Haiku Architecture: Poetic Simplicity Offers an Emotive Alternative to Minimalist Design
CategoriesArchitecture

Haiku Architecture: Poetic Simplicity Offers an Emotive Alternative to Minimalist Design

Last call: The clock is ticking as Architizer’s 12th Annual A+Awards enters its Extended Entry Deadline period. Submit your work before February 23rd for your chance at the global spotlight.  

.けぶりして露ふりて無我な在所哉
keburi shite tsuyu furite muga-na zaisho kana

dew turns to steam
trickling down selflessly…
farmhouse

Kobayashi Issa – 1811

Simplicity and suggestion are the foundation of a successful Haiku, a form of traditional Japanese poetry that strips away all but the essential words and uses them to beautifully convey a single moment in time. In the familiar 5-7-5 pattern of seventeen syllables that make up a Haiku, kigo (seasonal words) and kireji (cutting words) anchor the poem in a specific season, allowing the reader to engage their imagination to recreate a scenario the writer is retelling. Haiku often celebrates the beauty and impermanence of the natural world and invites readers to find profound meaning in nature and everyday experiences.

In architecture, this same principle has been adopted by a number of architects, finding a shared ethos with haiku in pursuit of simplicity, emotional resonance and the power of suggestion. Architects who embrace this ‘haiku approach’ often favor natural materials to celebrate the living world and play with light and shadow to connect occupants with the natural rhythms of the day while creating fluid spatial transitions that suggest rather than dictate how spaces should be used or lived in. It is a minimalist style that is deeply emotive.

The goal of haiku principles in architecture is to build unique relationships between a building and its users that encourage a connection to the environment and each other. Just as haiku strips away all but the essential words to convey a moment, architectural haiku seeks to distill design to its most fundamental aspects — form, light, material and space — creating places that invite visitors to fill the space with their interpretations and emotions.


Casa Sexta

By All Arquitectura, CDMX, Mexico

Popular Choice Winner, 11th Annual A+Awards, Residential Interiors (>3000 sq ft)

Casa Sexta by All Arquitectura, CDMX, Mexico. Photographs by Zaickz Moz.

The white stucco, green foliage, warm tones and light woodwork of Casa Sexta, designed by All Arquitectura, serve as the perfect pallet to celebrate nature’s beauty and impermanence. An idea that is so fundamental in Haiku. The design of Casa Sexta suggests rather than dictates how spaces are to be inhabited. By developing the program across three levels and orienting the walls at a 45º angle to capture sunlight through ten patios, the structure of Casa Sexta encourages a fluid movement between the various spaces.

Each room benefits from natural lighting and ventilation that promote a harmonious flow. Allowing the inhabitants of the home to define their own experiences while always being connected to the natural rhythms of the day. The presence of a black acacia tree at the heart of the project deepens this connection. The living centerpiece links the various spaces of the house while also physically documenting the passage of time.


Panorama Penthouse

By Bureau Fraai, Netherlands

Jury Winner, 11th Annual A+Awards, Residential Interiors (>3000 sq ft)

Panorama Penthouse  by Bureau Fraai, Netherlands. Photographs by Flare Department.

As suggested by its name, Panorama Penthouse was designed to amplify the relationship between the internal living space and the external skyline views. Opting for an open floor plan, the home provides unobstructed and simply breathtaking 180-degree panoramic views of the seaside and the city center. There are free-standing oak volumes that are built to house private areas such as the primary bathroom, office space and bedrooms in the evening. These structures add to the fluidity of the space while ensuring comfortable functionality.

The penthouse’s material palette was thoughtfully selected to reflect the visas beyond, echoing the haiku’s integration with nature. The light oak wood mirrors the dunes and beaches, while the muted grey cabinetry in the kitchen and dining room are intended to echo the distant city skyline. The design follows the capacity of a haiku to capture and convey the essence of a moment or scene – in this instance, the ever-changing colors of the skies, tides and urban landscape.


OG House

By Omar Gandhi Architects, Halifax, Canada

Jury Winner, 11th Annual A+Awards, Residential, Private House (M 2000 – 4000 sq ft) 

OG House by Omar Gandhi Architects, Halifax, Canada, Photographs by Ema Peter Photography.

On a site with deep community ties, OG House and architect Omar Gandhi reflect the principle of haiku in the building by grounding in a specific moment and setting. The transformation of the ground floor of the standout structure into a community studio dedicated to local projects and for local residents takes into consideration the site’s history as well as its present needs, creating a space that is deeply embedded in its community.

The choice of local materials, such as eastern white cedar, buff-colored brick, and white oak paneling, speaks to the project’s commitment to material honesty and the celebration of natural textures — a core of haiku poetry. The weathered cedar façade that blends with the neighborhood’s textures acknowledges the city’s architectural heritage and exemplifies a design that is both of and for its environment.

Within the space, the repeated use of gentle, rounded corners and the incorporation of organic shapes in the stairwells and handrails demonstrate an attention to form that is evocative of haiku elegance and subtlety. These design elements gently guide movement and focus within the house, inviting exploration and reflection.


Empire Loft

By Raad Studio, New York City, New York

Popular Choice Winner, 11th Annual A+Awards, Residential Interiors (>3000 sq ft)

Empire Loft by Raad Studio, New York, NY, United States. Photography by Alan Tansey.

Through a series of deliberate spatial manipulations and material choices, Empire Loft is full of moments of elegance and unexpectedness. The dramatic cutaway of the second floor to introduce a suspended bridge is a bold spatial move that disrupts the traditional apartment layout, making the sinuous dark stone spiral staircase and the bridge focal points of movement and interaction, embodying the principle of simplicity in form yet complexity in experience that is fundamental in the creation of a haiku.

Mirrored elements throughout the apartment create illusions with the depth and boundary, inviting occupants and guests to reinterpret the apartment’s dimensions. Incorporating a recording studio wrapped in corrugated felt illustrates an understanding of sensory restraint—capturing haiku’s minimalist ethos. This thoughtful detail underlines the importance of not only visual comfort but also the management of all sensory experiences when striving for harmonious architecture.

Each design decision, from the layout to the material finishes, is part of a design strategy that aims to provide memorable moments of ordinary residential experience, elevating the every day through craftsmanship and creativity.

Last call: The clock is ticking as Architizer’s 12th Annual A+Awards enters its Extended Entry Deadline period. Submit your work before February 23rd for your chance at the global spotlight.  

Reference

Neri&Hu highlights simplicity and functionality at Shanghai art gallery
CategoriesInterior Design

Neri&Hu highlights simplicity and functionality at Shanghai art gallery

Chinese studio Neri&Hu has designed a contemporary art gallery for Ota Fine Arts in Shanghai with a focus on the “sublime beauty of the banal”.

The gallery sits on the ground floor of a mixed-use tower at Rockbund, a development amidst the historical Bund in Shanghai along the Huangpu River, where a series of restored colonial art deco buildings are located.

Neri&Hu Ota Fine Arts galleryNeri&Hu Ota Fine Arts gallery
The entrance of the gallery features an oversized sliding door

“The primary design challenge was to utilise the areas along the facade for both storage and display, blurring the distinction between functional and experiential space,” explained Neri&Hu.

“This deepened threshold condition found on both facades defines the visitor’s arrival sequence and journey within.”

Neri&Hu Ota Fine Arts galleryNeri&Hu Ota Fine Arts gallery
The facade of the gallery is framed in aged steel to contrast the contemporary gallery

The facade of the gallery was framed in aged steel, with portions of solid metal and large glass panels arranged to form a window display for the artworks.

Handmade ivory tiles line the inner side of the window in a subtle woven pattern, serving as a neutral backdrop for the art pieces.

Neri&Hu Ota Fine Arts galleryNeri&Hu Ota Fine Arts gallery
A warehouse-sized door can be fully open on the west facade for easy transport of large art pieces

An oversized sliding door marks the entry to the gallery on the eastern facade. When opened, the entrance of the gallery is revealed, with the outer sliding door framing the window display next to it.

When closed, the door slides back to its original position and allows the full-height glazed window to be exposed.

The western facade features a warehouse-sized door that can be fully opened using a custom-designed handle. This allows large artworks to be delivered directly from a designated parking area into the gallery.

Neri&Hu also added fluted glass to the exterior, which glows in the evening to illuminate the adjacent Rockbund courtyard and add elegance to the functional facade.

Inside the gallery, the 350 square-metre space is divided into two zones – a 150-square-metre main public viewing gallery and a private zone that houses VIP rooms and office space.

The pared-back, white VIP rooms feature contemporary furniture pieces with custom-made white tiles and a stained oak floor and were designed to create a relaxing environment, in which the attention can be focused on the art itself.

Neri&Hu Ota Fine Arts galleryNeri&Hu Ota Fine Arts gallery
The interior of the gallery has a neutral and simplistic tone

“The project’s understated material palette and overall conceptual underpinning lies in the juxtaposition of old and new, raw and refined, ordinary and spectacular,” said Neri&Hu.

“We hope one can appreciate the sublime beauty of the banal, as much as the brilliance of contemporary art,” it added.

Neri&Hu Ota Fine Arts galleryNeri&Hu Ota Fine Arts gallery
Clean white rooms are intended to highlight the art piece

Neri&Hu was founded by architects Lyndon Neri and Rosanna Hu in 2004 in Shanghai.

Other recent projects completed by the studio include the Sanya Wellness Retreat hotel on the Chinese island of Hainan and a fashion boutique with fabrics and marble screens.

The photography is by Zhu Runzi.


Project credits:

Partners-in-charge: Lyndon Neri, Rossana Hu
Associate-in-charge: Jacqueline Min
Senior interior designer-in-charge: Phil Wang
Design team: Rovi Qu
FF&E procurement: Design Republic
Contractors: ETQ Project (Shanghai) Limited

Reference