Space Archives

Elevation view of Cornerstone by AHMM in London

Developer HUB and investor Bridges Fund Management have revealed plans to convert a 1950s office building in London into Cornerstone, a co-living residential scheme designed by Allford Hall Monaghan Morris.

Located on the edge of the Barbican estate, the Cornerstone project will draw from the iconic Barbican architecture to transform 45 Beech Street into 174 co-living residences along with street-level commercial spaces and amenities.

“Building on the success of our previous London projects with HUB, we are joining forces again to transform an underloved office building in the heart of the city,” Allford Hall Monaghan Morris (AHMM) director Hazel Joseph said.

AHMM’s proposal aims to re-use as much of the building’s existing structure and facade as possible, taking a “retrofit-first approach” to minimise the need for new building works.

The studio will also primarily work within the geometric parameters defined by the original envelope, while updating the rectilinear language to create uniform apertures for each co-living apartment.

Referencing the Barbican estate, a series of arched, double-height extrusions will be introduced across the crown of the building to house additional co-living apartments.

Barbican context and facade of Cornerstone by AHMM in London — The design will adapt the existing building’s form and insert a series of arched spaces at the top

“The architectural approach has been carefully considered, responding sensitively to the much-loved Barbican context, completing the northern frontage of the estate,” Joseph said.

The arches will be partially set back from the building’s facade and lined with an asymmetric patchwork of glazed and tile panels underneath the curved overhangs.

At street level, warm red panel accents will contrast against the building’s neutral concrete finishes to highlight commercial and collective functions.

The scheme will integrate a public cafe, a co-working space and community-focused amenities at its lower levels to improve the public realm for those who live and work in the area.

“The existing structure of 45 Beech Street will be re-used and extended, creating a new residential community with shared amenities and breathing new life into the local streetscape,” Joseph explained.

street level activation of Cornerstone by AHMM in London — At street level, new commercial and public amenities will seek to activate the ground plane

According to HUB and Bridges Fund Management, AHMM’s proposal was developed in collaboration with the community – including Barbican residents – who were consulted through a series of workshops and events.

A website was also established to solicit viewpoints about the redevelopment, reiterating the design vision to establish a “vibrant community” that will adapt the original building and holistically contribute to the neighbourhood.

AHMM was established in 1989 by Simon Allford, Jonathan Hall, Paul Monaghan and Peter Morris in London. The studio has previously converted a 1930s block into New Scotland Yard’s headquarters in London and completed a mixed-use building in Southwark with interlocking flats.

Also adjacent to the Barbican estate, Diller Scofidio & Renfro’s proposal for a pyramidal music centre was recently scrapped when the City of London Corporation revealed its plans for a “major renewal” of the Barbican.

The images are courtesy of HUB and Bridges Fund Management.

Reference

Interior Design

PlayLab Inc centres “space for conversation” in Los Angeles retail store

By Zarkon Group,03/01/2024

LA studio PlayLab Inc has created a flagship store that contains a sky blue conversation pit at its centre for local clothing brand MadHappy.

PlayLab Inc split the West Hollywood store into two distinct zones – one for retail space and the other for “intimate gathering spaces”, including a cafe and a courtyard.

“Our collective goal with the design was to put space for conversation at the heart of the retail experience, creating a place that is equal parts for community dialogue and product,” PlayLab Inc co-founder Jeff Franklin told Dezeen.

“To do this we split the space down the middle, making one half a clear utility for shopping and the other a collection of intimate gathering spaces.”

a conversation pit made of light blue seating — The space was divided into separate zones for gathering and retail

Visitors enter the 2,800-square-foot (260-square-metre) store through a glass facade, which leads into a large open space with powder blue concrete flooring running throughout.

At the entrance, a blue bench emerges from a small exterior porch, while a boulder sits opposite.

a courtyard with large sliding glass doors and various stools — A cafe and courtyard were placed at the back of the store

Towards one side, the store contains a 70’s style conversation pit underneath a large skylight. Plush, sky-blue couches line the seating area, with satin aluminium side tables by Berlin-based studio New Tendency placed alongside them.

Along an adjacent limewashed wall, the studio installed built-in shelving flanked by large custom wooden speakers by New York music studio designer Danny Keith Taylor of House Under Magic.

small light green stools and tree with blue floor — The courtyard was populated with a single tree and green-stained plywood stools by Waka Waka

The social area leads into a small open-air courtyard populated by a single Tree Aloe installed by Cactus Store and green-stained plywood stools by LA studio Waka Waka.

The same green plywood was used to line the takeout window of the store’s Pantry cafe, which sits in an enclosed corner and serves local and global cuisines from brands including Japanese-based café Hotel Drugs and LA bakery Courage Bagels.

a cafe space in a retail store — Custom signage was installed along the cafe’s takeout window

A custom lightbox and a large standing menu were installed next to the takeout window to display the cafe’s signage and goods.

In the remaining interior, PlayLab Inc created a large metallic “retail bar” that spans the shop’s length for “open views of the product”, according to Franklin. The studio also dispersed custom Lego-like benches around the space, which were covered in a candy apple red gloss.

an illuminated cube sign — The store will act as a retail space and venue

Faux-stone stools and a bench were installed throughout the space.

The store also contains a multimedia room, called the Local Optimist Space, a creative venue that will host audio and visual artwork.

“The design was inspired by the concept of conversation between things – a balance of scales, materials and textures,” said Franklin.

This is the first flagship store for the clothing brand MadHappy, which previously operated from a host of pop-up concepts and stores.

wooden speakers — Local designers worked on furniture and other pieces for the store

“From the beginning, physical retail has been essential to Madhappy and its success. We’ve always viewed our shops as spaces that go beyond something purely transactional – we want them to allow our community to engage with Madhappy beyond what’s possible digitally,” MadHappy co-founder Mason Spector said in a statement.

Other recent projects by PlayLab Inc also include a plexiglass skatepark for Vans and a lifesize toy racetrack set for a Louis Vuitton menswear show.

The photography is by Sean Davidson.

Reference

Triangular archway in the Amsterdam Polspotten store

Interior Design

Space Projects creates Amsterdam store with thatched hut for Polspotten

By Zarkon Group,29/12/2023

A curvilinear thatched hut has been paired with terracotta-hued tiles at the Amsterdam store for homeware brand Polspotten, which was designed by local studio Space Projects.

The studio created the store to straddle a shop and an office for Polspotten, a furniture and home accessories brand headquartered in the Dutch capital.

Characterised by bold angles and arches, the outlet features distinctive terracotta-coloured walls and flooring that nod to traditional pots, Space Projects founder Pepijn Smit told Dezeen.

“The terracotta-inspired colours and materials refer to the brand’s first product, ‘potten’ – or pots,” said Smit, alluding to the first Spanish pots imported by Erik Pol when he founded Polspotten in the Netherlands in 1986.

Plush cream sofa within Amsterdam homeware store — The interconnected spaces are delineated by cutouts

Located in Amsterdam’s Jordaan neighbourhood, the store was arranged across a series of open-plan rooms, interconnected by individual geometric entryways.

Visitors enter at a triangular opening, which was cut away from gridded timber shelving lined with multicoloured pots that mimic totemic artefacts in a gallery.

Curvilinear thatched hut — A curvilinear thatched hut provides a meeting space

The next space features a similar layout, as well as a plump cream sofa with rounded modules and sculptural pots stacked in a striking tower formation.

Travelling further through the store, molten-style candle holders and Polspotten furniture pieces were positioned next to chunky illuminated plinths, which exhibit amorphously shaped vases finished in various coral-like hues.

Accessed through a rectilinear, terracotta-tiled opening, the final space features a bulbous indoor hut covered in thatch and fitted with a light pink opening.

The hut provides a meeting space for colleagues, according to the studio founder.

“The thatch, as a natural material, absorbs sound as well,” explained Smit.

Clusters of pots next to a circular table — The store provides an art gallery-style space for homeware

Next to the hut, Space Projects created an acoustic wall illustrated with “hieroglyphics” of Polspotten products, which references the gallery-like theme that runs throughout the outlet.

“The store was inspired by Polspotten’s use of traditional techniques combined with a collage of their reinterpreted archetypes,” said Smit.

Office space at Polspotten — It is also used as an office space

Elsewhere in Amsterdam, Dutch practice Studio RAP used 3D printing and algorithmic design to create a “wave-like” facade for a boutique store while interior designer Linda Bergroth created the interiors for the city’s Cover Story paint shop to streamline the redecorating process for customers.

The photography is by Kasia Gatkowska.

Reference

Plant-filled office space by Workers of Art (WOA)

Interior Design

Workers of Art designs studio space using materials “relegated to landfill”

By Zarkon Group,20/11/2023

Indian architecture studio Workers of Art has converted a former storage space into its own plant-filled office, using recycled and repurposed waste materials in almost every aspect of its design.

Called WOA Second Home, the office is located in Kochi, Kerala, and occupies a 1,450-square-foot (135-square-metre) concrete structure that was previously used for storing tiles.

Aiming to “underscore the necessity of the curtailment of waste output in architecture,” Workers of Art (WOA) made use of materials that had been “relegated to landfill” including concrete board, PVC pipes and acrylic sheets, to create a workspace that would reflect the studio’s ethos.

“The design celebrates the value of materials that might have otherwise been discarded, creatively forming patterns and combining different elements to breathe new life into the space,” said the studio.

“For instance, odd-shaped waste tiles are harmoniously mixed and matched, finding their new home in the powder room. A strikingly repurposed tile piece also elevates the entry steps, underscoring the studio’s attention to detail and innovative flair,” it added.

Organised across one floor, the entrance to the office leads into a large space lined with a zig-zag of ferrocement desks along the eastern wall, next to a meeting table and sample board at the centre of the room and a more private workspace to the west.

Office interior of 'WOA Second Home' — The design uses recycled and repurposed waste materials

A new partition with a large arched opening and blackout curtain leads through to a breakout area and facilities space containing a locker area, kitchen and bathroom.

“The design of the workstations, which meander through the shared workspace, was strategically planned to encourage teamwork while also allowing for individual space,” WOA co-founder Priya Rose told Dezeen.

“The philosophy was to create a workspace that feels like a ‘second home’ – evident in the thoughtful design elements that prioritise comfort, aesthetic pleasure, and a sense of belonging,” she added.

Custom black light fittings on the ceiling were created by repurposing lengths of PVC pipe, while bespoke planters were made using ferrocement lined with blue plastic barrels.

The existing tile floor in the building was retained, with areas that had become cracked removed and infilled with microcement to create contrasting dark grey geometric areas.

Throughout the studio, discarded antiques and over 100 species of local plants were introduced to bring a “homely” quality to the space.

Office interior of Workers of Art studio office — A large arched opening forms a new partition within the office

WOA Second Home has been shortlisted in the workplace interior (small) category of Dezeen Awards 2023.

In Madrid, designer Lucas Muñoz used upcycled junk and construction waste to create nearly every interior element of the Mo de Movimiento restaurant.

The photography is by Ishita Sitwala.

Reference

Sustainable News

Space Caviar launches Non-Extractive Architecture directory

By Zarkon Group,16/11/2023

Design studio Space Caviar and philanthropic initiative Re:arc Institute have launched an online directory to showcase and support architectural practitioners challenging traditional ways of practice.

The open-access Non-Extractive Architecture directory features more than 700 trailblazers worldwide who “prioritise social justice, material awareness and long-term thinking” in their work.

It has been launched by Space Caviar and the Practice Lab branch of Re:arc Institute in response to the growing awareness of the damage that construction is doing to the planet and is hoped to encourage more design that alleviates this.

“As the scale and magnitude of the climate crisis we are collectively facing – and the central role the construction industry plays in accelerating it – become more evident, there is increasing awareness within the profession, especially among the youngest generation of the profession, that something must change,” said Space Cavier founder Joseph Grima.

“Our goal is for the Non-Extractive Architecture project to be an accelerator of this change,” he told Dezeen.

The directory is a continuation of Space Caviar’s existing work exploring the concept of Non-Extractive Architecture – a term it coined to summarise a style of architecture that prioritises conserving, rather than exploiting, the Earth’s resources.

Each practitioner a “useful part to a larger puzzle”

The studio released a book, Non-Extractive Architecture Vol 1, in 2019 and later began a year-long research residency with the non-profit private organisation V-A-C Foundation.

“The directory we are launching today represents the most ambitious phase of the project so far,” said Grima.

“We didn’t expect the book to receive as much attention as it did, and now sadly it’s out of print and quite difficult to get hold of,” he explained. “This is why we decided to go with an online directory – to keep it as democratic and open-access as possible and also to allow it to grow organically over time.”

The directory is divided into six themes, named Timeless Ways of Building, Material Origins, The Politics of Construction, The Long Now, Building as Last Resort and Systems Architecture.

Case study in the Non-Extractive Architecture directory — Dakar collective Worofila is one of the studios in the directory

According to Grima, the categories are intended to maximise the directory’s accessibility and help readers “take that first step of jumping in”.

“We intend to document the work of everyone who we feel is making a sincere effort to contribute to meaningful change in the way in which architecture will be practised in the future,” said Grima.

“This is not to say that their practice is necessarily devoid of critical weaknesses – it’s more that we feel their work contributes one useful part to a larger puzzle.”

“We hope it can accelerate the diversification of a profession”

Among the studios featured in the directory is Atelier Luma, a circular design lab based at Luma Arles that specialises in developing materials made from locally sourced bio-waste, various by-products and other under-valued materials.

Others include Field Architects, a nomadic studio that is developing ways to combine traditional and indigenous construction techniques with modern methods, and Dakar collective Worofila, which specialises in using local, low-carbon materials to create buildings best suited to their climate.

Atelier Aino – a French cooperative architecture workshop focused on retrofit instead of demolition – also features in the directory, alongside a women-led landscape design studio called ORU in Mexico that is dedicated to building resilience to climate change.

Grima said that the goal of the directory is to “accelerate a transformation in the profession by helping like-minded practitioners find one another and share knowledge”.

“We hope it can accelerate the diversification of a profession that is far too male, western-centric and inward-looking – we hope it can be a well-structured, easy-to-use and inspiring source of contacts for clients, curators, editors and conference moderators who otherwise tend to default to the same familiar names,” he explained.

Directory “can help inspire confidence”

However, he also hopes it can help motivate people who are “interested in approaching architecture differently”, particularly the younger and emerging generation of architects.

“It is a heavily regulated field, and the current modus operandi can seem inescapable,” he reflected.

“Seeing hundreds or thousands of other practices who have already found ways to question the prevalent assumptions about how design is practiced can help inspire confidence in the idea that it is possible to do things differently.”

The non-extractive architecture(s) directory is an ever-evolving resource and it is welcoming other contributions for its expansion.

Grima shared details of the Non-Extractive Architecture project in a talk with Dezeen in 2021 and also in a manifesto written for the Dezeen 15 festival.

“In the face of clear and present danger, we have no choice but to rethink the predatory principles (towards habitat, towards each other) that modern industrial economies are optimised towards,” Grima wrote in his manifesto.

The images are courtesy of Space Caviar.

Reference

Architecture

a vibrant social space, haixin bridge curves across pearl river to reconnect guangzhou

By Zarkon Group,11/11/2023

SCUT proposes a revived plan for Guangzhou’s haixin bridge

In the heart of Guangzhou’s CBD, the Haixin Bridge marks the first pedestrian landscape bridge across the Pearl River. Proposed by the Architectural Design & Research Institute of South China University of Technology (SCUT), it will stretch from Ersha Island Art Park in the north to Guangzhou Tower in the south to strategically connect key points in the cityscape. As an extension of the city’s public realm, the bridge serves as a vibrant and engaging social space, imbued with a sense of place and cultural identity that is essential to the region’s architectural heritage. Its curved shape will integrate with existing pedestrian systems, addressing the need for connectivity between the metropolis split between the two sides of the river while paying attention to the spatial order of the central axis. With an open posture, the bridge will offer panoramic views of the Pearl River’s core area.

all images courtesy of SCUT

a bustling urban space mirroring cultural motifs

Deeply rooted in regional cultural identity, SCUT’s design draws inspiration from the water sleeve and ancient Qin, cultural motifs distinctive to the Lingnan region. The landscape design of the bridge deck mirrors the local water flower market, resulting in a cohesive and integrated design that is both functional and aesthetically pleasing. The introduction of flower boats creates a physical separation between the eastern and western sides of the bridge deck, enhancing functionality and providing additional space for pedestrians while creating a distinctly dynamic urban space.

The segmented bridge deck features a varied height profile, incorporating flower ponds, observation decks, and two types of pedestrian walkways for upper and lower levels. This use of space caters to the diverse needs of pedestrians for passage and sightseeing, enhancing the city’s vitality with distinct spatial textures. Its sloping connection to pedestrian walkways on both sides ensures an uninterrupted urban public experience, with additional user-friendly features like warm wooden handrails, glare-free lighting, rounded corners to prevent collisions, and mist cooling systems for comfort and accessible use.

project info:

name: Guangzhou Haixin Bridge
architecture: Architectural Design & Research Institute of SCUT Co., Ltd.

location: Guangzhou, China

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

Reference

Interior Design

USM Haller creates “techno-chic” Coperni retail space in Paris

By Zarkon Group,25/09/2023

Parisian fashion brand Coperni has collaborated with Swiss furniture company USM Haller to create its first-ever boutique, a shop-in-shop at French department store Printemps Haussmann.

The shop-in-shop, installed at Printemps Haussmann in Paris, marks Coperni’s first-ever physical retail location and will be replicated at London’s Selfridges store and China’s Duty Free Mall in Hainan Island.

Photo of the Coperni retail space — Coperni collaborated with Swiss furniture brand USM

Described by Coperni‘s co-founder as “techno-chic”, the interior is defined by its cubic, space-age-style look that was achieved by reinterpreting USM Haller‘s cubic storage systems as tables, walls and display areas.

The floor of the retail space was covered in Versailles parquet flooring, with each of the wooden floor panels separated by USM Haller’s silver tubing. This typically lines the corners and edges of its storage systems and furniture.

Photo of items on display at the Coperni space — USM reinterpreted its iconic modular storage systems

The Versailles parquet flooring was chosen for its artisanal and timeless spirit that draws on Parisian craftsmanship, which Coperni said pays homage to its ethos as a brand.

The use of USM Haller’s silver tubing within the Versailles parquet flooring system marks the first time that USM has adapted and reinterpreted its modular systems into a wooden material.

USM Hallers modular systems also form arch-shaped display units along the perimeter of the shop-in-shop, which were fitted with rails allowing Coperni’s ready-to-wear collection to be displayed.

A display table constructed from larger cubic modules was placed at the centre of the space, while a wall behind was branded with the Coperni logo.

Photo of the retail space — It marks the first time USM used its silver tubing in a wooden system

In 2022, Coperni’s Spring Summer 2023 show during Paris Fashion Week went viral for live spraying a dress onto the body of supermodel Bella Hadid using Fabrican’s sprayable liquid fibre.

AMO recently created a terracruda-clad shop-in-shop for Parisian fashion brand Jacquemus in Selfridges, London, that was designed to have a “Provence atmosphere.”

The photography is courtesy of Coperni.

Reference

Arts space by The Grid Architects in Ahmedabad

Architecture

Flowing vaulted roofs top Tarang arts space by The Grid Architects

By Zarkon Group,21/08/2023

Undulating vaults shelter this multipurpose arts space in Ahmedabad, India, which local studio The Grid Architects designed to defy “conventional architectural norms”.

Named Tarang after the Hindi word for waves, the sweeping structure is formed of a series of timbrel vaults made from locally-sourced terracotta tiles without supporting beams or reinforcement.

According to The Grid Architects, with an area of 279 square metres, it is one of the largest vaulted structures of its kind in India.

“[Tarang] emerged from the desire to create a structure distinct from the urban context, where box-like structures dominated the surroundings,” said studio founders Snehal Suthar and Bhadri Suthar.

“The vision was to craft a cornerless edifice, harmonic waves that defied conventional architectural norms,” they told Dezeen.

A series of brick plinths on the perimeter of the oval-shaped site support the vaulted roof and create a series of arched openings of different heights that lead inside.

Aerial view of Tarang arts space by The Grid Architects in India — It is sheltered by undulating vaults. Photo by Vinay Panjwani

At the centre of Tarang, three circular plinths form funnel-shaped openings that provide sunlight and water to small planters positioned at their base.

The construction of Tarang was carried out by So Hath – 100 Hands Foundation For Building Artisans, a local organisation that advocates for and provides training in traditional construction techniques.

Vaulted building by The Grid Architects — It is made from tiles without supporting beams

The tiles are designed so that if Tarang’s arches are ever deconstructed they can be repurposed.

“Minimizing waste and concrete use, and prioritizing local resources and labour, it serves as a model for environmentally conscious architecture that celebrates local culture and positively contributes to the community,” explained the studio’s founders.

Inside, the tiles and polished stone floors are intended as a backdrop to a range of activities, from performances to artistic exhibitions and gatherings.

“The interplay of sunlight and shadow within the space is nothing short of mesmerising, imbuing the simplicity of the tiles and bricks with a quality that is truly remarkable,” said the duo.

Vaulted brick interior of Tarang — Planters feature inside

“Indeed, the structure itself is the finished product, where the rawness of the materials is transformed into something sublime and transcendent,” they continued.

The Grid Architects is an Ahmedabad-based studio founded in 2002. In 2021 it was longlisted for the studio of the year in the Dezeen Awards.

Vaulted arts space in India — It is intended as a backdrop to a range of activities. Photo by Vinay Panjwani

The studio previously turned to the brutalist buildings of the 1960s to create a home sheltered by a geometric, folded concrete shell.

Other recent projects in Ahmedabad include a factory by Iksoi Studio with an exposed concrete grid and the timber and stone-tiled VS House by Sārānsh.

The photography is by Photographix unless stated otherwise.

Reference

josé pedro lima converts butcher shop into skylit real estate space in portugal

Architecture

josé pedro lima turns butcher shop into skylit space in portugal

By Zarkon Group,06/08/2023

josé pedro lima gives new life to old butcher shop in portugal

Architect José Pedro Lima has recently converted the old Central Butcher Shop in Portugal‘s downtown Coimbra into a minimalist real estate space punctuated by neat white walls, wooden tones, and generous daylight. In addition to preserving the original butcher shop’s marble flooring, Lima took advantage of the interior compartments, making slight surgical alterations that fit into the new program photographed by Ivo Tavares. While the main room of the new retail space retained practically the previous configuration, the former meat cutting area has been transformed into a meeting room, and a small kitchen replaces the old refrigeration chamber.

restoring skylights amid a white and minimal backdrop

The Central Butcher Shop conversion by José Pedro Lima (see more here) also included the restoration of existing skylights, which were previously blocked off, and the coating of all walls in a white shade to minimize the use of artificial lighting, restoring natural illumination to the interior spaces. The different lighting configurations correspond to additional uses of the spaces — the meeting room and kitchen. Thanks to a transition in flooring and baseboards, as well as the centrality conferred by the conference table, the meeting room is perceived as a distinct space; here, the incidence of the corresponding skylight accentuates the desired solemn character of this space. ‘In summary, the aim was to retain and interpret the existing qualities of the butcher shop while also understanding the needs of the new program, with particular emphasis on proper natural lighting of the spaces,’ concludes the architect.

restoring the existing skylights

natural illumination flooding the converted space

chair/furniture by SPSS Design Studio

Reference

Sustainable News

A robot brings EV charging to your parking space

By Zarkon Group,17/07/2023

Spotted: In 2021, sales of electric vehicles (EVs) doubled from the previous year, reaching an all-time high of 6.6 million. Growth looks likely to continue, with the first figures from 2023 showing year-on-year increases. Where the dynamism of the market may stumble is in the lack of public charging infrastructure. The International Energy Agency (IEA) warns in its Global EV Outlook 2022 report that the number of public charging stations that governments and agencies have announced as planned may not be enough to power the growing number of EVs on the road.

Rather than reconfigure public parking ramps to find room for stationary charging stations, USA-based EV Safe Charge is turning to robotics for a mobile, bookable EV charging solution. Called ZiGGY, the company’s robotic charger debuted at the Dallas Fort Worth airport in May 2023. Designed to make EV charging easy and convenient, the robot reserves a parking space for the driver when a charge is requested through the app.

Upon arrival at the airport car park, drivers receive directions to the space the robot has reserved for them. When they return, a fully charged vehicle awaits. The robotic charging stations provide a variety of benefits for car park owners, including sizeable advertising space on two sides of the robot and the elimination of the need to dedicate significant amounts of space to permanent charging stations.

By offering EV charging-as-a-service, airports and other large commercial spaces provide customers with a safer, smoother experience. Car owners don’t have to waste time and battery power searching for an available charging centre, and frequent flyers don’t have to worry about returning to an uncharged car battery.

Other innovations in Springwise’s archive that are helping upgrade the global EV charging network include a platform that tracks electricity prices for the most cost-effective charge and an artificial-intelligence-powered (AI) app that charges connected vehicles when the price is best.

Written By: Keely Khoury

Reference

Space

AHMM to transform office into co-living space next to Barbican estate

PlayLab Inc centres “space for conversation” in Los Angeles retail store

Space Projects creates Amsterdam store with thatched hut for Polspotten

Workers of Art designs studio space using materials “relegated to landfill”

Space Caviar launches Non-Extractive Architecture directory

USM Haller creates “techno-chic” Coperni retail space in Paris

Flowing vaulted roofs top Tarang arts space by The Grid Architects

josé pedro lima turns butcher shop into skylit space in portugal

josé pedro lima gives new life to old butcher shop in portugal

restoring skylights amid a white and minimal backdrop

A robot brings EV charging to your parking space

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