Children in social housing “sleeping on a blanket on a concrete floor”
Increasing numbers of people in social housing are living in inhospitable conditions because they are unable to afford even basic furniture and flooring, Dezeen reports as part of our Social Housing Revival series.
In the UK, social-rented homes are usually handed over to new residents in a sparse state – lacking basic elements of decoration and furnishings, as well as essential appliances.
As the cost of living continues to rise and the availability of crisis-support services diminishes, a growing number of people are unable to afford to furnish these homes, meaning they are sometimes forced to live in a harsh environment for months at a time.
“For the families who we work with, the point that is most distressing is the void condition – the homes are given and [social landlords] don’t bother painting the walls, and there’s absolutely no flooring down,” said Emily Wheeler, founder and CEO of Furnishing Futures.
“Most people over time can manage to get some furniture together that’s gifted to them from the local church or friends or family or whatever, but it costs thousands and thousands of pounds to put flooring down, even in a one-bedroom flat.”
London charity Furnishing Futures was recently established to address the issue among women fleeing domestic abuse, creating interiors to a high standard using furniture donated from brands.
Domestic-abuse survivors and people leaving care or who were previously homeless are particularly at risk of furniture poverty since they are less likely to have items to bring with them.
Wheeler said Furnishing Futures is seeing increasing demand for its services as more people come under financial pressure.
“Initially we were only working with women who were in receipt of benefits or experiencing severe poverty or destitution,” explained Wheeler.
“But now we’re working with families who are using the food bank but the woman is a midwife, or she’s a teaching assistant, or she is a teacher, and that is new.”
Sometimes the conditions the charity witnesses are shocking, Wheeler told Dezeen.
“People are experiencing real hardship,” she said. “We’ve frequently come across people who have no food, no clothes, no shoes for their children.”
“The kids are sleeping on a blanket on a concrete floor – there’s nothing in the flat whatsoever,” she continued. “And those people might even be working as care assistants, or teaching assistants. So it’s really, really difficult at the moment for people.”
According to the campaigning charity End Furniture Poverty, more than six million people in the UK lack access to essential furniture, furnishings and appliances – including 26 per cent of those living in social housing.
Only two per cent of social-rented homes in the UK are let as furnished or partly furnished, the charity’s research has found.
Wheeler is a trained interior designer who formerly worked in child safeguarding.
She was prompted to set up Furnishing Futures after discovering that many women in social housing who had left dangerous homes were driven back to their abuser by poor living conditions.
“When women were placed in new housing after having escaped really high-risk situations, they sometimes felt that they had no choice but to return because they couldn’t look after their children in those conditions – there’d be no fridge, no cooker, no washing machine, no bed, no curtains on the windows,” she explained.
“People are expected to go to those places at a time of great trauma and distress, and recover, but those places are often not conducive to that because of the design and the environment.”
The charity overhauled 36 homes in 2023, helping 99 women and children. It takes a design-led approach with an emphasis on finishing interiors to a high standard.
“We professionally design them and they look like beautiful homes – they look like show homes when they’re finished,” Wheeler said.
“And the reason we do that is because it’s really important that the women feel that they have a beautiful home and they feel safe there, that they feel for the first time that someone really cares about them,” she added.
“It also supports the healing and the recovery journey for those women.”
To help ensure quality, the charity only works with new or as-new furniture. It works with brands to source items that would otherwise be sent to landfill – usually press samples or items used at trade shows, in showrooms or on shoots.
Donating partners include Soho Home, BoConcept, Romo Fabrics and House of Hackney.
Wheeler is keen for Furnishing Futures to expand beyond London but the charity is currently held back by limited warehouse capacity and funding.
“If we had more money and more space we could help more people, it’s as simple as that, really,” she said.
The charity continues to seek donations from brands, particularly for bedroom furniture and pieces for children.
As well as calling for social-housing providers to let their properties in a better state, Wheeler believes the design industry could be doing more to help people facing furniture poverty.
“I do think that where the industry could catch up a little bit is working with organisations like ours,” she said.
For example, charities are unable to take furniture lacking a fire tag – which tend to be removed – so imprinting this information onto the items themselves would make more usable.
In addition, donating excess items as an alternative to sample sales could be a way to reduce waste with much greater social impact, she suggests.
“There’s probably millions of people across the country living without basic items and yet there’s massive overproduction, but the waste isn’t necessarily coming to people who actually need it,” Wheeler said.
“There are things that the industry could be doing that will create a huge social impact very easily.”
The photography is courtesy of Furnishing Futures unless otherwise stated.
Social Housing Revival
This article is part of Dezeen’s Social Housing Revival series exploring the new wave of quality social housing being built around the world, and asking whether a return to social house-building at scale can help solve affordability issues and homelessness in our major cities.
Addressing a high demand for social housing in Mexico City, this project is located on a rectangular plot with its shortest side facing the street. The 42 units are placed in three towers, generating interior courtyards for views and natural ventilation for each apartment, connecting them with vertical cores and bridges above the patios. The masonry brick walls play an important role on the project as they are part of the structure and re-interpret the traditional brick wall, blurring the boundary between structure and ornament. With the use of a single unit; red mud artisanal brick, the team was able to create walls that respond to light and shadow.
At the heart of the Flor project was an effort to try and stabilize the lives of people in the city. As permanent supportive housing, the project features large windows, units with a micro kitchen, and each with their own doorbell to reinforce a sense of respite and privacy. Tree-canopied courtyards and indoor and outdoor activity spaces encourage social interaction to add a sense of wellbeing and community.
For La Courneuve, two buildings and 18 duplex units were designed to provide a diversity of housing. A meticulous architectural style contributes to the regeneration of the Cité des 4000. Built in 1956 by the Ville de Paris, this large-scale operation was designed as an estate composed of blocks sited alongside each other. This siting principle generated undefined and unused free spaces, preventing the appropriation of public spaces which are wasted. The regeneration aimed to suppress the effect of uniform and impersonal blocks to give, once again, meaning to the public space with a true landscape and human dimension. The proposal gives a new identity to the neighborhood while integrating this diversity previously missing at all scales of the project.
CasaNova was an exploration that began with a competition publicly announced by the Social Housing Institute based on a Detailed Plan for the residential expansion. This is a tool the municipal administration had to face the need of social housing with a settlement pattern clearly recognizable in the peripheral context. The plan provided the creation of blocks, the “castles”, made of three to four buildings located around an open tree lined court. Following the numerous plan restrictions, the building emphasizes the unity of the plot by working on the concept of block and by identifying a single kind of construction for the front.
For this innovative project in Paris, the team wanted to embrace the neighborhood. Close to avenue de Flandre and just a stone’s throw from the canal de l’Ourcq, rue de Nantes is a fairly traditional Parisian street of Haussmann and inner-suburb buildings. The project gently inserts itself into a narrow parcel bordered by dense, adjoining housing. On the street side, it extends the building streetscape in a simple manner. On the garden side, the staggering from the 1st to the 6th floors creates large, private, south-facing terraces and allows for an unencumbered view of the sky. The “L” shape and the general volumetrics allowed for the creation of a true, collective garden at the ground level, planted with tall trees.
Looking to the future, multigenerational house is a social housing located in Wrocław, Poland. The building design combines three functions for three generations: flats with a care service for the elderly and the people with disabilities, flats for rent dedicated for the young and families, and a nursery school on the ground floor. House generates 117 apartments with different typologies. The building is part of the model housing estate Nowe Żerniki, where local architects collectively tried to respond to the growing housing problems and poor spatial quality. One of the initial assumptions of the project was to create a facility conducive to the integration of all its residents and users, so the multigenerational house was designed as a quarter.
The ‘”Gungjeong Social Housing’ project was carried out for a new residential space experiment for the millennial generation of Korean society. For the younger generation in Korea, residential space is turning into a private space and, at the same time, a community space in loosely solidarity with people of similar tastes. They are seeking the possibility of living and sharing various convenient spaces together because of the expensive housing costs in Seoul. In this project, community lounge cafes will be planned for use by residents on the first and second floors, while the remaining three floors will have a shared house that can accommodate a total of 11 people. Four people reside on each floor, and there is a shared kitchen with a high ceiling on the top floor.
Creating a new urban model, the Iceberg development aimed to create an opportunity for Denmark’s second largest city to develop in a socially sustainable way by renovating its old, out-of-use container terminal. Looking to the future while creating a distinct district, the area is comprised of a multitude of cultural and social activities, a generous amount of workplaces, and a highly mixed and diverse array of housing types. The Iceberg Project was designed to work within the goals of the overall city development. A third of the project’s 200 apartments are set aside as affordable rental housing, aimed at integrating a diverse social profile into the new neighborhood development.
