Sydney Archives

A private roof terrace enclosed by greenery features in Hidden Garden House, a Sydney home reconfigured by Australian studio Sam Crawford Architects.

Situated within a conservation zone, the home has been updated by Sam Crawford Architects to brighten its dark interior and transform it into an urban “sanctuary”.

Alterations to the 198-square-metre home’s interior are first seen in its entrance, where a stair with open treads and a white-steel balustrade replaces a solid timber structure that previously restricted light from a skylight above.

Down from the entry hall is a spacious ground-floor kitchen and dining area, which is illuminated by 4.5-metre-high glass openings that lead out to a landscaped patio. The patio is paved with limestone tiles that extend out from the interior.

Renovated kitchen and dining area in Sydney home by Sam Crawford Architects — A curved concrete roof features in the kitchen

“By extending the ground floor finishes through the full-width doors into the rear yard, the garden and high-level green trellises at the rear of the site form the fourth wall to the rear wing,” studio director Sam Crawford told Dezeen.

“They create a sense of enclosure that draws the occupant’s eye up to the expanse of the sky rather than surrounding suburbia.”

Bathroom interior at Hidden Garden House in Australia — Angled timber screens and greenery ensure privacy for the bathroom

A concrete ceiling in Hidden Garden House’s kitchen curves upwards to help draw in the winter sun and provide summer shading, while operable clerestory windows allow natural ventilation.

Above, this curved ceiling forms a sloped roof terrace filled with plants, which is situated off the main bedroom on the upper floor.

An ensuite bathroom, also lined with limestone floor tiles, has expansive openings offering a scenic yet private bathing experience enabled by angled timber screens and the terrace’s greenery.

“The rolling green roof serves as a visual barrier to the surrounding suburb, whilst allowing the occupants to occupy their private garden oasis,” added Crawford.

Living space interior of Hidden Garden House in Sydney — White walls and wooden furniture feature throughout the interior

Hidden Garden House’s consistent material palette of bright white walls and wooden furniture ties its living spaces together, while decorative square tiles line both the kitchen and bathrooms.

Curved details, such as the patio’s shape and the kitchen island and splashback, also feature throughout.

Terrace of Hidden Garden House in Sydney designed by Sam Crawford Architects — The home aims to be an urban “sanctuary”

Other alterations that were made to improve Hidden Garden House’s layout include the relocation of entrances to the ground floor laundry room and bathroom.

Elsewhere, Sam Crawford Architects has also created a restaurant topped with an oversized steel roof and a bridge modelled on the curving shape of eels.

The photography is by Tom Ferguson.

Project credits:

Architect: Sam Crawford Architects
Builder: Toki
Structural engineer: Cantilever Engineers
Civil & hydraulic engineer: Partridge
Acoustic engineer: Acoustic Logic
Heritage consultant: Damian O’Toole Town Planning
Quantity Surveyor: QS Plus
Landscape design: Gabrielle Pelletier, SCA
Roof garden supplier: Fytogreen Australia

Reference

Interior Design

Cox Architecture celebrates heritage features of its own Sydney studio

By Zarkon Group,23/11/2023

A brick, steel and timber structure is left exposed in this office interior in Sydney, which local firm Cox Architecture has revamped to house its own studio.

Cox Architecture removed previous alterations to the structure, which occupies five floors of the heritage-listed Metcalfe Bond Stores warehouse in Tallawoladah, to highlight its original features and complement them with pared-back, flexible workspaces.

“Our objective was to do more with less, balancing the poetic with the pragmatic,” explained the studio.

“Restrained interventions allow the heritage to be the hero and minimise the project’s embodied energy,” it continued. “Our starting point was a process of reduction, removing non-heritage elements to create clarity.”

Interior view of office space by Cox Architecture — The studio exposed its existing structure

The interior is defined by the original steel and timber structure’s columns and beams that have been painted white, and the brickwork of the outer walls that are left exposed.

New elements such as glass doors and walls, room dividers, curtains and furniture were chosen to touch the existing structure “as lightly as possible”, and feature alongside dark-wood carpentry and gallery-style lighting tracks.

View of office interior featuring a steel and timber structure — Dark-wood carpentry features throughout

The workspaces themselves are designed to be flexible and “hackable”, allowing areas to be reconfigured and subdivided easily by staff.

This includes a forum space on the fifth level of the building, which has a wall lined with magnetic whiteboards and can be used as anything from a collaborative workshop space to a presentation area for 200 people.

Alongside it is a kitchen with a backdrop of exposed brickwork and two long counters topped with unsealed brass that will patinate over time.

A black-steel stair leads up to a mezzanine level above containing further desk spaces. This sits at the top of the building, lit by skylights in the apex of the pitched roof.

View of workspace by Cox Architecture in Sydney — The workspaces are designed to be flexible

“Anchored by a generous kitchen, a flexible forum space is a magnet for serendipitous exchange between Cox’s own people and the wider design community,” said the studio.

“The majority of elements within the space are movable, creating an experimental, nimble workspace allowing teams the autonomy to control their space and future-proofing the studio as the workplace evolves,” it continued.

Cox Architecture design workspace interior in Sydney — The presentation space is lined with magnetic whiteboards

Facing the street, Cox Architecture created a “shopfront window”, giving staff the opportunity to populate vitrines with the studio’s work.

Cox Sydney Studio has recently been shortlisted in the large workplace interior category of Dezeen Awards 2023. Another office interior completed by the studio is the Midtown Workplace in Brisbane, which features a large, plant-filled atrium with by a weathered-steel staircase.

The photography is by Nicole England and Cameron Hallam.

Reference

Interior Design

Akin Atelier houses Gallery Shop at Sydney Modern in “translucent bubble”

By Zarkon Group,09/11/2023

Curved resin walls define this retail space, which architecture studio Akin Atelier has created for the Sydney Modern extension at the Art Gallery of New South Wales.

Designed by Akin Atelier with surfboard designer Hayden Cox, the Gallery Shop is located in the entrance pavilion of the gallery that was recently completed by Pritzker Architecture Prize-winning studio SANAA.

The retail space is conceived as a “translucent bubble” within the entrance area, the studio said, and it aims to challenge the typical commercial experience in a museum shop.

“The shop captures natural light throughout the day, bringing dynamic reflections and refractions of the city while holding people, objects, and books within its centre,” Akin Atelier told Dezeen.

“[It] showcases products to passers-by through the lens of the resin walls – gently maximising the identity of the space while preserving the architectural experience of the new building.”

The Gallery Shop comprises two resin walls that curve around its displays, with a gap between the two of them forming the entry point.

shop interior designed by Akin Atelier in Sydney Modern — It has curved walls made from a resin

The installation is placed in the northwest corner of the entrance pavilion, to the left-hand side of its entrance, meaning that its distinctive resin walls are visible from the street.

Its walls are constructed of 29 modules formed of 12 tonnes of resin. According to the studio, the resin is a type of “bio-resin” manufactured to incorporate biological matter.

resin walls of retail space at sydney modern — It sits within the building’s entrance pavilion that was designed by SANAA

“It is composed of a minimum 26 per cent biological matter,” said the studio.

“[This reduces] the amount of embodied carbon as well as reducing toxicity during the manufacturing process.”

The distinct tonal gradient of the bio-resin was achieved by hand pouring layers of colour into custom moulds – a process that took 109 days.

Meanwhile, its glossy translucency was achieved through hand sanding followed by seven rounds of hand polishing.

Gallery Shop interior designed by Akin Atelier — The translucent material allows natural light through the space. Photo by Tim Salisbury

The resin’s earthy hues reference the sandstone used in the original Art Gallery of New South Wales, while its gradation is a nod to the layered nature of Sydney’s bedrock of sandstone.

“The handmade nature of resin casting and finishing allowed for experimentation across colour and form while addressing the patinated qualities of the outside environment,” explained Akin Atelier.

Inside the Gallery Shop, adjustable resin shelves line the curved walls, housing books and publications. Stainless steel is used for display plinths, providing a contrast to the warm tones of the resin.

The project has been shortlisted in the small retail interior category of the Dezeen Awards.

Akin Atelier also recently used tactile materials such as onyx, plaster and travertine to form the interiors of a branch of the womenswear store Camilla and Marc in Melbourne.

The photography is by Rory Gardiner unless otherwise stated.

Reference

Interior Design

YSG draws on beach clubs of Ibiza for redesign of Sydney coastal home

By Zarkon Group,14/06/2023

Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.

The home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.

“The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.

Look from patio into Sydney home by YSG — Its living and dining area are separated by a small step

YSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.

Living room with painting in Palm Beach house — Details from a painting in the lounge were carried over onto the walls

In the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.

A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.

Seating area next to pool in Sydney house by YSG — Chequerboard tiles surround the pool

The couple also asked for a second master suite, so that they could each have their own retreat while working remotely.

“We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.

The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.

Kitchen of Palm Beach house — The home’s stone kitchen island is made from thickly veined stone

YSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.

Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.

Living room of Sydney house by YSG — The home also has a second lounge area

Even the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.

Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.

Bedroom of Palm Beach house — The bedrooms were designed to provide space for remote working

In the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.

The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.

Bathroom of Palm Beach house in Sydney — Chequerboard tiling also features in some of the bathrooms

YSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.

The photography is by Prue Ruscoe.

Reference

Open-plan kitchen and dining room with concrete flooring, wood kitchen island with seating and wood storage cupboards

Interior Design

Emily Sandstrom builds Sydney home extension from recycled materials

By Zarkon Group,08/03/2023

Australian architect Emily Sandstrom has transformed a run-down 1930s bungalow in Sydney by adding an extension that was partly built from demolition materials.

Sandstrom aimed to restore the home, which had been left untouched for decades, and celebrate its original features including picture rails and ceiling mouldings.

The architect demolished a small rear kitchen, outhouse and sunroom and reused the bricks and materials from the demolition to construct a 45-square-metre U-shaped extension, which accommodates an open-plan kitchen and dining space.

Two large sliding glass doors open out to a courtyard and let natural light into the kitchen extension.

Rear garden of a bungalow with brick steps leading to a patio and home extension — Demolished bricks were reused to build the extension

The U-shaped extension and courtyard were designed to provide a connection between indoor and outdoor entertainment areas.

According to Sandstrom, concrete flooring and overhanging eaves help to passively heat the home in winter and cool it in summer. Solar panels were also added to the home, meaning no additional heating or cooling systems were needed.

Kitchen with concrete flooring, wood ceiling and a large kitchen island with seating — Sandstrom aimed to create a connection between indoor and outdoor entertainment spaces

“The U shape in combination with the wide and curved eaves provides passive heating to the home during the winter months and shade during the summer,” Sandstrom told Dezeen.

“This in combination with a concrete floor for thermal mass, double glazing and high windows located for cross ventilation, means there is no need for additional heating and cooling systems.”

A large island with a countertop made from recycled Australian hardwood is the focal point of the kitchen, where a step down in floor level separates the “work zone” on one side of the island from the rest of the room.

“The kitchen was a particular focus in the design, and a strong central point of the home,” said Sandstrom.

Kitchen with concrete flooring, white brick walls and wood cabinets — A change in floor level separates the kitchen from the dining space

Informed by Japanese design and bathing rituals, the bathroom features a sunken bathtub that sits below floor level.

Timber decking covers the floors and conceals the drainage points for an overhead shower. Glass sliding doors lead to a small garden with an additional outdoor shower.

“[The bathroom] was designed to achieve an atmosphere of calm and seclusion, and the design captures many different outlooks into the garden and directs the eye away from the less ideal views,” said Sandstrom.

Bathroom with sunken bath, blue tiled walls and a window overlooking a garden — The bathroom features a sunken bathtub that overlooks a garden

Throughout the home, the architect removed carpets to uncover the original floorboards and restored original features, including stained glass windows, ornate ceiling mouldings, dark timber doors, trims and architraves.

Newly added joinery was designed to preserve the home’s skirting boards, picture rails and ceiling mouldings, as well as maintain the original scale and layout of the rooms.

A bedroom with wood floors and dark timber window frames and picture rails — The home’s original features such as ceiling mouldings and picture rails were maintained

Other homes recently completed in Australia that have been featured on Dezeen include an oceanside residence in Sydney that was transformed to suit a family of five and a home in Melbourne with interiors finished in timber, terracotta and rich jewel tones.

The photography is by Rohan Venn.

Reference

Sydney

Sam Crawford Architects tops Sydney home renovation with “garden oasis”

Cox Architecture celebrates heritage features of its own Sydney studio

Akin Atelier houses Gallery Shop at Sydney Modern in “translucent bubble”

YSG draws on beach clubs of Ibiza for redesign of Sydney coastal home

Emily Sandstrom builds Sydney home extension from recycled materials

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