Seoul Design Award seeks projects that facilitate “sustainable daily life”
CategoriesSustainable News

Seoul Design Award seeks projects that facilitate “sustainable daily life”

Promotion: Seoul Design Award is seeking entrants who have designed projects that solve everyday problems in sustainable ways for its annual design prize.

Submissions to this year’s Seoul Design Award, which is free to enter and has a top prize of KRW 50 million (£31,500), are set to open in March 2023.

The awards will be given to designers “whose projects have contributed to a sustainable daily life that aims for a harmonious relationship between people, society and the environment”.

Split image of seaweed from the sea and tiles
The award considers sustainable designs from across the world

Designers can submit any design from the past five years that was built to solve everyday problems – from reducing food waste to conserving energy.

The projects can be submitted by an individual or group and will be judged based on five core values, including sustainability, public and shared, creativity and innovation, participation and cooperation, and inspiration and influence.

Previously known as the Human City Design Award, this year’s Seoul Design Award will be open for entries from 14 March to 28 June 2023. Now in its fourth edition, the 2023 edition of the award will expand to include 25 accolades.

“Over the past three years, design projects that have been awarded the Human City Design Award have addressed everyday problems such as environmental pollution, regional inequality, the gap between the rich and the poor, and discrimination against the socially underprivileged,” said the organisation.

“Ahead of 2023, the Human City Design Award will change its name to the Seoul Design Award in order to pursue the sustainability of daily life beyond the city.”

Split image of the Goyohan Taxi project
One of the projects that received an award in 2021 was the Goyohan Taxi

In 2021, which was the last edition of the award, the top prize in the safety and security category was won by Goyohan Taxi – a taxi service run by hearing-impaired people that was created by South Korean designer Song Min-Pyo to make travelling easier for those with hearing loss.

The project included a mobile device that aims to improve methods of communication between passengers and taxi drivers with a voice-to-text conversation app, which enabled passengers to communicate their destination, preferred drop-off point and choice of payment method.

An honourable mention in the 2021 selection was awarded to Gardens in the Air by Spanish design studio Nomad Gardens.

The project involved recycling water from air conditioning units to irrigate planting on the exterior of a building in Seville, Spain.

Gardens in the Air was designed to reduce Seville’s heat island effect and provide drinking water to the 70 species of birds in the surrounding area.

Plant boxes on the exterior of a white building
Gardens in the Air reuses water from air conditioning units

One of the finalist projects of the 2020 award was Sururu Da Mundaú by Brazilian manufacturer Portobello, a decorative tile made from recycled mussel shells.

According to Portobello, the Sururu Da Mundaú tile makes use of the 300 tonnes of mussel shells produced every month in Mundaú, Brazil, which would otherwise be discarded as waste.

Portobello worked with local artisans on the project, which the Seoul Design Award recognised as demonstrating “the value of cooperation and innovation”.

The project also created a range of new community activities by encouraging local citizens to participate in the tile making.

For more information on the awards or to apply, visit its website.

Partnership content

This article was written by Dezeen for the Seoul Design Award as part of a partnership. Find out more about Dezeen partnership content here.

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Three Swiss design brands present sustainable products in San Francisco
CategoriesSustainable News

Three Swiss design brands present sustainable products in San Francisco

Promotion: a fashion label, packaging designer and coffee roastery are three brands from Switzerland taking part in the Swiss Design Accelerator Program in San Francisco, USA.

The three studios – YVY, Paula Cermeño León and Mikafi – represent innovative design practices emerging from Switzerland.

Recognised at the international event for their pioneering attitude to the design, the three brands aim to have sustainability and circular economic values at the forefront of their creative processes.

Designers people in front of projected image
The designers exhibiting their brands in San Francisco (above) and work by Paula Cermeño León (top). Photo by Myleen Hollero for Swissnex in San Francisco

YVY is a fashion label founded by designer Yvonne Reichmuth in 2015, which designs and manufactures leather goods in Zurich.

The brand produces ready-to-wear accessories such as wallets, belts, jewellery and hats in addition to bespoke harnesses and clothing, which are predominantly made from leather.

A designer wearing suit and leather harness
YVY designs and manufactures leather goods

The brand has clothed notable celebrities such as Kristen Stewart, Billie Eilish, Madonna, Lady Gaga, Troye Sivan, Taylor Swift and Camila Cabello among others.

YVY does not release seasonal collections, instead it creates carry-over pieces that aim to reduce material waste and allow designs to be continuously refined.

Two people with coffee machine
Mikafi designs pioneering the coffee roasting process

The leather is sourced from byproducts of the food industry, with the brand also offering non-animal alternatives on a case-by-case basis to cater to all client requirements.

The leather follows traditional processing techniques and uses vegetable tanning methods to make the material safe for both those handling it during the manufacturing process and for the planet.

Person wearing leather harness
The brand uses traditional leather treatment methods

Mikafi designs fully automated coffee roasting systems that are made up of both hardware and software that work in tandem to reduce the impact of coffee making on the environment.

The brand’s tabletop mini roasting appliance called MCR 1 allows coffee beans to be roasted on demand, which reduces overproduction and waste, and being electrically powered makes the machine more environmentally viable than traditional gas-powered roasters.

Two people with coffee machine
Mikafi is pioneering the coffee roasting process

MCR 1 is still in its testing phase, and has been designed for use in commercial hospitality settings such as bakeries, cafes and restaurants.

It is made up of a chamber containing coffee beans on the top, with a large circular window below that shows the roasting process happening inside.

Coffee machine with large circular window on worktop
MCR 1 is still in its testing phase, and has been designed for use in commercial hospitality settings such as bakeries, cafes and restaurants.

It is made up of a chamber containing coffee beans on the top, with a large circular window below that shows the roasting process happening inside.

Mikafi’s digital platform manages the process of the coffee beans from farm to cup, and aims to open up channels of communication between farmers, hospitality venues and consumers.

“The concept is thought to foster a fairer and more direct trade between the coffee farmer and the consumer, and most of all to strengthen the taste experience of the latter,” said Mikafi.

Coffee machine with large circular window on worktop
MCR 1 has a large window so users can observe the roasting process happening

Paula Cermeño León is a designer who specialises in creating sustainable packaging as well as personal care products informed by the importance of circularity and the benefits of working with plants.

She combines her design skills, which she developed during her studies at ECAL in Switzerland, with expertise from professionals who work closely with plants, including botanists, biologists, artists and engineers.

Photograph of product wrapped in dried leaves
Paula Cermeño León used natural waste material for packaging incense

Among León’s designs is a proposed alternative to conventional packaging for Peruvian brand Misha Rastrera, which makes Palo Santo incense.

As opposed to using conventional plastic film packaging, León chose to use surplus corn husks produced during farming to make packaging that is sustainable and compostable.

Photograph of neutral coloured skincare items on white background
The face mask must be wetted before use

Other eco-based products by León include self-care items, such as the face mask set from her Herbier Project, which is made from plant fibres that can be distributed dry and rehydrated when ready to use.

Her Refined Remedies collection of medicinal products for minor wounds and menstrual pain are also infused with plant extracts and present a contemporary take on herbal remedies.

Hand smoothing patch onto arm on yellow background
Remedies are used for minor ailments

The Swiss Design Accelerator program is the result of collaboration between Swiss Art Council, Pro Helvetia, under the label Design Switzerland, and Swissnex in San Francisco, an initiative by Switzerland’s State Secretariat for Education, Research and Innovation, connecting “Switzerland, North America and the world in science, education, innovation and the arts”.

The program aims to build connections and international visibility for emerging Swiss designers and brands in the design industries.

The program ran from 7 November to 13 November 2022 and was held at Swissnex’s space at Pier 17 in San Francisco.

Partnership content

This article was written by Dezeen for Swissnex as part of a partnership. Find out more about Dezeen partnership content here.

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Sustainable architecture hindered by “sloppiness” says UN ambassador
CategoriesSustainable News

Sustainable architecture hindered by “sloppiness” says UN ambassador

Architects must take greater accountability for their sector to help decarbonise the built environment, says UN Race to Zero ambassador Sarah El Battouty in this exclusive interview from the final day of the COP27 climate conference.

“For years and years, we’ve had everyone create a silly building design and then stick a couple of solar panels on top and call it a green building,” the Egyptian architect told Dezeen. “This kind of sloppiness was allowed all the time.”

Climate action across the building environment is still “severely lagging”, according to two separate reports launched at COP27 last week, leaving the industry “well off track” from meeting its decarbonisation targets.

“The entire sector and all its players, including the architects, are lagging,” said El Battouty. “We’re not accountable. Nobody says: this isn’t an energy-efficient building. Nobody says: why has it been designed poorly?”

UN climate ambassadors want more architects

El Battouty spoke to Dezeen from COP27 in Sharm el-Sheikh, Egypt, where she was responsible for designing the country’s national pavilion, as well as acting as an ambassador for the United Nations campaigns to push decarbonisation and climate resilience.

This role is particularly significant, she argues, as the buildings sector has historically been sidelined in the climate change fight despite being responsible for more than 40 per cent of global emissions.

“It’s fantastic to have the Race to Zero and Race to Resilience choose an architect on board their global ambassadors’ team,” she said.

“It’s a very strong message. And I believe that this is a real game-changer because we want to have more people in this sector as decision-makers and leaders.”

Bahareya Village complex designed by UN climate ambassador Sarah El Battouty
Sarah El Battouty has designed buildings including the Bahareya Village complex

Last year’s COP26 marked the greatest involvement from the built environment sector in any UN climate change summit to date, with an entire day and more than 120 events dedicated to the topic.

However, the sector’s level of decarbonisation actually decreased last year, according to the Global Status Report for Buildings and Construction, as efforts to improve buildings’ energy efficiency were outpaced by increases in their floor area and energy demand.

“Not enough is being done because the sector is being addressed so late in the game,” El Battouty said.

COP27 calls for affordable green housing in Global South

Although she concedes that much of the necessary climate action will have to come in the form of regulation and financial incentives, El Battouty says that architects should lead by example to show governments that decarbonisation is doable.

This could involve securing private investment to develop low-carbon material innovations and construction techniques, as well as focusing on local, low-cost solutions – especially in the Global South where climate change is already wreaking havoc.

“Let’s take this opportunity,” El Battouty said. “Africa is young, the Middle East is young, they’ve got a lot of population and they all need housing.”

“Cities are not working very well anymore anywhere around the world when it comes to climate change. And therefore, you’ve got the case for financing.”

Egypt pavilion at COP27
She was also responsible for designing the Egypt pavilion at COP27

Helping countries in the Global South to build climate resilience is a key topic at COP27, which is the first Conference of the Parties to take place outside of Europe since 2016’s COP22 in Marrakech.

As a result, events at the conference are focusing on issues from Africa’s housing challenge to improving the lives of climate-vulnerable people in informal settlements.

“The new thing is that we’re talking about affordable green housing in Egypt, in India, in makeshift areas, in areas with displacement,” El Battouty said.

“We are now having sessions on rural communities and building for resilience. These kinds of themes are different because COP is in the Global South and because we’ve recently seen so much loss and damage to people’s homes, and to entire cities.”

Sustainable architecture shouldn’t be “haute couture”

Climate resilience is a key tenet of El Battouty’s own work, as seen in the solar-powered Bahareya Village, which her environmental design company ECOnsult completed in Egypt’s western desert in 2020.

Billed as the “first carbon-neutral project in the MENA region”, the complex integrates indigenous techniques for passive cooling to reduce indoor temperatures by up to 10 degrees Celsius without the need for air conditioning, lowering operational emissions while making the buildings resilient to rising temperatures.

El Battouty, who is also a senior climate advisor to the Egyptian president, is now working to apply this same logic to 4,500 existing Egyptian villages as part of the country’s Decent Life initiative.

“We don’t want green architecture to be haute couture,” she said. “Everybody’s suffering from climate change, so why should the solution only be given to a particular strata?”

“What we need is to make sure that every brief for a building and every brief for a product questions whether it will be serving human comfort today and in five years and in 10 years.”

“Developed countries have a responsibility towards support”

El Battouty hopes that enough pioneering projects like this are on show at COP27 – in the Buildings Pavilion and beyond – to mobilise the amount of investment needed to adopt them at scale.

“Developed countries have a responsibility towards support and we are confident that enough projects are being shown to gain that kind of support without delay,” she said.

Bahareya Village complex
The Bahareya Village was designed using passive cooling techniques

“We have enough brilliant architects all over the world that have taken it upon themselves to do these kinds of projects, and execute them successfully when they weren’t mandated to do so,” she added.

“So imagine what will happen when we have the backing of government and the backing of financing.”

Despite COP27 being billed as an “African COP“, critics have pointed out that the event has also seen a marked rise in attendance from fossil fuel lobbyists, who this year outnumbered the delegations of all of the 10 most climate-vulnerable countries put together.

In the lead-up to the climate summit, Egypt also faced criticism over its human rights violations and “highly insufficient” climate targets, which do not include aiming for net-zero and in fact put the country’s emissions on track to increase by around 50 per cent by 2030.

All photography is courtesy of ECOnsult.

COP27 is taking place in Sharm El-Sheikh, Egypt, from 6 to 18 November. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

Building an inclusive network of sustainable, connected farms
CategoriesSustainable News

Building an inclusive network of sustainable, connected farms

Spotted: For farmers in Africa and the Middle East, reliance on an increasingly volatile climate is making it more and more difficult to achieve a stable, predictable income. And, according to The Carnegie Endowment for International Peace, aridity in parts of the Middle East/North Africa (MENA) region will increase in the next century, shrinking arable lands and disrupting agricultural patterns. This worrying trend inspired the foundation of Jodoor, a Rabat-based startup that designs, builds, and installs hi-tech connected greenhouses for farmers.

The company’s greenhouses are internet-of-things-enabled and can be used by farmers to produce 10 high-quality salad staples and herbs – from iceberg lettuce to basil. By producing leafy greens in a controlled environment, farmers are protected from the vagueries of climate and are able to produce crops year-round. The technology ensures consistent productivity and quality as well as a fixed price for farmers throughout the year. Moreover, the vegetables and herbs grown in the hi-tech greenhouses require no pesticides or herbicides.

The startup plans to use a franchise model to drive the implementation of its technology. Each greenhouse will be tailored to the exact local needs of each farmer, and by building a network of farmers, Jodoor is hoping to match local production to local demand.

Currently in the early stages of its development, Jodoor has nonetheless piqued the interest of several institutions including the Mohammad VI Polytechnic University (UM6P). At the end of 2021, the startup launched its first greenhouse on a 200-square-metre plot in Skhirat, a seaside town between Rabat and Casablanca. Its second greenhouse, which is intended to showcase the commercial potential of the technology, will be installed at UM6P.

Longer-term, the startup plans to hone its model in Morocco before expanding across the Middle East and North Africa. Many of Morocco’s neighbours share similar challenges when it comes to water scarcity and food sovereignty, making them prime candidates for Jodoor’s technology.

Other innovations spotted by Springwise that improve the prospects of small farmers include a startup that provides software and hands-on assistance for farmers in Nigeria and solar-powered irrigation pumps for farmers in East Africa.

Written By: Matthew Hempstead

Reference

Velindre Cancer Centre will be “UK’s most sustainable hospital”
CategoriesSustainable News

Velindre Cancer Centre will be “UK’s most sustainable hospital”

Swedish studio White Arkitekter has been chosen to design the all-electric Velindre Cancer Centre in Wales, which will be built partly with low-carbon materials and follow circular economy principles.

The Velindre Cancer Centre, which is set to be built in Cardiff, will feature lounge spaces, radiotherapy facilities and waiting areas all constructed from timber.

Other bio-based and low-carbon materials proposed for the building include lime and clay renders, which will be used for the interior finishes.

Hospital building in green park
The hospital will be surrounded by a wild landscape

Where timber cannot be used due to clinical requirements, the studio plans to use concrete with ground granulated blast furnace slag (GGBS) – a cement substitute that is a by-product of the iron-making industry.

“The plans for Velindre Cancer Centre represent a huge step forward for healthcare provision in the UK,” said White Arkitekter director Michael Woodford.

“The combination of circular economy principles, low carbon materials and respect for the local landscape will make it the country’s most sustainable hospital, where the environment is designed to support and complement patients’ medical treatment.”

Timer lounge area with green plants
Timber will be used for the interior

Designed as an “elegant, sustainable new cancer centre”, the building is intended to have as little impact on the existing site as possible.

It will be surrounded by a landscape that will be kept wild, with new areas including a community kitchen garden and orchard added to the site.

From here, visitors will walk into a timber-clad entrance area that will have a cafe and restaurant, a patient-transport waiting area and the “young person’s lounge”.

Interior and waiting area clad in wood in hospital
Internal spaces were designed to be easy to reconfigure

The facade of the building was designed to allow internal spaces to be easily reconfigured without the need for structural alterations. This intends to make it easy to adapt the hospital to future innovations in treatment and equipment.

According to its developers, Velindre Cancer Centre will be all-electric and achieve a minimum BREEAM rating of excellent – the sustainability standard’s second-highest rating.

The hospital will use electricity from green energy sources including photovoltaic panels on its roof, while its heating and cooling power will come from ground and air source heat pumps.

Courtyard outside hospital building
The hospital will be constructed partly from bio-based materials

Velindre Cancer Centre will also feature sustainable drainage systems including minimal below-ground pipes, a swale network and a retention pond.

To help reduce the environmental impact of the construction, the developer plans to “reduce site waste through off-site manufacture of components, minimise transportation and create greater efficiencies in the construction and maintenance of the building”.

“We are really pleased to have submitted detailed plans for the Velindre Cancer Centre, which is set to become the UK’s most sustainable hospital,” said Richard Coe, project director at developer and investor Kajima, which is leading the project.

“The buildings are designed with circular economy principles, using low-carbon materials and making a minimal impact on the surrounding countryside,” he added.

Brick hospital building in green park
It will be located in Wales

Plans for Velindre Cancer Centre were submitted by the Acorn Consortium, which was appointed after a public procurement process that was run by the Velindre University NHS Trust.

This is led by Kajima and also consists of Sacyr, Abrdn, Andrew Scott, Kier Facilities Services, White Arkitekter, Arup, MJ Medical, Turley, Studio Response, Camlins Landscape Architects, Osborne Clarke, Operis and Confab Lab.

Other recent timber designs by White Arkitekter include Gothenburg’s first wooden office building and a timber skyscraper that claims to be the world’s second-tallest wooden tower.

Reference

Sustainable insulation made from recycled mineral waste
CategoriesSustainable News

Sustainable insulation made from recycled mineral waste

Spotted: Insulation is important. In the UK, it’s estimated that 80 per cent of all the houses that will be in use in the year 2050, have already been built – but just 20 per cent will have been built to net zero standard. This means that 26 million UK homes will need to be retrofitted with improved insulation to reduce greenhouse gas emissions. And the situation is similar in other countries. In Switzerland, for instance, more than 1 million houses have no or insufficient insulation.

One of the key challenges when it comes to insulating homes is the trade-off builders need to make when choosing insulating material. Today, those installing insulation must compromise on either environmental impact, cost, or flammability. Now, however, Swiss startup FenX AG claims to have found a way to avoid this compromise.

The startup’s solution is to create insulating foams from abundant mineral waste. Sourcing materials locally from a wide range of industrial waste streams and low-value natural resources, FenX uses its unique foaming technology to create insulating panels, bricks, and customised 3D-printed parts.

The composition of materials used as feedstock for this process meets all the necessary safety requirements for use in the building industry, and the finished foams are recyclable, non-flammable, 3D-printable, and high-performance. What is more, the manufacturing process for the materials results in very low carbon dioxide emissions.

In addition to its core insulation offering, FenX has partnered with ETH Zurich on a project that explores how foam 3D-printing can be used in conjunction with concrete casting to reduce concrete waste.

Springwise has spotted other recent innovations that reduce the environmental impact of buildings. These include building walls that can store carbon, a wood-based cooling foam that improves energy efficiency, and a startup that converts existing buildings to net zero using an innovative process.

Written By: Matthew Hempstead

Reference

New Serpentine Pavilion “definitely” more sustainable than last year
CategoriesSustainable News

New Serpentine Pavilion “definitely” more sustainable than last year

The 2022 Serpentine Pavilion is more sustainable than last year’s “carbon-negative” design thanks to its reusable foundations and timber floor, say its engineers AECOM.

This year’s edition of the annual London commission is a timber drum designed by American artist Theaster Gates. Last year’s design, by Counterspace, controversially claimed to be “carbon-negative” despite featuring concrete foundations that were not reusable.

The 2022 edition is “definitely” more sustainable, according to AECOM director Jon Leach.

Serpentine Pavilion 2022
This year’s Serpentine Pavilion was designed by Theaster Gates

Reducing the amount of concrete used and making the entire structure demountable, including the foundation, has reduced the building’s overall carbon footprint, he explained.

“Measured like-for-like, this year’s pavilion has a lower carbon footprint than the 2021 pavilion, largely because of the very light-weight timber superstructure and very small, reusable low-cement foundations that are ballasted with site-won fill,” Leach told Dezeen.

Last year’s pavilion, which featured timber and other biomaterials, removed 31 tonnes of carbon from the atmosphere, according to a report seen by Dezeen.

Serpentine Pavilion by Counterspace
South African studio Counterspace designed last year’s Serpentine Pavilion

However, the report did not include the impact of moving the pavilion to a new location, which would require breaking up the 95-cubic-metre concrete base and casting a new one.

This year’s pavilion is secured with a series of concrete pads that will be removed from the site and reused when the structure is re-erected.

“The foundations are completely reusable,” said Leach. “They will be transported with the rest of the pavilion.”

“They are small concrete pads that were precast using low cement concrete, which takes a bit longer to cure – so they were pre-cast off-site,” he continued. “They can just be lifted out.”

Above ground the pavilion, which is the largest ever built on the site, was designed to be as lightweight as possible. This allowed AECOM to reduce the scale of the foundations by 75 per cent.

“The aim has been to improve year on year,” explained Leach. “So the key thing with this year’s was that it’s large, but it’s lightweight.

First Serpentine Pavilion without concrete floor

“So we focused on a timber, lightweight superstructure, and then really minimising the foundations as much as we can,” he continued. “So there’s still some concrete in the foundations, but it’s, it’s a quarter of what it was last year.”

To reduce the carbon impact, the pavilion does not have a concrete floor for the first time in the commission’s history. Instead, a raised timber floor was installed.

“All the previous pavilions have had concrete floors, mainly for durability,” said Leach. “This year we discussed with the gallery and decided we really need to take a step away from that as a principle.”

Interior of 2022 serpentine Pavilion
A raised timber floor was used to reduce the need for concrete

“We’ve done a lot of tests on making sure the timber should last for the summer with 300,000 visitors,” he added.

Designed by American artist Gates, the 2022 Serpentine Pavilion is named Black Chapel. It was designed to be a peaceful space “where one could rest from the pressures of the day and spend time in solitude”.

The cylindrical building was built largely from timber with MiTek posi-joists used as columns and nine-millimeter thick plywood used as the skin. The roof contains steel rings to support a central oculus.

Gates’ building is the 21st edition of the annual Serpentine Pavilion, commissioned by the Serpentine contemporary art gallery in London.

Previous architects have included last year’s Pritzker prize-winner Diébédo Francis Kéré, who designed a structure with a canopy that transformed into a waterfall during rain, BIG founder Bjarke Ingels, who worked with an “unzipped” wall of translucent blocks, and late British-Iranian architect Zaha Hadid whose marquee launched the commission in 2000.

The photography is by Iwan Baan.

Reference

Dezeen Agenda features architects and designers doing sustainable work
CategoriesSustainable News

Dezeen Agenda features architects and designers doing sustainable work

People to know on Earth Day

The latest edition of our weekly Dezeen Agenda newsletter features architects and designers who are pushing the boundaries of sustainable design. Subscribe to Dezeen Agenda now!

Architects and designers have a key role to play in reducing carbon emissions, pollution and waste.

In celebration of Earth Day, which falls on 22 April every year, we compiled a list of 50 individuals and studios that are doing pioneering work – from architects exploring timber construction to designers thinking radically about circularity.

City Hall building in Kharkiv
Norman Foster “to assemble the best minds” to rebuild Ukrainian city of Kharkiv

Other stories in this week’s newsletter include Norman Foster’s plan for the “rehabilitation” of Kharkiv, Thomas Heatherwick’s tree-covered sculpture design for Buckingham Palace and an exclusive interview with British artist duo Langlands & Bell.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to Dezeen Debate, which is sent every Thursday and contains a curated selection of highlights from the week, as well as Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours on Dezeen.

Reference

A platform gamifies sustainable shopping
CategoriesSustainable News

A platform gamifies sustainable shopping

Spotted: Surveys consistently show that many consumers are highly motivated to make more sustainable choices, but they don’t always know the best way to go about it. For example, when grocery shopping, there is often a lack of information around the sustainability of individual products. To help, Austrian startup inoqo has developed an app that can tell users the CO2 impact of their individual grocery purchases and help shoppers to make more informed choices. 

The inoqo app uses proprietary technology and publically available data to passively track the user’s grocery basket—without the need to scan individual items—and inform them about relevant factors such as the carbon dioxide impact of their purchase. It can then recommend alternative products with a lower impact. The app also includes features that encourage users to make more sustainable choices through personalised content, gamification, and community challenges.

In addition, inoqo allows users to specify their sustainability goals and values, such as avoiding products containing palm oil. The app will then provide feedback whenever a chosen product does not match the values of the user – if it contains palm oil for example. It will also analyse the user’s consumer behaviour to let them know how much it has helped. For example, if the user buys organic products, the app might tell them how much bee habitat they have preserved. Users can also take up challenges, such as reducing meat consumption or buyng only organic products.

At Springwise, we have spotted many innovations aiming to make it easier to make sustainable choices, from a virtual shopping assistant that makes it easier to find secondhand deals to a platform that has developed a sustainability scoring system. 

Written By: Lisa Magloff

Reference

Ten furniture designs made from sustainable materials
CategoriesSustainable News

Ten furniture designs made from sustainable materials

Dezeen Showroom: a stool made from wood sourced through sustainable forestry and a 3D-printed chair made from recycled fishing nets are among the latest furniture designs on Dezeen Showroom that use sustainable materials.

Designers and brands are continually improving the sustainability of their designs in an attempt to lessen the negative impact on the environment, from the production and manufacturing stages to the longevity and lifecycle of the final product.

Included in this selection are products designed to follow circular economy principles, where parts can be replaced, repaired and recycled to increase the lifespan of the materials.

Also featured are furniture pieces made from recycled materials, including PET plastic bottles, cardboard and coffee waste.

From tables made from washed up sea plants to chairs with castor oil-based bioplastic seats, here’s a selection of the latest furniture designs made from sustainable materials on Dezeen Showroom.


Three wooden Fels stolls by OUT around a wooden table

Fels stool by OUT

Fels is a sculptural stool created by Berlin-based brand OUT, which is made from wood obtained through sustainable forestry.

The materials are forested in Germany and Austria at a rate that maintains the environment’s biodiversity and productivity, then handcrafted into Fels stools in Germany.

Available in a natural wood finish or in a range of bright colours, Fels has a jagged profile designed to give the appearance of carved stone.

Find out more about Fels ›


Kelp Collection chair by Interesting Times Gang

Kelp Collection chair by Interesting Times Gang

The Kelp Collection chair by Swedish studio Interesting Times Gang is made from recycled fishing nets, which gives it a bright green colour.

The fishing nets are combined with recycled FSC-certified wood fibres to create the furniture’s bio-composite material, which is 3D printed to create the chair’s curving form.

Interesting Times Gang designed the chair to bring awareness to the eradication of kelp forests due to unsustainable fishing practices and rising sea temperatures.

Find out more about Kelp Collection ›


Two black Fluit chairs by Actiu next to a table, plant and lamp

Fluit chair by Archirivolto Design for Actiu

Created by Italian studio Archirivolto Design in collaboration with furniture brand Actiu, Fluit is a lightweight chair designed for both indoor and outdoor settings.

Around 80 per cent of the chair’s material is polypropylene plastic recycled from the agricultural food sector, while the remaining 20 per cent is recycled fibreglass which increases its strength.

Find out more about Fluit ›


Flek Pure by 3form used as a partition wall with chairs behind

Flek Pure by 3form is a completely recycled architectural material

Flek Pure is a recycled material created by architectural material manufacturer 3form to resemble terrazzo.

The material is made from 100 per cent recycled materials sourced from 3form’s in-house factory waste. The terrazzo look comes from pelletised trimmings of the brand’s resin products.

Available in a range of translucent colours, Flek Pure can be used to produce privacy partitions, room dividers, accent pieces and exterior walls.

Find out more about Flek Pure ›


Brown Bowl table by Mater with a plant on top

Bowl table by Ayush Kasliwal for Mater

Danish furniture brand Mater has released Bowl, a table made from the brand’s Mater Circular Material which combines fibrous industrial waste with recycled plastic.

Mater developed the composite material with the aim of progressing their existing furniture collection from being sustainable to circular.

Bowl is available in two versions – one made from coffee shell waste and the other from sawdust. Plastic waste from bathroom fittings brand Grohe is recycled and acts as a binder.

Find out more about Bowl ›


White and purple Chatpod 700 by Impact Acoustics with seating inside

Chatpod 700 by Jeffrey Ibañez for Impact Acoustic

Made from recycled materials, Impact Acoustic created the Chatpod 700 booth to provide a quiet meeting space for up to four people.

The booth’s structure is made from recycled cardboard and pressed sawdust. Recycled PET bottles are used to create the acoustic cladding and the felt-like interior finish.

Find out more about Chatpod 700 ›


Birch and black LoopKitchen by Stykka in a concrete room

LoopKitchen by Stykka

LoopKitchen by Danish startup Stykka is a kitchen with a circular design intended to increase its lifecycle.

The kitchen is made from replaceable birch plywood parts with optional Forbo linoleum fronts available in over 20 colours.

Users can replace parts of the kitchen as they get worn, broken or if they would like a new colour. Stykka then reuses or recycles the used parts.

Find out more about LoopKitchen ›


Two Dina chairs by Beit Collective with yellow and blue woven seats and backrests

Dina chair by Adam Nathaniel Furman for Beit Collective

Adam Nathanial Furman has designed the Dina chair for Beit Collective, a colourful interpretation of traditional Lebanese “Khayzaran” chairs.

Instead of the traditional use of cane, Dina’s woven seat and backrest are made from durable castor oil-based bioplastic.

Find out more about Dina ›


Round Oceanides table by Alex Mint in a grassy wetland

Oceanides table collection by Alexia Mintsouli for Alex Mint

Oceanides is a collection of tables made from marble and the sea plant Posidonia Oceanica, designed by Alexia Mintsouli for UK studio Alex Mint.

By upcycling Posidonia Oceanica leaves that are washed up on the shore into tabletops, Alex Mint aimed to create a more eco-friendly furniture piece.

Find out more about Oceanides ›


Black and natural wood Cross Bar chairs by Takt at a high table

Cross Bar chair by Pearson Lloyd for Takt

Design studio Pearson Lloyd created the Cross Bar chair for Takt with replaceable elements that can be repaired or recycled, extending the chair’s lifecycle.

The chair is available in three finishes of oak and can be optionally upholstered in a choice of eco-labelled textiles.

Find out more about Cross Bar ›

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