Mitsubishi Jisho Design creates food-waste teahouse in Venice
CategoriesSustainable News

Mitsubishi Jisho Design creates food-waste teahouse in Venice

Tokyo-based Mitsubishi Jisho Design has made a teahouse from food-waste-based materials at the Venice Architecture Biennale.

Architects Takaaki Fuji, Hiroya Inage and De Yuan Kang from Mitsubishi Jisho Design designed the teahouse for the Time Space Existence exhibition held by the European Cultural Center during this year’s Venice Architecture Biennale.

Food-waste tea house
Mitsubishi Jisho Design created a tea house for the Venice Architecture Biennale

The teahouse was named Veneti-An – a combination of the words Venetian and An, which means a small hut in Japanese and is often used in names of  teahouses.

It was designed to offers visitors a place to experience a Japanese tea ceremony and reflect on how people connect following the Covid pandemic.

“The point of this exhibition is to explore, to use it as a lab, to make people think,” said De Yuan Kong said.

“It’s all about creating conversations.”

Pavilion made from cardboard and food waste for Time Space Existence exhibition
It was constructed with food-waste joints

The tea house was built from varied of materials made from food waste including coffee grounds and pasta, who are common foods in Venice.

Along with 7,165 paper tubes and 128 cork floor panels, it includes 74 coffee-ground-made panels and 2,324 joint components made from discarded pasta. According to the architects, the pasta-based joint components produced by Fabula are as durable as concrete.

“I feel that the exterior material in architecture is limited,” said Fuji.

“Our intent is to explore new technologies in construction, which could result in stronger regional identities and expression.”

Pasta being moulded into architectural components
Pasta was moulded to form the joint components

The angle of the struts that make up the pavilion was set at 45 degrees. This was determined by the city’s latitude to further connect it to the city.

“By adapting the joint shape to the latitude of the place where it is placed, a distinctive identity is created in the form, as well as a teahouse that optimally lets in or shields it from sunlight in response to the local environment,” said the architects.

Cardboard and food waste chairs
The pavilion will be disassembled into pieces of furniture after the exhibition

Veneti-An is waterproof as its components were treated with a silicon-based liquid by Japanese silica coating producer SilicaGen.

The team will measure and record changes to the materials used during the six month exhibition as part of its research on sustainable materials, responding to the overall biennale’s theme – Laboratory of the Future.

To build the pavilion, the architects packed the components, a total weight of 255.5 kilograms, into seven 87-litre suitcases and took them from Japan to Italy.

Following the biennale, the teahouse will be dismantled and rebuilt into pieces of furniture.

“Neither 100 per cent manufactured nor 100 per cent self-built, it is a piece of furniture that allows for modification and addition of a personal touch,” said the designers.

“The dimensions of the parts were determined on the premise of turning into furniture, or perhaps it would have been better to describe it as furniture transformed into a teahouse for the exhibition’s duration only.”

Time Space Existence exhibition at Venice Architecture Biennale
It forms part of the Time Space Existence exhibition

The tea house is located in Marinaressa Gardens alongside a concrete emergency housing prototype developed by the Norman Foster Foundation and Holcim as part of the Time Space Existence exhibition.

The group show presents work by architects, designers and artists from 52 different countries in venues across the city. Also as part of the show SOM and Princeton University used AR to construct a self-balancing arch.

The photography is by Yuta Sawamura.

Time Space Existence takes place from 20 May to 26 November 2023 at various locations across Venice, Italy. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Reference

The Relic Shelter | Fuzhou Teahouse // Neri & Hu
CategoriesSustainable News

The Relic Shelter | Fuzhou Teahouse // Neri & Hu

Text description provided by the architects.

The project draws inspiration from imagery uniquely associated with Fuzhou: the Jinshan Temple. This is a rare example of a temple structure built in the middle of a river in China. John Thomson was one of the first photographers ever to travel to the country and provided Western audiences with some of the first glimpses into the Far East.

© Neri & Hu

© Neri & Hu

In the album Foochow and the River Min, which documented his legendary journey up the Min River, Thomson captured the ancient structure in its original state resting serenely above a floating rock in 1871. This would become a lasting image unmistakably identified with the city of Fuzhou.
Conceived as an urban artefact and drawing from the historical roots of the city of Fuzhou, the Relic Shelter internalizes a piece of distinct heritage at a time when rapid new development has eroded traditional culture and identity.

© Neri & Hu

© Neri & Hu

The client’s brief posed the unique challenge of creating an enclosure for a Chinese artefact – the wooden structure of a high-ranking Qing dynasty official’s residence, replete with ornamental carvings and intricate joinery. Relocated from Anhui to its new home in Fuzhou, the Hui-style structure is enshrined as the inhabitable centrepiece of a new teahouse.
Envisioned as a house atop a rock, the teahouse is elevated above a rammed concrete base, while its sweeping copper roof echoes the roofline of the enclosed architectural relic.

© Neri & Hu

© Neri & Hu

Its core material, rammed concrete, is a modern homage to the traditional earthen dwellings of the region, emphasizing a raw monumentality. Visitors are presented with two images of the building upon approach: the upright silhouette of the form, and its mirrored reflection duplicated in the surrounding pool of water.
A series of contrasts plays out among elements that are bright and dark, light and heavy, coarse and refined, as visitors enter the grand hall where the structure of the ancient residence is situated.

© Neri & Hu

© Neri & Hu

Sky wells penetrate the roof, bringing natural light into the depths of the enclosure and illuminating the priceless artefact on display. Only upon reaching the mezzanine does the structural configuration of the building begin to reveal itself. The hovering metal roof is lifted 50 cm off the solid base by copper-clad trusses to introduce a sliver of continuous illumination around its periphery.

© Neri & Hu

© Neri & Hu

Wrapping itself around the historical wooden structure, the mezzanine space allows visitors to appreciate intricate carpentry details at eye level.
The basement level includes a secondary arrival lobby housing a rotunda, a sunken courtyard and tasting rooms. At the top of the rotunda, a carved oculus capped by glass is submerged beneath the pool in the courtyard above.

© Neri & Hu

© Neri & Hu

It filters the sun through a thin film of water, creating a mesmerizing play of reflections..

© Neri & Hu

© Neri & Hu

The Relic Shelter | Fuzhou Teahouse Gallery

Reference