Exterior of the Arario Gallery in Seoul by Schemata Architects
CategoriesArchitecture

Schemata Architects embraces rough material finishes for gallery in Seoul

Exterior of the Arario Gallery in Seoul by Schemata Architects

The rough finishes of an existing concrete and brick structure are contrasted by white exhibition spaces at Arario Gallery in Seoul, completed by Japanese studio Schemata Architects.

The gallery is located at the rear of the Space Group Building, a modernist icon in South Korea that houses the Arario Museum.

Designed by architect Kim Swoo-geun, the grey-brick, heritage-listed building was completed in the 1970s and converted into the museum in 2014.

Exterior of the Arario Gallery in Seoul by Schemata ArchitectsExterior of the Arario Gallery in Seoul by Schemata Architects
Arario Gallery sits alongside the grey-brick Space Group Building

Alongside this building is a glazed extension from the 1990s by architect Jang Se-yang, a student of Swoo-geun, as well as a traditional South Korean home, or hanok, which was relocated to the site when it reopened in 2014.

Amid this architectural backdrop is a brick and concrete structure added to the site in the 1980s, which Schemata Architects was tasked with converting into the Arario Gallery.

“It was a great challenge for me, a Japanese architect, to work on the third building – excluding the hanok – especially after seeing the perfect contrast between the two buildings already created by the master and the disciple,” said Schemata Architects Principal Jo Nagasaka.

Interior of the Arario Gallery in Seoul by Schemata ArchitectsInterior of the Arario Gallery in Seoul by Schemata Architects
The gallery spaces are contained in white rooms

Looking to create a space that “looks unchanged on the outside”, the studio retained the building’s structural frame and dark brickwork, originally chosen to complement the Space Group Building.

“In this context, we thought that inserting another unique feature into the landscape would not be appropriate,” explained Nagasaka.

White gallery interior with grey brick floorsWhite gallery interior with grey brick floors
Brickwork extends across the floor of the basement

Organised across four floors and a basement level, the white-walled gallery spaces sit alongside the existing staircase, lift, service and storage areas, where the structure’s rough material finishes have been left exposed.

In these more industrial-feeling spaces, walls have been made using plywood on metal frames. Teamed with metal doors and white metal balustrades, they deliberately stand out against the “skeleton” of the existing building.

In the basement, the dark grey brickwork of the adjacent museum is mirrored in a brick floor that extends throughout the space.

On the third floor, sections of the exterior wall were removed to create a full-height glass wall in the VIP area. This looks out towards the nearby Changdeokgung Palace and a surrounding park, also visible through windows in the stairwell.

Concrete stairwell with white stairsConcrete stairwell with white stairs
White metal accents highlight new additions to the Arario Gallery

“In this way, we established repetitive patterns where visitors would emerge from the white cube into a skeleton space and see the palace beyond as they ascend to the upper floors,” said Nagasaka.

Lounge area in Seoul by Schemata ArchitectsLounge area in Seoul by Schemata Architects
Large windows in the Arario Gallery overlook Changdeokgung Palace

Schemata Architects is a Tokyo-based studio, Founded in 1998 by Nagasaka after he graduated from Tokyo University of the Arts.

Its previous projects include a public bathhouse in Tokyo finished with turquoise tiles and a hillside guesthouse and bar for a home on the coast of an island in the Seto Inland Sea.

The photography is by Yongjoon Choi.



Reference

Concrete Hoji Gengneung houses in South Korea
CategoriesArchitecture

Concrete ring connects Hoji Gangneung homes by AOA Architects

Concrete Hoji Gengneung houses in South Korea

Seoul studio AOA Architects has created Hoji Gangneung, a series of uniquely shaped concrete dwellings linked by a raised, circular path in the South Korean countryside.

Located in Gangwon-do, Hoji Gangneung includes a family house for the owner and three guesthouses, along with a communal building.

Concrete Hoji Gengneung houses in South KoreaConcrete Hoji Gengneung houses in South Korea
Five buildings are arranged around a raised concrete ring

AOA Architects designed one of the four homes with an octagonal shape and central courtyard while another, named the Round House, has a semi-circular end.

The remaining two dwellings and the communal building have rectangular floor plans and differ from each other by their roof shape.

Hoji Gangneung houses in South KoreaHoji Gangneung houses in South Korea
AOA Architects designed each structure with a different shape

The communal building has a mono-pitch roof and one rectangular house has a regular gable roof. The final house, named the Long House, features a gable roof with a raised central section topped with a skylight, creating an elongated light well.

“Every building has its own shape, size and character, allowing guests to enjoy each space distinctly through shadow play,” said AOA Architects principal Jaewon Suh.

Hoji Gangneung by AOA ArchitectsHoji Gangneung by AOA Architects
Hoji Gangneung is located in the countryside in South Korea

AOA Architects took cues from countryside structures, such as warehouses and cabins, when designing Hoji Gangneung, aiming to create a project that references its surroundings while establishing itself as something new.

“The main concept and goal of the design is to build something familiar and also unfamiliar in a rural area,” Suh told Dezeen.

“For some, the Octagonal House looks like a nomadic tent and feels like an octagonal pavilion, the Long House looks like a milk carton or a grain warehouse, and the Round House looks like a slender piece of wood or a face with a hat, but these associations do not matter.”

A concrete ring elevated above the grassy landscape connects the five buildings, a decision the studio made to prevent the need for multiple paths.

“A circular shape was the best gesture to connect the five buildings at once,” Suh said. “As a result, while avoiding typical countryside alley shape and showing the main concept of the design, an artificial circular raised walkway was created.”

Concrete house in South Korea by AOA ArchitectsConcrete house in South Korea by AOA Architects
The buildings are made from textured concrete

According to the studio, the choice of concrete also deliberately juxtaposes the grassy landscape below.

“By raising a walkway slightly from the land, a tension between the gently floated concrete walkway and weak grasses of the land occurs,” said Suh.

Concrete home interior with a pitched roof and light wellConcrete home interior with a pitched roof and light well
AOA Architects covered the interiors of the homes in wood

The buildings are all built from textured concrete and topped by corrugated metal roofs.

In the communal building, the concrete structure is left exposed. Large glass doors spanning one wall open onto the concrete walkway and give views of the dwellings.

Communal dining area with a concrete structureCommunal dining area with a concrete structure
The concrete structure of the communal building is left exposed inside

The interiors of the houses are finished with wood to add a sense of warmth and “make one feel that they have entered a box of musical instruments”, according to Suh.

AOA Architects was founded in 2013 by Jaewon Suh and Euihaing Lee. The studio previously designed a Minecraft-themed apartment in Seoul with a stepped roof and red- and white-tiled exterior.

Elsewhere in South Korea, architecture studio Atelier Koma recently created a concrete chapel and YounghanChung Architects designed a two-storey study space for a retired university lecturer.

The photography is by Chin Hyosook.



Reference