Suspended bridges connect round cabin hotels in Mexico
CategoriesArchitecture

Suspended bridges connect round cabin hotels in Mexico

Mexican architect María José Gutiérrez has placed a series of round, pine-clad cabins connected by suspended bridges onto a vineyard in Mexico to serve as vacation rentals.

Located in Valle de Guadalupe, Ensenada on the Baja Peninsula, Zeuhary Hospedaje Campestre includes a community lounge and four vacation rental cabins.

Round cabin with plunge poolRound cabin with plunge pool
Top: photo by Martin Acevedo. Above: the cabins are located in Baja California, Mexico. Photo by Jonatan Ruvalcaba Maciel

“Beyond creating spaces we aim to create experiences, where nature and human beings integrate and recognize each other,” María José Gutiérrez, who leads Mexican studio Arqos Arquitectura Arte Y Diseño, told Dezeen.

“The architecture and interior design were focused on connecting with the environment and maintaining harmony with it.”

Cabin bedroomCabin bedroom
Central bedrooms feature in the round buildings

Completed in June 2022, the 250 square metres (2,690 square feet) of built area is divided into five 40-square metre (430-square foot) structures that look outward to the surrounding wine region.

The ground floor of each cabin is divided orthogonally, splitting off a portion for a partially covered exterior porch that leads into the sleeping space through a glass sliding door.

BathroomBathroom
Their interiors are sectioned into bathrooms along one side

The interiors were sectioned into a bathroom along one side, a central bedroom and a kitchenette tucked behind the headboard wall.

“In the furniture and interior decoration, we used organic materials from the region and different areas of the country, earth tones and grey contrasts, crafts, natural fibers, textiles, local wood and stone, recognizing Mexican handicraft talent and tradition,” the studio said.

“The chukum finish on the interior walls gives an organic texture and helps keep the interiors cool in summer, while the exterior coating of recycled pine wood allows the cabins to be thermally insulated in both winter and summer for greater energy efficiency.”

Round jacuzzi in cabin gardenRound jacuzzi in cabin garden
Small private gardens feature round jacuzzis

The cabins are all rotated to face a particular northern or eastern view without compromising privacy for the occupants.

A small planted garden protected by a grey wall rings a quarter of each plan, terminated by a private in-ground jacuzzi, connected to the cabin by a wooden deck with planks that align with the vertical cladding boards as if the facade radiates down the wall and along the ground.

Rooftop terraceRooftop terrace
Rooftop terraces are included atop each cabin

Up a delicate metal spiral staircase with wooden treads, the round plan becomes a rooftop terrace complete with a rope net set into the roof of the porch like an integrated hammock.

A free-swinging wooden bridge with rope netting guard rails is suspended from the roof of each cabin and leads to the roof of the common area, allowing guests to congregate in a central location.

“The circular floor plan of the cabins, together with their transition spaces such as the hanging bridges, wooden paths and spiral staircases generate fluid and dynamic routes which allow us to reconnect with ourselves and awaken our inner child through play and movement,” the studio said.

In addition to the material selection that responds thermally to the environment, the design works to preserve what little water the agricultural region has, reusing grey water for the irrigation of the vineyards.

Round cabinsRound cabins
Zeuhary Hospedaje Campestre is positioned within a vineyard

Other cabins recently completed in Mexico include a house deconstructed and separated for glamping within a forest in Nuevo León by S-AR and a brutalist cube-shaped holiday home tucked into a pine forest in Alférez by Ludwig Godefroy.

The photography is by Jonatan Ruvalcaba Maciel unless otherwise stated. 


Project credits:

Architect: María José Gutiérrez
Engineering and construction: Specialized Urban Services



Reference

Hamptons artist studio by Worrell Yeung is tucked among the trees
CategoriesArchitecture

Hamptons artist studio by Worrell Yeung is tucked among the trees

Architectural studio Worrell Yeung has completed a two-storey, black-coloured home extension called Springs Artist Studio that is meant to offer the “experience of being perched in the trees”.

The Brooklyn-based firm was tasked with designing the 800-square-foot (74-square-metre) addition for a Long Island house belonging to a florist and a painter.

Black-stained artist studioBlack-stained artist studio
Worrell Yeung tucked a Hamptons artist studio among the trees

The couple has an extensive collection of art and special objects. Their home is located in Springs, a hamlet in East Hampton that is popular with artists.

“The hamlet of Springs has a strong history of painting,” said Max Worrell, co-founder and principal of Worrell Yeung. “We were drawn to that lineage; Jackson Pollock, Willem de Kooning, Helen Frankenthaler and Jane Freilicher all painted out here.”

Artist studio interior by Worrell YeungArtist studio interior by Worrell Yeung
It is an addition to a Long Island home

The team conceived a two-storey addition that contains a painting studio on the upper level and an exhibition space down below that doubles as a garage.

The ground floor also has a powder room.

Artist studio interior featuring a gabled roofArtist studio interior featuring a gabled roof
The building has a gabled roof

In response to strict zoning rules and environmental sensitivities, the studio created a small-footprint building that preserved existing trees and minimised the overall impact on the landscape.

Rectangular in plan, the building has a gabled roof and walls clad in pine boards that were stained black to match the main house.

Birch plywood interiorsBirch plywood interiors
Interior finishes include birch plywood

Different-sized boards were used “to create a sense of shifting, lateral scale that counters the vertical massing of the structure”.

The lower portion of the building is covered in 12-inch-wide boards (30 centimetres), while the upper areas are clad in 4-inch and 1-inch versions (10 and 2.5 centimeters).

In the power room, the birch plywood has been stained blue

“From afar the studio reads as an abstract volume,” the architects said.

“Up close, the textured wood and varied-sized planks break down the scale of the building to something more accessible and rich with detail.”

The black cladding is interrupted on the upper level by a band of ribbon windows.

The architects worked with Silman Structural Engineers to create the continuous windows, which are supported by steel-rod cross bracing and slender steel columns that match the mullions.

Within the building, the four-foot-tall (1.2-metre) ribbon windows offer immersive views of the landscape.

“Natural light streams in while unique views appear from each direction, framed by unobstructed glass corners,” the team said.

Ribbon windows in extension by Worrell Yeung Ribbon windows in extension by Worrell Yeung
These offer immersive views of the landscape

“We wanted to create this experience of being perched in the trees – a retreat for working,” added Jejon Yeung, cofounder of Worrell Yeung.

Interior finishes include birch plywood, which was used for flooring, walls and cabinetry. In the powder room, the plywood is stained a rich shade of blue.

The decor includes vintage Eames molded fibreglass chairs and a vintage chandelier by David Weeks.

Black cabin in the woodsBlack cabin in the woods
The siding was painted black to match the main house

The addition is connected to the main home by a glazed passageway that brings in the natural surroundings while “providing a moment of respite between home and the studio/work environment”.

Other projects by Worrell Yeung include a series of gabled timber buildings on a New York farm and a refresh of a cedar-clad dwelling on Long Island that was originally designed by famed US architect Charles Gwathmey.

The photography is by Naho Kubota.


Project credits:

Architecture: Worrell Yeung
Design team: Max Worrell, Jejon Yeung, Yunchao Le Structural Engineer: Silman
Contractor: Fifth and Dune

Reference