Private House Archives

Blending In with Nature: The Inspiration Behind COMMOD-Haus GmbH’s Weekend Home

The Little Black One – The ambition of this project was to design a house that blended so perfectly into the breathtaking landscape as if it had always been there. It didn’t need to show off as the scenery speaks for itself but still it should live up to the ambition of providing its owners an elegant weekend spot. A house that is always in style – like a little black dress – that keeps on fascinating you over and over again.

Architizer chatted with Michaela Maresch, CEO & Founder at COMMOD-Haus GmbH, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Michaela Maresch: COMMOD “The Little Black One” was definitely inspired by nature. The harsh, wide, mountain landscape at Semmering was inspiration and challenge at once.

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

The Little Black is an amazing example of how architecture can set the stage for the beauty of nature. I think that people currently desire to live closer to nature than ever before and this house reflects a simple yet stunning way to do so.

The minimalistic form of the house, the colour chosen for the spruce wood façade and the play of light and shadow that reveals different shades of black on the façade.

Well protected from the harsh climate outside by the beautiful wooden façade, the living area inside is flooded with light. The generous window fronts and open spaces create a sense of even being part of nature while still enjoying all amenities of a modern home.

What was the greatest design challenge you faced during the project, and how did you navigate it?

The main strength of this project was also its biggest challenge: a gentle, subtle embedding of the house into the existing terrain that yet creates a connection to the partents home next door and emphasises the view of the mountains.

How did the context of your project — environmental, social or cultural — influence your design?

The design of this project is only fully comprehensible if you take into account its entire context. The client-family living in the big city of Vienna wanted to spend their weekends away from it all in pure nature. It was our top priority to give them a space where they could fully breathe in the beauty of nature. However, considering the fact that they did not want to harm this nature in any way by building their weekend house, our construction method was simply ideal for them. The screw foundations can be removed without leaving any residue after their lifecycle is over. Soil sealing is absolutely not an issue here. So they can live in harmony in and with nature.

What is your favorite detail in the project and why?

I can’t help but love the walkway that leads onto the terrace. It reveals this unique distant view of the rugged mountains, but at the same time exudes a calming effect on the visitor through the natural materials and the regularity of the slats.

How important was sustainability as a design criteria as you worked on this project?

As already mentioned, it was extremely important to the owners not to interfere too much with nature. Using the system of point foundations, this was not a problem.

Basically, sustainability has been anchored in our DNA since the creation of our company, so for us it is almost not worth mentioning that our material consists of 99% renewable raw materials. We work hard to be and remain pioneers in this field.

How have your clients responded to the finished project?

This project illustrates all our strengths: Sustainability, adaptability, modern design, high quality standards and speed on site (this house took only one day to be delivered and assembled).

How has being the recipient of an A+Award evoked positive responses from others?

We are always very honoured when our houses receive awards. This not only makes us proud, but also the owners of the houses. But here it was something even more special. There are few awards that are as internationally respected as the Architizer A+Award. We feel grateful and happy to have become part of the Architizer Family and hope to impress with many more innovative projects in the future.

Team Members

Michaela Maresch, Gerald Brencic, Volker Ast, Ingmar Zwirn, Uwe Lackner, Gamze Olcay, Oumaima Laassibi, Lisa Gattebrauer, Rita Fruhmann, Jannis Fielers, Nadja Wieland

Products and Materials

Colour Synthesa „Greywood Forest 03“

For more on The Little Black One, please visit the in-depth project page on Architizer.

The Little Black One Gallery

Reference

Architecture

How Rain Harvest Home is Changing the Conversation Around Water Conservation in Mexico

By Zarkon Group,06/03/2023

Rain Harvest Home – is located within Reserva el Peñón, a landscape-driven development which has achieved water self-sufficiency for a community of 80 families in 450 acres of a nature reserve, two hours from Mexico City. The Reserve framed our thinking around sustainability generally, and rainwater harvesting specifically. It pushed us to think at a larger level where the whole Reserve became the site, and the home was one piece of that. We also thought about how we could explore the larger issues of water conservation in Mexico, with this being an example of how to harvest rainwater on a small scale that could then apply to other projects. That became a driver in a powerful way. It was an idea that evolved over the course of the design process, and as the client became increasingly interested in cultivating a healthy, holistic lifestyle where they could live in harmony with the land.

Architizer chatted with Robert Hutchison from Robert Hutchison Architecture, and Javier Sanchez from JSa Arquitectura, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Robert Hutchison & Javier Sanchez: The brief was simple: the clients wanted a small cabin to enjoy the mountainous site. Valle de Bravo has a dry season and a rainy season, and the sun plays a trick every day in both of those seasons. You can enjoy the sun, but you have to be careful with it. Here, you need to have spaces that are open and covered; enclosed and covered; and outside and uncovered. You need all three qualities, so we needed to make that happen within the three structures.

At the start, the project had a simple, classic program: 2 bedrooms, a bathroom, and a kitchen. When we were on site, we started developing the idea of splitting up the program into separate buildings. It started with wanting to separate the function of bathing, which led to the idea of the bathhouse. And then the separate studio emerged from that.

© JSa Arquitectura, Robert Hutchison Architecture

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Rain Harvest Home offers a model for designing regeneratively with water. The home is 100% water autonomous and, in times of surplus, it is water positive and feeds excess water back into the community’s larger reservoir system. Not only does the design help restore the microclimate of the site, but it stands as a testament to the potential of rainwater harvesting for off-grid, self-contained water systems that eliminate reliance on municipal water sources. At the same time, the element of water contributes to the overall spatial and experiential quality of the project, reconnecting people with their environment by engaging the senses. More than any other element, conserving and improving the quality of water as a precious resource has the potential to dramatically improve the health and sustainability of built environments in Mexico, and beyond.

What was the greatest design challenge you faced during the project, and how did you navigate it?

Integrating the rainwater system was an initial design challenge, and continues to be an everyday challenge. Now, the rain harvesting system and on-site reservoir are a learning laboratory where the clients are continually learning about how the system performs. Understanding that the water and food systems on site are part of a living process that fluctuates depending on changing natural conditions, the client continues to experiment in ways to optimize the system through seasonal calibrations and refinements. Nothing is as objective as science would make it seem because things are always changing over time depending on how much it rains, and when. The house has to live with that, and it’s a constant learning experience for us as designers. It’s about integrating design into the cycle of water and of life.

How did the context of your project — environmental, social or cultural — influence your design?

The site is relatively flat, but sits within a mountainous environment. All around are cliffs and steep slopes, but our site rests in a small plateau vegetated with continuous, single-story-high shrubs and brush. Because of these site conditions, we wanted to make the buildings disappear within the vegetation. This is why we designed a series of three low pavilions that nestle into the landscape and are dispersed across the site. We wanted a strong connection between each building and the landscape. Often as architects, we think about how spaces are created between buildings, but this was about letting the landscape be that interstitial space. The landscape becomes the connection between the buildings, just as it delineates the spaces between them. When you move through the site, there’s an experience of the buildings constantly disappearing and reappearing. It’s a process of discovery.

How important was sustainability as a design criteria as you worked on this project?

Within La Reserva, each home is required to incorporate rain harvesting, with most of it coming from the individual home’s rainwater harvesting system and a small portion coming from the reserve’s reservoirs. We wanted to try and raise the bar and see if we could harvest 100% of our water from our individual site, rather than depend on external sources. This was important because there is a major water shortage in Mexico City, which is absurd because it rains a lot, but we don’t harvest that rainwater. Instead, we pump water in and out from the valley. As designers, we need to talk about those issues within our designs and experiment with new possibilities. Sometimes when you have a built example, it’s easier to understand new possibilities, particularly around rainwater harvesting.

Team Members

Sean Morgan, RHA; Bernice Solis, JSa

Consultants

TAF Alejandro Filloy, Bykonen Carter Quinn, Helene Carlo, MicMac Estructuras, Rhometal, Miguel Nieto, Teoatonalli

For more on Rain Harvest Home, please visit the in-depth project page on Architizer.

Rain Harvest Home Gallery

Reference

Sustainable News

Portsea House // Wood Marsh

By Zarkon Group,08/04/2022

Text description provided by the architects.

In contrast to the prevailing aesthetic of its location, this house is a discrete, contemporary insertion in a leafy pocket of Portsea. As much an entertainer as a retreat, it is divided into two contrasting areas, distinguished by light and dark, openness and containment. Anchoring the form to the site is a curved, rammed-earth, blade wall, which wraps like a scroll across the site.

Its mass acts as a thermal regulator and balances the upper level as it cantilevers out from the slope. Formally it creates privacy from the street, a key factor of the brief and is reinforced by the structure’s discrete siting and use of dark timber weatherboard cladding. Indigenous landscaping further frames and filters the view of the building and this interaction between the natural environment and the built form continues as a central theme throughout.

Beyond the blade wall, the eye is drawn around the curved walls, the form softened by the absence of edges. The external spaces encourage interaction between built form and site while maintaining a distinction in form and accentuating the contrast between the formalist architecture and the naturalist landscape.

Upon entering the front door through the monolithic blade wall a grand staircase winds up to the open living space above.

The full-height glazed rear facade allows the landscaping beyond to act as the internal wallpaper of the living area. An expansive deck flows from this space and both connects to, and floats over, the site, utilising the natural slope up to the rear corner. A pool area at the rear of the deck is partially screened by a curved masonry dwarf wall, which responds to the form of the building and provides a degree of privacy.

The sloping site largely informed the spatial organisation of residence into three distinct wings, across two levels, arranged around a central open-air atrium.

Two of these wings accommodate bedroom and service spaces, while the third and largest wing is used for the living spaces including a secluded bar, entertaining area and kitchen. A rumpus room is provided at the basement level, which opens onto private courtyard spaces shielded from the street view..

Portsea House Gallery

Reference

Private House

Blending In with Nature: The Inspiration Behind COMMOD-Haus GmbH’s Weekend Home

The Little Black One Gallery

How Rain Harvest Home is Changing the Conversation Around Water Conservation in Mexico

Rain Harvest Home Gallery

Portsea House // Wood Marsh

Portsea House Gallery

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