story architecture fronts narrow vietnam house with stacked terraces
CategoriesArchitecture

story architecture fronts narrow vietnam house with stacked terraces

a family home for ho chi minh city, vietnam

 

Ho Chi Minh City-based studio Story Architecture unveils ‘House 3.5 x 17,’ a sun-drenched family home in the Vietnam city’s District 7. Designed for a couple and their two sons, the dwelling seeks to balance individual pursuits with shared family moments. Recognizing the client’s transition to a home-based career, the architects prioritized relaxation and connection beyond the home office. However, the limited plot size of 59.5 square meters presented a significant challenge. Story Architecture needed ingenuity to incorporate the desired elements: a swimming pool, elevator, car parking, three en-suite bedrooms, and inviting living areas.

story architecture house vietnamimages © Lonton Studio

 

 

story architecture’s narrow townhouse

 

Story Architecture strategically organizes the functions of the home to overcome the constraints of its compact site in Ho Chi Minh City, Vietnam. The ground floor prioritizes practicality with car and motorbike parking. The living area integrates with a worship space, with a skylight bathing the prayer area in natural light. The stairs and elevator are located at the rear of the house to maximize usable space on each floor. The kitchen and dining area is found along a mezzanine which overlooks the ground level and entrance. The second, third, and fourth floors each house a bedroom with a private bathroom with glass walls. Each bedroom opens onto a balcony, each featuring potted plants and unique cut-outs to disrupt the facade and allow for communication between family members on different levels.

story architecture house vietnam
Story Architecture unveils ‘House 3.5 x 17’ in Ho Chi Minh City, Vietnam

 

 

the light-filtering facade

 

The back of the staircase features a screen of wind encaustic tiles, a unique design element common in Vietnam, which Story Architecture incorporates to ensure natural ventilation while offering protection from rain. Glass panels are thoughtfully integrated which allow sunlight to illuminate the space and create ‘windows’ looking up towards the sky. The facade’s atrium walls showcase a sustainable touch — reclaimed bricks salvaged from old houses. These bricks, carefully cut into thin slices, are re-tiled onto the new house. The remaining walls are finished with gray cement, while dark wood paneling infuses the interiors with a rustic and natural character. The warm, earthy tones extend to the flooring and interior elements, contributing to the house’s intimate and inviting atmosphere.

story architecture house vietnam
the house is designed as a relaxing retreat in the city for a family of four story architecture house vietnam
the living room integrates a worship space, with a skylight for natural light story architecture fronts this narrow house in vietnam with stacked terraces
the kitchen and dining areas are located on the mezzanine, offering a view of the entrance

Reference

stacked volumes & half domes shape babnimnim’s kuwait mosque
CategoriesArchitecture

stacked volumes & half domes shape babnimnim’s kuwait mosque

babnimnim studio unveils mamluki lancet mosque

 

A contemporary reinterpretation of traditional Egyptian architecture, the Mamluki Lancet Mosque by Babnimnim Design Studio poses a spiritual sanctuary for the local community in Al-Masayel, Kuwait. The architects draw on classic Islamic motifs, including calligraphy relief, intricate geometric ornamentation, archways, and the Moqarnas typology to balance a large half dome over the rectilinear space. The mosque unfolds as a sequence of five stone masses, stacked and rotating, each resonating with the five daily prayers and symbolizing the foundation of faith, alignment to the Qibla (prayer direction towards Makkah), and connection to the surroundings. Meanwhile, three intervening masses dynamically coalesce to form a funnel-like configuration, creating an unobstructed interior devoid of columns, facilitating unhindered alignment for prayers.

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
Mamluki Lancet Mosque | image by Mohammed Ashkanani

 

 

a contemporary expression of historic islamic architecture

 

The five progressively rotating masses ascend toward the central half dome which is marked by the symbolic Islamic moon, engraved in intricate metalwork that is echoed in the minaret to signify unity and connection to the divine. A strategically positioned additional mass completes the Islamic Star plan when viewed from above, enhancing the mosque’s identity and visibility in the neighborhood while demarcating alternative side entrances. Babnimnim Design Studio punctuates the facade with minimalist lancet cutouts — motifs and proportions found in classical Mamluki mosques — that frame windows and structural elements at various levels. A grand wooden door invites worshippers into the sacred space, echoing the half dome that defines the mosque’s core by an elongated form to envelop and house the primary lobby gateway towards the main interior.

 

The Kuwaiti architects have arranged adjacent smaller half domes in a stepped configuration to serve as luminous wells, infusing natural light within and marking an inviting prelude to the women’s quarters. A stately minaret stands tall and aligns with the central axis, descending within to mark the indoor Mihrab area. It unites the exterior and interior elements, inviting worshippers to focus their devotion towards the Qibla.

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
sited within a residential neighborhood in Kuwait | image by Mohammed Ashkanani

 

 

stone masses and islamic engravings bridge past and present

 

Stepping inside the Mamluk Lancet Mosque, a dynamic interplay of masses and finishes marked with juxtaposing ornamentation and simplicity define the space. Lower masses are enveloped in stone for stability while upper masses rendered in pure white evoke lightness and movement. Thuluth-style Quranic inscriptions adorn walls and partitions in calligraphic strokes in a modern relief effect, illuminated by ethereal rays penetrating through rotating volumes. An adaptable sliding partition separates the male prayer hall from the women’s area for daily use, expanding during Ramadan to support larger congregations to maintain inclusivity and unity.

 

Inspired by the historic era of the Mamluk Empire, the mosque embraces a modern material palette through gray stone cladding and white clay plastering for a subdued yet genuine reinterpretation. The harmonious cool grays and whites, complemented by subtle brass accents, enrobe both the interior and exterior and bridge the gap between past and present, lending a graceful air of timelessness to the architecture.

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
a series of half arches create a harmonious flow of imagery | image by Mohammed Ashkanani

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
a grand wooden door invites worshippers into the sacred space | image by Mohammed Ashkanani

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
the architects draw on classic Islamic motifs in contemporary expressions | image by Mohammed Ashkanani

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
geometric ornamentation | image by Mohammed Alsaad, Nasser Alomairi

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque by babnimnim
image by Mohammed Alsaad, Nasser Alomairi

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque
image by Mohammed Alsaad, Nasser Alomairi

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque
image by Mohammed Alsaad, Nasser Alomairi

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque
image by Mohammed Alsaad, Nasser Alomairi

rhythmically stacked, rotating volumes and half domes compose kuwaiti mosque
image by Mohammed Alsaad, Nasser Alomairi

Reference