Etch by Steven Edwards in Hove
CategoriesInterior Design

Akram Fahmi’s monochrome revamp of Etch reflects two-ingredient dishes

Etch by Steven Edwards in Hove

Interior designer Akram Fahmi has revamped the Etch restaurant in Hove, East Sussex, creating black and white interiors to reflect its minimalist menu.

Located in a space that was originally a bank, Etch was first renovated and opened as a restaurant in 2017.

It has been reimagined by Fahmi, the founder of interiors studio London Design House, with an open kitchen and subterranean speakeasy bar.

Etch by Steven Edwards in Hove
Two modern arches were added to complement the three period arches of the existing building

Fahmi chose the simple colour palette to echo the approach of the restaurant’s menu, where most of the dishes are comprised of just two ingredients.

Wide-plank chalk-washed timber floors and white walls contrast black banquette seating and timber framing.

“We identified, and tried to achieve, three key principles in the design; refinement, texture, and locality,” Fahmi told Dezeen.

monochrome dining room at etch hove by steven edwards
Black-framed windows stand in stark contrast to the white interior walls

Rough quarry tiles, matte-finished stone and sinuous stretched-fabric lighting were chosen to reflect the textures of the nearby South Downs, the coastline and the urban landscape.

“The balance in texture and tone is key to the guests’ journey through every space in the restaurant and bar,” Fahmi explained.

The renovation involved merging two ground-floor units together and uniting a single space that is flooded by natural light from five arched windows.

Looking out arched window at Etch
The lighting fixtures continue the monochrome theme

The studio kept three original Victorian arched windows on the corner and added two further full-height arches with modernised detailing to create a uniform facade.

This was further united by painting the whole ground-floor facade charcoal grey.

all black speakeasy bar
The subterranean speakeasy is decorated all in black with dramatic lighting

“You want to feel as though the architecture and interiors that you journey through are as curated and elegant as the food in front of you,” Fahmi said.

Internally, cast iron columns from the old bank were retained and suspended ceilings in the main spaces were stripped out to expose the original high ceilings.

Black and white interior design by London Design house
Stretched lampshades recall the nearby coastal landscape

Fahmi worked with the local council to find solutions for extract routes and plans that would “retain and respect the fabric of the historic building as much as possible”.

The studio used passive devices, such as tinting the glazing to reduce solar glare, to help control the internal temperature more efficiently.

New external planting troughs soften the austere facade and hard pavement. The studio chose plants, herbs and grasses that would be suitable for the local coastal environment.

London Design House also worked with local craftspeople and suppliers on the project to reflect Etch’s ethos of sourcing its produce locally and seasonally.

Speakeasy bar at Etch
A speakeasy bar is underneath the restaurant

“I wanted the restaurant to feel like an extension of the food and service we offer, which I would describe as British contemporary, but also minimalist  – mainly using two quality ingredients,” Etch’s chef and owner Steven Edwards told Dezeen.

The monochrome palette “gives a slightly nordic minimalist feel that works completely with my food style,” he added.

“I think the relationship between the food you eat and the setting you eat it in is really important. It’s not just about the food – although it’s hard for me to say that being a chef!”

Other restaurant interiors recently featured on Dezeen include Studio Becky Carter’s “distinctly New York” interiors for Cecchi’s and Otherworlds’ transformation of a Goan villa into restaurant.

The photography is by Justin de Souza and David Charbit.

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maayaa retreat in south india reflects tropical modern aesthetic
CategoriesArchitecture

maayaa retreat in south india reflects tropical modern aesthetic

maayaa retreat in south india reflects tropical modern aesthetic

MAAYAA tropical retreat draws from Balinese architecture

 

Architectural studio aslam sham architects constructs MAAYAA, a Balinese-themed getaway nestled within a lush palm plantation. Located just an hour’s drive from Coimbatore, at the border of Tamil Nadu and Kerala, the retreat showcases earthy tones and textures, instilling a sense of calm. The spaces are designed to evoke an eye-soothing serenity, as pathways adorned with verdant foliage exude tranquility and elegance.

 

Aiming to encapsulate Bali’s essence, MAAYAA’s design forms around tropical modernism. Perched in Anakkatti and embraced by the converging Siruvani and Bhavani Rivers, the building is set atop a cliff with river vistas. The resort’s core design objective is to amplify and preserve the surrounding scenery.

maayaa retreat in south india reflects tropical modern aesthetic
all images by Ishi Sitwala

 

 

fluid transition between the built and the land

 

With most of the construction situated below the entrance level, visitors descend to these spaces, greeted by shallow, expansive water bodies integrated into the roof slabs. This fluid transition through the entrance passage leads to the restaurant, where panoramic views of the river and distant mountains unfold.

 

The lower floors house banquet halls, conference rooms, and offices, while the lowest level boasts an infinity pool seamlessly blending with the landscape. The design team achieves a harmonious fusion between architecture and nature, creating an environment where boundaries blur between built and natural elements. The resort consists of two types of accommodations; standard rooms with river-view balconies, and independent cottages featuring plunge pools that overlook both the river and the hinterland. These structures follow the natural contours of the land, interconnected by passages and bridges at various levels, conveniently linked to the clubhouse and communal amenities. Drawing from Balinese architecture, the chosen materials and design vocabulary mirror the tropical retreat concept, paying homage to the region’s aesthetic.

maayaa retreat in south india reflects tropical modern aesthetic
the Balinese-themed getaway nestled within a lush palm plantation

maayaa retreat in south india reflects tropical modern aesthetic
MAAYAA’s design forms around the concept of tropical modernism



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Colourful chairs within the IKEA installation at Milan design week
CategoriesInterior Design

IKEA reflects on “the past, the present and the future” of the home

Colourful chairs within the IKEA installation at Milan design week

Swedish retailer IKEA marked its 80th anniversary at Milan design week with Assembling the Future Together, an immersive exhibition that charts the furniture company’s history and addresses its future.

Assembling the Future Together took place at Padiglione Visconti in Milan and explored the brand’s progression since the 1950s.

Colourful chairs within the IKEA installation at Milan design week
Assembling the Future Together is on display at Milan design week

“The whole exhibition is about the past, the present and the future,” said IKEA designer and chief creative officer Marcus Engman.

“So it’s a little bit like telling the story of IKEA furniture, things we have done and things that we will do even more,” he told Dezeen in Milan.

Chairs from the past at Assembling the Future Together by IKEA
Furniture from IKEA’s history is on display to reflect its past

To reflect this idea, the space was divided into three main sections. One area dedicated to the past features designs from IKEA’s 80-year history displayed on geometric white shelving.

Among the pieces was furniture from the 1970s with bright fabrics and bold shapes, which were influenced by the increasing emergence of youth culture during this decade, according to the brand.

Chunky children’s furniture from IKEA’s Mammut series was also included. The line was first designed in the 1990s and has remained popular ever since.

Nytillverkad collection by IKEA
IKEA is also debuting its new Nytillverkad collection

For the present portion of the exhibition, the brand launched the first products in its new Nytillverkad collection.

Characterised by “simple, functional and playful” elements, the furniture, bedding and accessories intend to pay homage to past iconic IKEA pieces in line with the current wide-spread revival of interest in vintage designs, according to the brand.

Colourful
The colourful collection takes cues from previous IKEA designs

While the collection nods to IKEA’s roots, the brand used contemporary materials to create the pieces.

“It’s putting old things into a new perspective,” explained Engman.

Wedding guests carrying IKEA's Frakta bag
Crowd-sourced images of people using the brand’s iconic Frakta bag are suspended in the space

Large-scale contemporary photographs, which showed members of the public sporting IKEA’s recognisable blue and yellow Frakta shopping bag in unexpected ways, were suspended from the ceiling throughout the venue

One image showed a bride protecting her dress inside one of the shoppers on her wedding day, while another has been adapted to transport a dog on the subway in New York.

“Even if we perceive our products as ‘ready design’, people see them a bit more like Lego pieces to play with,” acknowledged the designer. “People use the Frakta bag in so many ways we didn’t expect.”

Installations referencing earth, wind, water and fire
The ‘future’ section references the four elements with installations

The future area of the exhibition features four towering installations dedicated to the elements of fire, water, earth and wind, which include an illuminated tree and smoke dispensers.

“The future part is all about showing how we are using design and product development to nudge people’s behaviours into doing something that is good for people and the planet,” reflected Engman.

“It’s also where we try to challenge people to be part of this – not just wait for IKEA to do stuff, but actually ask, how can we do things together?”

“We have set out to be fully circular by 2030 so that affects everything that we do,” he continued.

IKEA Assembling the Future Together installations
IKEA intends to urge people to think about the role they can play in shaping the future of design

Designed as an inclusive, “down-to-earth” space that is open to all, the exhibition drew together many other experiences, such as a cinema zone showing portraits taken by photographer and IKEA’s first artist-in-residence Annie Leibovitz that document the “real lives” of people in their homes.

The project is part of IKEA’s annual Life at Home Report, where members of the brand’s team visit people in their living spaces and document their findings.

Person reclining within cinema space by IKEA at Milan design week
A cinema zone is showing portraits of people at home taken by Annie Leibovitz

Various talks and music events took place in the space throughout the week alongside a dedicated “record shop” and on-site IKEA cafe serving branded food and drinks.

The aim of incorporating music into the exhibition was to bring people together, according to Engman. Communicating the sacredness of the home is at the core of the IKEA exhibition, said the designer.

“This is something for us that we need to constantly work on – finding new ways of getting people to understand how important the home is,” he explained.

“I mean, the challenges during covid and now the cost of living crisis has been where we can help out even more.”

“Because people have had to spend more time at home – but how can we make the home also something that is really not just a functional thing, but an emotional thing?” he continued.

“So I think that’s our biggest thing, but making sure we do that in people- and planet-positive ways. Because that’s the only way forward.”

Immersive installation by IKEA
The exhibition was designed to be inclusive

Previously, IKEA donated its products and design services to create a series of United Nations-led refugee support centres in Eastern Europe to offer sanctuary to vulnerable groups displaced by Russia’s invasion of Ukraine. The brand’s research lab, Space10, developed a concept for connecting physical furniture to an ever-evolving NFT tree.

Assembling the Future Together is on show from 18 to 23 April 2023 at Padiglione Visconti, Via Tortona 58, Milan. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.



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