Putting On a Show: 7 Remarkable Venues With Real Wow-Factor
CategoriesArchitecture

Putting On a Show: 7 Remarkable Venues With Real Wow-Factor

Architizer’s 11th Annual A+Awards is open for entries! With a Final Entry Deadline of January 27th, 2023, the clock is ticking — get started on your submission today.

Venues are the vessels of performance, and architecture is perhaps the most overlooked player on the stage. The geometries of events structures must perfect a complex dance that juggles elements such as acoustics, scale, sightlines, illumination and atmosphere. All the world may be a stage, to quote Shakespeare’s enduring words, but it’s the task of the architect to shape the stage into its own palpable world.

Performance spaces, whether theatrical, cultural or athletic, have a storied history that reaches back millennia. Yet, these typologies continue to be revised and rewritten in exciting new ways, as these outstanding winning projects from the 10th Annual A+Awards show. From concert halls and theaters to stadiums, discover seven of the most innovative contemporary venues deserving of a standing ovation.


 Zhengzhou Grand Theater

By The Architectural Design and Research Institute of HIT, Zhengzhou, China

Popular Choice Winner, 10th Annual A+Awards, Hall / Theater

Zhengzhou Grand Theater by The Architectural Design and Research Institute of HITZhengzhou Grand Theater by The Architectural Design and Research Institute of HITEnvisaged as a boat traversing China’s Yellow River, this remarkable performing arts venue resembles a vast ship anchored amid the urban sprawl of Zhengzhou. A series of dramatic metal sails define the exterior; however, the structure’s imposing scale is softened by its receptiveness to the surrounding landscape. Angular glass openings create a rapport between the building and the street outside. After nightfall, the sails illuminate and the interior glows, beckoning passers-by into its theatrical world.

Inside, the complex is home to four large theaters with unique architectural identities. The spaces have been carefully designed to accommodate their differing acoustic needs while ensuring there’s no noise interference between the venues. Undulating balconies, curving forms and dynamic solid surface patterns shape an immersive visual and audio experience.


 Andermatt Concert Hall

By Studio Seilern Architects, Andermatt, Switzerland

Jury Winner, 10th Annual A+Awards, Hall / Theater

Andermatt Concert Hall by Studio Seilern ArchitectsAndermatt Concert Hall by Studio Seilern ArchitectsOriginally an underground convention hall, this concrete structure has been transformed into a contemporary concert hall in the picturesque Swiss Alps. The ceiling of the subterranean space was raised to amplify the venue’s acoustics and increase its capacity. From the origami-inspired timber cladding to the inclined balconies and suspended sound reflectors, the interior topography has been carefully orchestrated to create an enveloping space where sound rises and falls around the audience like a wave.

The redesign rejects the conventional notion of the concert hall as an insular, enclosed space. The glazed upper volume protrudes up into the rural landscape, allowing light to pour down into the venue and creating a mercurial backdrop for concerts that shifts with the seasons. Externally, the structure takes on the appearance of an art installation at first glance, the acoustic reflectors floating ethereally amid the mountain peaks. The result is an intriguing invitation to find out more…


Hayward Field

By SRG Partnership, INC, Eugene, Oregon

Popular Choice Winner, 10th Annual A+Awards, Stadium & Arena

Hayward Field by SRG Partnership, INCHayward Field by SRG Partnership, INCThe site of sporting venues since 1919, this state-of-the-art track and field stadium has a hallowed history. The newest iteration of this legacy was inspired by the energy of competing athletes. The asymmetric oval frame of the stadium dips and rises in height as though it’s in motion — a considered decision that increases the density of seats near the finishing line. Meanwhile, a canopy of wooden ribs covered in a translucent skin allows daylight to permeate the stands, shielding the heart of the stadium, the spectators, from the elements.

The athletes’ experiences are prioritized in the architectural fabric of the structure too. As well as a vast complex dedicated to training and recovery below the stands, every element of the stadium has been designed as a vehicle for practice, from the winding stairs at the entrance to the public concourses and ramps clad in track surfacing.


Montforthaus

By HASCHER JEHLE Architektur, Feldkirch, Austria

Jury Winner, 10th Annual A+Awards, Cultural & Expo Centers

Montforthaus by HASCHER JEHLE ArchitekturMontforthaus by HASCHER JEHLE ArchitekturThis experimental venue is situated in a medieval town in western Austria. It was designed as a fluid space, capable of hosting everything from conventions and balls, to theater, pop concerts and classical performances. While its architectural form is strikingly contemporary, the structure doesn’t stand in conflict with its historic surroundings. Instead, traditional regional materials have been reimagined in a modern lexicon, creating a continuity between old and new.

The complex comprises an array of multipurpose events spaces, each shapeshifting in their scale and functionality. The large concert hall features over 300 square meters of adjustable surfaces, including six movable acoustic sails across the ceiling for a customizable aural experience. Height limitations posed an initial challenge to the  design, which meant rethinking the theatrical rigging system. Instead, the classic fly tower was reimagined as interchangeable segments, an especially innovative configuration.


Quzhou Stadium

By MAD Architects, Quzhou, China

Jury Winner, 10th Annual A+Awards, Stadium & Arena

Quzhou Stadium by MAD ArchitectsQuzhou Stadium by MAD ArchitectsEmbedded within an urban park, this extraordinary sports complex in Quzhou was devised to blur into the rolling topography. Six hills, a lake and sunken gardens sit in harmony with the structure, which is nestled within a crater-like recess in the ground. The entrances to the stadium appear as apertures in the earth, oversized burrows of sorts. From a distance, the only tell-tale sign of the arena’s presence is the translucent halo of the roof, which seemingly floats above the landscape like a cloud.

Encircled by woodland, the park sits at a distance from the city, the organic terrain a counterpoint to the developed skyline. The project offers a rebuttal to the typology of the stadium as a display of power — one that often appears to dominate the landscape. Instead, the sporting spirit is sensitively imbued into a communal outdoor space, placing the training of elite athletes alongside the quotidian physical activities of city dwellers.


Intuit Dome

By Cloud Architects, Inglewood, California

Jury Winner, 10th Annual A+Awards, Unbuilt Sport & Recreation

Intuit Dome by Cloud ArchitectsIntuit Dome by Cloud ArchitectsCombining sports with sustainability, the ground-breaking basketball stadium of the LA Clippers is striving to become the world’s first carbon-neutral arena. Harnessing Southern California’s sunny climate, the stadium, which is currently under construction, will be enveloped by a gridshell crowned with a solar array. The building will run entirely off electricity derived from the sun, while its solar battery storage system will have enough capacity to power a basketball game or concert. Coupled with natural ventilation and initiatives to eradicate landfill waste and improve local air quality, the arena will have an overwhelmingly positive impact on the region.

Embracing environmental responsibility hasn’t compromised the experience of fans either. The pioneering design will feature a bowl-style seating arrangement that ensures each seat has an unimpeded sightline, as well as integrated at-seat refreshment services. Meanwhile, the architects conceived the arena’s interior to optimize the Clippers’ home-court advantage — 51 rows of seats will flank one of the baskets, dubbed the ‘Wall of Sound’.


Winter Park Library & Events Center

By Adjaye Associates, Winter Park, Florida

Jury Winner, 10th Annual A+Awards, Libraries

Winter Park Library & Events Center by Adjaye AssociatesWinter Park Library & Events Center by Adjaye AssociatesThis community development in Florida was designed as a cultural micro-village amongst the tropical terrain. Encompassing the northwest corner of Martin Luther King, Jr. Park, the complex comprises three pavilions that house a two-story library, an events center and a welcome portico, as well as a number of outdoor socializing areas. The scheme’s radical design articulates its core principles of empowerment, education and unity with the natural world.

Just as the indoor buildings flow out seamlessly to the exterior meeting spaces, the divisions between the designated interior zones are porous. The library and events center feature flexible floor plans that promote the cross-pollination of ideas. Rather than a traditional, closed design, the tiered auditorium is open at the back to the rest of the events complex, encouraging engagement and participation. Here, the venue is not a singular confined space but a permeable zone of collaboration.

Architizer’s 11th Annual A+Awards is open for entries! With a Final Entry Deadline of January 27th, 2023, the clock is ticking — get started on your submission today.

Reference

Panama Perfection: IM-KM’s Casa Loro Wins “Best in Show” in 2022 LaCantina Competition
CategoriesArchitecture

Panama Perfection: IM-KM’s Casa Loro Wins “Best in Show” in 2022 LaCantina Competition

The 5th Annual Best of LaCantina competition saw its most inspiring range of entries to date, with a diverse range of stunning architectural designs submitted from the United States and beyond, each utilizing the unique qualities of LaCantina Doors‘ systems to blur the boundaries between indoors and outdoors. Of the top projects submitted this year, a striking residence in Panama — Casa Loro — scooped the prestigious title of “Best in Show”. Its designers, the Panama and US-based firm IM-KM Architecture and Planning — led by Kristin and Ivan Morales — win a trip to next year’s AIA Conference, complete with travel and accommodation.

The project was approached with a deep sensitivity to local context. “The intent was to first restore, then relate to and engage with the site,” stated the architects. “The design needed to emerge from the restored forest to find wide open plains through, in, and around the main house. The concept of the main house at Casa Loro was to create a modern tree house made with contextual materials that enclose indoor and outdoor spaces equally.”

IM-KM paid special attention to material selection and spatial layout, seeking to create a home in which each space is uniquely designed to enhance the client’s sensory experience: “As we designed each of these spaces, we wanted them to have unique qualities of sound, materials, and light, that become integrated components that enhance the user’s experience and create specific memories of the place.

“This was achieved by hierarchically separating the spaces by a series of steps and platforms that are surrounded by gardens that attract biodiversity. As you circulate, each space becomes gradually more intimate until you reach the bedrooms and their private gardens. The ocean and fountain provide different acoustics depending on which space or garden you are in, and the shade from the various trees and palms create shadows that move around with the ocean breeze.”

The architects sought to create a hierarchical sequence of spaces that would offer inhabitants a sense of escape as they transition between each living space. IM-KM explained: “The pavilions of the main house are all balanced around the central pavilion which contains the vestibule and indoor and outdoor living rooms. From this central space, you transition from the modern world to somewhere else, where you can forget your day, and just be on holiday.”

Utilizing LaCantina’s sliding door systems, the façades of each pavilion are fully operable. When opened, the perimeter of the interior spaces become permeable and create a single larger room including the adjacent garden spaces and the ocean at the horizon. “When passing through the modern pavilion — from the vestibule into the outdoor living room — you are compressed and released into the vastness of the outdoor living room which looks out to the sea and the surrounding playful roof forms. It is meant to be an exciting, all-encompassing transition,” said the architects.

Casa Loro powerfully demonstrates how smart material and product selection can enable a seamless transition between interior spaces and the surrounding landscape. IM-KM’s adept use of LaCantina Doors systems helped create a serene home that is intimately connected to the unique natural environment of Panama, while producing an open-plan layout that is flooded with natural light. The house is proof that, when the right building products are employed and the details are well considered, a “Best in Show” outcome is possible.

To see every winner of the 5th Annual Best of LaCantina competition, click here, and learn more about LaCantina Doors here.

Photographs by Anita Calero, Fernando Alda, and Emily Kinskey.

Reference

Six buildings that show reuse “isn’t a constraint on creativity”
CategoriesSustainable News

Six buildings that show reuse “isn’t a constraint on creativity”

As ditching demolition in favour of reusing existing buildings becomes crucial in the face of climate change, Building for Change author Ruth Lang selects six buildings that show that renovations don’t need to be dull.

With 80 per cent of buildings projected to exist in 2050 already built, Lang wrote the book Building for Change: The Architecture Of Creative Reuse, which is published by Gestalten, to draw attention to the need to creatively reuse our existing buildings if we hope to reach net-zero emissions by mid-century and avert the worst effects of global warming.

Reuse “a provocation to be more inventive”

“Focusing efforts on new build constructions alone can only have 20 per cent of the impact required,” said Lang, who is an architect and teacher at the Royal College of Art and the London School of Architecture.

“The exciting thing for me was how this isn’t a constraint on creativity, but actually a provocation to be more inventive in using what we already have,” she told Dezeen.

Preserving the embodied carbon of existing structures is increasingly becoming more of a focus for architects and environmental groups, with high-profile projects including the M&S Oxford Street redevelopment facing critiques over relying on demolition.

Lang believes that studios need to rethink their approaches toward reuse with greater training and willingness to challenge briefs to stop bulldozing from being the “go-to approach”.

“We now need to reconsider projects at the briefing stage, to identify how the design will respond not only to its immediate future but also the impact it will have on future generations,” she said.

“I’m hoping that the project profiles will give some more insight as to how the aims of creative reuse can be delivered in practice,” she continued.

“We rarely talk about the processes involved in delivering schemes such as these – especially regarding the complexities of creative reuse – as we tend to merely celebrate the end result.”

Renovation can have “a financial and environmental bonus”

The book explores different approaches towards reuse and contains numerous case studies from around the world that she hopes will expand architects’ and clients’ thinking on the subject.

“I’m hoping that clients and building owners can be convinced that reuse doesn’t negatively impact the overall quality and creativity of the proposed scheme, and can instead have a financial and environmental bonus,” she said.

“If we can all begin to consider the opportunities for reuse from the outset, we’ll open up new territory for creative approaches which we might not ordinarily consider.”

The buildings contained in the book all intend to show an optimistic view of reuse, which aims to create buildings that continue to function for generations.

“The projects I’ve been researching seem to unlock a whole new set of values, particularly around the character, history and emotional attachment that becomes associated with the buildings we interact with as part of our day-to-day lives,” explained Lang.

“Although it was one of the premises of modernism, very few people want a blank slate in that respect. By seeing our buildings as aggregates of these values, alongside their carbon consumption, we must place consideration for what we are passing on to the next generation at the heart of architectural design,” she continued.

“The buildings I’ve included in the book all set an optimistic territory for this experience which will stretch beyond our own – and I look forward to more following suit.”

Below Lang highlights six buildings that demonstrate these ideals:


Tai Kwun Centre by Herzog & de Meuron
Photo by Iwan Baan

Tai Kwun Arts Center, Hong Kong, by Herzog & de Meuron and Purcell

“Although the first impression of Herzog and de Meuron and Purcell’s transformation of the historic police and magistrates site is of the new build insertions, the project has put as much energy into the retention and integration of the existing structures.

“Extensive testing and forensic research into the traditional ways of the building was undertaken, as no records were available of the construction. When they discovered the reinforced concrete was unusually made of bundles of wires, lab testing checked the structure was sufficient for its new use, which saved it from having to be removed.

“These have been sensitively augmented with subtle new structures, to enable them to meet current building standards. The new aspects of the scheme adopt innovative forms of reuse, too, recycling alloy wheels to form the distinctive aluminium bricks for the new auditorium.”


Inside the Mo de Movimiento restaurant with wooden furniture and lighting fixtures made from upcycled fluorescent light casing

MO de Movimiento restaurant, Madrid, Spain, by Lucas Muñoz

“The reworking of the materials that characterise this transformation of an old recording studio into a restaurant space has given rise to a sense of social rehabilitation, too.

“The designers worked collaboratively with local craftspeople to reinterpret old techniques – such as creating adiabatic cooling systems – and helping them to identify new applications for their skills.

“They experimented with different techniques to transform strip lighting into chandeliers, construction waste into furniture and electrical offcuts into door handles. The result is an innovative interior with a tiny carbon footprint and an ongoing social legacy.”


Zietz MOCAA, by Heatherwick Studio, Cape Town, South Africa
Photo by Iwan Baan

Zeitz MOCAA, Cape Town, South Africa, by Heatherwick Studio

“Alongside the environmental value of retaining the concrete silos, Heatherwick Studio’s team recognised the social value the building made through its controversial history of trade and extraction.

“To retain and repurpose the existing structure demanded huge amounts of work to be undertaken including extensive surveying of the concrete tubes, which were found to need repair.

“A new 200-millimetre-thick concrete inner sleeve was added using 8,500 cubic meters of concrete and requiring almost 1,200 workers on site for 5.3 million man-hours over the course of 36 months. It takes a lot of work to make something appear so simple.”


Party and Public Service Center of Yuanheguan Village by LUO studio in China
Photo by Jin Weiqi

Party and Public Service Centre, Yuanheguan, China, by LUO Studio

“This project proves how an abandoned construction doesn’t have to be a dead end. To reuse the derelict concrete frame of an aborted house construction, the architects set about surveying the extent of decay to see how much additional structure would be required to turn the intended private dwelling into a community space.

“Rather than impose their design vision upon the site, this required them to look, experiment and adapt, transforming the design process. The resulting timber structure has been sized accordingly to span neatly upon the found structure, requiring little demolition and using bespoke joints to form the interface between old and new.”


Kibera Hamlets School, by SelgasCano, Nairobi, Kenya
Photo by Iwan Baan

Kibera Hamlets School, Nairobi, Kenya, by SelgasCano

“Although great projects for provoking design innovation, the pavilions of biennales and exhibitions have long been identified as being materially wasteful. SelgasCano and Helloeverything’s commission for Copenhagen’s Louisiana Museum sought to address this by designing a pavilion (above and top) with a legacy use in mind.

“The scaffolding structure used netting, chipboard and sheets of polycarbonate plastic with water containers as ballast for the structure – materials that could be found and put to use by the local community in its intended new home in the largest slum of Nairobi, where it will provide much-needed facilities for education and entrepreneurship.”


Harrow Arts Centre, by DK_CM, London, UK
Photo by Neil Perry

Harrow Arts Centre, London, UK, by DK-CM

“This was one of the initial inspirations for the book project. I was by fascinated how DK-CM had taken the brief for a new building and demonstrated how a strategic process of rehabilitation and reuse would bring greater value for the client – not least because it would save them the enormous cost of hiring portacabins.

“It takes huge bravery to provoke a client into questioning whether they need a new building, giving up the opportunity for creating one of those eye-catching new build schemes that often grab awards and headlines in the press, and instead turning your efforts to a much more labour-intensive process of surveying and rehabilitation.

“Yet the values they have brought are multiple – in the environmental benefits, the social connections forged with the community and in setting an example that reuse can be achieved to such high standards on a grand scale.”

Reference

Ten design projects that show the varied uses of solar power
CategoriesSustainable News

Ten design projects that show the varied uses of solar power

Clothing, cars, watches and headphones powered by solar energy feature in this roundup of 10 products that are harnessing the power of the sun as part of our Solar Revolution series.

Solar power captured by means of photovoltaic panels or solar electricity cells is becoming a more widespread way to power all manner of electronic devices.

Often incorporated into buildings, as photovoltaic panels become smaller, lighter and more efficient they are being increasingly used by designers as a renewable source of energy.

Below are 10 design projects that showcase the variety of ways solar power can be used:


Image of the RPT-02 SOL headphones
Photo courtesy of Adidas

RPT-02 SOL by Adidas and Zound Industries

Sportswear brand Adidas and speaker brand Zound Industries created wireless headphones that can be charged using both sunshine and artificial light.

Named RPT-02 SOL, the wireless headphones feature a headband that is constructed from a solar cell fabric named Powerfoyle that can convert sunlight and artificial light into electricity.

Find out more about RPT-02 SOL ›


The Solar Blanket, by Mireille Steinhage

The Solar Blanket by Mireille Steinhage

Central Saint Martins Material Futures graduate Mireille Steinhage made this solar-powered blanket from conductive yarn. The product was developed as part of a project that explored ways in which to make renewable energy products more accessible and affordable.

The blanket comes with a solar panel that attaches to a power bank and supplies energy to the blanket. Conductive yarn is used to generate heat across the blanket which is constructed using a polyester composition.

Find out more about The Solar Blanket ›


Ra by Marja van Aubel
Photography is by Pim Top

Ra by Marja van Aubel

Dutch designer Marjan van Aubel arranged photovoltaic cells into geometric patterns to create a glowing, tapestry-like panel that was designed to be hung in a window.

Titled Ra, the artwork is one millimetre thick and comes to life at night. Once dark, a ring of electroluminescent paper embedded in the piece will begin to glow as a result of energy captured by the photovoltaic cells throughout the day.

Find out more about Ra ›


Sun-Powered Textiles by Aalto University
Photography is by Anne Kinnunen

Sun-Powered Textiles by Aalto University

Design and physics researchers at Aalto University in Finland have developed clothing with concealed solar panels that provide users with a means to charge and power handheld electric devices without portable power banks.

A solar cell system was concealed beneath a textile layer within the jacket, which was amended so that enough light could pass through the fabric to power the wearable power bank. The development team hopes that the innovation could be applied to work and sportswear.

Find out more about Sun-Powered Textiles ›


Solartab C, by Solartab

Solartab C by Solartab

Solartab C is a portable charger that uses a photovoltaic panel to power phones, laptops and other handheld devices. Launched in 2017, the device was said to be the first of its kind to feature a USB-C connection and can quickly charge electronic devices.

The device was designed as a greener alternative to traditional chargers and has waterproof qualities as well as including a built-in cover that doubles as a stand.

Find out more about Solartab C ›


Solar-powered windbreaker, by Pauline van Dongen
Photography is by Roos van de Kieft

Solar-powered windbreaker by Pauline van Dongen

Dutch fashion designer Pauline van Dongen created a technical windbreaker with integrated solar panels that is able to charge handheld electronic devices.

Three flexible solar panels were incorporated across the face of the jacket in order to allow its users to still wear backpacks without obstructing the panels’ energy collection. The jacket is fitted with a power bank that stores energy collected throughout the day and also has water-resistant properties.

Find out more about Pauline van Dongen ›


Stella Lux, by Eindhoven University of Technology students

Stella Lux by Eindhoven University of Technology students

Stella Lux is a wedge-shaped car with solar panels fitted across its sloping roof and rear. As a result of its solar panel roof, the car can run for 1,000 kilometres (621 miles) on a single charge while carrying four people.

The family car was designed and built by Eindhoven University of Technology students and generates more energy than it uses, which can then be returned to the power grid.

Find out more about Stella Lux ›


Solution-01 watch collection, by Matte Works

Solution-01 watch collection by Matte Works

Watch brand Matte Works created a solar-powered watch that aims to integrate solar energy into its users’ everyday lives.

Named Solution-01, the watch comprises a solar cell beneath its dial that converts light into electrical energy. Energy is stored within the watch’s rechargeable battery, which reduces the need for disposable batteries.

Find out more about Solution-01 watch collection ›


Lightyear 0, by Lightyear

Lightyear 0 by Lightyear

Dutch startup Lightyear developed the “world’s first production-ready” solar-powered car. Lightyear 0 is a five-passenger car that is fitted with five square metres of curved solar panels across its roof, bonnet and tailgate.

The solar panel integration will convert solar energy into electric power that can add up to 70 kilometres (44 miles) per day onto the car’s 388-mile range from traditional electric charging.

Find out more about Lightyear 0 ›


SunUp, by Bradley Brister

SunUp by Bradley Brister

Rigid and flexible solar panels were combined to create SunUp, which is a product for outdoor use that can be placed over a backpack and other surfaces such as the top of a canoe.

SunUp was created by designer Bradley Brister and is comprised of a collection of polycrystalline solar panels that are adjoined to each other by flexible joints. The product has a 4,000 milliamp Hour (mAh) battery that can charge and power electronics within 12 hours.

Find out more about SunUp ›


Solar Revolution
Illustration is by Berke Yazicioglu

Solar Revolution

This article is part of Dezeen’s Solar Revolution series, which explores the varied and exciting possible uses of solar energy and how humans can fully harness the incredible power of the sun.

Reference

Child Studio channels Soho’s peep show booths for Cubitts eyewear store
CategoriesInterior Design

Child Studio channels Soho’s peep show booths for Cubitts eyewear store

Featuring linoleum floors, Formica-clad walls and a deep red basement, Soho’s peep show booths served as inspiration for the atmospheric interior of this London eyewear store by Child Studio for spectacle-maker Cubitts.


Perched on the corner of Marshall Street in London’s Soho neighbourhood, the store occupies one of the early 19th-century buildings that form the area’s narrow streets.

Checked linoleum floor and wood-panelled walls in Cubitts eyewear store
Black and white checkered linoleum flooring features throughout the store

The store is spread out over a small ground floor and basement space lined by a narrow staircase.

In terms of practical requirements, the store needed to incorporate a display of the 100 different coloured acetate chips that customers can choose from to create bespoke frames.

London-based Child Studio designed a space for Cubitts that aims to reflect the history of the local area and create a customer journey that would encourage people to explore the basement space.

Wood-panelled walls and acrylic display stands in eyewear store by Child Studio
A wall-mounted display case holds 100 different coloured acetate chips

Cubitts wants each of its shops to have a unique design reflecting the history of the local neighbourhood,” Child Studio co-founder Alexy Kos told Dezeen.

“The brand has a strong connection to London, where its glasses are made, and to Modernism as the guiding principle to its design aesthetic.”

Checkered floor, black stool and wood-panelled walls in Cubitts London shop

To design the interior, the studio drew upon Soho’s colourful history as a destination for massage parlours, adult cinemas and sex shops in the postwar era.

“Gambling, drinking, religious and political dissent, clubbing and prostitution were all, at varying times, peculiar Soho specialities,” said the studio.

“We have focussed our research on Soho’s heyday in the postwar era, looking at the interiors of the neighbourhood’s iconic venues, such as the Formica-clad Bar Italia and the legendary jazz venue 100 Club, with its all-red interiors.”

Desk nook with clock and glasses display in eyewear store by Child Studio
Formica laminate partitions with aluminium trims divide up the space

Referencing the peep show booths of Soho, the store incorporates low partitions clad in a wood-effect Formica laminate and trimmed with aluminium to form a maze-like environment.

Display areas with illuminated acrylic shelving that showcase the spectacles and the colourful acetate chips are recessed into the walls. Lightbox signage integrated into the metal-trim cladding and black and white checkered linoleum flooring add to the store’s nostalgic ambience.

An antique Caori cocktail table designed by Vico Magistretti in 1961 serves as a focal point on the ground floor.

Featuring a brushed aluminium tabletop and several concealed compartments for records and magazines, the piece was specially sourced by Child Studio and adapted to include a raised podium so that it is better serves the retail environment.

Leather chair with red glasses display in Cubitts store
The basement is saturated with a deep red colour

“Every project tells a unique story and we always look for rare and unusual furniture pieces to add depth and authenticity to the narrative,” said the design team.

“The desk lamp is another mid-century find, created by the Czech designer Josef Hurka for the manufacturer Napako in the 1960s.”

Acryclic glasses display with red velvet curtain in eyewear store by Child Studio
Limited-edition sunglasses are displayed on shelves clad in aluminium-effect Formica

A narrow staircase leads to the basement, which is saturated in a deep red colour. Customers are guided to an eye examination room concealed behind a velvet curtain by neon signs.

Cubitt’s moody basement lounge area is lit by the Conelight floor lamp by the British designer Ronald Homes and furnished with chrome and leather chairs designed by Giovanna Modonutti.

A collection of limited-edition sunglasses is displayed on illuminated shelves clad in aluminium-effect Formica that create a theatrical effect in the dark red surrounds.

Neon peep show sign in Cubitts Soho store
A neon peep show sign hangs at the entrance to the eye examination room

Previously, the studio run by Kos and Che Huang has channelled the look of a 1950s cafe inside a vegan pizza restaurant in west London and transformed a former London post office into a sushi restaurant with a 1960s interior.

“We like to use the word ‘cinematic’ to describe the spaces designed by Child Studio,” Kos told Dezeen. “With every project, we aim to capture a particular mood and atmosphere, rather than trying to recreate an interior from a specific era.”

Photography is by Felix Speller and Child Studio.

Reference