tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing
CategoriesArchitecture

tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing

B.L.U.E. Architecture Studio designs compact café in Beijing 

 

Located within the lively SanYuanLi Food Market in Beijing, this café designed by B.L.U.E. Architecture Studio offers a modern twist amidst the traditional marketplace. Occupying a small 25 sqm space, it stands out at the northern entrance, blending modernity with the market’s historic charm. Inspired by the market’s vibrancy, the café’s design aims to harmonize past and present, revitalizing the community and connecting with the urban environment. ‘Our focus is on establishing both the ‘uniqueness’ and ‘everyday sensibility’ of the community space, seamlessly integrating the distinctive spatial ambiance into daily life,’ describes the team.

tiny café by B.L.U.E. architecture studio pops out amidst traditional marketplace in beijing
all images by Runzi Zhu

 

 

a harmonious dialogue with the Surroundings

 

B.L.U.E. Architecture Studio‘s design captures attention with its juxtaposition of concrete framing and a copper door. Despite its small footprint, this project aims to spark conversations about street life, community renewal, and urban connectivity, exploring innovative ways to enhance public spaces. The facade design maintains coherence with the market’s aesthetic, featuring a clever window mechanism. ‘When open, it showcases interaction and integrates communication between urban life and community scenes. When closed, the hand-hammered copper plate forms a contrast with the bustling market, resembling a piece of art,’ shares the team.

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing

 

 

The unique shape of the concrete framing mirrors the market’s vibe, while the copper door adds visual interest without overwhelming the space. ‘With this design, our objective is to initiate a discourse on street, community revitalization, and urban connections, aiming to explore innovative approaches to communal public life’. Inside, the design fosters the ritual of enjoying coffee on the go, with the sculptural bar efficiently dividing the space. The windows blur the lines between the café and the market, encouraging interaction. Material choices, from oxidized copper to hand-cast ribbed facades and elm wood surfaces, further integrate the café with its surroundings.

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing
the handcrafted copper door, in contrast with the rough and weighty concrete

tiny café by B.L.U.E. architecture studio pops amidst traditional marketplace in beijing
windows on the inner façade foster interaction among various stalls and blur the boundaries between the café and the market

Reference

OTHERWORLDS’ como agua resto-bar unfolds like a huge bird’s nest in the indian forest
CategoriesArchitecture

OTHERWORLDS’ como agua resto-bar unfolds like a huge bird’s nest in the indian forest

como agua by otherworlds completes in North Goa, India

 

Step inside Como Agua, a new bar and restaurant on the Vagator cliff overlooking the sea in North Goa, India. Conceived by multidisciplinary practice OTHERWORLDS, the design combines sustainably sourced bamboo and a wild shrub, Lanternna Camara, a combination that playfully alludes to dining in an overgrown and enlarged weaver’s nest surrounded by lush tropical paradise. As an invasive species of plants widespread in the Western Ghats, the Lantenna Camara claims agriculture, forest growth, wildlife and tribal livelihood every year — yet, by repurposing it as a building material, ‘the project displays innovative building practices using biological materials while creating emphasis on lantenna removal, use and restoration,’ comments principal architect Arko Saha. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
all images © Fabian Charuau, Studio Charuau

 

 

evoking the wild nest of weaverbirds

 

The design of Como Agua is heavily inspired by forms found in natural environments. ‘We were fascinated by the wild women nests of weaverbirds. The weavers are social birds, usually nesting and feeding in colonies. They collect all sorts of natural materials like twigs, fibres and leaves to weave a membrane that acts as their nest, usually hanging from the branch of a tree,’ notes the studioMaterials used for building nests include fine leaf fibers, grass, and twigs. Many species weave very fine nests using thin strands of leaf fiber, though some, like the buffalo-weavers, form massive untidy stick nests in their colonies, which may have spherical woven nests within. OTHERWORLDS, therefore, wanted to explore the experience of dining within and around a weaver’s nest. Like the weaver, the team also foraged into the forests of the Ghats to collect wild Lantenna and weave them to create spatial structures for the space.

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
Como Agua by OTHERWORLDS

 

 

The top deck of the Como Agua restaurant houses two nests where one can sit and dine while enjoying the extensive views of the beach and sea of North Goa. On the ground floor, an undulating lantenna membrane wraps the bar and pizza counters and houses a wooden bench in between, offering a cozy corner for dinner. The wire mesh lamps spread across the bar-resto to light up the tables are also inspired by hanging nests found in trees; these lamps hang at different heights, creating a whimsically warm atmosphere that mimicks the organic nature of their biological counterparts found in the forests. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
the resto-bar sits on the Vagator cliff overlooking the sea in North Goa

 

 

building with bamboo and repurposed lantenna camara

 

Lantenna Camara has been listed as one of the ten worst invasive species in the world, invading over 40% of the Western Ghats, a total of 13 million hectares. Arriving in India as an ornamental plant in the early 1800s, predominantly by the British, Lantana has escaped from gardens and taken over entire ecosystems through its multiple hybrid varieties. In the 200 years of its arrival, the plant has evolved to now climb up the canopy as a woody vine, entangle other plants by forming a dense thicket, and spread on the forest floor as a scrambling shrub. Lantana is mainly dispersed by fruit-eating birds, monkeys, bears, and the like, but it also capable of growing from its root-stock, and nodes. This results in its widespread growth, ultimately affecting biodiversity, livelihoods, and human and animal health — from displacing native plants and reducing productivity in pasture through dense thickets formation to making it exceedingly difficult for tribal communities to access the forest for edible tubers and firewood collection. 

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
an undulating lantenna membrane wraps the bar and pizza counters

 

 

These alarming issues and threats expose the imminent danger of Lantenna growth, highlighting its eradication and the urgency of exploring new methods of removal/restoration. For Como Agua, OTHERWORLDS has repurposed Lantenna from Western Ghats, bringing it on site to cut, trim, bend, and wrap around metal mesh structures to create a membrane used for railings, compound wall partitions, nest-like structures, facades, and canopies. Completing the design is bamboo, sourced jointly with Bangalore-based company Bamboopecker. Native to the region, Bamboo is extensively used for structure and facade treatment. Varying thicknesses and sizes are first treated with saltwater and then used in the space. OTHERWORLDS recycled local wood pieces to create custom patterns for the bar counter tops and facade. Even the outdoor built-in benches are made using reclaimed pieces of Matti wood. Indian Kota stone makes up the interior flooring, while larger Kota stone slabs of varying polished and colors (rough to smooth) are cut into thinner pieces and then laid on site to interlock with the outdoor wooden deck. Locally available Matti wood comprises the furniture and outdoor decking.

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest
outdoor built-in benches are made using reclaimed pieces of Matti wood

OTHERWORLDS' como agua resto-bar unfolds like a huge bird's nest in the indian forest

 



Reference

kengo kuma’s tokyo café reuses shrine materials for origami facade
CategoriesArchitecture

kengo kuma’s tokyo café reuses shrine materials for origami facade

kengo kuma revives traditional craft and materials

 

This so-called Wakuni Shoten café is set to open in In the heart of Higashimurayama City, Tokyo with architecture by Japanese icon Kengo Kuma. Recognized at once by its textural, patterned facade, the architecture expresses a contemporary reading of tradition. Its materials have been repurposed from a Shinto shrine, and have been reassembled with influence from the art of origami. Thus, the project is more than a café, but a celebration of community, sustainability, and the enduring spirit of Japanese craftsmanship. With its architecture now complete, the Wakuni Shoten café will open in January 2024.

kengo kuma wakuni shotenimages courtesy Kengo Kuma & Associates

 

 

learning from the heritage of tokyo

 

The Wakuni Shoten café is the result of a collaboration between Kengo Kuma & Associates, Okaniwa Construction Co., and Tomokazu Uchino, head of Uchino Sheet Metal. The space was born from a deep love for Uchino’s childhood home, the Aoba shopping district. Witnessing the district’s gradual decline, the team sought to breathe new life into the area while celebrating its rich heritage. The collaboration with Kengo Kuma and his design team proved to be the perfect marriage of vision and expertise, as the Japanese architect is known for his work with salvaged materials.kengo kuma reuses shinto shrine materials for origami facade of tokyo café

 

 

the folded facade in green and blue

 

The defining feature of Kengo Kuma’s Wakuni Shoten café is undoubtedly its exterior, a patterned composition of seven hundred patinated bronze plates each sourced from the roof of Hayatani Shrine in Hiroshima Prefecture. Rather than discarding these disused plates, Tomokazu Uchino and his team of skilled craftsmen painstakingly reshaped and repurposed them, imbuing them with a new lease on life. The result is a mesmerizing facade that shimmers with a spectrum of greens and blues.

kengo kuma wakuni shoten

 

 

The café’s interior walls are finished in a stark black plaster, serving as a backdrop for brass accents, including lampshades, sinks, baseboards, and kitchen elements. Even the outdoor chairs, designed by Kengo Kuma and crafted from salvaged seats of the former National Stadium, echo this theme of reuse. Sustainability is woven into the very fabric of the project. The decision to reuse the cafe’s original 52-year-old framework honors the past while minimizing environmental impact. By reinforcing the foundation and strategically integrating new wood, the team has revived the derelict structure, demonstrating a respect for both the environment and the district’s history.

kengo kuma wakuni shoten

 

 

project info:

 

project title: Wakuni Shoten Café | @wakuni_cafe

location: Aoba Shopping District, Higashimurayama City, Tokyo, Japan

architecture: Kengo Kuma | @kkaa_official

materials collaborator: Tomokazu Uchino | @tomokazu_uchino, @uchinobankin

design, construction: Okaniwa Construction Co. | @okaniwastyle

client: Wakuni Shoten | @wakunishoten

opening: January 2024



Reference