Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio
CategoriesInterior Design

Eight interiors where burl wood provides natural texture

Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

This week’s lookbook rounds up eight interiors with furnishings and surfaces finished in burl-wood veneer, allowing its swirly, psychedelic graining to serve a decorative function.

Burl wood is a rare and expensive wood, often only available in thin sheets of veneer. That’s because it is derived from the knobbly outgrowths of tree trunks and branches – also known as burls.

Like the botanical equivalent of a callous, these outgrowths form in response to different stress factors and grow unpredictably, creating complex unexpected grain patterns behind their gnarled bark.

Burl wood has been experiencing a renaissance over the last few years, with interior designers including Kelly Wearstler using it to evoke the bohemian flair of its 1970s heyday.

Mixed and matched with other patterns, the material is now used to communicate a kind of organic understated luxury, much like natural stone.

From a Michelin-starred restaurant to a home that was designed to resemble a boutique hotel, read on for eight examples of how burl wood can provide textural richness to a modern interior.

This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rooms with net floors, interiors with furry walls and homes with mid-century modern furniture.


Botaniczna Apartment, Poland, by Agnieszka Owsiany StudioBotaniczna Apartment, Poland, by Agnieszka Owsiany Studio
Photo by Pion Studio

Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

This tranquil apartment in Poznań was designed by local firm Agnieszka Owsiany Studio to give the owners a reprise from their high-pressure medical jobs.

The interior combines a calming mix of pale marble and various kinds of wood, including oak cabinetry, chevron parquet flooring and a console and vanity, both finished in speckled burl.

“My clients asked for a high quality, almost hotel-like space, as they were in need of everyday comfort,” founder Agnieszka Owsiany told Dezeen.

Find out more about Botaniczna Apartment ›


Ulla Johnson flagship, USA, by Kelly WearstlerUlla Johnson flagship, USA, by Kelly Wearstler
Photo by Adrian Gaut

Ulla Johnson flagship, USA, by Kelly Wearstler

Burlwood brings “a touch of 1970s California nostalgia” to the Ulla Johnson flagship store in Los Angeles, courtesy of local designer Kelly Wearstler.

The unusual veneer was used liberally to cover walls, ceilings and shelves, as well as forming a statement display cabinet where the material’s natural wavy surface texture provides an added element of tactility (top image).

Find out more about the Ulla Johnson flagship ›


Koda hair salon by Arent & PykeKoda hair salon by Arent & Pyke
Photo by Prue Ruscoe

Koda hair salon, Australia, by Arent & Pyke

This hair salon in Sydney’s Queen Victoria Building was designed by Australian studio Arent & Pyke to be “best appreciated from seated height”.

Drawing attention away from the building’s extra-tall ceilings, freestanding quartzite-rimmed mirrors are placed at angles in front of the styling chairs, framing a vintage hanging cabinet made from pale burl.

Find out more about the Koda hair salon ›


Opasły Tom restaurant by Buck StudioOpasły Tom restaurant by Buck Studio
Photo by Pion Studio

Opasly Tom restaurant, Poland, by Buck Studio

Buck Studio employed a limited palette of colours and materials to create visual continuity throughout Warsaw restaurant Opasly Tom, which occupies a split-level building that was broken up into a series of rooms of different sizes.

Coral-orange chair cushions mirror the hardware of the totem-like pendant lights, and several burl-clad cabinets are dotted throughout the eatery. These match the kaleidoscopically patterned panelling in the hallway and the private dining rooms.

“This contemporary, minimalistic design approach produces the impression of coherence while creating a powerful aesthetic impact,” explained the Polish studio, which is headed up by Dominika Buck and Pawel Buck.

Find out more about the Opasly Tom restaurant ›


Warsaw apartment by MistoviaWarsaw apartment by Mistovia
Photo by Oni Studio

Warsaw apartment, Poland, by Mistovia

Elsewhere in Warsaw, Polish studio Mistovia designed an apartment for an art director and her pet dachshund to resemble an “elaborate puzzle” of contrasting patterns.

Walnut-burl cabinets dominate the kitchen, with their trippy swirling pattern offset against monochrome tiles, brushed-metal drawers and a terrazzo-legged breakfast bar.

Find out more about the Warsaw apartment ›


Imperfecto, USA, by OOAK ArchitectsImperfecto, USA, by OOAK Architects
Photo by Jennifer Chase and Yorgos Efthymiadis

Imperfecto, USA, by OOAK Architects

Upon entering Michelin-starred restaurant Imperfecto in Washington DC, diners are greeted by a custom-made maître-d stand clad in panels of burl-wood veneer, creating a mirrored tortoiseshell pattern across its surface.

The interior, designed by Greek-Swedish studio OOAK Architects, sees neutral tones paired with splashes of blue and white that nod to the restaurant’s Mediterranean menu.

“OOAK Architects has used varied, high-quality finishes and authentic materials including Greek and Italian marbles, as well as brass and wood from different parts of the world, creating contrasting textures across the space,” the team said.

Find out more about Imperfecto ›


Interior of Black Diamond house by YSGInterior of Black Diamond house by YSG
Photo by Anson Smart

Black Diamond house, Australia, by YSG

Australian interiors studio YSG introduced a sumptuous mix of materials to this house in Sydney’s Mosman suburb to evoke the feeling of staying in a luxury hotel.

This approach is evidenced by a number of custom furniture pieces dotted throughout the home, including a Tiberio marble vanity in the downstairs powder room and a poplar-burl cabinet with a bronzed mirror that looms over the nearby living room.

Find out more about Black Diamond house ›


Studio Frantzén, UK, by Joyn StudioStudio Frantzén, UK, by Joyn Studio
Photo by Åsa Liffner

Studio Frantzén, UK, by Joyn Studio

Restaurant Studio Frantzén in London’s Harrods department store serves a fusion of Nordic and Asian food that is also reflected in its Japandi interiors – taking cues from both Scandinavian and Japanese design.

Interiors practice Joyn Studio leaned heavily on both cultures’ penchant for wood, combining seating banquettes made from blocks of end-grain pine wood with gridded timber ceilings and seating booths framed by burl-wood wall panelling.

Find out more about Studio Frantzén ›

This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rooms with net floors, interiors with furry walls and homes with mid-century modern furniture.

Reference

Photo of Primrose Hill House
CategoriesInterior Design

Wood and stone surfaces bring “rich texture” to Primrose Hill House interior

Photo of Primrose Hill House

Architecture for London has updated a 1960s house in London, creating an open-plan interior filled with natural materials and an improved connection to the rear courtyard garden.

The house is one of two detached properties set in a modernist estate in Primrose Hill that primarily consists of painted brick courtyard houses and small terraces.

Photo of Primrose Hill House
Primrose Hill House was designed by Architecture for London

The new owner asked Architecture for London to transform the interior into a modern layout that is better suited to their lifestyle.

“The house had a very broken plan consisting of lots of small rooms,” the studio’s director Ben Ridley told Dezeen. “The client wanted to create a family house that was more open plan with better views of the garden.”

Exterior photo of Primrose Hill House
The studio added a rooftop extension clad in white bricks

The remodelled interior improves the connection with the garden by incorporating a large picture window in the kitchen, along with sliding wood-framed doors in the living area.

The ground floor also contains a smaller reception area next to the entrance hall, with folding doors allowing this space to be separated from the kitchen and dining area.

Image of Primrose Hill House
Sliding wood-framed doors open the living room up to the garden

A bespoke blackened-steel staircase provides access to four bedrooms on the first floor, including a main suite with a juliet balcony overlooking the garden.

Following a detailed cost and sustainability review, a decision was made to demolish all of the property’s interior walls and rebuild them in order to achieve the required spaces.

Interior image of Primrose Hill House
The interior was finished in a rich material palette

This solution also offered the best energy-efficiency potential, according to Ridley, with a layer of wall insulation added alongside a heat recovery ventilation system (MVHR).

The home’s first-floor plate was replaced using steel beams and timber joists to enable the demolition of the ground-floor walls and the opening up of the interior.

Interior photo of Primrose Hill House
Flooring was used to define different zonessp

The project also involved the addition of a timber-framed rooftop extension, clad with white-painted brick to tie in with the rest of the house and set back so it’s largely hidden from view.

The extension contains a flexible mezzanine space for yoga and meditation that is accessed from the main bedroom suite.

Throughout the home, Architecture for London applied a pared-back palette of natural materials that is intended to create a sense of calmness and connection with the garden.

Internal walls treated with breathable lime plaster provide a neutral backdrop for furniture designed by architect Christian Brailey, which includes a dining table made from locally sourced London plane trees.

Photo of a dining area
Doors and windows are framed with wood

“We intentionally didn’t use a lot of colour so there’s a strong feeling of consistency,” Ridley said. “The choice of stone and timber brings a rich texture to the palette.”

A reference image of a Portuguese manor house, featuring a tiled trompe l’oeil frieze around a doorway, informed the use of materials to define space within the interior.

Photo of a bar at the home
The shared living areas have an open-plan layout

In the living room, stone floor tiles in different shades create a border around the room, as if an area rug has been placed on the floor to demarcate where furniture could be placed.

Ben Ridley founded Architecture for London in 2009 following his studies at London’s Barlett School of Architecture. The studio aims to create places that improve how people live and work, with a focus on reducing their operational emissions.

Photo of a staircase at the London home
Wood lines the interior walls of the home

Ridley’s own London house recently featured in our round-up of five UK house renovations designed to improve energy efficiency.

“Ultimately we are going to have to accept some changes in the appearance of our traditional homes,” he said, speaking to Dezeen as part of a feature on architects who have retrofitted their own homes.

The photography is by Christian Brailey.

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To Make Sure Neutral Architectural Surfaces Don’t Fall Flat, Just Add Texture
CategoriesArchitecture

To Make Sure Neutral Architectural Surfaces Don’t Fall Flat, Just Add Texture

To Make Sure Neutral Architectural Surfaces Don’t Fall Flat, Just Add Texture

At their best, blank white walls can make a room feel large and airy; on the other hand, expansive blank planes can also lend themselves to clinical or boring atmospheres. And while vibrant colors and bold patterns can inject some personality into spaces, they might not always be an option for homes and offices that are dimly light, narrow or cramped.

In such cases, where neutral tones like white and beige are preferable, adding texture to walls and ceilings can add movement and depth to a monochrome space. Subtle textural protrusions won’t take up much space yet will leave a strong impact. More and more architects are incorporating corrugations, curved profiles, shallow folds and more to add intrigue to greyscale walls and ceilings.

Images by Jonathan Leijonhufvud Architectural Photography

Nanchang Insun International Cinema by One Plus Partnership Ltd, Wuhan, China

Taking inspiration from the black font over white pages in books, the studio transformed the cinema into a heavily textured space. The different panels on the walls are reminiscent of the flipping of pages of masterpieces written by scriptwriters. In the lobby, visitors come across cashier tables that resemble giant stacks of paper — in reality, they are made of Corian.

Panels with slim triangular blocks are suspended from the ceiling to resemble a curtain of flipping paper. Even the columns in the space have been painted and textured to continue the black and white theme. The only thing breaking up the monotony of black and white is a series of green cylindrical spotlights that are put together in an abstract composition.

Huaxin Business Center by Scenic Architecture, Shanghai, China
Jury Winner, 2014 A+Awards, Office Building – Low Rise (1-4 Floors)

The aim of the project was to maximize green cover and protect the six trees present on site. This is achieved by elevating the main mass above the ground to leave more room for green spaces below. The four blocks of the building are connected by open bridges. On the upper level, the spaces holding important functions are covered in twisted aluminum strips on the outside. These strips add translucency to the walls and help establish connectivity with nature beyond. The thin panels, much like light strips of paper floating and twisting with the wind, give the building a very tactile quality and heighten the experience as people walk around and try to peek at the trees beyond.

Images by Sharyn Cairns

Paperbark by KOICHI TAKADA ARCHITECTS, Melbourne, Australia

The restaurant offers a zero-waste menu with locally foraged Australian produce that is designed to inspire and delight. The space reflects this awareness of nature and slow movement. It is inspired by the Victorian Dandenong Ranges and the organic lines of the native paperbark tree. Repurpose biodegradable fabric is used to create the contoured ceiling installation. The subtle tones and softness of the installation help people form an emotional connection with nature while they dine and thereby create more awareness around conservation.

“Light Arrival” Yorkshire Ceiling by Flynn Architecture & Design, Crystal Lake, Illinois

Fluid lines on the ceiling of the sunroom help soften the rectangular edges of this space. Instead of going the digitally designed route, the ceiling is hand sculpted using translucent contoured panels that cover low-voltage LED strip lights for a diffused glow. During the day, when the lights are turned off, the shadows created by sunlight add more dimension to this three-dimensional installation. Fans suspended from this ceiling feature a similar curved profile.

Norwegian embassy in Athens by gfra, Athens, Greece

Unlike traditional origami, the art of kirigami uses small cuts in paper along with folks to create intricate, three-dimensional patterns. The Norwegian embassy in Athens uses this technique to imitate mountains reflecting in the fjord waters. Lights placed above this wooden structure enhance the folds and make this the focal point of the overall space.

Images by Alik Usik and Serhii Nikiforov

Tween Coexistence by Dmytro Aranchii Architects, Kyiv, Ukraine

Curved and bent strips of white shape all elements of this space — right from the ceilings to the reception desk. This technique also helps the furniture to blend into the walls, visualizing fluid circulation. The waiting area contains a large reception desk and an L-shaped sofa that blends in with the stairs leading to the interior spaces. On the ceiling, one can see two distinct patterns: one that originates in the reception area and another that continues along the transition to the inner spaces.

Images by Anil Patel

1102 Penthouse by Apical Reform, Ahmedabad, India

Much like a handcrafted contour model, planes with gradually decreasing cutouts are layered on top of one another to create the ceiling. Similar cutouts are used to embellish the kitchen island and console. The entire space is decorated in a neutral palette of grey and white to create a calming atmosphere. The staircase leading to the terrace is also composed using folded strips of metal similar to the forms of kirigami sculptures. Despite its lightness, it still holds a strong presence within the space.

Images by Jun Murata

N STRIPS by Jam, Osaka, Japan

This project is a renovation of a multi-tenant building that holds living areas and office spaces. The previous blank façade of the building is transformed into an eye-catching display with the help of white fins. This was done to add more privacy as the plot across from it is meant to have an apartment building built on it in the future. Furthermore, the louvers help conceal any unevenness in the external walls as well as the new pipes installed. The extrusions also create constantly changing shadows throughout the day.

 

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