The Timber Revolution: New Programs Beyond the Skyscraper
CategoriesArchitecture

The Timber Revolution: New Programs Beyond the Skyscraper

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Timber architecture is having its moment. In this material revolution towards more sustainable modes of construction, the poster child has been timber skyscrapers and high-rises. But timber is being reimagined across a range of building programs, from private homes and residential housing projects to infrastructure and cultural facilities. (We’ve already flagged a trend towards intricate wooden joinery!) These additional programs illustrate a move towards material choices that are warm and inviting, more sustainable, and that foster new ways to think about architecture and design.

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As Think Wood shared in their 2022 report, teams are considering timber to lower a building’s carbon footprint. AEC companies are looking to timber because it is less carbon-intensive than other structural materials. It also has applications everywhere from prefab buildings to modular construction and hybrid techniques. The following projects showcase timber with both vernacular building techniques and modern tectonic expressions. While they are not tied to specific locales or regions, they share common investigations into enclosure, cladding, structure and more.


Bjergsted Financial Park

By Helen & Hard, Stavanger, Norway

For the Bjergsted Financial Park in Stavanger, Sparebank 1 SR-Bank wanted a place where the company could realize its visions and offer the best for the surroundings. This seven-floor high building is an example of a future workplace and is one of Europe’s largest office buildings in timber. The volume varies in height to accommodate the varied scales and character of the surrounding buildings. There is a central atrium which brings in light, air and green qualities into the building. Social areas and meeting rooms are organized around this space and act as a buffer towards the quieter workplaces along the façades of the building. The galleries are connected by a spectacular open stair. There is a strong contrast between the sharp, triangulated exterior of glass and metal, against the interior organic design in timber.


Aspen Art Museum

By Shigeru Ban Architects, Aspen, CO, United States

The New Aspen Art Museum is located in the center of the high mountain town of Aspen Colorado on a prominent downtown corner site. The three story kunsthalle provides galleries on the first two floors above ground level and on one floor below. The third floor is a multi-function space and café. Half of the third area is given over to an outdoor terrace with views up to the mountains. Design features include an innovative long-span timber space-frame roof structure, woven panel façade, structural glass floors for gallery day-lighting, outdoor gallery stair which connects the site plaza to the third floor roof level and glass elevator.


Canary Wharf Crossrail

By Foster + Partners, London, United Kingdom

This mixed-use scheme was designed to encompass the over-ground elements of a new station for the Crossrail project at Canary Wharf. At the heart of the project was a new enclosure unifying the station and other elements including new retail units and a park. The park and the rest of the building is enclosed by a distinctive roof, which wraps around the building like a protective shell. This 300 meter-long (328 yard) timber lattice roof opens in the centre to draw in light and rain for natural irrigation. Timber was an appropriate material to enclose the park: it is organic in nature and appearance, strong, adaptable and is sustainably sourced. Despite the smooth curve of the enclosure, there are only four curved timber beams in the whole structure.


Timber Dentistry

By Kohki Hiranuma Architect & Associates, Minoo, Japan

Looking to introduce warmth and light into this unique site, this home was built on the location of the former Housing Expo from ninety years ago. Orientation and shape of the surrounding residential area influenced the silhouette of the structure’s west elevation. A gable roof blends into the neighborhood and draws an arc towards the west side, showing a hint of modernism. To give a warm impression to the exterior facade, natural wood materials were used, where walls stand as a white canvas that complements cherry blossoms in season. The timber structure is enhanced by the transparency of glass, which draws attention from the eye-level pedestrian on the first floor.


Aula K. Timber Modular Classroom

By BCQ arquitectura, Barcelona, CT, Spain

Created to be a modular classroom, this timber design includes the construction of a prototype module for environmental education, a learning and discovery space to be installed in different locations of the Metropolitan Area of Barcelona park’s network. It is proposed that it becomes also the habitat for some species of animals such as insects, invertebrates, birds, bats… As the team explained, it must be a space open to the outside; it is necessary that one could see the trees from the classroom, to perceive the light and feel the climate. The building was planned as a prefabricated module, flexible and as economical as possible, capable of responding to the different requirements of each municipality for environmental education.


Timber Rhyme

By Studio Ardete, Chandigarh, India

As the design team explored in Timber Rhyme, wood-art has been an integral part of Indian history. Sutradhar community, according to legend, are the carpenters (also known as ‘badhaee’) descended from Maya, the son of Vishwakarma (the divine engineer). This design explored conventional limitations of the material sold by the client, veneers and plywood, and its protagonist role in a conversation that has existed in the ancient past. ‘Timber Rhyme’ occupies the first story of a retail shop in a market complex, Chandigarh. The challenge was to invite a walk through the existing 71′ by 18′ linear block. A timber ribbon invites passerby into the space and to engage with the materials.


Archery Hall and Boxing Club

By FT Architects, Chandigarh, India

When considering the design expression for a new archery hall and boxing club, FT Architects created a pair of buildings a few hundred meters apart on the grounds of Kogakuin University in west Tokyo. The University’s brief was for low-cost structures made of locally sourced timber to provide accessible and inspiring spaces for the students. By chance, both facilities called for a column-free space scaled to a size comparable to a sacred hall in a traditional Japanese temple.

In order to achieve this span, without columns and using low-cost methods of timber construction, it was necessary to come up with an innovative timber solution. Small timber sections, normally reserved for furniture making, were chosen for the archery hall and timber members deemed defected because of insect damage for the boxing club.


Timber Bridge in Gulou

By LUO studio, Jiangmen, China

Jury Winner, 10th Annual A+Awards, Architecture +Wood

Due to the unique tidal flat landform, Gulou in Jiangmen City established the tradition of making use of the water system to dig ponds and form mounds for fishing and farming. As the water system and fish ponds occupy a large area and form a fragmented spatial pattern in local villages, many bridges have been built to connect the areas segmented by water. This project is a timber bridge, which is one of the many in Gulou Waterfront Resort. To differentiate it from urban constructions and revitalize traditional rural culture, LUO studio adopted natural wooden materials to construct an arched bridge.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

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HAPA Architects clads South Downs eco-home in charred timber
CategoriesArchitecture

HAPA Architects clads South Downs eco-home in charred timber

Local practice HAPA Architects has used charred timber planks to clad this eco-home in Sussex, England, which features large picture windows framing views of the South Downs National Park.

Located at the end of a country lane in a conservation area, Black Timber House has been designed using materials that will cause the building to weather over time.

Black two-storey timber house with brown door by HAPA Architects
HAPA Architects intends for Black Timber House to weather over time

“The material palette has been carefully curated to patinate and weather into its surroundings, using deep-grain charred English larch, complimented with natural copper guttering and dark slate roofs to create a particularly impressive aesthetic,” said the practice.

The form of the home comprises a rectilinear base topped with a gabled upper storey, with the two intersecting and slightly offset to create a projecting overhang that shelters the entrance.

Black timber-clad exterior of house by HAPA Architects
The two-storey charred timber home has a gabled roof

The ground floor contains a large living, kitchen and dining area around a wood-burning stove, with sliding doors that open onto a covered terrace, alongside a study and utility space.

A wooden staircase leads up to the first floor, illuminated by a long, wrap-over window cut out of the gabled roof that frames the landscape and sky.

Bedroom with hanging light shade and folding internal blinds
One bedroom features folding internal shutters

Above, the en-suite main bedroom occupies the northern end of the home, with a smaller bedroom tucked alongside.

Two further bedrooms can be found at the southern end, one of which features a thin, full-height window with bespoke internal shutters.

“At ground floor, the plan is a simple box containing the heart of the home…accessed from a generous entrance hallway providing a grand opening to the rear landscape,” said the practice.

“The vaulted ceilings in the bedrooms create impressive double-height spaces, and a wrap-over window over the staircase adds some fantastic natural light and drama as the occupants climb up towards the canopy space,” it continued.

Black Timber House by HAPA Architects
Windows overlook the South Downs National Park

The black, charred timber of the exterior was achieved using the traditional Yakisugi charring method to improve its resistance to moisture and pests, and the thin planks have been laid horizontally on the ground floor form and vertically above.

The dark exterior is contrasted by pale wooden window reveals and open, light interiors, with the first floor benefitting from high ceilings beneath its gabled roof, finished in pale plaster.

Bright kitchen in South Downs with green table and blue sofa
The open kitchen, living, and dining area on the ground floor opens onto a covered terrace

Where possible, natural and surplus products have been used for fittings and carpentry, with surplus oak flooring used to create kitchen cupboards and drawers around a central zinc-topped counter.

The home was designed to achieve a high thermal and energy efficiency standard, generating its own power using photovoltaic panels and using an air source heat pump.

Elsewhere in the South Downs, UK studio Sandy Rendel Architects recently converted a barrel-vaulted steel barn into a home, with finishes that celebrate its agricultural character and aesthetic.

The photography is by Jim Stephenson.

Reference

Future Fest: Watch Michael Green Speak About the Timber Architecture Revolution
CategoriesArchitecture

Future Fest: Watch Michael Green Speak About the Timber Architecture Revolution

If you are interested in learning about the future of sustainable timber construction, we have some exciting news: Michael Green, Founder and Principal of MGA | Michael Green Architecture, will speak at Architizer Future Fest this September! Celebrating his firm’s latest A+Award for Best Architecture Firm in North America, Michael will take to the Future Fest stage to present his ideas on “Buildings for a Changing World”. The virtual live talk is scheduled to take place on Monday, September 19th, and is 100% free for attendees. Register to attend Michael’s presentation during our biggest ever celebration of architectural innovation:

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Michael Green is an award-winning architect, speaker, and author known for using design to create meaningful, sustainable built environments that benefit both people and planet. A leader in wood construction and innovation, Michael is a Fellow of the Royal Architectural Institute of Canada and the recipient of an honorary doctorate degree from the University of Northern British Columbia, lecturing internationally on the subject of mass timber and new building technology, including his TED talk, “Why We Should Build Wooden Skyscrapers.”

Michael serves as a government policy advisor on mass timber design and is the co-author of the first and second editions of ‘The Case for Tall Wood Buildings’ and ‘Tall Wood Buildings: Design, Construction and Performance.’

Top right: Wood Innovation and Design Centre, Prince George, Canada; bottom left: North Vancouver Passive House Plus, North Vancouver, Canada; photos by Ema Peter Photography

MGA | Michael Green Architecture is one of the most internationally recognized architecture firms in Canada. Beyond winning multiple A+Awards over the past few years, the firm has also received four Governor General’s Medals for Architecture and two Royal Architectural Institute of Canada Awards for Architectural Innovation. MGA is particularly well-known for its innovation in sustainable architecture and developing carbon-neutral buildings with advanced wood construction.

During his presentation entitled ‘Buildings for a Changing World’, Michael will explore some of the most pressing issues facing the architecture industry today. The world is evolving at a rapid pace, and architecture and construction must evolve with it in order to create a sustainable future for communities around the globe. What should the architecture of tomorrow look like? What should it be made of? And how should it be built? Michael and other Future Fest presenters will explore answers to these questions and more through the lens of some of the best, A+Award-winning architectural projects from recent seasons.

For a running list of speakers and more information on upcoming events, check out the Future Fest website, and register to receive invitations to each live talk in September:

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Top image: T3 Minneapolis by MGA | Michael Green Architecture, Minneapolis, MN, A+Award Finalist in the Commercial Mixed Use category; photo by Ema Peter Photography

Reference

SOM Builds a Community Hub with Heavy Timber
CategoriesArchitecture

SOM Builds a Community Hub with Heavy Timber

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches.  

As spaces for gathering and discovery, libraries are made for exchange. Breaking away from tradition, the new Billie Jean King Main Library by SOM provides a welcoming and flexible environment for the diverse community of Long Beach, California. Showcasing new approaches to construction with the use of heavy timber, SOM designed the Billie Jean King Main Library to incorporate 80 percent of the natural material throughout. The result is an open, warm and inviting community hub that embraces the public.

The first Long Beach library was founded in 1896 in a room adjoining the City Council office. Three years later the library moved into City Hall next to Pacific Park, and in 1909, a new Carnegie library opened near the location of the present Main Library. In 1915 Pacific Park was renamed Lincoln Park.

For more than six decades, the Main Library in Lincoln Park served the public, but a growing collection combined with a fire in the 70s made the construction of a new library a necessity. In 1976 a new Main Library opened, and on September 21, 2019 the City of Long Beach unveiled the new Billie Jean King Main Library at the corner of Broadway and Pacific. Inside and with abundant natural light, visitors are invited to experience the warmth surrounded by wood.

With its name that pays homage to the famed athlete and Long Beach native, the Billie Jean King Main Library is adjacent to Lincoln Park, a local landmark. The library was imagined as a pavilion within the new park, welcoming people inside from all parts of the city. It was made to serve as a traditional library and a modern, technology-focused hub for the community. SOM outlines that while there was a tight budget, the open interiors incorporate multi-use, flexible spaces that allow visitors of all ages to participate in solo and collaborative activities.

Interior spaces are organized around a central, triple-story atrium for porosity and lightness. The building serves the city’s diverse population with a variety of spaces including group study rooms, independent work areas, and a technology-driven “makerspace” with a learning lab and 3D printers. An independently operated community center with meeting rooms and programs is also available for public use.

The library offers a rich program of activities, in which reading and browsing book stacks are only a part of the experience. For instance, the main level features sizeable open spaces dedicated to children’s literature and activities organized by age. Each space is designed for social interaction, play and learning, while computers, book collections and quiet reading areas are available for use on the second level.

Lounge spaces with views of Lincoln Park and the surrounding neighborhood are dispersed around the floorplate’s exterior perimeter. Beyond the program, the signature element of the library is the heavy timber structural system. Timber was selected for its light weight, architectural warmthand character.

The building is one of the few in Southern California that utilizes a heavy timber structural system, composed of renewable timber reinforced with steel and concrete where needed. Each material is employed in a hybrid system to optimize its respective properties. The library’s superstructure consists of glue-laminated timber girders and joists with plywood decking, highlighting the warmth and character of the building.

American ash, ideal for bending and turning, is used for interior decoration and furniture. It is strong and tough with distinctive grain, character and color. This type of timber is also generally straight-grained with a coarse uniform texture. Working together, Douglas fir was chosen for the superstructure, while the American ash was also used for the bottom layer, such as girders and joists. Not only did the team choose to celebrate the timber structure, but also expose most of the mechanical, electrical and fire safety systems.

By using timber, a lightweight material, the library could be built atop the existing structure of an underground concrete parking garage. Saving most of the extant concrete structure also allowed the design team to significantly cut down on material waste; the design reduces embodied carbon by 61 percent, compared with erecting a new parking garage and a conventional concrete building. “Our goal was to leverage the power of clear ideas, natural materials, and Southern California sunlight to create a bright, beautiful, and beloved new place for the people of Long Beach” noted Paul Danna, Design Partner.

After its completion, the Billie Jean King Main Library received LEED Platinum certification. The Library also won the Gold Award for the Best Social Infrastructure Project in 2016 and the Excellent Structural Engineering Excellence Award from the Southern California Structural Engineers Association in 2020.

The 93,500-square-foot library is part of the Long Beach Civic Center Master Plan, along with a new City Hall and Port of Long Beach Headquarters. SOM also designed the master plan to revitalize 22 acres of downtown Long Beach by creating a vibrant, mixed-use district and reactivating Lincoln Park. Today, the two-story timber building opens to visitors and the community while offering numerous activities that foster connection, learning, and collaboration.

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches.  

Reference

Seven wooden kitchens that offer a different take on timber
CategoriesInterior Design

Seven wooden kitchens that offer a different take on timber

Wood has long been used to create kitchens, but architects and designers are finding subtle ways to reimagine the material in the cooking space. Interiors reporter Natasha Levy selects seven standout examples in our latest Dezeen Lookbook.



Wooden kitchens: The Rye Apartments by Tikari Works

The Rye Apartments, UK, by Tikari Works

Spruce-wood cupboards inset with subtle grooves feature in the kitchens of these apartments in south London’s Peckham neighbourhood.

The cabinets and the surrounding cross-laminated timber walls are meant to lend the homes a cosy, domestic atmosphere. Extra warmth is provided by brass door handles and amber-flecked terrazzo that runs across the floors.

Find out more about The Rye Apartments


Wooden kitchens: Ti Clara by Atelier Espaco P2

Ti Clara, Portugal, by Atelier Espaço P2

Atelier Espaço P2 felt that a natural material palette offered “the most honest and true solution” for the overhaul of Ti Clara, a historic home in the Portuguese municipality of Ansião.

The kitchen has therefore been set within a wood-lined gabled niche. Pale plywood has been used to craft its cabinets, as well as the triangular extractor hood above the stove. Contrast is offered by the grey stone countertop, splashback and floor tiles.

Find out more about Ti Clara


Wooden kitchens: Southgrove Road by From Works

Southgrove Road, UK, by From Works

A photograph of a moss-covered stone inspired the earthy green hue of this stained plywood kitchen suite, which design studio From Works incorporated into a Sheffield family home.

“[The photo] sparked conversation about trying to create a space and a material palette that referenced Sheffield’s special position as an earthy regenerating city uniquely connected to the beautiful surrounding Peak District.”

Find out more about Southgrove Road


Wooden kitchens: Urban Cabin by Francesca Perani

Urban Cabin, Italy, by Francesca Perani

Surfaces throughout the kitchen of this 25-square-metre apartment in Albino, Italy are covered in oriented strand board (OSB) – a type of engineered timber made by compressing strands of wood in different directions.

Although architect Francesca Perani was more accustomed to seeing OSB used on building sites, she thought its continuous pattern helped make the micro-sized kitchen appear bigger.

“I love its textural irregularity, random organic composure and recycled properties,” she added.

Find out more about Urban Cabin


Wooden kitchens: Powerscroft Road by Daytrip

Powerscroft Road, UK, by Daytrip

Design studio Daytrip didn’t want the interiors of this London townhouse to seem “over-designed or mass-produced”, so applied a selection of textured and patterned materials.

In the kitchen, grainy Douglas fir wood has been used to make the cabinetry and the base of the central breakfast island. Countertops are pale Evora marble, while walls have been limewashed to leave a “painterly” finish.

Find out more about Powerscroft Road


Wooden kitchens: An Attic for David by MH.AP Studio

An Attic for David, Spain, by MH.AP Studio

The kitchen and all the storage elements of this Barcelona apartment are made from matte-finish MDF.

While this type of engineered wood is often appreciated for being cost-friendly, MH.AP Studio also thought it would create a warm, “enveloping” ambience inside the home – especially when combined with oak parquet flooring.

Find out more about An Attic for David


Wooden kitchens: Hackney House by Applied Studio

Hackney House, UK, by Applied Studio

A jet-black timber kitchen suite forms a striking focal point inside this east London home.

“[The clients] wanted vivid contrast between the background and feature elements,” explained Applied Studio.”We worked with them to introduce natural elements to soften this, hence the visible grain in the joinery.”

Find out more about Hackney House

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