Woods + Dangaran renovates mid-century modern Clear Oak Residence
CategoriesInterior Design

Woods + Dangaran renovates mid-century modern Clear Oak Residence

Teak wood, travertine stone and expansive glazing all feature in Woods + Dangaran’s renovation of a mid-century modern house that once belonged to singer Bing Crosby’s manager.

Los Angeles-based Woods + Dangaran has both upgraded the architecture and designed the interiors for Clear Oak Residence, which is located on a hillside above LA’s San Fernando Valley.

Swimming pool and sun deck of Clear Oak Residence by Woods + Dangaran
Clear Oak Residence is located on a hillside above LA’s San Fernando Valley

The design aims to enhance the building’s relationship with its setting while also bringing an increased sense of warmth and comfort to the living spaces.

Doorways and windows were adjusted and enlarged to enable wraparound views of the landscape, while skylights were added to highlight key moments within the interior.

Cantilevered swimming pool at Clear Oak Residence by Woods + Dangaran
A new swimming pool cantilevers out towards the view

Travertine creates a continuous floor surface that extends out from the living spaces to a sunset terrace, while teak provides wall panelling and in-built joinery throughout.

“The architectural finish palette was intentionally limited to four materials: clear anodised aluminium, plaster, travertine, and teak for the wall panelling,” said Woods + Dangaran.

“This visual restraint manifests in a serene ambiance that permeates all aspects of the residence.”

Dining table in Clear Oak Residence by Woods + Dangaran
Travertine flooring extends both inside and out

Clear Oak Residence is shortlisted for Dezeen Awards 2022 in the house interior category, where it will compete with four other projects – including another one by Woods + Dangaran – for the title.

Woods + Dangaran designed this project for client Robert Galishoff, whose brief to the architects was to embrace the building’s mid-century heritage but ensure the result exudes a sense of “effortless luxury”.

Teak joinery in Clear Oak Residence by Woods + Dangaran
Teak provides wall panelling and custom joinery

Landscaping played a big role in the transformation. By relocating the swimming pool so that it cantilevers over the hill and adjusting the topography, more terrace and deck space could be created.

Sliding floor-to-ceiling glass doors allow the main bedroom, the living room and the dining area to open out to this terrace.

“Enlarged doorways and windows inside the house, including floor-to-ceiling glass doors, integrate the interior spaces with the landscape and foreground views by eliminating barriers,” said the architects.

“Glazed openings inserted along corridors create memorable spatial experiences from new axes and vantage points.”

Skylight above bath in Clear Oak Residence by Woods + Dangaran
Skylights create framed views of the sky

The interior furnishings include both new and retro pieces in natural materials and warm colours, which sit alongside Galishoff’s collection of objets d’art.

The living room features a copper silk shag rug from Mehraban, a Minotti sectional reupholstered in a retro-patterned textile and a pair of the Arthur Casas-designed Amorfa coffee tables.

“Inspired by mid-century pieces but adjusted for scale, function, and material, these pieces give the home a unique voice that mixes old and new, retro with contemporary vibes,” said Woods + Dangaran.

Bedroom facing pool in Clear Oak Residence by Woods + Dangaran
The design respect’s the building’s mid-century heritage

Led by architects Brett Woods and Joe Dangaran, Woods + Dangaran has developed a reputation for modernising mid-century homes but also designs new-builds with a similar character.

Other recent projects include an upgrade of a 1960s Craig Ellwood house and a brass-clad home in Palm Springs.

The photography is by Joe Fletcher.

Reference

Villa FZ: The Extraordinary Materials Behind Italy’s Most Beautiful New Residence
CategoriesArchitecture

Villa FZ: The Extraordinary Materials Behind Italy’s Most Beautiful New Residence

Tucked away in the province of Ferrara lies a private residence designed, built and decorated by a collaborative team of architects and stoneware experts. The visionary Sergio Bizzarro, Principal of Studio Bizzarro & Partners, worked with architect Simone Savio to realize the design. Meanwhile, FMG Fabbrica Marmi e Graniti and Iris Ceramica were brought in to decorate the home’s interior and exterior with high-performing and aesthetically-pronounced Italian stoneware. This project is a true celebration of Italian architecture, craft and culture.  

Villa FZ sits on a small plot of land in a relatively built-up neighborhood. Due to its location,  ensuring privacy was at the forefront of the design. At the same time, the design team was cognizant of creating an open, breathable space connected to the outdoors. In order to accommodate the need for both privacy and breathability, the design team settled on the concept of an inverted structure.

Rather than opening to the outside, the home is oriented inwards. Large French windows overlook an enclosed patio and swimming area and work to connect the interior to a private, outdoor living space. The site’s perimeter was heavily landscaped to further enclose the space, maximize privacy and create a green oasis. The result is a clean, contemporary design that promotes relaxation and comfortable living.

Completing the space with durable and quality materials was of importance to the design team, along with maintaining a cohesive visual language. In order to do so, FMG Fabbrica Marmi e Graniti’s MaxFine collection was chosen to finish the villa. MaxFine is revered for its ability to blur the lines between surface and furniture and was the perfect fit for this house. Several slabs from the collection were used throughout the home, adding textural and visual depth to the interior space.

The dwelling’s entrance consists of a small externally-covered atrium leading to the front door. The property’s atrium was covered in FMG’s Marmi MaxFine slabs in the color Statuario Light. These slabs have a crisp off-white, marble-esque quality which contrasts the dark-colored door and simultaneously blends with the external façade.

The home’s muted palette consists of shades of gray, black and white. To enhance the visual language, stoneware with decorative qualities was chosen. FMG’s MaxFine slabs in the color Black Marquinia, were used to create an accent wall that runs from the first floor to the second.

Finished in a Silky texture, this wall stands pronounced within the home, with its rich dark hue and contrasting white veiny lines. This striking backdrop serves as a focal point of the home and can be appreciated in many spots due to the interior’s relatively open plan. The stoneware’s veiny appearance provides a sense of tactility and movement against the muted interior design while still maintaining visual continuity.

To complete the floors, a stone effect was chosen to ensure it could withstand foot traffic and maintain visual continuity with the rest of the space. FMG’s Pietre MaxFine slabs in the color Lavica Grey cover the interior floors and fit seamlessly with the home’s aesthetic. This stoneware is built to last and is resistant to chemicals, which makes for an easy-to-clean surface.

To complement the charming interior space, Iris Ceramica’s Pietra di Basalto panels in the color Grigio were chosen to pave the exterior patio. The Pietra di Basalto stoneware has a slipperiness coefficient of R11, which ensures a high grip and safe walkway and is ideal for spaces with a pool. Moreover, both the interior and exterior floors are UV-resistant which helps maintain the stoneware’s rich color over time. The color gray was chosen for both the interior and exterior flooring and works to create a cohesive visual language throughout the entire property.

All the stoneware chosen to complete this seaside oasis boast high technical performance and pronounced aesthetics. It was important to the design team to choose durable and practicable stoneware, and both FMG Fabbrica Marmi e Graniti and Iris Ceramica’s products deliver just that. Both the MaxFine and Pietra di Basalto collections demonstrate that quality stoneware can serve two purposes, both functional and decorative. Villa FZ truly exemplifies that when thoughtful architecture and superior quality stoneware merge, the result is an unparalleled living experience.

To learn more about the remarkable materials used throughout the project, visit the websites of FMG Fabbrica Marmi e Graniti and Iris Ceramica.

Reference

Studio Four opens up “dark and compartmentalised” Melbourne residence
CategoriesInterior Design

Studio Four opens up “dark and compartmentalised” Melbourne residence

A series of portal openings improve connections between rooms and bring extra light into this 1970s residence in Melbourne renovated by Australian practice Studio Four.


Studio Four aimed to renovate the home, which was designed by Australian architect Wayne Gillespie in 1972, to improve the internal plan and bring it up to date for contemporary living.

Exterior of Cunningham Street residence with protruding glazed volume
A series of portal openings provide views of the garden beyond (top and above)

“While the existing house was of solid build, the interiors felt lightweight by comparison and did not flow or function as desired,” said Studio Four.

“Some spaces, in particular the existing kitchen, were dark and compartmentalised and did not fully harness the possible connections with the garden.”

Kitchen interior Studio Four with wooden chairs and table and view of garden
Solid wood furnishings create a sense of warmth in the otherwise monochrome kitchen

Located in the city’s South Yarra neighbourhood, the Cunningham Street Residence was designed by Gillespie as his first independent project and his first home.

The architect, who died in 2001, was known for his use of pure, clean lines, and combining classical design features with modern technology.

Wooden kitchen table setup with integrated planter in Cunningham Street residence
A planter is integrated between the dining table and kitchen island

“The client’s brief was to provide a holistic solution,” explained Studio Four.

“Their brief was to strengthen Gillespie’s original vision, as opposed to creating an alternate vision that would directly contrast it.”

Cunningham Street residence by Studio Four
The kitchen was relocated

Studio Four replanned the rooms to enable the occupants to spend time both together and separately.

For example, the existing kitchen was relocated to the centre and rear of the home so it could be used as a central space for the family to gather in.

To make the spaces appear larger and more connected with each other and the outside space, the architects inserted a series of portal openings between the spaces.

It decorated the spaces with a palette of light and neutral colours.

Reading nook with blue carpet and view of garden in interior by Studio Four
One of the portals features an integrated reading nook

“The design response reflects the integrity of the existing built fabric. The focus is on the experience rather than the form, and all emphasis is placed on the quality of the experience rather than a visual statement,” concluded the studio.

“The result is a house where the architectural form and its interiors act as one, and the transition between built form and landscape is blurred.”

Bedroom with floor to ceiling windows and green bedding in Cunningham Street residence
The bedroom features panoramic views of the trees outside

Studio Four, which is led by directors Annabelle Berryman and Sarah Henry, has a track record of creating homes that blur indoor and outdoor space.

Previous residential projects include an all-white family home with a garden at its centre, and a grey-brick home with a central olive tree-dotted courtyard.

Photography is by Shannon McGrath.

Reference