3 Top Cameras for Architects and Designers on the Go
CategoriesArchitecture

3 Top Cameras for Architects and Designers on the Go

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

Visual storytelling is no easy endeavor, especially when it comes to capturing the built environment. Yet, with the ever-ubiquitous range of 21st-century technologies connecting people with buildings worldwide, architectural photography and filmography have never been more fruitful or thrilling. With diverse backgrounds and expertise, more photographers and filmmakers are gravitating to the architectural profession than ever, taking buildings as their subjects. 

At the same time, more and more architects and their firms are taking advantage of their privileged access to construction sites and the accessibility of high-quality photography equipment available to the general public. Indeed, some of the most successful architectural films and photographs harness photography to tell compelling stories about the building process and their built products. With the help of advanced technology and equipment, architects and photographers are bringing the built environment to life in entirely new ways. Listed below are three new products released this year, all particularly well-suited for architectural photographers, filmmakers and designers alike.


Fujifilm X-H2S Mirrorless Camera Body

Best Camera for Architects and Designers

Fujifilm’s X-H2S Mirrorless Camera Body is designed to smoothen the photo-taking and filmmaking process. Considered to be the company’s most capable video and still hybrid, this device comes with incredible sensors and improved image support thanks to its X-Processor 5 and X-Trans CMOS 5S sensor. 

The device boasts an increased memory capacity with a high-speed burst shooting capability ranging up to 30fps for over 1000 frames. Its refined autofocus now produces a cleaner and more focused shot through its prediction algorithm that can easily capture moving objects, especially in low-contrast and difficult conditions. This feature is especially useful for filmmakers who from time to time face unpredictable weather and environmental situations that make it challenging to capture the true essence of a site. 

When it comes to architectural photography, each image maker has their own set of preferences. Some like to contextualize the image using the human form, and others prefer letting the design speak for itself. The X-H2S’s new subject-detection autofocus is capable of automatically detecting a broad range of subjects in an image. Whether it be passing by vehicles or pedestrians, this camera is capable of accurately focusing-in on smaller subjects who may be using the space, thus allowing the photographer to focus on the framing the building and the overall composition without having to preoccupy themselves with such variables. 

The Fujifilm X-H2S moves with the architectural photographer at all times of the day. The device supports HEIF image format and delivers 10-bit image quality in files 30% smaller than standard JPEGs. This is especially useful for those who would like to have high-quality images directly after shooting. The device’s X-Trans sensor tightly controls shutter effects and helps produce a natural-looking recording which allows the architectural design to speak for itself. Designed to keep up with the brilliant imaginations of architectural image makers, the device can internally record up to 90 minutes of footage using a single battery.

See more info and buy >


Insta360 X3 – Waterproof 360 Action Camera

Best camera for architects to enhance their social media presence

A challenge architectural filmmakers often face is framing the perfect shot right at the get-go, and the X3 camera poses a simple solution to this problem. This device is designed to shoot first and frame after, meaning users can simply mount the camera, click record and reframe after. The X3 camera is connected with the brand’s AI-powered Insta360 app, which comes complete with numerous reframing tools and direct upload capabilities. Therefore, filmmakers can simply upload their video and edit directly on the app. Once edited, the video can be directly uploaded through the app onto social media. The X3 is a one-stop shop for architecture firms looking for simple ways to create high-quality content for their media presence. 

In addition, the Insta360 X3 camera comes with a first-person view mode that allows users to film from their perspective while not compromising resolution or quality. This is a particularly useful tool for those filming interior spaces or hoping to capture the essence of a structure from the human perspective. Equally, the new HDR mode makes filming in difficult lighting conditions that much easier through its stabilizing and shadow-enhancing features. So much of the built environment is found in non-ideal shooting environments, and so a device like X3 — one that can work in difficult conditions — is extremely useful to architectural image makers. 

The X3 is designed for creatives and comes with an array of filming options. This device is perfect for designers hoping to create original videos for their social media. For example, designers can use the 8k quality timelapse feature to capture the progression of a structure throughout time. The Insta360 X3 – Waterproof 360 Action Camera comes with powerful 360 capture, reframing capabilities and an advanced AI system.

See more info and buy >


DJI Mini 3 Pro (DJI RC)

Best camera for architects to capture large projects and bird’s-eye views

The DJI Mini 3 Pro (DJI RC) is a small and lightweight drone designed for any environment. This foldable device can capture detail with 4K/60fps video and 48 MP photos. As architects lean on social media more and more to promote their firms, producing ready-to-post videos is key. The DJI Mini Pro offers an easy solution for designers through its True Vertical Shooting feature, which produces social media-ready shots and recordings.

The drone is capable of flying for up to 34 minutes, which is ideal when capturing large projects like condominium development or campus renovations. Moreover, its tri-directional obstacle sensing ensures the drone video is not compromised by unexpected objects in the air. Due to its small size of less than 249 g, the Mini 3 Pro does not require registration in most countries, which eliminates an additional step and lets Mini 3 Pro owners get straight to flying.

See more info and buy >


For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Architects: Here’s How to Supercharge Your Hybrid Workflow
CategoriesArchitecture

Architects: Here’s How to Supercharge Your Hybrid Workflow

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

As remote work continues to dominate the workplace landscape, tools and devices designed to improve the virtual experience are becoming increasingly important and popular amongst designers. Indeed, most firms in the United States are offering hybrid work models to their employees, a potentially revolutionary change that certainly transforms the design profession, where office culture and collaborative processes are integral to the success of many projects.

While working from home offers numerous benefits and perspectives, the office atmosphere is hard to replicate and often missed. Thankfully Owl Labs has developed a new and improved technology to facilitate collaborative work from a distance. The recently-launched Meeting Owl 3 multitasks as a 360° camera, microphone and speaker device that elevates the video conference experience, fosters connectivity and improves overall productivity.

Learn more and shop >

Meeting Owl 3 integrates with the most used conferencing platforms today, such as Zoom, Google Meet, Microsoft Teams and GoToMeeting among others. Its compatibility is ideal for designers whose work is conducted over multiple conferencing platforms. Owl Labs has integrated their Owl Intelligence System into the device, which consists of AI-driven software that regularly upgrades to make collaboration as immersive, inclusive and reliable as possible.

The output resolution is 1080p HD, with a field view of 360°, ensuring clear and crisp video quality that helps team members feel connected while working apart; this level of detail can be vital when showing physical objects, including models and sketches, rather than doing a screenshare. Moreover, the device’s microphone comes with 8 omnidirectional beam-forming Smart Mics and an audio radius of 18 inches. The speaker quality and output quality help to ensure that both designers and project teammates can hear one another as clearly as possible.

The Meeting Owl 3 is designed to automatically focus on the voice actively speaking, which creates the best possible meeting experience without having to intervene and consistently check-in with those listening. Owl Lab’s easy-to-use connection system makes it ideal for those running multiple meetings back-to-back or those signing into last-minute calls. It can be simply plugged into the host computer via USB-C or can be connected to the Expansion Mic via micro-HDMI. Once connected, users can immediately start their video conference call.

Beyond home work, The Owl Lab is useful to architects working in the office who would like to collaborate with teammates or meet with far away clients virtually. Indeed, it is especially helpful for design firms that conduct international business with overseas clients. This device’s ability to mimic the office environment and in-person feel will aid in building client confidence and maintaining a good rapport between team members.

This ind of tool is also useful for larger conferences or for those working in big spaces. In such cases, Two Meeting Owl 3s can even be paired together to expand the video and audio coverage within a space. Meanwhile, the device is small and compact and blends seamlessly into any environment without creating an eye sore or distraction.

Since its release, the Meeting Owl 3 has been widely revered for its effortless set-up and ability to foster connectivity. One Amazon user explained how the “system was so simple to install, plug it in, initiate the system and you are off and running on your zoom meeting” and how it “made the meetings fun, functional and will allow our in person and remote teams greater ease and access to each other, a win for us in productivity and connectivity.”

Meeting Owl 3 is one of those devices that enables designers to maintain the best of both worlds: to continue working remotely without having to compromise on collaboration and communication. Equally, it allows studios to seamlessly present projects and make virtual connections with far-off clients around the world.

Learn more and shop >

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Will Artificial Intelligence Make Designers Redundant?
CategoriesArchitecture

Will Artificial Intelligence Make Designers Redundant?

Jet Geaghan is an Architect based in Woods Bagot’s Sydney studio. For Jet, every building should be conceived with purpose, expertise and wit. Clarity of communication is fundamental to his work, whether it be in a design gesture, construction detail, or cultural testimony.

Artificial Intelligence is the Frankenstein’s creature of the digital era. The possibility of the invention surpassing the inventor beguiles our collective imagination – conjuring emotions as far-ranging as hope, trepidation and even fear. Unnerving reports of a Google chatbot displaying sentience in June plays on our conscious, forcing us to consider the ramifications of an AI that fears us as much as we fear it.

The quickening pace of AI’s development is both alarming and exciting, fuelling speculation about our own obsolescence. It once seemed irrefutable – even amongst the pioneers of machine intelligence – that only humans could create art. Now, image generation AI like DALL E-2, Midjourney and Stable Diffusion use machine learning neural networks to create original, breathtakingly realistic images from a text description that would look as at home on a gallery wall as they would as concept images in an architectural bid (see fig.1).

These algorithms challenge humanity’s ownership of creativity as we know it, but they do not herald the designer’s last days. Instead, AI will be harnessed as a powerful tool that (1) allows for time better spent and (2) unlocks new dimensions of creative ideation. Both functions will synthesize the role of the designer towards a more productive, augmented future.

Time Better Spent

Using real data from Woods Bagot timesheets over the period of one year, this diagram postulates the gains in productivity that AI could provide by automating repetitious tasks across different project phases. The time freed up could be funneled back into meaningful design tasks – resulting in better use of resources and better outcomes for clients and end users.

The history of technological advancement is defined by massive leaps forward that have seen time-consuming, repetitive processes automated, fundamentally changing what humans can produce. AI continues this tradition by rapidly becoming more affordable and higher performing. Stanford University’s 2022 AI Index Report shows that the cost to train an image classification system has decreased by 63.6%, while training times have improved by 94.4% since 2018. The result of the swift development of AI is that designers – hired for their creative reasoning and expertise – could be freed from the bonds of mundane tasks.

These were developed with DALL-E 2 in a 20-minute timeframe, using variations around the prompt ‘feature lobby staircase with soft background lighting at night.’ Rather than generating a design, AI generated images help to quickly explore mood, materiality and character for early concepts.

In our inexorably visual world, AI like DALL E-2, Stable Diffusion and Midjourney streamline the image-making process. Today’s design concepts are expected to be communicated with photorealism and multi-dimensional dynamism for clients or buyers to assess. For designers, image production is a painstakingly meticulous and lengthy process, requiring precision and ingenuity in equal parts. Image generating AI, which produces beautiful visuals in minutes, dampens these pressures.

Even the smallest amendment to existing imagery can take many hours in human hands. With careful design supervision, an algorithm can produce sketch-like illustrations of space and mood in minutes. Here is an image of an abandoned power station placed next to an image of that space reimagined with DALL-E 2 as a contemporary hotel reception celebrating its industrial history.

These new tools give designers a speedy visual foundation on which to build an aesthetic, while still allowing them the depth of inquiry and emotional reasoning pivotal to the development of strong design concepts. The process of drawing a design unveils as many problems as it does solutions – image generating AI allows designers to arrive at the problem-solving stage quicker.

Unlocked Creative Ideation

AI presents a radical new method for exploring ideas that are liberated from the distraction and friction of architectural realities. Through these new methods of discovery, we see creativity redefined as something shared with AI.

Visions of New York City in an alternate future, created with DALL-E 2 (left) and Midjourney (right).

Unembarrassed and unencumbered by accepted strictures, image generating AI tests the bounds of convention by producing limitless possibilities. Though more whimsical than workable for now, these fresh visual takes on design briefs see AI push creative ideation – creating room for the unexpected. By providing DALL-E 2 with a number of text prompts we’re able to see a New York City in an alternate future – its iconic brownstone and leafy Central Park reimagined in entirely novel configurations.

This exploration challenges human assumptions of creative authorship, reframing it as something shared with AI. Though the ruling has since been overturned, the Australian Federal court’s 2021 decision to permit AI systems to be named as the inventor on Australian patent applications is a strong indicator of this incoming overhaul of our understanding of creativity.

Designers develop new ways as well as new things. The future will see designers explore the potential of using AI to improve working processes – unburdening their talent for exploration of ideas, testing, decision making and evaluation. Visualisation tools are already used for testing the success of different materials or geometries before committing to their application, or to measure variables like acoustics, daylighting and airflow. As it develops, AI of this ilk can clarify these judgments – making for easier decision making and better built outcomes.

Here is a photograph of the 275 Kent Street redevelopment, Sydney. Below is a DALL-E 2 interpretation of the key parameters of the brief.

What this comparison illustrates is that, while compelling, this tool cannot digest important factors like context, functionality or human experience. AI imagery cannot replace the understanding, inquiry and decisions of a designer.

AI’s capacity for the testing of ideas is demonstrative of how it will revolutionize workflow and electrify the creativity of design practitioners. Yet it is the directing and evaluating of ideas that requires human judgement to drive the preferred outcome. Design is decision-making, and that remains inherently human.

An Augmented Future

The evolution of AI and design move in tandem. Rather than be replaced, the next generation of designers will be collaborators with AI. This necessitates a new skillset: the adaptive reasoning to evaluate and synthesize the work of machines and a fluency in the computational logic that underpins AI creativity. The designers of the future will focus on creative investigations that require appraisal, interpretation, and sophisticated empathy – such as how a building connects with its site, the cultural ramifications of manufacture or construction, the lived experiences of inhabitants, communities and visitors and the ongoing strain on climate, ecologies and finite resources.

The role of designers has always evolved as new instruments have emerged, but the vitalness of a distinctly human judgement to wield these instruments remains the throughline. To deliver empathetic, reasoned designs, AI needs the human-hand. Likewise, for unrestrained ideation and visual streamlining, delegating to AI will become a necessity in the competitive architectural marketplace. This reciprocal relationship that makes AI a tool that will develop alongside its trade, not one that will leave it behind.

 How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

Architectural Details: GOA’s Perfectly Perforated Pyramidal Roof
CategoriesArchitecture

Architectural Details: GOA’s Perfectly Perforated Pyramidal Roof

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Amid a swampy plain in Suzhou, China, one can see a series of glowing pyramids peeking through a grove of metasequoia trees. (A native deciduous variety also known as dawn redwoods, the fast-growing trees are among the shorter in their genus, although no less beautiful with their pyramidal-shaped profiles.) The newly constructed Restaurant of Metasequoia Grove, designed by GOA (Group of Architects), draws inspiration from these plants to create an unusual building profile for the restaurant typology. The building is part of the Wujiang Beautiful Village plan that focuses on the rural revitalization of the surrounding Zhongjiadang area, which aims to encourage tourism and promote local culture. Inspired by the local flora, this restaurant and banquet hall is just the first step in this development.

The idea of the scheme is to make it a part of nature to heighten the dining experience for the user. “Water, sky and buildings constitute a background picture,” the team said. “The new restaurant will not only provide people with a place to enjoy the scenery, but it will also become a landscape embellished on the coastline.”

The nature-forward design of the restaurant takes a lot of inspiration from the site itself. The site’s northern edge is flanked by farmland and trees and the southern side is surrounded by water. The conical shapes of metasequoia trees around are abstracted into pyramids of different heights and widths to create something akin to a geometric forest. “Three different scales of modules mix and cluster together, forming a continuous canopy structure that traces an artificial forest profile within nature to simulate the natural substances’ generative process,” the firm said.

The total height of the roof canopy is just below forty feet. Each of the pyramidal forms is topped with a skylight to allow more natural light to enter the structure. The outer layer of these modules is covered in diagonal lines and a stippled pattern that recreates the texture of the metasequoia trees. Additionally, this perforated aluminum surface is layered with glass underneath and supported using grilled wood panels. This arrangement allows warm light to shine through the perforations during the night, much like a cluster of fireflies peeking through dense foliage. The contextual vision of this design has cemented its position in this year’s A+Awards gallery with both the Popular and Jury votes in the Restaurant category.

Despite the different heights on top, the lower end of the roof is evenly lowered by about nine feet to create a crisp frame of the view around. “Standing under the eaves and looking out, the vastness and tranquility of the plain wetlands seem to be included in the picture scroll,” GOA explained. The underside of the roof is also free of vents, which are in turn placed at the ground level along the glass windows, to create a disruption-free experience.

In order ensure maximum visual impact, GOA has used just ten load-bearing columns within the structure. These larger columns are combined with three slender columns. On the periphery, they have restricted the number of columns to just 11 to create unobstructed views of the water beyond. The team has used full-length single bay glass windows to envelop the main dining area.

In addition to eliminating partition devices, the team has further blurred the boundaries between the structure and site around by using the same paving materials within the restaurant and the terrace that extends outwards. The terrace also includes a planned water body, closer to the natural water body, which creates a continuous line of vision when sitting inside.

Understanding the interaction between architecture and its environment has always been a priority for GOA. They believe that architecture has the potential to redefine the way a location is perceived and can have a long-lasting impact on its growth and use. This restaurant design stays true to the firm’s idea of creating a landscape as opposed to a structure. Its true immersion into the site promises a tranquil sanctuary where visitors can disconnect and take in the mesmerizing waters and woods.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

Tech for Architects: An Edgeless Monitor to Enhance Your Workstation
CategoriesArchitecture

Tech for Architects: An Edgeless Monitor to Enhance Your Workstation

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

A monitor for an architect is like a magnifying glass for a jeweler. It permits close-up and detailed views of an architect’s designs. When working with design software and intricate images, computer monitors help enhance a working environment and ultimately lead to a more successful project outcome. As the design industry heavily relies on technology, accessorizing a workstation with quality monitors, mouses and laptops are paramount.

Choosing the right monitor for professional work is equally important, and there are numerous aspects to consider, such as resolution, speed and brightness. And for many industry professionals, budget plays a significant role in the decision-making process. Luckily, there are monitors on the market today — such as the KOORUI 24-Inch Business Computer Monitor — that respond to designers looking to enhance their workstations while respecting their budget. The new KOORUI monitor offers great performance capabilities, pronounced screen visibility and advanced eye comfort.

All of these qualities can stand up to similar products by Dell and HP, making it KOORUI’s a very good price point for the product. As one reviewer succinctly explains, “I do CAD work on this monitor and find it very close in picture quality to those costing 4 times as much.” 

The KOORUI’s 23.8 inch monitor boasts a wide screen that offers clear views of one’s work. It comes with a frameless screen that displays images in their unaltered form. This edgeless design is ideal for designers connecting multiple monitors and require reliable and uninterrupted views of their work. The KOORUI’s VA screen covers 99% of the SRGB color gamut. This VA screen produces clear and precise color depictions and is ideal for architects whose work is often dependent on color accuracy.

In their product reviews, Amazon customers underlined how well the edge-less design lent itself to dual-monitor workflow setups: “It’s sleek looking and all the buttons are right there in the front so when it’s side-by-side with my other monitor, it is more seamless looking from one screen to another.”

Meanwhile, when spending all day in front of a screen, it’s important to use products that maximize comfort. The KOORUI monitor can be tilted up to five degrees forward and 20 degrees backwards. This feature permits bespoke adjustments that adhere to each designer’s personal viewing preferences — including transitions from seated to standing work set-ups. Additionally, the monitor comes equipped with Flicker-Free technology and a Blue Light Filter which helps make a full day of screen time manageable and less straining.

The monitor comes with multiple ports including HDMI and VGA and can be connected to PC, Xbox and other laptops, thus suitable for both professional and personal use. The new KOORUI 23.8 inch monitor is an economical and straightforward solution for architects looking to enhance their workstation and improve their productivity.

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Reference

Architecture Mood Board: Mies van der Rohe’s Barcelona Pavilion
CategoriesArchitecture

Architecture Mood Board: Mies van der Rohe’s Barcelona Pavilion

There are few buildings in the world with a more distinctive aesthetic than the Barcelona Pavilion, designed by Mies van der Rohe and Lilly Riech. Originally constructed as the German Pavilion for the Barcelona International Exhibition in 1929, and rebuilt in 1986, this iconic building bears all the characteristics of the Modernist principles that Mies is famed for. The pavilion’s emphatic horizontality, open-plan layout and minimalist detailing are renowned, but the project’s use of materials are arguably its most defining quality.

Sumptuous yet cool, rich yet understated, the pavilion’s material palette celebrates the art of contrast. Monumental slabs of marble work in harmony with slender glass partitions and reflecting pools to create a serene space, worlds away from the hustle and bustle of the nearby city.

Here, we take a closer look at some of those iconic materials, revealing the ingredients behind one of the purest manifestations of Modernist architecture. To the right of each image, you can find a selection of samples inspired by each material — visit Material Bank to start curating your own board.


Travertine (floor and exterior walls)

Left: The Barcelona Pavilion; image by Wojtek Gurak. Right: Materials inspired by the pavilion’s travertine surfaces; samples via Material Bank

The most prominent material used throughout the Pavilion is Roman travertine, a luxurious yet hard-wearing material that anchors the projects. Travertine forms the plinth upon which the building sits, as well as the surrounding walls, which enclose the reflecting pool and provide a sense of separation from the outside world. Its color, a soft, yellowish hue, acts as a perfect backdrop for the bold materials placed throughout the building.

Featured Material Samples


Golden Onyx (interior freestanding wall)

Left: Barcelona Pavilion interior; image by Martin D. Right: Materials inspired by the pavilion’s onyx wall; samples via Material Bank

At the heart of the building is a freestanding wall of golden onyx, sourced from the Atlas Mountains in Northern Africa. The uniquely patterned surface of this slab was revealed by a splitting process called broaching, enabling a symmetrical marbled pattern to be displayed across the wall’s entire expanse. In terms of color, amber hues transition into oranges and deep reds, providing a rich and complex finish that forms a focal point within the building’s interior. Interestingly, Carsten Krohn, author of Mies Van Der Rohe: The Built Work, states that “the honey-yellow onyx wall of the original is much redder in the modern reconstruction.”

Featured Material Samples


Green Marble (walls)

Left: Barcelona Pavilion exterior; image by Steven Zucker. Right: Materials inspired by the pavilion’s green marble walls; samples via Material Bank

Two types of marble with a green hue can be found in the Barcelona Pavilion: Polished green Tinian marble and “vert antique” marble, quarried in the French Alps. The hues of these walls range from deep green to gray-blue, contrasting with the lighter shades of travertine below and the pure white plane of the ceiling above.

Featured Material Samples


Glass (walls)

Left: Barcelona Pavilion glazing; image by Kent Wang. Right: Materials inspired by the pavilion’s glazing; samples via Material Bank

Mies employed a variety of glass materials throughout the pavilion, controlling the level of transparency, varying the sense of enclosure and framing specific views. According to Krohn, “an entire repertoire of materials have been employed: in addition to transparent glass, the building makes use of green and gray glass, frosted glass as well as black opaque glass for the table tops.” Together with the marble partitions, the glass panels of Mies’ pavilion challenge the conventional function of walls — rather than enclosing space, they act as devices to guide people through the building, channeling their path and blurring the boundaries between inside and out.

Featured Material Samples


Stainless Steel (loading-bearing columns)

Left: Barcelona Pavilion interior; image by Rory Hyde. Right: Materials inspired by the stainless steel columns; samples via Material Bank

Key to Mies van der Rohe’s design was a set of eight polished steel columns that support the roof. As Krohn explains, “the columns form a structural unit that represents a separate architectonic element independent of the non-loadbearing partitioning walls.” Their cruciform shape provides the necessary structural rigidity, while their polished finish reflects light and flashes of color from the surrounding marble. It also echoes the reflective quality of the pools on the exterior or the building.

Featured Material Samples


Black Glass (reflecting pool)

Left: Barcelona Pavilion exterior; image by Steven Zucker. Right: Materials inspired by the black glass of the reflecting pool; samples via Material Bank

Black glass was used to line the smaller of the two pools within the Barcelona pavilion, designed to heighten the reflective quality of the water and dramatize the solitary ornament within the building: a bronze reproduction of Georg Kolbe’s sculptural figure, entitled “Dawn”. Both the sculpture and the patterned marble walls behind it are perfectly reflected in the water, their curves contrasting with the perfectly straight lines that define the space.

Featured Material Samples


Ivory Leather (Barcelona Chairs)

Left: Interior featuring the Barcelona Chair; image by Yuichi. Right: Materials inspired by the Barcelona Chair; samples via Material Bank

Designed by Mies van der Rohe himself, the Barcelona Chair is an icon of modern design, to such an extent that faithful reproductions are still produced and sold today. The structure of the chair is polished stainless steel, echoing the cruciform columns of the pavilion. The back and cantilevered seat are upholstered with off-white kid leather, with welt and button details. MoMA sums it up best: “The Barcelona Chair achieves the serenity of line and the refinement of proportions and materials characteristic of Mies van der Rohe’s highly disciplined architecture.”

Featured Material Samples


Inspired by Mies? We invite you to create your own material mood boards using iconic architecture as your muse! Share your creations with editorial@architizer.com and we’ll publish a selection of the best on Architizer.

Top image: The Barcelona Pavilion via Wikimedia

Reference

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?
CategoriesArchitecture

Tech for Architects: Is This the Perfect Mobile Workstation For Designers?

Architizer Journal is reader-supported. When you buy through links on our site, we may earn an affiliate commission. Learn more.

Lenovo’s ThinkPad P Series Mobile Workstations have been a huge hit amongst architects, designers and other industry professionals. Through their compact design, robust performance abilities and reliability, these devices embody everything it means to be a designer in the 21st century, merging old-school design principles with modern-day technology. Just last month Lenovo introduced the new ThinkPad P1 Gen 5 16” Mobile Workstation.

The latest in the Thinkpad series boasts the portability of its predecessors with some new and improved features that make for a relaxed and smooth work experience. Despite its sleek appearance, this device is powerful and offers the best of the latest Intel vPro® platform, Core™ H Series processors and NVIDIA® graphics, meaning it can easily handle the demands of rendering and real-time visualization.

The device is made of a liquid metal thermal design which ensures that it stays cool, while its Carbon-Fiber weave cover is sleek in appearance, making it discreet and professional for meetings and presentations. The 16’’ touchscreen is anti-glare and produces an advanced color quality through its X-Rite Factory Colour Calibration. By correcting the RGB color, designers can confidently edit designs and communicate rendering changes. Additionally, the backlit keyboard provides clear visibility for designers working on their computer for long periods of time. Meanwhile, the 12th Generation Intel Core i7-12700H Processor ensures a smooth and efficient work experience. 

Since its release, reviews have been broadly positive, with one user Amazon user declaring that “the screen looks great, clear and crisp, very bright and also has a night mode. Speakers have a clear sound and are loud.” They also tout the workstation’s security options as a plus point: “You can login by using your fingerprint, face recognition, or use a pin instead.”

This new model can be categorized by its pronounced comfort and reliability. Designers spend a great deal of time in front of their screen and to help avoid eye strain and maximize comfort, the ThinkPad P1 Gen 5 comes with a low blue light. Additionally, with its rapid battery charge of up to 80% in 60 minutes, this computer supports on-the-go designers who require a speedy device ready to use throughout the workday. The computer comes preloaded with the ThinkShield security suite, a fingerprint reader, encryption capabilities and a self-healing BIOS, which allows designers to safely store their drawings.

Since the mobile workstation is portable, the Lenovo ThinkPad P1 Gen 5 is made to withstand any environment. Whether it be at a construction site, on the train or in the studio, Lenovo’s integrated US Department of Defense’s MIL-STD 810H standards ensures that the device can withstand virtually any climate or condition. 

The ThinkPad P1 Gen 5 16” Mobile Workstation is now available for purchase and is a great device for architects looking to increase comfort while prioritizing quality design.

For more laptops and workstation recommendations for architects, checkout 15 Top Laptops for Architects and Designers, and watch out for more in our Tech for Architects series, coming soon.

Images courtesy of Lenovo, with sample screenshots added.

Reference

Live Talk: Seven Pillars of Highly Successful Architecture Firms
CategoriesArchitecture

Live Talk: Seven Pillars of Highly Successful Architecture Firms

Want to learn the secrets to success for your architecture firm? If so, our next live event — the third episode in our architecture practice management series — is one not to be missed! Steve Burns FAIA, Chief Creative Officer at BQE, will reveal the ingredients of a well-run architectural business, including pearls of wisdom that will prove valuable for new and seasoned professionals alike.

As a bonus, architects can earn 1 AIA LU Credit for attending this talk, courtesy of BQE. Join us live on August 31st at 1:00pm ET — hit the blue button to register for free:

Register for the Event →

Culled from experiences working with more than 3,000 architecture and engineering firms over 25 years, this session will examine the seven common denominators of every successful firm. Success comes in many flavors. For some, it’s money; for others, it is peer recognition, awards, or fame; for most of us, it’s having access to challenging or exciting projects.

Regardless of how you measure success, adopting these Seven Pillars will help you create the framework from which you and every member of your firm can achieve their professional goals.

Learning Objectives

In this webinar, you’ll learn how to:

  • Apply your AE talents to your business and turn your firm into the most exciting project of your career.
  • Integrate your people, processes, and tools to create the perfect triangle
  • Create and manifest your business and strategic plan
  • List the three essential qualities which turn individuals into leaders

About Steve

Steven Burns is a member of the College of Fellows of the AIA and Chief Creative Officer of BQE Software. After receiving his Master of Architecture degree from the Harvard Graduate School of Design, Steve spent 7 years at SOM – working in Chicago, London, and Berlin before founding his own firm, BBA Architects in 1993. In 2007, Steve sold BBA to pursue his passion for business management software — starting with his creation of ArchiOffice. Steve is now focused on the product development of BQE CORE ARCHITECT, a fully-integrated, cloud-based firm management platform that includes time billing, invoicing, accounting, and project management for firms of all sizes. Steven is a global speaker and thought leader on topics related to firm management and emerging technologies.

About Paul

Paul Keskeys is Editor in Chief at Architizer. Paul graduated from UCL and the University of Edinburgh, gaining an MArch in Architectural Design with distinction. Paul has spoken about the art of architecture and storytelling at many national industry events, including AIANY, NeoCon, KBIS, the Future NOW Symposium, the Young Architect Conference and NYCxDesign. As well as hundreds of editorial publications on Architizer, Paul has also had features published in Architectural Digest, PIN—UP Magazine, Archinect, Aesthetica Magazine and PUBLIC Journal.

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Reference

Koichi Takada Architects’ Latest Tower Is Creating Major Waves on Australia’s Golden Coast
CategoriesArchitecture

Koichi Takada Architects’ Latest Tower Is Creating Major Waves on Australia’s Golden Coast

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Nestled between beloved Surfers Paradise and chill Coolangatta, Burleigh Heads is a small suburb on Australia’s famed Golden Coast, known for its crowd-drawing surf breaks and iconic towering pine trees. In recent years, a hip dining scene has emerged, reflecting how the area’s popularity has grown. Now, there is a need for more multi-residential developments has increased to help house the growing influx of locals and visitors alike. For the first time in the area in three decades, a multi-residential development has gone up, taking the name of Norfolk, Burleigh Heads.

The iconic luxury apartment building gets both its name and from the heritage Norfolk pine trees found around the site, making a significant contribution to the unique features that set this area apart from the rest. “Just like their pinecones protect its seeds from bad weather and open when in ideal natural settings, Norfolk’s architecture can be adapted to protect residents from the elements or opened up to take in the 300 days of subtropical sunshine and stunning natural surroundings,” said the building’s visionary Koichi Takada Architects, a firm known for the diversity of their portfolio and imaginative willingness to push the bounds of architectural form.

Images by Scott Burrows

The 10-story building bagged both the Jury and Popular Choice A+Awards in the Multi-Unit Housing – Mid Rise category and for a good reason. It makes a statement, challenging how we imagine multi-residential towers, while staying true to the unique features that make the site special. Fanned balconies, a ribbed spine and endless views are just a few other elements that make it special. Its organic form allows it to be a spectacle from every angle and makes it seem like it will take flight. And while its geometry sets it apart, its neutral beige hue helps tie it to the beachy surroundings.

Large open balconies and maximized exterior surfaces allow more natural light to enter the building and increase the resident’s connection with the outdoors. Instead of being stacked uniformly on top of one another, the floating balcony slabs all vary in shape and are strategically overlapped to create additional shade and privacy for the homes below. Imitating the Norfolk pine, their sides are covered in slatted screening to create additional privacy. One can see that these floating slabs are also tapered at the edges and extend beyond the glass balustrade, making them seem even lighter and reflect natural light further into the homes.

Image by Scott Burrows

Cementing the relationship with nature, the architects have also added a spine to the building that curves inwards and allows the blades of the balconies to connect together like ribs. This provision creates shade in the summer, enhancing privacy while also allowing those inside to get glimpses of the ocean. The sides of the building also have slatted screens arranged in a diagonal pattern across the balconies to break up vertical lines and add some dynamism. Since these diagonal panels are movable, the façade is constantly changing are creating new patterns, further reflecting the ever-changing qualities of nature.

Images by Scott Burrows and Tom Ferguson

The structure holds fifteen apartments and a part of two-level penthouses with private rooftops. Making it even more enticing to residents is the inclusion of a gym, outdoor pool and sauna. While all the apartments have generous light and ventilation, the north-facing homes have an unhindered 180-degree view of the ocean. The living, dining and kitchen areas spill out into the large balconies. The southern end of the building holds the en-suite bedroom. There are two additional rooms in the center of the floor as well. Natural timber floors used within the home extend to the balconies as well and create a clear visual connection with the sandy shore beyond. The interior spaces of these homes, fashioned by Mim Design, build on the natural tones found on the exterior of the building to create a cozy coastal home.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

Effortlessly Design and Render with Enscape’s New SketchUp Plugin for Mac
CategoriesArchitecture

Effortlessly Design and Render with Enscape’s New SketchUp Plugin for Mac

Enscape has been a favorite rendering tool for architects and designers since 2015. Its seamless integration with CAD and BIM software, as well as its striking visualization results, have made it a successful and competitive product on the market. Enscape is continually looking for ways to expand its offerings and functionality for users, and after a month-long open beta run, the brand is proud to announce its newest offering: Enscape for Mac is officially available for SketchUp!

In a highly anticipated development, Mac users can now integrate their preferred rendering and virtual reality plugin seamlessly into SketchUp 2021 and 2022. This initial version comes with an extensive offering of editing tools, view settings, and export options to elevate the design and visualization workflow. This new plugin efficiently produces top-quality rendering results natively on the renowned Mac operating system.

Among the new features are the real-time visualization and walkthrough options. Real-time visualization allows users to view their rendering as they simultaneously model in SketchUp, while the walkthrough setting enables designers to experience their rendered project from a range of perspectives, including two-point and orthogonal. These features aid in deepening the designer’s spatial awareness and understanding of their visualization.

Not only is quality prioritized, but efficiency is a pronounced feature in Enscape for Mac. Enscape’s view management settings and batch rendering options make the final phase of conceptual design that much easier. Enscape’s batch rendering tool helps architects save time by rendering their views in bundles, while the improved view management settings let architects easily refer back to previous angles. This feature is especially useful when presenting to a client or colleague.

Additionally, Enscape’s updated visual settings and asset library make adding detail that much easier. With just a few clicks, users can adjust the atmosphere and other visual effects to achieve the perfect image. Users can equally browse the asset library and decorate their design with high-quality and low-poly 3D models.

The collection of assets includes vegetation, furniture and vehicles among many others. In addition, the material editor feature allows users to adjust textures and utilize height maps to increase the level of realism in their project. These three settings work together to ensure the most detailed, realistic and precise renderings are achieved.

Enscape is also developing an extensive list of export options to make sharing a visualization straightforward and secure. From still renderings to 360-degree panoramas, there is an export option fit for any scenario. Additional export options such as video and standalone executable files are under development and soon to come.

Enscape for Mac’s expansive offerings will soon grow to include VR support that allows designers to create immersive 3D experiences. A custom asset library and additional light and sound sources are on their way to release as well.

The minimum required MacOS version is Monterey 12.2.1, while the recommended minimum hardware is the MacBook Air (M1, 2020). These specifications are put in place to ensure that Enscape for Mac runs smoothly.

Enscape’s commitment to excellence, accuracy and detail is evident in its new SketchUp plugin. It will be slowly releasing all the exciting features to ensure the most robust and efficient rendering and VR tool for architects. The company is working hard to develop new functionalities and additional support for other CAD software.

Enscape offers a free 14-day trial complete with the full range of features to discover. For those interested in purchasing a license, there are a few licenses to choose from.

To stay up to date on the latest Enscape for Mac releases, designers are welcome to sign up for the Mac mailing list. To learn more about the new Enscape for Mac for SketchUp, please visit the Enscape website.

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