectly cubic room that functions like a sundial with strategically placed windows

“We built the Robert Olnick Pavilion like a poem: a white cube traversed by light,” said Baeza.

“The main space will embody the beauty of the artwork it exhibits, and with an isotropic design that carves an opening into every corner, each detail will be touched by magnificent sunlight.”

“Not unlike the excitement of birth, it is with great anticipation that we deliver this second building to the museum.”

Polished concrete floors and white ceilings
The interior features polished concrete floors and white ceilings

The building has two floors and a mezzanine, with a long first floor that stretches the length of the structure and holds a variety of programming spaces, terminating at a glass end wall that overlooks a sunken courtyard.

The primary floor holds the two main galleries, one in the long end of the building and another housed in the double-space element created by the vertical element at the top of the grade.

“The pavilion has a humble layout that highlights industrial materials such as concrete to facilitate a conceptually strong and aesthetically neutral environment to compliment the postwar and contemporary Italian art and design it will exhibit,” said the museum.

White room with beams of sunlight
The galleries will hold art by Italian creatives

Between the two gallery spaces is a mezzanine level that is accessed from the door at the top of the slope. This space holds a cafe with a seating area that extends outdoors.

All the interiors are stark white, in line with the minimalism of the facade. Polished concrete flooring and seamless overhead lights were designed to add to the smoothness of the interior.

White light in white gallery space
The structure has two floors and a mezzanine

The museum plans to launch its first exhibitions in the fall, featuring the work of Italian designers and artists such as painter Mario Schifano and architect Carlo Scarpa.

Baeza and Quasimondo has been working with museum founders Nancy Olnick and Giorgio Spanu for more than twenty years, and designed the pair’s home, which was Baeza’s first US project, in 2003.

Other projects by Baeza include a sports complex in Madrid designed to be a “box of light” and a white-walled minimalist house in Monterrey, Mexico.

The photography is by Marco Anelli

Reference

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?
CategoriesArchitecture

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?

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Lenovo’s ThinkPad P Series Mobile Workstations have been a huge hit amongst architects, designers and other industry professionals. Through their compact design, robust performance abilities and reliability, these devices embody everything it means to be a designer in the 21st century, merging old-school design principles with modern-day technology. Just last month Lenovo introduced the new ThinkPad P1 Gen 5 16” Mobile Workstation.

The latest in the Thinkpad series boasts the portability of its predecessors with some new and improved features that make for a relaxed and smooth work experience. Despite its sleek appearance, this device is powerful and offers the best of the latest Intel vPro® platform, Core™ H Series processors and NVIDIA® graphics, meaning it can easily handle the demands of rendering and real-time visualization.

The device is made of a liquid metal thermal design which ensures that it stays cool, while its Carbon-Fiber weave cover is sleek in appearance, making it discreet and professional for meetings and presentations. The 16’’ touchscreen is anti-glare and produces an advanced color quality through its X-Rite Factory Colour Calibration. By correcting the RGB color, designers can confidently edit designs and communicate rendering changes. Additionally, the backlit keyboard provides clear visibility for designers working on their computer for long periods of time. Meanwhile, the 12th Generation Intel Core i7-12700H Processor ensures a smooth and efficient work experience. 

Since its release, reviews have been broadly positive, with one user Amazon user declaring that “the screen looks great, clear and crisp, very bright and also has a night mode. Speakers have a clear sound and are loud.” They also tout the workstation’s security options as a plus point: “You can login by using your fingerprint, face recognition, or use a pin instead.”

This new model can be categorized by its pronounced comfort and reliability. Designers spend a great deal of time in front of their screen and to help avoid eye strain and maximize comfort, the ThinkPad P1 Gen 5 comes with a low blue light. Additionally, with its rapid battery charge of up to 80% in 60 minutes, this computer supports on-the-go designers who require a speedy device ready to use throughout the workday. The computer comes preloaded with the ThinkShield security suite, a fingerprint reader, encryption capabilities and a self-healing BIOS, which allows designers to safely store their drawings.

Since the mobile workstation is portable, the Lenovo ThinkPad P1 Gen 5 is made to withstand any environment. Whether it be at a construction site, on the train or in the studio, Lenovo’s integrated US Department of Defense’s MIL-STD 810H standards ensures that the device can withstand virtually any climate or condition. 

The ThinkPad P1 Gen 5 16” Mobile Workstation is now available for purchase and is a great device for architects looking to increase comfort while prioritizing quality design.

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Images courtesy of Lenovo, with sample screenshots added.

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