Toothbrush pops open for recycling in Seymourpowell’s Un-Made concept
CategoriesSustainable News

Toothbrush pops open for recycling in Seymourpowell’s Un-Made concept

British design studio Seymourpowell has put cheap electronic goods under the spotlight with Un-Made, a project imagining four possible ways to design for quick disassembly and recycling.

As part of the project, Seymourpowell devised four automated disassembly mechanism concepts using an electric toothbrush as an example for their animated graphics.

Each of the mechanisms could be built into a product during manufacturing and then activated in a factory at the end of the item’s life.

Rendering of a toothbrush on a white backdrop from Seymour Powell's Un-Made conceptRendering of a toothbrush on a white backdrop from Seymour Powell's Un-Made concept
Un-Made suggests automated disassembly mechanisms for an electric toothbrush

The first Un-Made concept is a pin mechanism. Similar to the action of opening a SIM card slot on a smartphone, it involves poking a pin into a small, sealed pinhole on the rear of the product to release the internal components.

The second concept is a vacuum mechanism. It involves placing the product into a vacuum, causing closed cell foams and air-sealed features within it to expand and bust the external housing open.

Third, there is a piston mechanism that works by pushing a piston through a cap on the bottom of a device and forcing all of the internal components upwards until they emerge through the top.

3D graphic showing a conveyer belt of electric toothbrushes being disassembled in Seymour Powell's Un-Made concept3D graphic showing a conveyer belt of electric toothbrushes being disassembled in Seymour Powell's Un-Made concept
The first concept includes a pin-triggered release mechanism

The final concept involves using UV glue – a type of adhesive that deactivates under ultraviolet light. In this concept, the product is placed into a specially lit chamber to release the clamshell construction.

The Un-Made project was led by Eddie Hamilton, a senior industrial designer at Seymourpowell, who was driven to make the work after researching what electric toothbrush to buy for himself.

“Inevitably I went for the cheap one, at which point Amazon smugly pointed out they’d sold 10k+ of that model last month alone,” said Hamilton.

3D graphic of a series of electric toothbrushes on a conveyer belt. The one on the left is whole, the one in the middle is having its casing stripped from it under a clear dome, and the one on the right has its interior components exposed3D graphic of a series of electric toothbrushes on a conveyer belt. The one on the left is whole, the one in the middle is having its casing stripped from it under a clear dome, and the one on the right has its interior components exposed
Another mechanism uses a vacuum to burst open the product’s external housing

“As an industrial designer, I spend time obsessing over the product I’m working on, typically thinking of it in isolation,” he added.

“But one thing I occasionally fail to remember or adequately picture is the true scale of that product once manufactured. 10,000 units sold per month seems vast.”

Using Amazon’s bestsellers list, Hamilton ascertained that fabric shavers, steam irons, wireless doorbells, wireless computer mice, digital tyre inflators and USB-C adaptors were all items selling in their thousands each month, at a price of less than £20.

While designing products so they can be repaired is important, the associated expense may not be something that customers can justify for small items sold at this price point, Hamilton said.

“Even if we change societal attitudes, the bottom line is whether you should open that cheap toothbrush to replace a failing battery when you only paid £24.99 for it two years ago,” he said.

“I’m optimistic for some product categories to get the ball rolling, namely expensive and bulky items. But I’m also a realist that we need alternative strategies adjacent to repair. This is where we must design for disassembly.”

In Hamilton’s view, disassembly and recycling is a worthy “next best option” to repair for cheaper objects, as it keeps the materials in a circular material flow.

3D graphic showing a conveyer belt of electric toothbrushes being disassembled by a piston mechanism pushing their internal components out from the bottom to the top of the casing from Seymour Powell's Un-Made concept3D graphic showing a conveyer belt of electric toothbrushes being disassembled by a piston mechanism pushing their internal components out from the bottom to the top of the casing from Seymour Powell's Un-Made concept
The piston mechanism disassembles a product by pushing its components up and out

The Un-Made design team took inspiration from Agency of Design’s Design Out Waste project, which looked at three strategies for keeping a toaster out of landfill. But they particularly wanted to explore just how efficient the disassembly process could be made through automation.

The cheaper and easier the process, they say, the more motivation there is for companies to pursue this approach and recover the components and materials inside their devices.

“A huge part of the reason e-waste ends up in landfill is because of product complexity and the inherent challenges involved in their disassembly,” Seymourpowell lead designer Alex Pearce told Dezeen.

“To date, because e-waste has been considered too time-consuming and costly to disassemble – there has been no (commercial) incentive strong enough to make it a viable option.”

3D graphic showing a conveyer belt of electric toothbrushes going into a purple-lit tunnel and emerging on the other side in pieces3D graphic showing a conveyer belt of electric toothbrushes going into a purple-lit tunnel and emerging on the other side in pieces
The fourth Un-Made concept uses UV light to dissolve the glue holding the device together

The materials inside even cheap devices are valuable, Pearce points out, particularly when there are supply shortages or when it comes to rare-earth minerals.

“When you consider that more gold exists within a ton of e-waste than within a ton of gold ore dug from the ground, a straightforward economic imperative becomes clear for companies who are able to recover and reuse these materials,” said Pearce.

Seymourpowell imagines disassembly taking place either at the manufacturer’s facilities following a take-back procedure, or potentially at a public recycling centre if disassembly processes have been sufficiently standardised.

The London-based studio is known for its innovative product and transport designs, as well as concepts that challenge current norms. Recent projects from the studio have included the two-in-one reusable Bottlecup and a spaceship cabin for Virgin Galactic.

Reference

tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing
CategoriesArchitecture

tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing

B.L.U.E. Architecture Studio designs compact café in Beijing 

 

Located within the lively SanYuanLi Food Market in Beijing, this café designed by B.L.U.E. Architecture Studio offers a modern twist amidst the traditional marketplace. Occupying a small 25 sqm space, it stands out at the northern entrance, blending modernity with the market’s historic charm. Inspired by the market’s vibrancy, the café’s design aims to harmonize past and present, revitalizing the community and connecting with the urban environment. ‘Our focus is on establishing both the ‘uniqueness’ and ‘everyday sensibility’ of the community space, seamlessly integrating the distinctive spatial ambiance into daily life,’ describes the team.

tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing
all images by Runzi Zhu

 

 

a harmonious dialogue with the Surroundings

 

B.L.U.E. Architecture Studio‘s design captures attention with its juxtaposition of concrete framing and a copper door. Despite its small footprint, this project aims to spark conversations about street life, community renewal, and urban connectivity, exploring innovative ways to enhance public spaces. The facade design maintains coherence with the market’s aesthetic, featuring a clever window mechanism. ‘When open, it showcases interaction and integrates communication between urban life and community scenes. When closed, the hand-hammered copper plate forms a contrast with the bustling market, resembling a piece of art,’ shares the team.

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing

 

 

The unique shape of the concrete framing mirrors the market’s vibe, while the copper door adds visual interest without overwhelming the space. ‘With this design, our objective is to initiate a discourse on street, community revitalization, and urban connections, aiming to explore innovative approaches to communal public life’. Inside, the design fosters the ritual of enjoying coffee on the go, with the sculptural bar efficiently dividing the space. The windows blur the lines between the café and the market, encouraging interaction. Material choices, from oxidized copper to hand-cast ribbed facades and elm wood surfaces, further integrate the café with its surroundings.

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing
the handcrafted copper door, in contrast with the rough and weighty concrete

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing
windows on the inner façade foster interaction among various stalls and blur the boundaries between the café and the market

Reference

Ivy Studio adds pops of colour to Spacial co-working office in Montreal
CategoriesInterior Design

Ivy Studio adds pops of colour to Spacial co-working office in Montreal

Mint green and burgundy are among the hues incorporated into a Montreal co-working space that Canadian firm Ivy Studio designed to “stand out from its competitors.”


The office is located on the second floor of a 743-square-metre building in Verdun, one of city’s trendiest neighbourhoods. The space formerly housed a Jiu Jitsu gym and a beauty salon.

Ivy Studio designed the project
Spacial co-working office includes mint and burgundy hues

This is the first location for the new co-working brand Spacial. Local practice Ivy Studio was charged with designing a flexible work environment for up to 120 people.

“Being the first of its brand, this space had to stand out from its competitors by offering a unique vision for co-working,” the team said.

Local firm Ivy Studio added dashes of colour to the space
The project was designed by Ivy Studio

The team divided the rectangular space into two distinct zones.

The front portion encompasses public areas that are largely used for informal working, socialising and relaxing. In the rear, the team created a more private area with about two dozen rentable offices in varying sizes.

Throughout the space, contemporary finishes and decor are paired with original building elements, such as exposed ceiling joists and brick surfaces.

In many areas, the team coated the walls with an off-white plaster and covered the floors with light-grey terrazzo. Much of the furniture is black, although dashes of colour are sprinkled throughout.

Rainbow-coloured elements feature in the office
Dashes of colour are set against monochrome walls

Upon entering, one encounters a rounded reception desk made of zinc with a rainbow-coloured finish. Hanging on a wall is a blue, circular mirror – one of several rounded elements in the venue.

To one side of the foyer is a lounge and a trio of conference rooms, each with a wall-mounted screen.

Ivy Studio created a mixture of light and dark areas
Brick walls feature in the office

“In the conference rooms, televisions are camouflaged in front of matching, circular black mirrors, each backlit to put forward the white-washed brick wall,” the team said.

To the other side of the foyer is a second public area. This one encompasses a kitchen and dining space, including private booths that are well-suited for small groups.

Bathrooms have black tiles and pops of colour
Bathrooms have black ceramic tiles

The kitchen features curved cabinetry with a glossy mint-green finish, and a backsplash and island covered with Rosso Levanto marble. The base of the island is made of stainless steel, which mimics the chrome planters found throughout the office.

Situated near the kitchen are the bathrooms, which have black ceramic tiles and matching plumbing fixtures.

Ivy Studio put a glass-brick wall in the reception
The reception area has a blocky glass brick wall

Behind the reception desk is a glazed-block wall that separates the public zone from the private offices, while still enabling light to pass through.

The offices are arrayed along corridors with tile flooring and brick walls. Both fixed and sliding glass panels enclose the work spaces. A dark burgundy hue was chosen for the carpeting and mullions.

Skylights throw light onto the office's corridors
Skylights bring extra light into the office’s interior

To ensure the private area felt bright and welcoming, the team installed 20 skylights above the corridors.

“With the exposed brick walls, sandstone floor tiles and abundance of natural light pouring into the hallways, the general feeling resembles that of working in an exterior courtyard,” the team said.

Other co-working spaces in Canada include an office designed by Henri Cleinge within Montreal’s old Royal Bank, and a women-only space in Toronto that was designed by MMNT Studio to feel peaceful yet playful.

Photography is by Alex Lesage.


Project credits:

Architecture and design: Ivy Studio Inc
Construction: Gestion Gauthier Construction
Furniture: Ivy Studio Inc.

Reference