Patricia Urquiola converts historic palazzo into Six Senses Rome hotel
CategoriesInterior Design

Patricia Urquiola converts historic palazzo into Six Senses Rome hotel

Milan-based designer Patricia Urquiola has converted a palazzo in Rome into a hotel and spa, filled with circular elements and traditional Italian materials.

The Six Senses Rome is located within the Palazzo Salviati Cesi Mellini, close to historic sites like the Pantheon and the Trevi Fountain in the city centre.

Open lobby with pockets of seating between potted plants in Six Senses Rome hotel by Patricia Urquiola
The lobby of the Six Senses Rome is an open social space with multiple seating areas

Adjacent to the Church of San Marcello al Corso, the building was first constructed in the 15th century before being updated in the 18th-century baroque style by architect Tomaso De Marchis.

An impressive central staircase and the building’s main UNESCO-listed facade, which overlooks the bustling Via del Corso, are among the period details that were restored during the renovation works led by Studio Urquiola.

Lounge seating in front of restaurant counter
The Bivium restaurant connected to the lobby offers all-day dining

The entrance to the Six Senses Rome from Piazza di San Marcello leads into an open lobby and social area, furnished with a variety of sofas and lounge chairs from Urquiola’s oeuvre alongside classic Italian designs.

These are positioned in groupings with tables and decorative objects on circular rugs, between potted plants spread across the travertine floors.

Lounge seats on a circular rug, in front of an opened glass partition in Six Senses Rome hotel by Patricia Urquiola
Circular elements appear throughout the hotel, including rugs and tables in the lobby

“At every turn, the craftsmanship, the finishes, the materials and the graphics create a union with nature while staying true to both Roman classicism and Palazzo Salviati Cesi Mellini’s rich history,” said Urquiola.

A curved green marble bar is positioned near the windows, forming an incomplete circle with the matching counters in the courtyard, which are visible through the glazing and follow the shape of earth-toned steelwork overhead.

Courtyard with green marble bar counter below steelwork in Six Senses Rome hotel by Patricia Urquiola
In the courtyard, a green marble bar counter continues from inside

The courtyard also features benches built into planters along the back wall and additional seating, where diners can enjoy food and drinks from the trattoria-style Bivium restaurant.

Circular forms and motifs continue throughout the hotel, including in the Six Senses Spa and Roman baths on the first floor.

Spa waiting area featuring seating within sheer curtain enclosures
The spa waiting area features seating within sheer curtain enclosures

Here, sheer curtains encircle small seating areas for those waiting for treatments or preparing to enter the travertine-lined bathhouse, which offers multiple pools for soaking and relaxing.

Bedrooms across the central levels have “quirky” layouts and a soft neutral decor, including tambour panelling, patterned rugs and a variety of spherical light fixtures.

Travertine lines the walls and ceiling inside the spa and Roman baths in Six Senses Rome hotel by Patricia Urquiola
Travertine lines the walls and ceiling inside the spa and Roman baths

Several of Six Senses Rome’s 96 guest rooms and suites have balconies, and all enjoy either a courtyard or city view.

Plasterwork in the rooms is made from an ancient Roman material known as cocciopesto, which comprises fragments of earthenware or brick mixed with lime and sand.

“The legacy of antiquity is also honoured with the choice of cocciopesto, which decorates the plaster of the rooms and gives a nod to Roman architect Vitruvius,” said the studio.

The hotel also features a roof terrace and bar called Notos that offers views across the city and serves botanical cocktails and light bites.

Bedrooms with soft neutral decor
The bedrooms at the Six Senses Rome have a soft neutral decor

Artworks such as watercolours, sculptures, textile works and canvases throughout the interior are curated by art advisor Federica Sala and are all unique to the hotel.

Six Senses Rome is shortlisted in the hotel and short stay interior category of Dezeen Awards 2023, while Studio Urquiola is shortlisted for interior designer of the year.

Lounge area within a guest room suite in Six Senses Rome hotel by Patricia Urquiola
Plasterwork in the bedrooms and suites is made from cocciopesto

Originally from Spain, Urquiola is one of Europe’s most sought-after designers and has released furniture and product collections with brands like Moroso, Cassina, Kettal and Boffi among many more.

Other hotels designed by her studio include the Haworth Hotel in Michigan, the Hotel Il Sereno on the shores of Lake Como and the Room Mate Giulia in Milan.

The photography is by Luca Rotondo.


Project credits:

General contractor: CDS Holding
Architecture: Starching and professor Paolo Micalizzi
Interior design: Patricia Urquiola

Reference

The Rome Edition opens in converted 1940s bank building
CategoriesInterior Design

The Rome Edition opens in converted 1940s bank building

American entrepreneur Ian Schrager’s The Edition group has landed in Rome, opening a hotel in a converted bank that makes use of its soaring lobby, original marble staircases and hidden front courtyard.

The Rome Edition began welcoming guests earlier this year to the 91-room hotel, located a block away from Via Veneto – the street that was immortalised in the 1960 movie La Dolce Vita.

Bronze pergola covered in jasmine through plant-filled courtyard
Arrival to The Rome Edition is via a path under a bronze pergola that leads to the lobby

Schrager and his in-house team spearheaded the renovation of the grand building, utilising many of the original features including a cipollino marble staircase, central courtyards, statues and lamps.

“Built in the 1940s and formerly occupied by one of the main Italian banks, the building is a striking example of the rationalist style and was created by Cesare Pascoletti in collaboration with the famed architect Marcello Piacentini,” said The Edition team.

Sunken plant-filled courtyard with teak banquettes and furniture
The plant-filled, sunken courtyard acts as an all-day lounge and dining spot

Unusually for Rome, arriving guests are escorted through a sunken garden “piazza” – which acts as an outdoor lounge, restaurant extension and gathering place – before reaching the lobby.

Once inside, dramatic seven-metre-high ceilings, full-height windows and green curtains, and travertine floors and walls set the tone for The Edition’s signature brand of soft minimalism.

Travertine-lined lobby with tall ceiling and full-height green curtains
The dramatic hotel lobby features seven-metre-high ceilings and full-height green curtains

Symmetrical arrangements of custom white furniture and low coffee tables exaggerate the strict geometry of the architecture.

“The lobby is Edition at its most dynamic,” said the team. “It is a place to relax and make merry; a place to see and be seen or play a few games of pool on the custom-made table.”

Restaurant with wooden furniture and chartreuse-coloured upholstery
The Amina restaurant is divided into two dining spaces, one of which is accented with chartreuse-coloured upholstery and carpet

For the hotel’s signature restaurant, Anima, the team partnered with local chef Paola Colucci on a menu that puts a modern spin on family recipes and traditional Roman dishes.

Amber glass separates the kitchen from the two dining areas, one with chartreuse-toned accents across furniture and artwork, and the other blue.

Restaurant with blue artworks and upholstery
The restaurant’s second dining space is decorated with blue accents

The various bar areas on the lobby level each provide guests with a experience. The Punch Room is a concept borrowed from other Edition properties including another recent opening in Tampa and occupies a cosy room with warm wood panelling and deep red tones, for sharing bowls of punch – a 17th-century tradition that’s been given a contemporary spin.

A dark walnut bar, Rosso Levanto marble fireplace, dark pink velvet sofas, and custom armchairs in rosewood and dark brown leather all add to the cosy atmosphere in the dimly lit space.

Cosy bar with walnut panelling and dark pink velvet furniture
Off the lobby, The Punch Room bar is lined in walnut and includes dark pink velvet furniture

With space for just 10, the intimate Jade Bar features a rotating cocktail menu and is fully lined in deep green antique marble.

This small and dramatic room is furnished with emerald-hued velvet soft seating and satin brass and gold accents – including a wall-mounted sculpture influenced by artist Jeff Koons.

Bar decorated with antique green marble, emerald seating and brass accents
The Jade Bar is wrapped in antique green marble, with emerald seating and brushed brass accents

In the front courtyard, The Garden is filled with over 400 plants and lightly perfumed by the jasmine that climbs over the facade.

A bronze awning divides the outdoor space in two, with an al fresco dining area for Amina on one side, and an all-day casual terrace for cocktails and light bites on the other.

Teak banquettes and free-standing furniture are surrounded by “an Italianate arrangement of lanterns to give it the feel of a traditional Roman garden”.

The roof terrace on the seventh floor features a pool and bar area that offers sweeping views over the Eternal City’s rooftops.

Bright guest room with walnut panelling and beige furniture
Walnut wall panelling and herringbone floors feature in the bright guest rooms

In the bright guest rooms, walnut wall panelling and herringbone floors are paired with custom beige leather furniture.

Carrera marble basins and brushed brass fixtures stand out against the grey stone bathrooms, and frosted glass partitions are used to conceal showers and toilets.

Bathroom with Carrera marble sink and frosted glass panels
Carrera marble sinks contrast the dark grey stone in the bathrooms

The Rome Edition is the group’s 16th global property, following locations that include Times Square in New York, West Hollywood in Los Angeles, and Tokyo.

The Madrid Edition, designed with British minimalist John Pawson, was longlisted in the hotel and short-stay interiors category of Dezeen Awards 2022.

The photography is by Nikolas Koenig.

Reference

Foster + Partners turns palazzo in Rome into Apple Store
CategoriesInterior Design

Foster + Partners turns palazzo in Rome into Apple Store

Fosters + Partners has restored and converted the Palazzo Marignoli in Rome into an Apple Store, uncovering historic features and opening up a central courtyard.


Apple Via del Corso is the largest Apple Store in Europe and occupies the historic Palazzo Marignoli, near the Piazza Colonna, in the centre of Rome.

The courtyard of the Apple Via del Corso contains local trees
Top: the store is located in the Palazzo Marignoli. Above: a courtyard is at the centre of the building

The Apple Via del Corso building sits on a site that held a church and a convent in the 16th century.

The current Palazzo Marignoli building was constructed between 1873 and 1878 and served as a home for Marquis Filippo Marignoli. It also housed the Caffè Aragno, a famous gathering spot for artists.

Marble covers the interior of Apple Via del Corso
Original paintings were restored and placed in the ceiling

Foster + Partners wanted to celebrate its history by highlighting its grandeur and restoring its historic features.

“The idea was to celebrate different aspects and various areas of the history of the building,” said Foster + Partners partner Luis Matania.

“You have this juxtaposition of all these various areas in the building’s history, through to now, the 21st century.”

Lighting surrounds an original painting
Ettore Ballerini’s Dusk was placed between ceiling panelling

L-shaped in its plan, the building is organised around a large courtyard that the studio opened up to be used by the public and to greet visitors upon entry into the building.

Camphor trees placed across the courtyard informed by the 16th-century convent that previously existed on the site.

Grey marble frames doorways and windows at Apple Via del Corso
Wooden tables were placed within retail spaces

“The courtyard is no longer private, it becomes a democratic space that the community is invited to come through into and enjoy,” said Foster + Partners partner Stefan Behling.

“We reintroduced trees as a reference to the old convent and it allows the community to come and enjoy this beautiful space.”

Artworks were placed within the walls of Apple Via del Corso
Artworks by Afro Basaldella that were found in the building were restored

Artworks by Italian artist Afro Basaldella from the building’s art cafe days abstractly depict imagery and scenes of Italy were carefully restored and set into the walls.

Large early-1900s ceiling paintings by Fabio Cipolla and Ettore Ballerini have also restored and incorporated above the marble interiors between ceiling panelling.

“It has been a complicated building and we have discovered things along the way,” said Matania.

“It has been an evolving design process, that has amended and adapted as we found new things, new painting and new aspects of the architecture”

Decorative mouldings cover the walls and ceilings of Apple Via del Corso
The grand staircase was fitted with local marble

White marble was used throughout the interior of Apple Via del Corso, covering the floors of each room and framing large windows that provide glimpses into adjoining rooms.

To the west of the courtyard, a grand staircase with vast mouldings and a former oculus on its ceiling was restored, structurally reinforced and fitted with locally sourced Carrara marble.

The firm recreated daylight within the grand stairwell by adding LED lighting to the oculus that changes with the time of day.

The corridor has a curved ceiling
A long corridor links spaces in the store

On the first floor, a long corridor connects a forum space with a Genius Bar and three retail areas.

The forum-style space will be used for community events, occupying what used to be the Palazzo’s ballroom a central point of the first floor.

Box stools were placed around the room at Apple Via del Corso
Apple Via del Corso’s forum-style space was furnished with pale wood and leather

In the Genius Bar, conservators restored a hand-painted geometrically patterned ceiling with decorative crown mouldings.

Wooden furniture and joinery were used throughout to bring warmth to the interior spaces.

Cabinetry was constructed with a pale wood
An original hand-painted patterned ceiling covers the Genius Bar of Apple Via del Corso

Dark wood-framed doors and windows along the corridors and edge of the rooms open out onto Juliette balconies and a terrace that overlooks the courtyard below.

Camphor trees, olive trees and jasmine vines were placed across the terrace to reflect typical plant-filled Roman roof terraces.

Apple Via del Corso is one of many historic buildings the technology company has opened stores in, including the Foster + Partner designed Champs-Élysées store in Paris and the converted Washington DC library.

Reference