Arts space by The Grid Architects in Ahmedabad
CategoriesArchitecture

Flowing vaulted roofs top Tarang arts space by The Grid Architects

Arts space by The Grid Architects in Ahmedabad

Undulating vaults shelter this multipurpose arts space in Ahmedabad, India, which local studio The Grid Architects designed to defy “conventional architectural norms”.

Named Tarang after the Hindi word for waves, the sweeping structure is formed of a series of timbrel vaults made from locally-sourced terracotta tiles without supporting beams or reinforcement.

According to The Grid Architects, with an area of 279 square metres, it is one of the largest vaulted structures of its kind in India.

Arts space by The Grid Architects in Ahmedabad
The Grid Architects has created a multipurpose arts space in Ahmedabad

“[Tarang] emerged from the desire to create a structure distinct from the urban context, where box-like structures dominated the surroundings,” said studio founders Snehal Suthar and Bhadri Suthar.

“The vision was to craft a cornerless edifice, harmonic waves that defied conventional architectural norms,” they told Dezeen.

A series of brick plinths on the perimeter of the oval-shaped site support the vaulted roof and create a series of arched openings of different heights that lead inside.

Aerial view of Tarang arts space by The Grid Architects in India
It is sheltered by undulating vaults. Photo by Vinay Panjwani

At the centre of Tarang, three circular plinths form funnel-shaped openings that provide sunlight and water to small planters positioned at their base.

The construction of Tarang was carried out by So Hath – 100 Hands Foundation For Building Artisans, a local organisation that advocates for and provides training in traditional construction techniques.

Vaulted building by The Grid Architects
It is made from tiles without supporting beams

The tiles are designed so that if Tarang’s arches are ever deconstructed they can be repurposed.

“Minimizing waste and concrete use, and prioritizing local resources and labour, it serves as a model for environmentally conscious architecture that celebrates local culture and positively contributes to the community,” explained the studio’s founders.

Inside, the tiles and polished stone floors are intended as a backdrop to a range of activities, from performances to artistic exhibitions and gatherings.

“The interplay of sunlight and shadow within the space is nothing short of mesmerising, imbuing the simplicity of the tiles and bricks with a quality that is truly remarkable,” said the duo.

Vaulted brick interior of Tarang
Planters feature inside

“Indeed, the structure itself is the finished product, where the rawness of the materials is transformed into something sublime and transcendent,” they continued.

The Grid Architects is an Ahmedabad-based studio founded in 2002. In 2021 it was longlisted for the studio of the year in the Dezeen Awards.

Vaulted arts space in India
It is intended as a backdrop to a range of activities. Photo by Vinay Panjwani

The studio previously turned to the brutalist buildings of the 1960s to create a home sheltered by a geometric, folded concrete shell.

Other recent projects in Ahmedabad include a factory by Iksoi Studio with an exposed concrete grid and the timber and stone-tiled VS House by Sārānsh.

The photography is by Photographix unless stated otherwise.

Reference

traditional tiled roofs crown the stepped modules of office and cafe space in china
CategoriesArchitecture

tiled roofs crown stepped modules of office and cafe space in china

traditional tiled roofs crown the stepped modules of office and cafe space in china

Xie Ke devises a mixed-use sales office in Chongqing, China

 

A series of stepped modules, standing under intricate historic tiled roofs, integrate Xie Ke’s new Sales Office into the ‘ladder style’ traditional mountain blocks in Chongqing, China. The building consists of Canopée Café and Sihai Club and adjoins Huguang Club and overlooks East Watergate. The design concept deviates from pure commerciality and focuses on creating social mixed-use spaces which can restore a sense of community and the area all the while raising awareness for the brand’s sales center. Derived from the history of the Huguang region’s urban state, the project is driven by a goal for urban renewal and preservational design, retaining the original structure while breathing new life into the interior under a minimal contemporary renovation plan.

traditional tiled roofs crown the stepped modules of office and cafe space in china
all images by Jonathan Leijonhufvud 雷坛坛

 

 

urban renewal project draws from the history of Huguang city

 

The project centers around fostering relationships between the urban fabric and communities. Over time during the process of urbanization, the upper half of Chongqing city has become an arena for modern architecture, leaving behind memories of the past. Meanwhile, the lower half city is filled with unmaintained antique structures. Seeking to reflect the simplistic culture of Chongqing and to cultivate the collective character of its community, the architect looks to his own memories of the city to devise the design concept – namely its ‘outdoors’ culture where people carry out their daily routines on the streets and in the pockets of the mountainous town, always interacting with neighbors.

 

As such, the design begins to form a connection between people and previous times, thus incubating and activating the endogenous forces of the city. ‘The steps covered with moss, Huguang Club standing still over time, the to-and-fro ropeway across the river, the close connection between houses and streets… All the characteristic memories of Chongqing were properly placed in people’s vision and became the background color of [the project]… and also the design basis of Xie Ke.’

traditional tiled roofs crown the stepped modules of office and cafe space in china
the unmaintained antique structures of Chongqing stand under intricate historic tiled roofs

 

 

infusing contemporary interiors into the traditional structure

 

Nodding to the region’s traditional architecture, wooden structures are used to reinforce the wooden columns and to decorate the roof with old tiles, blending a harmonious fusion between old and new. The moderate renovative plan restores the old construction embracing the surrounding greenery and incorporating it into the design as a free-formed canopy of branches and leaves. Taking its name from the immersive natural element wrapping the structure, the Canopée Café, accessible from the second floor, overlooks picturesque views of the Yangtze River, engulfed by the shade of trees, and the peeling walls and the undulant eaves of Huguang Club maintaining a sense of stillness. The building ‘grows’ vertically tracing over the contours of the mountainous landscape of Chongqing.

 

The interior arranges low-standing walls and partitions to avoid permanent alterations to the original construction. The layout forms an open plan dividing several functions into blocks, such as the bar and facilities zones, reviving the old building’s scheme and circulation flow. The steel gallery bridge and large folding windows stand as the main modifying feature of the renovation. The interior fosters a sense of serenity with a pure, rhythmic white atmosphere and minimalist aesthetic, while the alterations between light and shadow accentuate the historic wooden frame.

traditional tiled roofs crown the stepped modules of office and cafe space in china
the stepped volumes trace over the mountainous landscape of Chongqing

 



Reference