Dezeen Debate features Manhattan skyscraper that heralds “the end of messianic Miesianism”
CategoriesArchitecture

Dezeen Debate features Manhattan skyscraper that heralds “the end of messianic Miesianism”

KPF New York skyscraper

The latest edition of our Dezeen Debate newsletter features visuals of the 520 Fifth Avenue supertall skyscraper in Manhattan. Subscribe to Dezeen Debate now.

American architecture studio Kohn Pedersen Fox has unveiled images of a supertall skyscraper that is currently being built in Midtown Manhattan.

Commenters analysed the structure, with one praising the “contextual design approach” while another questioned: “Can we declare this day the end of messianic Miesianism?”

However, a commenter thought the design “kind of falls apart when you look at the details.”

Render of Aeroporto Amerigo Vespucci by Rafael Viñoly ArchitectsRender of Aeroporto Amerigo Vespucci by Rafael Viñoly Architects
Rafael Viñoly Architects unveils plans for vineyard-covered airport terminal

Other stories in this week’s newsletter that fired up the comments section included Rafael Viñoly Architects’ plans for a vineyard-covered airport terminal, a pavilion designed for The OWO hotel in London and the news that Elon Musk’s company Neuralink has implanted a brain chip into its first human patient.

Dezeen Debate

Dezeen Debate is sent every Thursday and features a selection of the best reader comments and most talked-about stories. Read the latest edition of Dezeen Debate or subscribe here.

You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.

Reference

This week BIG completed The Spiral supertall skyscraper in New York
CategoriesArchitecture

This week BIG completed The Spiral supertall skyscraper in New York

This week on Dezeen, we reported that BIG completed its first supertall skyscraper, a 66-storey commercial high-rise wrapped with a series of stepped terraces.

Located along New York’s High Line, The Spiral reaches 314 metres-high and its footprint reduces towards the top as the ascending terraces cut into the building.

Studio founder Bjarke Ingels described the building as combining “the classic ziggurat silhouette of the premodern skyscraper with the slender proportions and efficient layouts of the modern high-rise.”

Pyramid of Tirana by MVRDV
MVRDV added a stepped roof to the Pyramid of Tirana

Also in architecture news, the Pyramid of Tirana in Albania reopened as a cultural hub with a stepped roof and colourful boxes designed by Dutch architecture studio MVRDV and local studio IRI Architecture.

Originally built in the 1980s as a pyramid-shaped museum dedicated to Albanian dictator Enver Hoxha, the building’s form was retained with sections of the sloping concrete roof kept as a slide.

Piss Soap project by Arthur Guilleminot at Het Nieuwe Instituut's New Store 1.0 pop-up at Dutch Design Week
Customers exchanged urine for soap at a pop-up shop during Dutch Design Week

Dutch Design Week was in full swing this week, with events and exhibitions taking place across Eindhoven including a pop-up shop where customers exchanged urine for soap in a bid to encourage more ethical consumption.

Elsewhere at the festival, design student Willem Zwiers showcased marbled furniture made from salvaged second-hand books and designer Emy Bensdorp exhibited her proposal to clean PFAS “forever chemicals” by firing contaminated soil into bricks.

Photo of engineer Jasper Mallinson wearing the Mecha-morphis device on one arm
Mecha-morphis is a wearable, portable CNC machine

In other design news, product design engineer Jasper Mallinson aimed to bridge the gap between man-made and robotic construction with a lightweight, wearable CNC machine named Mecha-morphis.

Mallinson hopes that in the future, the device will be used on worksites to help realise parametric designs with “superhuman precision”.

Amare in The Hague by NOAHH
Betsky wrote an opinion piece on how Dutch architecture has become “notably boring”

Also this week, American architecture critic Aaron Betsky wrote about his views on the lack of exciting architecture projects built in the Netherlands in recent years.

To Betsky, Dutch architecture has lost the sparkle it once had, comparing OMA’s 1987 Netherlands Dance Theater with the “box festooned with fluted columns” that replaced it (pictured above).

75.9 House by Omer Arbel
A home with fabric-formed concrete pillars turned readers’ heads this week

Popular projects this week included a home in British Columbia with fluted pillars made by pouring concrete into fabric formwork and a Mexican seaside resort with wooden guesthouses raised on stilts.

Our latest lookbooks featured dining rooms with built-in seating and bathrooms where subway tiles lined the walls and surfaces.

This week on Dezeen

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

Reference

BIG’s first supertall skyscraper reaches completion in New York
CategoriesArchitecture

BIG’s first supertall skyscraper reaches completion in New York

Architecture studio Bjarke Ingels Group has announced the completion of The Spiral, the studio’s first supertall skyscraper and first commercial high-rise in New York City that features a “Ziggurat silhouette”.

It reaches 1,031 feet (314 metres) into the sky, making it a super tall skyscraper, which is a skyscraper between 300 meters (984 feet) and 600 meters (1,968 feet) tall. Located along the High Line, the 66-storey building gets its moniker from a series of stepped terraces wrapped around its exterior.

The Spiral by BIG
BIG has completed its first supertall skyscraper, in New York City

“The Spiral punctuates the northern end of the High Line, and the linear park appears to carry through into the tower, forming an ascending ribbon of lively green spaces, extending the High Line to the skyline,” said Bjarke Ingels Group (BIG) founder Bjarke Ingels.

“[It] combines the classic Ziggurat silhouette of the premodern skyscraper with the slender proportions and efficient layouts of the modern high-rise.”

Stepped terraces wrapped around a skyscrapers exterior
It is located at the north end of the High Line in Manhattan’s Hudson Yards neighbourhood

On its lower levels, the building features glazed, recessed openings at the street-level lobby and office spaces above.

As they move upward along the building, the openings shift into terraces populated with “a landscape that has never been installed at or above 300 feet elevation in New York City”, according to the team.

An intersection in NYC
Stepped terraces create a spiral pattern that spans the exterior

“The Spiral ensures that every floor of the tower opens up to the outdoors, creating hanging gardens and cascading atria that connect the open floor plates from the ground floor to the summit into a single uninterrupted workspace,” said Ingels.

“The string of terraces wrapping around the building expands the daily life of the tenants to the outside air and light.”

“As the trees and grasses, flowers and vines have taken root over the last two summers, The Spiral is slowly becoming an ascending ribbon of green wrapping around the entire silhouette of the tower–like a 1,000-foot-tall (304 metres) vine at the scale of the city’s skyline.”

A lobby with large glazed opening
The planted landscape responds to environmental conditions

The stepped terraces slowly cut into the building’s floor plates as they ascend, reducing the overall volume of the tower towards its top.

The outdoor spaces created by the terraces total 13,000 square feet (1,207 square metres) and are populated with a mixture of drought and wind-resistant plant species native to the American prairie, shrubbery and trees that will bloom in the wintertime, and trellises adorned with English and Boston Ivy.

The plant arrangement differs depending on orientation to the sun and high-velocity winds. A water management system will sequester rainwater for redistribution through the landscape.

The 2.8 million-square-foot (260,128 square metres) structure will host offices and a private event space on the uppermost floor.

An aerial view of terraces
The building spans 66 storeys and is BIG’s first completed high-rise commercial building in New York City

Some floors contain double-height amenity spaces and “the option to connect adjacent floors via a grand staircase”,  as an alternative to elevators and to encourage interaction amongst colleagues.

The lobby contains cladding in “seven different metals”, meant as a homage to the industrial heritage of the surrounding Hudson Yards neighbourhood, while its stepped design nods to other Manhattan skyscrapers like the Empire State Building and Rockefeller Center.

A tree on a terrace overlooking NYC
It will hold offices and event spaces

The Spiral was developed by Tishman Speyer and built by Turner. BIG collaborated with Adamson Associates and structural engineer WSP Cantor Seinuk on its design.

The team is pursuing LEED Silver certification for the building.

BIG unveiled the design for The Spiral in 2016 to mixed reviews by Dezeen commenters. Elsewhere in New York, the studio has released images for mixed-use skyscrapers along the Williamsburg waterfront.

The photography is by Laurian Ghinițoiu.



Reference

Michael Hsu utilises soft shapes for Austin skyscraper interiors
CategoriesInterior Design

Michael Hsu utilises soft shapes for Austin skyscraper interiors

US studio Michael Hsu Office of Architecture has designed the common areas and amenity spaces for a residential skyscraper in Austin, Texas, which include a circular outdoor swimming pool.

The 51-storey 44 East Avenue development on the city’s riverfront was designed by Page Architects, and includes 330 condominiums and a variety of shared amenities for residents.

Lounge area in front of glazed atrium
The ground-floor lobby of 44 East Avenue includes a glazed atrium that divides the space

Local studio Michael Hsu Office of Architecture took an organic approach when designing the communal spaces, introducing soft shapes and natural materials to the glass and concrete structure.

“44 East combines nature and design with the idea of home,” said studio founder Michael Hsu. “It’s an unexpected expression of what beautiful, livable, modern spaces can be.”

Dark green sofa, pale pink rug and wooden coffee table
Michael Hsu Office of Architecture has layered a variety of vintage and custom furniture in the lobby

The bright lobby features light colours, curved surfaces, and a blend of hard and soft materials.

Poured concrete terrazzo floors are intended to echo the gravel of the nearby riverside trail, while plaster ceilings are subtly smooth-edged to mimic the undersides of boats.

Rounded mint-green reception desk in front of white tambour wall
A rounded mint-green reception desk sits in front of a white tambour wall

A glazed atrium with curved corners divides the ground floor and brings the landscaping by DWG further into the building.

Lounges on either side are furnished with a mix of vintage and contemporary pieces, which add colour and texture.

Bright lounge space with a variety of seating areas
On the 11th floor, spaces feature pastel tones to match the interiors of the residences

The reception desk has rounded edges and sides, and a glossy mint-green finish. It sits on a chrome base that matches a custom pendant light over a nearby seating area.

“[The communal areas are] a completely designed experience, one that allows for a multitude of ways of living,” Hsu said. “It represents creativity and design without pretension.”

Circular swimming pool with loungers and seating around the perimeter
A circular outdoor swimming pool has loungers and pebble-shaped islands at its shallow ends

On the 11th floor, a series of spaces are oriented towards views of the Colorado River and the leafy neighbourhoods to the south.

A circular outdoor swimming pool features loungers dipped into the shallow water and a series of pebble-shaped islands.

Covered patio with a tree growing through a hole in the canopy
A tree grows through a hole in the canopy that covers a patio area for grilling

Adjacent is a partially covered patio for barbecuing and dining al fresco, oriented around a planter with a tree that grows up through a hole in the slatted canopy.

Indoor spaces on this level are decorated in pastel hues to match those found in the residences, which were designed by Page.

Further amenity areas on the 37th floor feature jewel tones and darker materials, such as the stone flooring, as well as fixtures including a large moon-like pendant light above a circular sofa.

“We hope that this space feels both fresh and welcoming, a place that has new moments to discover, but that is comfortable and familiar,” said Hsu. “Design here is part of the resident’s everyday experience, rather than reserved for a special occasion.”

Lounge with dark furniture and a view of the Austin skyline
Another lounge on the 37th floor has darker decor and a view of the Austin skyline

Austin continues to grow as a desirable place to live and work, and has seen a boom in development across residential, commercial and hospitality sectors as a result.

Plans for a supertall skyscraper in the city were unveiled in November 2022, although cut back significantly six months later, leaving another supertall by KPF in the running to become Texas’ tallest building.

Exterior view of 44 East Avenue with the Colorado River and Austin skyline behind
44 East Avenue is located beside the Colorado River, east of Downtown Austin

Meanwhile, a concrete office complex, a sculptural tower, and a technologically advanced sports arena have all been completed in Austin over the past year.

Michael Hsu Office of Architecture has also wrapped up a string of projects in its home state, from converting a 1930s Austin church into a design office to designing a cosy Japanese restaurant in Houston.

The photography is by Chase Daniel.


Project credits:

Common areas/amenity spaces: Michael Hsu Office of Architecture
Home interiors: Page
Landscape architect: DWG
Developer: Intracorp
Pre-construction: Flintco
Civil engineering: WGI

Reference

Dezeen Debate features David Adjaye’s “wonderful” first skyscraper
CategoriesArchitecture

Dezeen Debate features David Adjaye’s “wonderful” first skyscraper

David Adjaye 130 William skyscraper

The latest edition of our Dezeen Debate newsletter features David Adjaye’s reveal of the 130 William skyscraper in Lower Manhattan. Subscribe to Dezeen Debate now.

Ghanaian-British architect Adjaye has completed the 130 William skyscraper in Lower Manhattan, which is the first skyscraper finished by the architect and his studio Adjaye Associates.

The tower is 800 feet tall and has an exterior that is covered in hand-troweled concrete panels.

Readers were fascinated by the tower. One thought it was “wonderful” that the skyscraper is not “just another blue glass box”, whilst another disagreed, describing the building as “another pointless skyscraper for the super-rich to live in”.

Hotsat 1 satellite
Hotsat-1 satellite launched to identify energy-inefficient buildings

Other stories in this week’s newsletter that fired up the comments section included British technology company SatVu’s launch of a satellite that will map the energy efficiency of buildings from space, architecture studio Hickok Cole’s use of AI chatbot ChatGPT to design a large mixed-use building and Pei Cobb Freed & Partners and Moody Nolan’s reveal of a museum in South Carolina.

Dezeen Debate

Dezeen Debate is sent every Thursday and features a selection of the best reader comments and most talked-about stories. Read the latest edition of Dezeen Debate or subscribe here.

You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.

Reference

adjaye associates’ first skyscraper evokes fortress ruin in new york
CategoriesArchitecture

adjaye associates’ first skyscraper evokes fortress ruin in new york

now complete: new york’s modern ruin by adjaye associates

 

130 William stands completed in New York City‘s financial district, marking Adjaye Associates‘ first skyscraper. Designed as a rejection of the common glass tower, the architecture takes its inspiration from the industrial heritage of the city with its facade of rhythmic, arched windows and its hand-cast concrete skin — this way, the project evokes a ‘ruin’ in the city, proposing an alternative history of New York architecture. The building rises 800 feet and 66 stories above the city, and introduces 242 residences along with a luxurious collection of amenities and a welcoming public plaza at street-level. See designboom’s previous coverage here.

adjaye associates 130 williamimage © Ivane Katamashvili

 

 

a hand-cast concrete facade evokes the texture of lava rock

 

From the street, 130 William’s entrance plaza opens up as a lush public ‘pocket park,’ which Adjaye Associates designed as a quiet retreat from the density of the Financial District. This park is wrapped on three sides by the building’s custom hand-cast facade with its stack of arched windows. From here, visitors can observe the rich texture of the blackened concrete skin, cast to evoke the porous surface of lava rock, which is highlighted by refined bronze accents. The distinctive silhouette of large-scale arched windows are a reminder of the historic lofts that once defined the fabric of lower Manhattan.

 

This idea of making a ‘pocket park’ as an outdoor room for the city was the compelling part of the project for me,’ architect David Adjaye said during an opening celebration at 130 William.Making not just a condo but a piece of public infrastructure, a piece of the city, was really important.’

adjaye associates 130 william
image © Ivane Katamashvili

 

 

inside the airy residences

 

While Adjaye Associates designs its 130 William tower with a dark, fortress-like exterior, the team curated its interiors with a light and airy ambience. The 242 residences range from studios to four-bedroom units, and take shape with materials gathered from across the globe. With wide-plank white oak flooring and large, bronze-framed arched windows, the each residence is designed with open and spacious interiors and a meticulous attention to detail. The team at Adjaye Associates custom-designed all the residences’ burnished bronze fixtures and hardware — including all faucets, showerheads, accessories, and door handles — along with textiles and textural wallpaper.

adjaye associates 130 william
image © Ivane Katamashvili

 

 

sheltered loggias bring private outdoor space

 

Within the top ten floors of 130 William, Adjaye Associates fits the Penthouse and Loggia Residences, which feature spacious rooms and high ceilings ranging from 11 to 14 feet. These interiors seamlessly connect to expansive outdoor areas with breathtaking views. The Loggia terraces envelop these residences from one end to the other, offering substantial outdoor space starting at a height of over 600 feet. These distinctive residences are further enriched with exclusive touches, such as sink countertops and soaking tubs crafted from exquisite marble.

adjaye associates 130 william
a ‘pocket park’ is open for residents and the public alike | image © Dror Baldinger

 

 

the luxury amenities of 130 william

 

130 William presents an extensive range of lifestyle and wellness amenities spanning over 20,000 square feet. These offerings encompass a comprehensive health and wellness club featuring a luxurious infinity-edge spa pool, invigorating cold and hot plunge pools, a rejuvenating dry sauna, and tranquil massage rooms. Additionally, there is a cutting-edge fitness center with a terrace, a serene yoga studio, and a versatile basketball court. Residents can indulge in various entertainment facilities, including a private IMAX theater, one of just two in all of New York City. Indoor and outdoor lounges offer a chef’s catering kitchen, a club room, a golf simulator, and a children’s play space. 

adjaye associates 130 williamthe blackened, textural facade wraps the public park on three sides | image © designboom

 

 

For panoramic views across the city and beyond, a private rooftop observation deck crowns 130 William, situated almost 800 feet above ground level. Convenient services include a 24-hour attended lobby, a concierge service catering to personal needs such as reservations and theater tickets, as well as a pet spa. Additional amenities comprise bicycle storage, private storage options, and exclusive rooftop cabanas.

Reference

cubed skyscraper towers over riyadh in new murabba downtown
CategoriesArchitecture

cubed skyscraper towers over riyadh in new murabba downtown

saudi arabia unveils its next monument: new murabba

 

Dubbed the ‘new face of Riyadh’, Saudi Arabia’s newest monument is set to redefine parameters of urban planning and the shape of its capital with the New Murabba mega project. Transforming the city with a series of immersive cultural, commercial, and residential experiences, New Murabba emerges amid the cityscape as the world’s largest modern downtown, built on groundbreaking digital and virtual technology and rooted in the region’s culture.

 

At the heart of the futuristic megapolis sits the landmark Mukaab — a cube-shaped skyscraper large enough to fit 20 Empire State Buildings, towering over the city as an icon of the kingdom’s ambitions. Imposing yet intricate, the volume is enveloped by delicately carved geometric motifs emblemizing the kingdom’s Islamic history and recalling traditional Najdi architecture 400 meters high against the skyline.

riyadh murabba saudi arabia
New Murabba downtown will be ‘the new face of Riyadh’ | image © Public Investment Fund

 

 

holographic worlds transport visitors inside the skyscraper

 

Riyadh’s New Murabba mega project was recently announced by HRH Mohammad bin Salman as the latest initiative of the Saudi Vision 2030 strategy, led by the Public Investment Fund (PIF) authorities. The downtown development will center around the iconic Mukaab supertall skyscraper which will become one of the largest built structures in the world. Architecturally inspired by a modern interpretation of Najdi design elements, Mukaab will become the world’s first immersive destination offering a futuristic hospitality experience realized with digital and virtual technology.

 

Inside, it will comprise a futuristic amalgamation of modern day luxuries including fine dining restaurants, retail, and residential living, marked by a monumental towering spiral structure composed of stacked organic forms. The outer dome of the atrium encompassing the tower will be fitted with cutting-edge holographics and virtual reality screens, reflecting surreal, scenic vistas to transport visitors and locals into a ‘gateway to another world.’

riyadh murabba saudi arabia
Mukaab supertall skyscraper can fit 20 Empire State Buildings | image © Public Investment Fund

 

 

riyadh to host world’s largest modern downtown 

 

Part of Saudi Vision 2030, the newly launched New Murabba Development Company will accelerate the city’s growth and position Saudi Arabia as a leading global tourism destination. The New Murabba mega project, set to be realized by 2030, will bring together unique living, working, and entertainment experiences, complete with two million square meters of shops, cultural and tourist attractions — all located within a 15 minute walking radius and connected by an internal transportation system.

 

With over 104,000 residential units, 620,000 square meters of leisure assets, and 1.8 million square meters of space for community facilities, Riyadh’s new downtown will house an iconic museum, a technology and design university, a multi-purpose immersive theatre and over 80 cultural and entertainment venues. The plan is expected to add SAR180 billion (£40 billion) to non-oil GDP and create 334,000 jobs.

 

Further, Riyadh’s New Murabba will embrace concepts of sustainability to foster wellbeing, enhance quality of life, and promote nature-based community activities for its residents and visitors, weaving green areas and walking and cycling paths throughout the futuristic complex.

riyadh murabba saudi arabia
video screenshot ‘New Murabba: the new horizon for Riyadh’

Reference

Studio Sofield completes interiors on world’s skinniest supertall skyscraper
CategoriesInterior Design

Studio Sofield completes interiors on world’s skinniest supertall skyscraper

Studio Sofield has completed the interiors of 111 West 57th Street, also known as Steinway Tower – a supertall skyscraper designed by SHoP Architects in New York City.

The interiors mark the full completion of the 1,428-foot-tall (435-metre) skyscraper, which is the second tallest in the Western Hemisphere, and the skinniest in the world with a height-to-width ratio of 24:1.

Steinway tower interiors with modern furniture and view of central park
Studio Sofield completed interiors for Steinway Tower in Manhattan

Sited on a street bordering Central Park in Midtown that has come to be known as Billionaire’s Row, the skyscraper has views looking north and south.

New York-based Studio Sofield designed the interiors for the skyscraper as well as the adjacent Steinway Hall, which is connected to the tower.

The 91-storey skyscraper has 46 residences, with an additional 14 held in Steinway Hall, as well as a variety of amenities, and was developed by JDS Development Group and Property Markets Group.

Steinway Tower lobby inteirors with pianos
The design included interiors for the lobby spaces that connect the tower and Steinway Hall

“With 111 West 57th Street, I set out to create interior architecture that was unmistakably and quintessentially New York,” said Studio Sofield founder William Sofield.

“While celebrating the vibrancy of today, I am a historian by nature and sought to honor and evoke the splendor of our city’s gilded age.”

Steinway Tower lobby interiors gilded frames
Studio Sofield wanted the public interiors to reflect the “gilded age” of New York City

Interiors designed by Sofield includes the “block-long lobby sequence” that connects the two aspects of the tower. Here, the studio restored the original flooring of the Steinway Hall and used limestone, marble, blackened steel and velvet accents.

Murals in bas-reliefs of gold and silver leaves depict architectural landmarks of New York, and elephants were depicted elephants roaming through the city as a”tribute to the history of pianos”.

Steinway Hall swimming poool
The swimming pool room has full-height windows

Another room in the lobby sequence was outfitted with bronze mirror cladding that leads to a “domed salon” lined with banquet seating.

On 58th street, a residence entrance featuring a granite porte-cochere with grillwork doors inspired by “the bronze filigree on the building’s exterior”.

Steinway hall room
Steinway Hall was renovated using themes from the original building

The bar area and the swimming pool are also in the hall structure. According to the studio, the bar was based on the “legendary King Cole Bar with its chic bar” with an ornamental balcony and skylights that further the material references to the original building.

Elevator vestibules for the tower were completed using custom-made doors by artist Nancy Lorenz. The swimming pool is 82 feet long (25 metres) and is housed in a double-height room with floor-to-ceiling windows.

In the skyscraper, the residences each occupy at least a single floor. Each home has a central room where the views to the north and south are prioritised, and these rooms lead to a “signature great hall, which often spans the full width of the tower,” according to the studio.

Grey oak and macauba stone were used for the flooring and nine-foot-tall doors separate the room.

Steinway Skyscraper interiors
The skyscraper’s residences have wooden and stone floor

Hardware for the doors as well as other features like the freestanding bathtubs and the fixtures were sourced from long-standing US manufacturers such as PE Guerin, which, according to the studio, is the “country’s oldest architectural hardware firm”.

Other supertall skyscrapers – defined as one between 984 and 1,969 feet (300 and 600 metres) – designed by SHoP Architects include the Brooklyn Tower in Downtown Brooklyn, which is nearing its way to completion, having topped out earlier this year.

Billionare’s Row – the name for the luxury skyscrapers on 57th Street near Central Park in Manhattan, continues to see new developments, with New York studio ODA announcing the construction of a “fractal” skyscraper on the street.

The interior photography is by Adrian Gaut with exterior photography by David Sundberg.

Reference

Tom Dixon furnishes penthouses in One Park Drive skyscraper
CategoriesInterior Design

Tom Dixon furnishes penthouses in One Park Drive skyscraper

British designer Tom Dixon’s Design Research Studio has furnished the interiors for two duplex penthouses that Herzog & de Meuron has created within its cylindrical Canary Wharf skyscraper.

Architecture studio Herzog & de Meuron designed the seven penthouses in the residential One Park Drive skyscraper, which were the last part of the project to be completed, to contrast the commercial buildings that surround them.

“We had to think about what it means to live vertically and how to create a strong distinction between something that is commercial and something that is residential,” Herzog & de Meuron’s UK studio director John O’Mara said at the penthouses’ opening.

Wood-clad courtyard and white bathroom
The seven penthouses feature wood-clad courtyards

Located on the 56th and final floor of the 205-metre-tall One Park Drive building, the duplex penthouses feature balconies overlooking Canary Wharf. To give them a more residential feel, Herzog & de Meuron added an unusual detail – hidden internal courtyards.

The wood-clad courtyards open up towards the sky via D-shaped ceiling cut-outs and function as a “back garden,” the studio said.

Each of the penthouses, which range from 152 to 362 square metres, also feature a statement spiral staircase made from concrete poured in-situ. The staircases all have different designs.

Spiral concrete staircase inside One Park Drive penthouse
Spiral staircases were made from concrete poured in-situ

Design Research Studio furnished the interiors for two of the duplex penthouses in One Park Drive using a combination of furniture by Dixon’s studio and handpicked vintage furniture.

Among the vintage pieces used for the design were chairs by Danish designer Verner Panton and lamps by Finnish architect Alvar Aalto. Dixon also custom-made large artworks for the space.

White sofa in front of floor-to-ceiling windows
The penthouses are on the 56th floor

Dixon’s studio used the theme of Home of the Collector to imagine what the interiors of the penthouses should feel like.

“Each room has been meticulously curated – we wanted every single object to feel as if it has been made specifically for this space or that it has been carefully selected for it,” Dixon explained.

“It should feel personal, convincing, compelling and aspirational – we didn’t want to design a typical luxury apartment,” he added.

“The beautiful, fluid spaces feature high ceilings and large expanses of wall and windows and the artworks create the sense of a private gallery.”

Coming up with a concept for an imaginary homeowner was an enjoyable aspect of the job, Dixon added.

“It’s actually really good fun to try and invent a personality and try and work out what they would actually do,” he said, explaining that he had envisioned the apartments being filled with art pieces and furniture that had been picked up on travels.

Bathroom with tadelakt walls at One Park Drive penthouse
Bathrooms have sand-coloured Tadelakt walls

The apartments in One Park Drive are all designed by Herzog & de Meuron with a tactile material palette that helps to draw attention to the interiors.

Wood was used to create striking details for the interior architecture, including the wardrobe doors with leaf-shaped openings.

The studio used Tadelakt plaster to create sand-coloured bathrooms with globe-shaped lights and rounded mirrors, while floors are concrete or pale wood.

Sofa in living room of One Park Drive penthouse
The penthouses also have balconies overlooking Wood Wharf

The duplex penthouses are the last part of One Park Drive to be completed. The skyscraper, which contains 484 apartments in total, forms part of developer Canary Wharf Group‘s plan to add homes to the predominantly commercial Canary Wharf neighbourhood.

Other recent projects by Tom Dixon include a twentieth-anniversary exhibition that featured mycelium towers and Design Research Studio’s design for restaurant The Manzoni.

Reference

The Timber Revolution: New Programs Beyond the Skyscraper
CategoriesArchitecture

The Timber Revolution: New Programs Beyond the Skyscraper

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Timber architecture is having its moment. In this material revolution towards more sustainable modes of construction, the poster child has been timber skyscrapers and high-rises. But timber is being reimagined across a range of building programs, from private homes and residential housing projects to infrastructure and cultural facilities. (We’ve already flagged a trend towards intricate wooden joinery!) These additional programs illustrate a move towards material choices that are warm and inviting, more sustainable, and that foster new ways to think about architecture and design.

Register for Future Fest

As Think Wood shared in their 2022 report, teams are considering timber to lower a building’s carbon footprint. AEC companies are looking to timber because it is less carbon-intensive than other structural materials. It also has applications everywhere from prefab buildings to modular construction and hybrid techniques. The following projects showcase timber with both vernacular building techniques and modern tectonic expressions. While they are not tied to specific locales or regions, they share common investigations into enclosure, cladding, structure and more.


Bjergsted Financial Park

By Helen & Hard, Stavanger, Norway

For the Bjergsted Financial Park in Stavanger, Sparebank 1 SR-Bank wanted a place where the company could realize its visions and offer the best for the surroundings. This seven-floor high building is an example of a future workplace and is one of Europe’s largest office buildings in timber. The volume varies in height to accommodate the varied scales and character of the surrounding buildings. There is a central atrium which brings in light, air and green qualities into the building. Social areas and meeting rooms are organized around this space and act as a buffer towards the quieter workplaces along the façades of the building. The galleries are connected by a spectacular open stair. There is a strong contrast between the sharp, triangulated exterior of glass and metal, against the interior organic design in timber.


Aspen Art Museum

By Shigeru Ban Architects, Aspen, CO, United States

The New Aspen Art Museum is located in the center of the high mountain town of Aspen Colorado on a prominent downtown corner site. The three story kunsthalle provides galleries on the first two floors above ground level and on one floor below. The third floor is a multi-function space and café. Half of the third area is given over to an outdoor terrace with views up to the mountains. Design features include an innovative long-span timber space-frame roof structure, woven panel façade, structural glass floors for gallery day-lighting, outdoor gallery stair which connects the site plaza to the third floor roof level and glass elevator.


Canary Wharf Crossrail

By Foster + Partners, London, United Kingdom

This mixed-use scheme was designed to encompass the over-ground elements of a new station for the Crossrail project at Canary Wharf. At the heart of the project was a new enclosure unifying the station and other elements including new retail units and a park. The park and the rest of the building is enclosed by a distinctive roof, which wraps around the building like a protective shell. This 300 meter-long (328 yard) timber lattice roof opens in the centre to draw in light and rain for natural irrigation. Timber was an appropriate material to enclose the park: it is organic in nature and appearance, strong, adaptable and is sustainably sourced. Despite the smooth curve of the enclosure, there are only four curved timber beams in the whole structure.


Timber Dentistry

By Kohki Hiranuma Architect & Associates, Minoo, Japan

Looking to introduce warmth and light into this unique site, this home was built on the location of the former Housing Expo from ninety years ago. Orientation and shape of the surrounding residential area influenced the silhouette of the structure’s west elevation. A gable roof blends into the neighborhood and draws an arc towards the west side, showing a hint of modernism. To give a warm impression to the exterior facade, natural wood materials were used, where walls stand as a white canvas that complements cherry blossoms in season. The timber structure is enhanced by the transparency of glass, which draws attention from the eye-level pedestrian on the first floor.


Aula K. Timber Modular Classroom

By BCQ arquitectura, Barcelona, CT, Spain

Created to be a modular classroom, this timber design includes the construction of a prototype module for environmental education, a learning and discovery space to be installed in different locations of the Metropolitan Area of Barcelona park’s network. It is proposed that it becomes also the habitat for some species of animals such as insects, invertebrates, birds, bats… As the team explained, it must be a space open to the outside; it is necessary that one could see the trees from the classroom, to perceive the light and feel the climate. The building was planned as a prefabricated module, flexible and as economical as possible, capable of responding to the different requirements of each municipality for environmental education.


Timber Rhyme

By Studio Ardete, Chandigarh, India

As the design team explored in Timber Rhyme, wood-art has been an integral part of Indian history. Sutradhar community, according to legend, are the carpenters (also known as ‘badhaee’) descended from Maya, the son of Vishwakarma (the divine engineer). This design explored conventional limitations of the material sold by the client, veneers and plywood, and its protagonist role in a conversation that has existed in the ancient past. ‘Timber Rhyme’ occupies the first story of a retail shop in a market complex, Chandigarh. The challenge was to invite a walk through the existing 71′ by 18′ linear block. A timber ribbon invites passerby into the space and to engage with the materials.


Archery Hall and Boxing Club

By FT Architects, Chandigarh, India

When considering the design expression for a new archery hall and boxing club, FT Architects created a pair of buildings a few hundred meters apart on the grounds of Kogakuin University in west Tokyo. The University’s brief was for low-cost structures made of locally sourced timber to provide accessible and inspiring spaces for the students. By chance, both facilities called for a column-free space scaled to a size comparable to a sacred hall in a traditional Japanese temple.

In order to achieve this span, without columns and using low-cost methods of timber construction, it was necessary to come up with an innovative timber solution. Small timber sections, normally reserved for furniture making, were chosen for the archery hall and timber members deemed defected because of insect damage for the boxing club.


Timber Bridge in Gulou

By LUO studio, Jiangmen, China

Jury Winner, 10th Annual A+Awards, Architecture +Wood

Due to the unique tidal flat landform, Gulou in Jiangmen City established the tradition of making use of the water system to dig ponds and form mounds for fishing and farming. As the water system and fish ponds occupy a large area and form a fragmented spatial pattern in local villages, many bridges have been built to connect the areas segmented by water. This project is a timber bridge, which is one of the many in Gulou Waterfront Resort. To differentiate it from urban constructions and revitalize traditional rural culture, LUO studio adopted natural wooden materials to construct an arched bridge.

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