Ménard Dworkind outfits Montreal restaurant with custom wine storage
CategoriesInterior Design

Ménard Dworkind outfits Montreal restaurant with custom wine storage

Canadian studio Ménard Dworkind has created an intimate French restaurant in the Villeray neighborhood of Montreal complete with warm interiors and a custom white oak wine cellar.

Known as Casavant, the 850-square foot (80-square metre) brasserie-style restaurant was completed in September 2023 on the ground floor of a 1920’s residential building, replacing a sandwich shop.

View of Montreal restaurant with white brickView of Montreal restaurant with white brick
Ménard Dworkind has created a restaurant in a 1920s Montreal building

Ménard Dworkind (MRDK) designed the small restaurant – which seats 45 patrons – to bring diners together in a space that combines art deco influences with Montreal’s vibrant culinary scene. It was designed to “blend timeless elegance with a contemporary twist”.

Located on the corner of the block, the guests enter the rectangular interior through a white brick facade. Natural light comes in from multiple directions through large, black-framed storefront windows.

Monttreal restuarant with wine cellarMonttreal restuarant with wine cellar
Large windows let in plenty of light

The floor is speckled with 3D-patterned matte tiles by Daltile arranged in a custom mosaic, while beige tile climbs up the walls.

Burnt orange corduroy banquette seating wraps around the two outside walls with two linear high-top tables floating freely in the space. The vintage French bistro chairs were acquired from another restaurateur.

Vintage furniture in Montreal restaurantVintage furniture in Montreal restaurant
Vintage furniture was used

The party wall serves as the focal point with the bar and custom white oak wine cellar and displays a selection of natural wines in raw wood cabinetry with rounded corner glass-front doors.

“The wine cellar has been the focal point as soon as we started discussions with the clients,” said partner Guillaume Ménard. “It was important to be able to see it from everywhere you sit or stand.

“Since it’s wall mounted, it attracts the eye pretty quickly with action going on behind the bar as well as the light coming out of it,” he said.

The compact kitchen – with an open pass-through window into the dining space that shows off the lively action of cooking – and the dark blue restroom corridor are tucked at the back of the restaurant.

“The ceiling boasts a unique, funky patterned alcove made from colorful acoustic panels, contributing to the restaurant’s eclectic and inviting character while helping with the acoustical comfort,” the team told Dezeen, referencing the tray-like inset with a blush, maroon and peach abstract graphic.

Montreal restaurantMontreal restaurant
It has a ceiling clad with acoustic panels

“We really like the addition of the patterned acoustical panels on the ceiling,” Ménard noted.

“It adds depth, comfort and colors to the space. It also acts as a lantern since it is lightened up by a dissimulated LED strip.”

Wine cabinetWine cabinet
A custom wine cabinet was installed

In addition to the locally crafted and sourced materials, artistic details occur throughout the space like a painting from local artist Nicolas Grenier and a vintage Medusa pendant light by Carlo Nason, which displays the restaurant’s charm through the glazing to passers-by.

Two of Ménard Dworkind’s previous restaurant interiors in Montreal include the Italian 1960’s-inspired design for Tiramisu with a chrome service counter and large leafy plants and the retro-themed design for Caffettiera Caffé Bar with a checkerboard floor and teal accents.

The photography is by David Dworkind.


Project credits:

Team: Guillaume Menard, Fabrice Doutriaux
Contractor: Avodah Construction
Ceramic floor and wall tile: Daltile
Lighting: humanhome
Stools: Uline
Upholstery: Bisson Bruneel
Acoustic panels: Akustus



Reference

Bacana Studio designs interiors for riverfront Lisbon restaurant
CategoriesInterior Design

Bacana Studio designs interiors for riverfront Lisbon restaurant

Lisbon interior design practice Bacana Studio took cues from Portugal’s coastal traditions for the interiors of a João Luís Carrilho da Graça-designed Anfibio restaurant.

Located alongside the Tejo river, the restaurant was designed to “merge the duality of the sea and the land,” the interiors studio told Dezeen.

Anfibio by Bacana Studio restaurantAnfibio by Bacana Studio restaurant
Striped benches create a corridor from the bar to the terrace

Named Anfibio – Latin for amphibious, meaning suited for both land and water – the restaurant serves both local seafood and “countryside produce”.

It is located in a glass-walled, pavilion-like structure designed by local architecture studio João Luís Carrilho da Graça alongside the Tejo river and its interiors were informed by its riverfront location drawing on the “dazzling reflections of the sun on the water”.

Anfibio by Bacana Studio restaurantAnfibio by Bacana Studio restaurant
The lighting is designed to “allow Anfibio to transform between day and night”

Within the 500-square-metre restaurant, which is used as a nightclub in the evenings, wooden flooring was stained with a “watery green” colour and a mirror-like fabric was used on the ceiling to reflect and refract light.

“The building’s architecture aims to blend in and go unnoticed, striving to merge with the river and reflect the city of Lisbon,” said Bacana Studio founder Ingrid Aparicio.

Anfibio restaurantAnfibio restaurant
The restaurant is located on the Tejo river

According to the Bacana Studio, the open plan layout and five-metre-high ceilings posed a lighting and acoustic challenge.

As a result, the studio focused on “creating visual and functional interest from the ground up” with decorative elements, lighting and architectural features rising up from the floor.

“It’s the lighting itself that shapes and defines the spaces,” Aparicio explained. “We devised a concept where lighting emanates from the furniture, creating intimate spaces and avoiding the sensation of being in a vast and cold space.”

Anfibio by Bacana Studio restaurant lightingAnfibio by Bacana Studio restaurant lighting
Light fittings emerge from the furniture

Small brass-shaded table lamps and arched brass and glass lamps, which were crafted to resemble the antennas of aquatic creatures, provide ambient lighting for each table and unify the space.

Visitors are greeted by a curvilinear “snake sofa” that divides the restaurant into two areas – an intimate zone with smaller tables on one side, and a more communal area with a large 10-seater table on the other.

“The design is meant to encourage you to let loose, which is why the organic shapes in the sofas, tables, and chairs, create an interesting flow to the space,” explained Aparicio.

On either end of the intimate zone is a long, 20-seater community table. The studio designed these with an aim to pay homage to the spirit of Lisbon’s traditional fish markets, serving as “a symbolic nod to the shared dining experiences fostered in such lively and communal settings”.

The wait-staff station and the wood, wicker and brass bar separate the kitchen from the dining area.

Anfibio by Bacana Studio restaurantAnfibio by Bacana Studio restaurant
The “snake sofa” divides the space

Two long, striped benches, positioned with their backs facing each other, lead out to the terrace, “segmenting the expansive layout of the restaurant into more intimate sections”.

The terrace, overlooking the port and the city of Lisbon, aims to “evoke the essence of an authentic beach club”.

Stripes were prominently used on the walls, upholstery, and furnishings, reminiscent of Portuguese fishermen’s cottages and coastal awnings.

Anfibio by Bacana Studio restaurant terrace.Anfibio by Bacana Studio restaurant terrace.
Natural materials such as wood and wicker were prominently used

Other restaurant interiors recently featured on Dezeen include a Mexico City restaurant arranged around an upside-down pyramid bar and a converted Norwegian restaurant covered in restored paintings.

The photography is by Filipe Neto.

Reference

Rockwell Group creates atmospheric lobby and restaurant at PAC NYC
CategoriesInterior Design

Rockwell Group creates atmospheric lobby and restaurant at PAC NYC

Ribbons of light guide patrons from the lobby to the restaurant inside the Perelman Performing Arts Center at the World Trade Center, where the interiors are designed by New York-based Rockwell Group.

The studio founded by designer David Rockwell recently completed the public spaces that include the Metropolis restaurant and adjoining lounge areas within the cube-shaped building, which local architecture studio Rex wrapped in thin marble panels.

Small stage with low lounge seating in frontSmall stage with low lounge seating in front
The lobby of the PAC NYC venue includes a stage for programmed performances

The volume holds three flexible and interchangeable theatres that can be infinitely customised for different performance styles, artistic expressions and viewing experiences.

These are accessed via the elevated lobby level, reached by climbing a grand exterior staircase that draws visitors under the building’s cube form and up through its base.

A bridge with seating behind a translucent marble facadeA bridge with seating behind a translucent marble facade
A bridge behind the building’s translucent marble facade accommodates seating

This dramatic entry sequence culminates at a lobby lounge and restaurant that form a new 9,120-square-foot (847 square metres) “community space” for Lower Manhattan, according to Rockwell.

“The restaurant is intentionally woven throughout the public experience,” he told Dezeen. “There is no hard line between the lobby lounge, restaurant, and terrace, with one space melting into the next.”

Entrance to Metropolis restaurant at PAC NYCEntrance to Metropolis restaurant at PAC NYC
The lobby flows into the Metropolis restaurant, located the other side of angled trusses

The designer’s primary aim was to provide “a celebratory, communal atmosphere; connecting guests, whether you’re the first party there for dinner or the last one there post-show”.

Rockwell’s combined experience in hospitality and performance design – he has won multiple Tony Awards for his Broadway sets – helped him to craft a seamless experience between these connected functions.

LED lights within wooden ribbons across the ceilingLED lights within wooden ribbons across the ceiling
LED lights within wooden ribbons follow pathways and form “nodes” above gathering areas

“Creating a magical journey up into PAC NYC and intertwined with the lobby was a thrilling challenge, especially because the lobby and Metropolis will be host to many free performances on the small stage there,” said the designer.

This stage will feature a varied program of performers who will entertain diners from a carefully placed vantage point, which allows sightlines from all corners of the lobby and restaurant.

The highlighted gathering spaces include the bar

Lounge seating for up to 30 positioned closest to the stage is intentionally low-slung, so as not to obstruct the views for those further away.

A bridge that runs along the inner side of the translucent stone facade holds additional seating, overlooking the grand entry staircase through huge panes of glass.

Dining tables between leather chairs and banquettesDining tables between leather chairs and banquettes
Jewel-toned fabrics and textured surfaces warm the interiors

The Metropolis restaurant is helmed by Swedish-Ethiopian chef Marcus Samuelsson, and serves an elevated, eclectic menu billed as “a love letter to New York City” to both performancegoers and the general public.

Beyond the host stand and the diagonal structural trusses that flank it, the layout is split down the middle, with soft seating arranged on either side of the central axis.

Wide view of Metropolis restaurantWide view of Metropolis restaurant
Rockwell Group designed the restaurant and lobby to act as a “communal space” for Lower Manhattan

“The furniture is designed for flexibility and comfort, defined by several smaller areas with lots of seating variety, made up of banquettes and loose furniture and organised around a collection of vintage area rugs,” said Rockwell.

Glowing bands within sapele wood ribbons trace curved shapes across its ceiling, beckoning guests into the space and also highlighting key areas for gathering such as the bar with chandelier-like “nodes” overhead.

Jewel-toned upholstery pairs with rich walnut panelling for a warm and inviting feel, and the fabrics and other textured surfaces soften the polished concrete flooring.

A 70-seat outdoor terrace at the back of the building will also offer al fresco dining during the summer months, visible from the interior through a huge glass wall.

Outdoor dining terrace in front of marble building facadeOutdoor dining terrace in front of marble building facade
There’s space for 70 al fresco diners on the outdoor terrace

There’s also a speakeasy-like private dining room for intimate gatherings of up to 16.

PAC NYC is one of the final pieces in the 16-acre World Trade Center redevelopment masterplan, joining skyscrapers by SOM, RSHP, and SANAA, the transit hub and a church by Santiago Calatrava, and a 9/11 Museum by Snøhetta.

Seating on outdoor terrace with New York skyscrapers in the backgroundSeating on outdoor terrace with New York skyscrapers in the background
Rockwell aimed to create “a celebratory, communal atmosphere” both inside and out

Celebrating its 40th anniversary next year, Rockwell Group has designed interiors for restaurants all over Manhattan, including Zaytinya, Katsuya, Casa Dani and Wayan.

The firm also worked on The Shed venue at Hudson Yards, which also hosts performances along with exhibitions and other events within a highly flexible space beneath a giant “telescoping” cover.

The photography is by Adrian Gaut.

Reference

Dezeen’s top 10 restaurant and bar interiors of 2023
CategoriesInterior Design

Dezeen’s top 10 restaurant and bar interiors of 2023

For the latest roundup in Dezeen’s 2023 review we’ve selected 10 of this year’s most popular and evocative restaurant and bar interiors, ranging from a space-themed sushi bar in Milan to a beach-style eatery in London.

Also among this year’s eclectic roundup of restaurant and bar interiors is a renovated 16th-century brewery in Poland lined with a bold interior of red brick and ceramic tiles, as well as a bar and restaurant informed by Japanese psychedelia and cabins in Canada.

Read on for Dezeen’s top 10 restaurant and bar interiors of 2023:


Interior of Ikoyi restaurant by David ThulstrupInterior of Ikoyi restaurant by David Thulstrup
Photo by Irina Boersma

Ikoyi restaurant, UK, by David Thulstrup 

Copenhagen-based designer David Thulstrup designed a copper and oak interior for the Ikoyi restaurant, situated within London’s 180 The Strand building.

Drawing on spice-making processes from sub-Saharan west Africa, the interior features ceilings clad with metal-mesh panels and walls lined with oxidised copper sheets.

Find out more about Ikoyi restaurant ›


Sando burger restaurant in Geneva by Sapid StudioSando burger restaurant in Geneva by Sapid Studio
Photo by Alicia Dubuis

Sando, Switzerland, by Sapid Studio

Sapid Studio used Japanese patchwork techniques to inform the renovation of a burger restaurant in Geneva.

Named after the Japanese word for sandwich, Sando features a largely retained interior decorated with a corrugated stainless steel bar, patched up tiled flooring, and translucent tapestries.

Find out more about Sando ›


The Taproom bar at Tenczynek Brewery by Projekt PragaThe Taproom bar at Tenczynek Brewery by Projekt Praga
Photo by ONI Studio

Tenczynek Brewery, Poland, by Projekt Praga

Red brick, ceramic tiles and oak furniture define the Tenczynek Brewery interior, designed by Polish design studio Projekt Praga.

Located outside of Krakow, the centuries-old brewery was converted into a bold-coloured restaurant and bar, with a self-service beer fountain occupying the centre of the historic brick-vaulted space.

Find out more about Tenczynek Brewery ›


Photo of Prada Caffè at HarrodsPhoto of Prada Caffè at Harrods
Photo courtesy of Prada

Prada Caffè, UK, by Prada

Located in London’s luxury department store Harrods, fashion house Prada opened a cafe informed by one of Milan’s oldest patisseries.

Contrasting with Harrods’ baroque facade, Prada Caffè’s mint green latticed storefront references the brand’s signature green hue, which extends to the interior walls, ceilings and furniture.

Find out more about Prada Caffè ›


Bar area of Milk Beach Soho restaurant by A-nrdBar area of Milk Beach Soho restaurant by A-nrd
Photo by Charlie McKay

Milk Beach Soho, UK, by A-nrd

London-based design studio A-nrd brought a “beachfront feel” reminiscent of an Australian beach club to this restaurant interior in Soho, London.

Milk Beach Soho’s minimal interior has a neutral material palette featuring a polished terrazzo floor and art deco-style furniture and lighting.

Find out more about Milk Beach Soho ›


ICHI Station restaurant in Milan by MasquespacioICHI Station restaurant in Milan by Masquespacio
Photo by Luis Beltran

Ichi Station, Italy, by Masquespacio

Ichi Station, by Valencian design studio Masquespacio, is a dine-in restaurant in Milan that draws on sci-fi and space tourism.

Designed to resemble a futuristic spaceship, the cylindrical restaurant interior has a material palette of glass and micro-cement along with rounded, custom-made furniture.

Find out more about Ichi Station ›


Drift Santa Barbara by Anacapa ArchitectureDrift Santa Barbara by Anacapa Architecture
Photo by Erin Feinblatt

Drift Santa Barbara, US, by Anacapa Architecture

US studio Anacapa Architecture transformed a formerly closed early-1900s building into a hotel – hosting a ground-floor bar and cafe for both hotel guests and local visitors.

Located in central California, the rustic interior accentuates the building’s historical character and is complemented by concrete and wooden furniture.

Find out more about Drift ›


Wooden seating area below hand-painted mural by Álvaro SizaWooden seating area below hand-painted mural by Álvaro Siza
Photo by Luís Moreira / Matilde Cunha

Cozinha das Flores, Portugal, by Space Copenhagen

Located in a 16th-century building in Porto, Cozinha das Flores’ interior is decorated by a ceramic mural created by Portuguese architect Álvaro Siza.

Designed by Space Copenhagen, the rustic interior is lined with green and burnt orange tiles, along with oak furniture and brass accents.

Find out more about Cozinha das Flores ›


Corner cafe and bar at Tate Modern by Holland HarveyCorner cafe and bar at Tate Modern by Holland Harvey
Photo by Jack Hobhouse

Corner, UK, by Holland Harvey

London-based architecture studio Holland Harvey revamped Tate Modern’s ground-floor cafe to be less “Herzog & de Meuron-y”.

Doubling as the gallery’s first late-night spot, the interior is organised around a grey stone bar, while salvaged chairs and bespoke tables are used throughout the space.

Find out more about Corner ›


Cabin-like Japanese restaurant in BanffCabin-like Japanese restaurant in Banff
Photo by Chris Amat

Hello Sunshine, Canada, by Frank Architecture 

Situated within the mountains of Alberta, Hello Sunshine is a bar and restaurant informed by Japanese psychedelia and cabins in collaboration with Little Giant.

Designed by Canadian studio Frank Architecture, the wooden interior features two raised fire pits accompanied by large flues clad with glazed ceramic tiles, along with paper lanterns and textile artworks.

Find out more about Hello Sunshine ›


Dezeen review of 2023Dezeen review of 2023

2023 review

This article is part of Dezeen’s roundup of the biggest and best news and projects in architecture, design, interior design and technology from 2023.

Reference

Wooden elements “take centre stage” in Studio Frantzén restaurant
CategoriesInterior Design

Wooden elements “take centre stage” in Studio Frantzén restaurant

Scandinavian and Japanese influences come together at Studio Frantzén, a restaurant in London’s Harrods department store designed by Joyn Studio.

Stockholm-based Joyn Studio created the sleek interiors for Studio Frantzén – the latest restaurant opened by chef Björn Frantzén.

Back-lit glass brick bar at the Studio Frantzén restaurantBack-lit glass brick bar at the Studio Frantzén restaurant
Top: visitors enter via a domed reception area. Above: the bar is characterised by back-lit glass bricks

The two-storey eatery is arranged across a main restaurant and bar on the fifth floor, as well as on an additional mezzanine and rooftop terrace on the sixth floor of Harrods.

In stark contrast to the department store’s famed Edwardian baroque terracotta facade, Studio Frantzén features a contemporary palette that takes cues from both Scandinavian and Japanese design – a trend known as Japandi.

Bar at Harrods by Joyn StudioBar at Harrods by Joyn Studio
Studio Frantzén is located across two levels at Harrods

Visitors enter the restaurant at a domed reception area, which references Scandinavian churches and forest chapels, according to the studio.

The curved walls were clad with blocky cherry wood while illustrations of Nordic animals by Ragnar Persson decorate the ceiling and a Swedish wooden Dala horse was perched on the welcome desk.

“Undoubtedly, wood takes centre stage in this restaurant,” Joyn Studio founding partner Ida Wanler told Dezeen.

Main restaurant with bespoke timber seating by Joyn StudioMain restaurant with bespoke timber seating by Joyn Studio
The main restaurant is composed of two dining halls

The reception area gives way to a “glowing” bar composed of stacks of glass bricks bathed in amber light, which is mirrored by a ceiling of gridded copper.

Informed by traditional Japanese izakaya – a type of casual watering hole serving snacks – the large main restaurant is composed of two dining halls with bespoke geometric terrazzo and marble flooring.

Bespoke timber seating illuminated by a chandelierBespoke timber seating illuminated by a chandelier
One features bespoke timber seating

One hall features an open kitchen and Joyn Studio-designed chunky seating booths and sofas carved out of end-grain wood. This was sourced from a large Hungarian pine tree, cut into cubes and then glued together piece by piece.

This double-height space is illuminated by a spindly oversized chandelier by Swedish studio Front.

Gridded ceiling within dining hallGridded ceiling within dining hall
The other follows the same gridded geometry as the bar

The other dining hall, tucked around the corner and connected to a wine cellar, follows the same geometry as the bar.

Sliding timber doors and a gridded wooden ceiling are interrupted by ultramarine benches in booths and delicate, ribbed paper lampshades.

“To create a distinctive Nordic dining experience with Asian influences within a historic London building, we delved into the architectural and design legacy of the early 20th century,” explained Wanler.

“Inspired by the journeys of our predecessors to the far east, where they assimilated influences and pioneered a style known as Swedish Grace, we embraced the resonances between traditional Japanese and Nordic architecture and craftsmanship,” she continued.

Mezzanine level by Joyn StudioMezzanine level by Joyn Studio
Mirrored artwork by Caia Leifsdotter was included in the mezzanine

On the upper floor, the mezzanine includes three intimate dining booths accentuated by a burnt orange carpet and a wall-mounted Psychedelic Mirror by designer Caia Leifsdotter.

Characterised by marble, rattan and wooden accents, the rooftop terrace offers expansive city views.

Rooftop terraceRooftop terrace
The rooftop terrace offers views of London

“Aiming to infuse creativity into the traditional luxury context of Harrods, we envisioned a relaxed and comfortable ambiance with sparks of richness created in unexpected ways,” said Wanler.

In 2022, Joyn Studio was longlisted for the title of emerging interior design studio of the year at the Dezeen Awards.

Elsewhere at Harrods, fashion house Prada recently opened a green-hued pop-up cafe that referenced one of Milan’s oldest patisseries.

The photography is by Åsa Liffner.



Reference

Format Architecture designs “delightfully untraditional” Brooklyn restaurant
CategoriesInterior Design

Format Architecture designs “delightfully untraditional” Brooklyn restaurant

Bright colours, neon lighting and expressive furniture create a playful mood inside this Brooklyn restaurant, designed by local studio Format Architecture Office.

Cafe Mars is an Italian eatery located in Gowanus, founded by co-chefs Jorge Olarte, and Paul D’Avino – whose grandfather lived across the street when he first emigrated from Campania in 1901.

White oak arch over light grey bar counter, accompanied by hot pink chairsWhite oak arch over light grey bar counter, accompanied by hot pink chairs
Playful furniture throughout Cafe Mars includes chairs with hot-pink arched and zigzag legs

Honouring these roots, the restaurant is designed as a celebration of all things Italy: from the Memphis design movement of the 1980s to the glamorous Amalfi Coast.

“It was important to connect the intent of the culinary experience with the intent of the spatial experience,” said Format principal and co-founder Andrew McGee.

The bar and open kitchen framed by white oak panelsThe bar and open kitchen framed by white oak panels
The bar and open kitchen are framed by white oak panels

“If the driving force of the menu was to showcase knowledge and love of traditional Italian cuisine, twisted and subverted at just the right moments to create something playfully rebellious and unusual, it seemed only natural to reference the character and movement in [Ettore] Sottsass and the Memphis style with a similar vintage in the architecture and design realm,” he continued.

View through arch towards banquette seating and tables with exposed brick aboveView through arch towards banquette seating and tables with exposed brick above
Above each table in the main dining space is a yellow panel with a hole cut-out, exposing the building’s original brick

To enter the 1,100-square-foot (100-square-metre) restaurant, visitors must turn a pasta die door handle sourced from local third-generation manufacturer D Malardi & Sons.

“The detail is a charming nod to the building’s pasta factory and Italian grocery history whilst ushering in its restaurant future,” the studio said.

Row of white and yellow double-sided banquettesRow of white and yellow double-sided banquettes
The custom banquettes are coloured one yellow for every two white

Once inside the long narrow front space, the bar area can be found on the right and a row of back-to-back banquettes runs along the left.

The bar and the open kitchen further down are framed by white oak panelled arches, revealing a bright blue back bar that echoes the same shape.

Dining room with cobalt-coloured seating and exposed brick wallsDining room with cobalt-coloured seating and exposed brick walls
The “blue room” in the back features cobalt-coloured seating that contrasts the exposed brickwork

A tall, light grey counter forms an L-shape within the first arch, with a lower surface for diners seated in custom chairs by Studio Apotroes with hot pink zig-zag legs.

More seats – this time with white details – face the kitchen area, beside a bright green shelving unit for tableware tucked under the bar counter.

Pendant light with hot pink cord above blue banquette and wood tablesPendant light with hot pink cord above blue banquette and wood tables
Hot pink reappears in the cords of pendant lights, which have shades made from mushroom mycelium

Opposite, the custom double-sided banquettes have ribbed edges and are coloured one yellow for every two white.

In between are arched yellow panels with circular holes that expose the original brick walls behind, and Stuff by Andrew Neyer globe pendants that hang above each table.

View through black archway into purple-hued bathroomView through black archway into purple-hued bathroom
Pasta illustrations by artist Massimo Mongiardo are found throughout the interior, including in the bathroom

The “blue room” in the back features cobalt-coloured seating that contrasts the exposed brick walls, black window frames and white hexagonal floor tiles.

Hot pink reappears in the cords of pendant lights with MushLume shades made from mushroom mycelium, while bespoke wooden tables have puzzle-piece tops that slot together in various configurations.

At night, colourful LED lights within the circular wall elements, under the bar counter and above the back bar all match a neon sign in the window, which traces the Cafe Mars logo designed by artist Massimo Mongiardo.

His illustrations of pasta shapes can be found throughout the interiors, including in the bathrooms, and across the black-painted roller shutters pulled down when the restaurant is closed.

Black roller shutter covered with colourful illustrations of pasta shapesBlack roller shutter covered with colourful illustrations of pasta shapes
Mongiardo’s illustrations also cover the black roller shutter on the exterior

“The goal was to strike a delicate balance between fanciful and comforting, transformative and familiar,” said Format co-founder and principal Matthew Hettler.

“The design, however loud, becomes a backdrop for a quality experience, and that is something we are excited about.”

A neon version of the Cafe Mars logo placed in a windowA neon version of the Cafe Mars logo placed in a window
A neon version of the Cafe Mars logo sits in the window, matching the colorful LED lighting inside

Other relative newcomers to Brooklyn’s ever-evolving culinary scene include Nabila’s, a Lebanese spot designed by Frederick Tang Architecture, and Usonian-inspired eatery Sereneco featuring interiors by Carpenter + Mason.

Over in Manhattan, the number of Italian restaurants continues to balloon, with Bad Roman and Cucina Alba among the many to have opened in the past year.

The photography is by Nick Glimenakis.


Project credits:

Architecture and interior design: Format Architecture Office
Project team: Clare Hačko, David Hettler, Matt Hettler, Andrew McGee
Construction: Rusk
Structural engineer: Blue Sky Design
MEP engineer: Department of Approvals

Reference

wooden hanok roof frame tops nomal’s restaurant in korea
CategoriesArchitecture

wooden hanok roof frame tops nomal’s restaurant in korea

NOMAL’s Joomak revitalizes abandoned house in Palbok-dong

 

NOMAL studio’s project, Joomak, revitalizes the landscape of Palbok-dong in Jeonju, Korea, addressing the challenges of neglected industrial zones and structures. The once-thriving industrial area faced a decline during the 1990s, resulting in abandoned factories and neglected spaces. The project is part of the ‘MBC Empty House 3’ initiative that aims to regenerate four old disused houses in Palbok-dong. The design transforms one of the old structures into a modern restaurant, incorporating elements of traditional hanok architecture and a spatial layout resembling a Joomak, a term for a traditional Korean tavern.

traditional wooden hanok roof frame tops nomal's renovated restaurant in korea
all images by © Roh Kyung

 

 

renovation project preserves existing structural elements

 

The design team at NOMAL prioritizes the preservation of the building’s historical integrity, emphasizing existing structural elements and traces integral to the town’s long-standing village landscape. For the hanok, a meticulous process involves the removal of the roof to prevent structural collapse. The deteriorated wood structure undergoes reinforcement by enveloping the lower section with metal and infilling it with concrete. To meet contemporary load requirements and enhance roof performance, modern materials are employed in place of traditional roof tiles.

traditional wooden hanok roof frame tops nomal's renovated restaurant in korea
the project transforms an old structure into a modern restaurant, integrating traditional hanok elements

 

 

open layout blurs the boundaries between inside and outside

 

The project is centered around the concept of openness. Various design elements intentionally blur the distinction between indoor and outdoor spaces, creating a symbolic representation of an external environment within the interior. Utilizing metal for exterior walls and extending it to the kitchen and main hall, along with an opening directly connecting the roof frame with the interior ceiling, conveys the internal hall as a symbolic external space akin to a traditional joomak. Additionally, floor-to-ceiling windows facing the landscape further dissolve the delineation between the inside and outside, ensuring a visually open atmosphere within the relatively narrow space. The conversion of the adjacent vacant lot into a green patio enhances the ‘Joomak’s’ front yard prominence. This project initiates the process of revitalizing Palbok-dong through urban regeneration.

traditional wooden hanok roof frame tops nomal's renovated restaurant in korea
NOMAL preserves the building’s historical integrity and existing structural elements

traditional wooden hanok roof frame tops nomal's renovated restaurant in korea
deteriorated wood structure is reinforced, enveloping the lower part with metal and infilling it with concrete

traditional wooden hanok roof frame tops nomal's renovated restaurant in korea
the project’s core concept revolves around openness, blurring lines between indoor and outdoor spaces

Reference

TAEP/AAP tops BBT Hilltop restaurant in Kuwait with stepped roof
CategoriesArchitecture

TAEP/AAP tops BBT Hilltop restaurant in Kuwait with stepped roof

An oversized stepped roof that doubles as an “amphitheatre for the city” tops BBT Hilltop, a burger restaurant in Kuwait City designed by architecture studio TAEP/AAP.

Named after its client, Best Burger in Town (BBT), the restaurant in the Sharq district is elevated on a bright red plinth that doubles as an outdoor seating area for customers.

Above, the overhanging roof provides additional seating as well as a flexible events space that TAEP/AAP designed to be used for outdoor cinemas, parties and concerts.

Aerial view of BBT Hilltop restaurant in Kuwait City by TAEP/AAP
TAEP/AAP has created the BBT Hilltop restaurant in Kuwait City

According to the studio, the aim is to “create opportunity for certain activities to take place, that otherwise would be less likely to happen in the business centre”.

“A building such as this does not merely occupy its plot, it gives something back,” TAEP/AAP told Dezeen.

“It can host all sorts of parties and concerts, artistic-related events, expositions and so forth. The possibilities are limitless.”

Drive-through restaurant with stepped roof
BBT Hilltop is topped by a stepped rooftop

On the ground floor, an indoor seating area sits alongside the kitchens and logistical spaces. Glass hatches for ordering and picking up food are sheltered by the roof, the underside of which has also been finished in a bold shade of red.

An opening on the southern side of BBT Hilltop leads customers directly to a red spiral staircase that winds up onto the roof terrace.

Tower and neighbouring restaurant in Kuwait City
The roof features seating and a slide

On the roof, a group of red shipping containers contain a pop-up store selling the restaurant’s merchandise. There is also a series of wide steps leading to seating areas sheltered beneath umbrellas and a yellow slide on the eastern edge.

The roof has been designed to be able to support additional pop-up structures in the future depending on its use.

“On top, a ludic contemplation area was developed to enjoy the views while eating, or simply resting,” explained TAEP/AAP.

“A stand was created to be used as a sitting area and playground, with the addition of a slide that interacts with the inclination of the canopy,” it added.

Red staircase to roof of BBT Hilltop restaurant in Kuwait City by TAEP/AAP
The use of red is informed by the restaurant company’s branding

The use of red throughout BBT Hilltop is informed by BBT’s branding and has been incorporated throughout the interiors in fixtures and fittings, as well as in the barriers for the drive-through area.

Other burger restaurants featured on Dezeen include an interior by Sapid Studio in Geneva informed by a Japanese patchwork technique and a restaurant in Turin by Masquespacio with brightly coloured tiles.

The photography is by Fernando Guerra.

Reference

A Table With a View: 7 Ways Architects Are Upselling Restaurant Design
CategoriesArchitecture

A Table With a View: 7 Ways Architects Are Upselling Restaurant Design

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

As the chef’s adage goes, you eat with your eyes first. Beyond the confines of the plate, a restaurant’s spatial character is the vital ingredient that underlies every meal. While crispy basil leaves and elegant reels of tagliatelle can conjure up fields of sun-dappled groves beneath a Tuscan sun, so too can the undulating curves of a vaulted ceiling or carefully articulated patterns of light.

The unique power of architecture in the hospitality sphere is something the architects of these winning restaurants from the 11th A+Awards know well. From pioneering approaches to sustainability to striking cultural invocations and immersive visual storytelling, each offers an extraordinary new riff on traditional restaurant typologies. Add one part impeccable spatial planning to one part design innovation and mix well — here are seven ways architects are revolutionizing the eatery.


1. Evoking Distant Terrains

Taiga by Park + Associates, Singapore

Popular Choice Winner, 11th Annual A+Awards, Restaurants (S <1000 sq ft)

Taiga by Park + Associates Taiga by Park + AssociatesWhile it may be nestled amid the bustling cityscape of Singapore, this astonishing Japanese restaurant channels the topography of the chef’s native Kochi Prefecture, over 3,000 miles away. A diptych relief painting of a tumultuous rock formation conceals the eatery’s entrance. Stepping through the parted canvas is like stepping into the mountain itself — diners negotiate twists and turns as they navigate the architectural ‘foothills.’

The cocooning, cave-like dining space is texturally rich and immersive. Rugged split-face granite is emboldened by downlighting, while the backlit saké bar is flanked by a glowing onyx rock formation articulated in a graphic 3D surface design. Throughout, metallic finishes glisten as though the restaurant were hollowed out from a mineral vein.


2. Revising the Vernacular

Shanshui Firewood Garden by Mix Architecture, Yibin, China

Popular Choice Winner, 11th Annual A+Awards, Sustainable Hospitality Building

Shanshui Firewood Garden by Mix Architecture Shanshui Firewood Garden by Mix ArchitectureThis extraordinary restaurant in rural Sichuan province takes inspiration from the region’s architectural vernacular. Traditional low, far-reaching eaves offer ventilation and shelter from the elements, while a central courtyard pool blurs the boundary between organic and built landscapes. Curved lines define the interior dining space, which is dissected into more intimate zones, each offering a glimpse of a different rural outlook.

The structure itself comprises red sandstone blocks from the mountains of Sichuan, hewn into usual fish scales, while firewood, the backbone of the area’s agricultural life, is entwined throughout the design. One of its most powerful iterations is the hanging curtain of suspended timber blocks, which encases the structure in a magnificent porous skin. These familiar local materials are skillfully reimagined in unfamiliar ways.


3. Experimenting With Timber Tectonics

Prime Seafood Palace by Omar Gandhi Architects, Toronto, Canada

Popular Choice Winner, 11th Annual A+Awards, Restaurants (L >1000 sq ft)

Prime Seafood Palace by Omar Gandhi Architects Prime Seafood Palace by Omar Gandhi ArchitectsBold in its monochrome execution, this Toronto restaurant was conceived as a mesmerizing timber cathedral. Rather than being shaped by the transient whims of interior trends, the architects opted for an evolving natural material palette that would patina and shift with the passage of time.

Enveloping slats line the vaulted barrel ceiling, extending down over the apertures across one aspect of the dining zone. The effect is a soft diffusion of natural light. Wood here is employed as a protective layer from the city outside — it softens the visual and acoustic experience, carving out an ethereal space at arm’s reach from the hustle and bustle.


4. Celebrating Salvage

Project Big Top by Multitude of Sins, Bangalore, India

Jury Winner, 11th Annual A+Awards, Sustainable Interior Project

Project Big Top by Multitude of Sins Project Big Top by Multitude of SinsWhile many in the industry pay lip service to sustainability, this whimsical restaurant in Bangalore is a true celebration of reuse. 90% of its material fabric comprises recycled and salvaged elements, resulting in a playful, architectural patchwork of curios. Inspired by the spectacle of the circus, the entrance is framed by a ripple of teal arches crafted from scrap metal, while chandeliers shaped from bike chains and metal filings hang overhead.

In the main two-story dining area, a wall of discarded electronics, fixtures and furnishings forms an elaborate collage of waste. The result of this magnificent mismatched interior is two-fold. On the one hand, the fantastical space is an artistic hub of escapism, yet on the other, it subtly reinforces a powerful environmental message.


5. Honoring the Rural Landscape

Steirereck am Pogusch by PPAG architects, Turnau, Austria

Jury Winner, 11th Annual A+Awards, Restaurants (L >1000 sq ft)
Jury Winner, 11th Annual A+Awards, Sustainable Hospitality Building

Steirereck am Pogusch by PPAG architects Steirereck am Pogusch by PPAG architectsSequestered in the Austrian Alps, this pioneering restaurant complex is rooted in its rural mountain locale. The various buildings, some old, some new, form a self-sufficient culinary village that encompasses dining areas, prep kitchens, staff zones, guest accommodation and a kitchen garden. Across the estate, the verdant landscape is never far from view. In one of the restaurants, swaths of glazing encircle the space. Slatted timber dividers create permeable divisions between tables, ensuring the breathtaking outlook takes center stage.

One of the complex’s newer interventions is a pioneering glass structure — a hybrid greenhouse and living space. Ingeniously, the atmosphere symbiotically supports residents and plant life. The structure is stepped into the incline of the hillside, respectful of the rhythms of the existing terrain.


6. Fusing Nostalgia and Futurism

Super Paradise Beach Club by Omniview Design, Mykonos, Greece

Popular Choice Winner, 11th Annual A+Awards, Popular Choice Winner

Super Paradise beach club by Omniview Design Super Paradise beach club by Omniview DesignThe artful revival of this historic beach bar on the Greek island of Mykonos has resulted in a fascinating collision of architectural languages. The unembellished whitewashed walls and rustic, traditional materials including wood and bamboo hark back to the Cycladic vernacular. Historic emblems play out across the scheme — hollows inset into the walls create display nooks around the bar and entryway.

However, the handling of these elements is strikingly futuristic. Complex, curvilinear geometries orchestrated by state-of-the-art technology result in flowing lines that appear otherworldly. The project reads as a fusion of timelines, merging to create an enigmatic space that defies categorization.


7. Architecturalizing Nature

Ling Ling by Sordo Madaleno, Mexico City, Mexico

Jury Winner, 11th Annual A+Awards, Restaurants (S <1000 sq ft)

Ling Ling by Sordo Madaleno Ling Ling by Sordo MadalenoPoised at the top of one of Mexico City’s highest skyscrapers, this extraordinary restaurant subverts expectations. Floating over the city, a flourishing garden unfurls, taking its design cues from the terraces and courtyards prevalent in Mexican architecture. In the triple-height dining zone, a lofty portico structure intertwined with greenery creates a biophilic cathedral of sorts.

In the inner bar and salon, the spatial proportions contract. An innovative vaulted timber framework hangs above patrons. Crafted using intricate stereotomy techniques, the layers of wood ebb and flow in undulations. Trunk-like columns rise to form a canopy overhead, as though, inexplicably, an architectural forest had taken root on the 56th floor.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

Otherworlds transforms Goan villa into restaurant that “celebrates chance encounters”
CategoriesInterior Design

Otherworlds transforms Goan villa into restaurant that “celebrates chance encounters”

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into the Terttulia restaurant and bar.

Housed in a Portuguese-style villa, Terttulia Goa is defined by a central island bar informed by the balcão – an outdoor porch with built-in seats that serves as the entrance to a typical Goan home.

The restaurant takes its name from the Spanish word tertulia, meaning a social gathering with literary or artistic associations.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Intimate two-seater booths flank the bar

“The balcão is a crucial part of a Goan home as this is where one spends most of their time,” Otherworlds founder Arko told Dezeen.

“At a time of rampant urbanisation, all houses tend to become very self-contained, private and detached, separated away from the city or the neighbourhood,” he continued.

“The balcão becomes all the more important at such a time as it is built with the idea of reinforcing the kinship between the house and the neighbourhood.”

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Terttulia Goa is defined by a central bar informed by the balcão

Multidisciplinary studio Otherworlds overhauled the villa, which it describes as a “formerly enclosed shell”, by removing some of the external walls and extending the dining area into an outdoor porch.

This area is sheltered by a large bamboo canopy with elliptical openings that diffuse the natural light, transforming the space throughout the day.

The canopy is intended to mitigate the region’s extreme weather conditions; sheltering customers from the rain during monsoon season and providing a semi-open space with plenty of air circulation during the hot summer months.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Low-hung lamps add a sense of “whimsy”

Otherworlds designed the bar so that customers face each other, rather than facing the wall, in a bid to “encourage chance encounters”.

“The intention was to create an immersive atmospheric experience that inspires a feeling of being in a tropical, lush outdoor space under an overgrown natural canopy,” said Arko.

A metal and fluted glass structure hung from the building’s external walls floats above the white marble bartop and holds the arc-shaped lamps that light the intimate two-seater booths flanking the bar.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
A bamboo canopy was inserted to mitigate the region’s extreme weather conditions

At night, the restaurant is lit by low-hung sinuous lamps informed by sweeping stems that are intended to add a sense of “whimsy” to the interior.

Adhering to Terttulia’s signature green and white colour scheme, the studio opted for a palette of locally sourced materials, including the green-pigmented hand-cast concrete that it used to create the restaurant’s flooring.

“The green pigmented hand-cast concrete floor, largely termed as IPS [Indian Patent stone], is found in most places in the country and is also used to finish the balcão in all Goan homes,” Arko explained.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Terttulia Goa is housed in a revamped 1980s villa

Otherworlds worked with local workshop Jyamiti & Sea to create ovoid terrazzo accents that are scattered in various places across the floor and walls.

The studio achieved what it terms “the perfect green” using a mixture of white and grey cement and green oxide pigment.

Local design studio Otherworlds drew on the traditional Goan balcão when converting a 1980s villa in Panjim, India, into a restaurant and bar for Indian chain Terttulia.
Otherworlds opted for a palette of locally sourced materials

“The tricky bit with coloured concrete is achieving the exact shade [because] once the cement sets and is polished, the result is quite different from the initial wet mix,” said Arko.

“The process required numerous iterations and experiments to get the right mixture of materials that would yield the correct shade.”

The green cement is offset by dark wood derived from the matti, Goa’s state tree.

“We imagined the restaurant to be an extension of the house and while being part of it, [we also wanted it to] feel like a part of the city.”

Other projects that take a contemporary approach to Indian design traditions include a rammed-earth family home in Rajasthan designed by Sketch Design Studio and a Rain Studio-designed “native yet contemporary” home in Chennai.

The photography is by Suryan and Dang



Reference