Vipp transforms 13th-century Italian palazzo into pop-up hotel
CategoriesInterior Design

Vipp transforms 13th-century Italian palazzo into pop-up hotel

Interior designer Julie Cloos Mølsgaard has created a pop-up hotel filled with Italian frescos and modern Scandinavian furniture for Danish homeware brand Vipp within Palazzo Monti in Brescia, Italy.

The collaboration with Vipp saw the Palazzo Monti, which is an artist residency foundation hosted in a 13th-century palace, transformed into a hotel for guests to stay overnight.

Kitchen with black cabinets and green-tiled floor
Palazzo Monti was converted into a pop-up hotel

The space was redesigned into a hotel suites focused on showcasing Vipp products.

Mølsgaard added minimalist furniture and lighting by Vipp to the interior spaces, aiming to complement the historic building, which features Baroque paintings from 1750 on its walls and ceilings.

Bed on red-tiled floor of Palazzo Monti
The rooms were decorated with minimalist furniture

“Palazzo Monti showcases a broad array of art exhibitions,” said Palazzo Monti founder Edoardo Monti.

“For the first time, we will host a liveable installation curated by Vipp, where we invite guests to check into our residency,” he continued.

“Entering the opulent gates of the palazzo is like stepping into an old master’s painting.”

Staircase within Palazzo Monti with frescos
The staircase is surrounded by frescos on the walls and ceiling

“For the pop-up hotel at the palazzo, Mølsgaard had an ambition of building a bridge between the minimalist and the opulent,” said Vipp CEO Kasper Egelund.

“Vipp and Mølsgaard approached the interior design with a simple and minimalist mindset to respect and not compete with the surrounding richness.”

Black kitchen island counter with Italian palazzo
Green tiles cover the kitchen floor

On the ground floor is a combined kitchen and dining area. Mølsgaard added an industrial-looking matte black kitchen island in the middle of the space, which sits under an ornate ceiling and atop a green-tiled floor.

A grand staircase surrounded by pastel frescoes leads visitors to the pop-up hotel on the first floor.

A succession of rooms – a hallway, salon and bedroom – were transformed into a suite decorated with Vipp furniture and lighting.

The furniture in the bedroom was intended to be simple and minimalist. The mattress sits on the floor without a bedframe, making the painted three-metre-high ceiling the main focus of the room.

“The idea is that guests should visit and explore the space,” Mølsgaard told Dezeen. “When you wake up under the frescoes, it’s impossible not to think, what kind of life must have been lived in this house?”

Hallway within Vipp pop-up hotel
Artwork was placed on the floor

Throughout the palazzo, artwork and picture frames were placed on the floor propped up against the walls, rather than being hung.

“We initially hung a lot of art on the walls, but it was making too much noise, so instead I have sought the purity of the history of the place and wanted to let it speak through the bare walls,” said Mølsgaard.

Living space in pop-up hotel with beige chez lounge in Palazzo Monti
Mølsgaard aimed to combine Scandinavian minimalism with Italian opulence

“The whole place is one big art piece,” she continued. “The staircase is a work of art, the doors are works of art, the shutters, the walls and the ceilings.”

“When you walk around the rooms, you simply experience so many things that you almost get overloaded, so there was something that had to be removed.”

Desk space with Monti Edition chair
Vipp launched a special edition chair for the pop-up

Artist workshops on the second floor of the building overlook Brescia, which is a UNESCO World Heritage Site.

To celebrate the pop-up hotel at Palazzo Monti, Vipp launched the Monti Edition chair, which sees the brand’s Swivel chair design upholstered in an Italian woven fabric created by textile company Torri Lana.

The pop-up hotel at Palazzo Monti opens on 18 April to coincide with Milan furniture fair Salone del Mobile and closes on 18 May 2023.

Vipp and Mølsgaard have previously collaborated on projects including a one-room hotel in a converted pencil factory and a pop-up supper club venue.

The photography is by Irina Boersma César Machado.



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FOG Architecture transforms Beijing courtyard house into fragrance store
CategoriesInterior Design

FOG Architecture transforms Beijing courtyard house into fragrance store

Chinese studio FOG Architecture has turned a courtyard house in Beijing into a flagship store for fragrance brand ToSummer with exposed wooden roof trusses and columns.

Located within a 500-square-meter Siheyuan complex, the store occupies  a 280-year-old courtyard house that are common in the region.

ToSummer Beijing storefront
The store is located at a restored courtyard house in Beijing

FOG Architecture renovated the building to reveal its original architecture, which features triangle-shaped timber roof trusses and series of wooden columns.

Layers of decorations added on the structure over the years as well as some of the interior walls were removed to expose the core wooden structure of the building as well as to create an open view of the space.

Wooden roof trusses of ToSummer Beijing
The studio exposed the wooden roof trusses and columns of the original building

“We ‘skimmed’ the building to expose its ‘skeleton’,” said the studio. The resultant ‘column field’ became the visual centre of gravity of the space as well as what defines its outline.”

“One of the challenges of the project had to do with the building’s old and new functions – more specifically, how to transform this venerable courtyard which has stood for nearly 300 years as a private residence into a commercial space that is neighbourly, communal, and all-inclusive,” it continued.

ToSummer Beijing
Product display areas are arranged around the courtyards

Glass windows were installed at the storefront, inviting visitors on the street to observe the complex layout of the old courtyard house, while glass walls were used to divide the space.

Product display areas were arranged around three courtyards of various sizes at the ground level of the complex, each connected by a bridging hallway, which the studio described as “symbol of graduating from the past to the present”.

On the first floor,  FOG Architecture remodelled the roof space to create a lounge area overlooking the building’s roofs.

These roofs were restored with the same grey brick tiles from the original building layered in the same density.

Rooftop view of ToSummer Beijing
Grey brick tiles from the original building are restored

A rain chain was hung from the roof connecting to a hundred-year-old well of the site. The well-preserved brickwork of the well echoes the delicate crafts of the roof tiles.

FOG Architecture was founded by Zheng Yu and Zhan Di and has offices in London, Shanghai and Chongqing.

Previously the studio has completed flagship stores for ToSummer in Beijing and Shanghai. Other recent retail project from the studio include Super Seed’s Hangzhou store featuring kinetic display.

The photography is by InSpace Architectural Photography.


Project credits:

Design team: Zou Dejing, Wu Leilei, Wang Shengqi, Tang Mo, Lei Ronghua, Jiang Lu, Huang Yingzi, Zhuang Shaokai, Sun Yuan, Zhang Xinyue, Chen Yixuan, Zheng Yining, Tao Xinwei, Cao Xiaomao, Hou Shaokai, Xiong Aijie, Khoon Choi (client representative), Zhan Di, Zheng Yu
Project management: Shen Qianshi (client representative)
Lighting Design: Zhang Xu, Liben Design
Structural engineering Consultant: Tao Xinwei, Wang Haibo
Construction drawing: BS Design
Contractor: Youlong Jinsheng

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DF Creative Group transforms former heating plant into cultural centre
CategoriesArchitecture

DF Creative Group transforms former heating plant into cultural centre

Slovakian architecture studio DF Creative Group has converted a former heating plant in Bratislava into a cultural centre, complementing its industrial structure with a series of contemporary additions.

The heritage-listed Jurkovič Heating plant, originally designed in the 1940s by Dušan Jurkovič, was formerly part of the Apollo Refinery.

While the rest of the refinery was demolished, the former heating plant now sits at the centre of the Sky Park Masterplan by Zaha Hadid Architects, which completed its first phase in 2020.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
DF Creative Group transformed the industrial building to contain workspaces

Following an invited competition, DF Creative Group, led by architect Martin Paško, was awarded the project to convert the plant into a space that would combine co-working offices with public exhibition, events and hospitality areas.

Looking to celebrate the original industrial structure of the plant, DF Creative Group approached its retrofit as the creation of distinct contemporary structures within its original, historic shell, organised around the full-height turbine hall at its centre.

Between the vast, exposed concrete volumes of the former hopper heaters, steel-link bridges and glass walls create new routes and lines of sight through the building.

Exterior of Jurkovic Heating Plant transformation by DF Creative Group
The historic exterior was maintained

“The architectural solution uses the void interior space in the boiler room and the turbine hall for the construction of new independent structures, while creating new areas and floors consistently offset from the original building,” explained the practice.

“This concept makes it possible to separate and distinguish historical constructions from new ones, while simultaneously embracing and respecting history and harmony,” it continued.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
Office spaces were finished with contemporary details

The ground floor of the building has been reimagined as a “living square”, focused around a skylit atrium that extends the entire height and length of the building.

A restaurant, cafe, contemporary art gallery and multi-functional hall are all organised around the ground floor atrium, in between the existing columns of the original structure.

Above, five floors of co-working spaces occupy a newly-created glass envelope that overlooks the central void, with black steel-link bridges connecting spaces between the large concrete hoppers.

The office interiors have been finished with minimalist, contemporary detailing to create a contrast with the historic backdrop of the plant, with lighting fitted directly to existing trusses or walls and complemented by simple furniture and planting.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
Steel bridges span across the turbine hall

“The intervention highlights many historical construction details, including the structure’s original rugged columns and three cominant hoppers,” explained the practice.

“The reconstruction created an original representative space with materials in their original ‘roughness’ and colour,” it continued.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
The architecture studio wanted to showcase the building’s original structure

At the top of the building, a roof terrace provides visitors with views out over the newly developed Sky Park, where three new apartment towers by Zaha Hadid Architects sit within a green landscape.

“The new design is a symbol of the former plant, a symbol of Sky Park, and a symbol of the capital, Bratislava, itself,” said the practice.

Exterior of Jurkovic Heating Plant transformation in the Sky Park Masterplan
The project is located within Zaha Hadid Architects Sky Park Masterplan

The project is one of several recent schemes across the world transforming former power plants into new cultural spaces that celebrate their industrial heritage.

In China, ARCity Office adapted the concrete frame of a power plant into a new, glazed community hub, while in the UK, London’s iconic Battersea Power Station recently re-opened following its transformation into shops, offices and apartments.

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Vermilion Zhou Design Group Transforms ‘green massage’ into an Alice in Wonderland-Inspired Fantasy Forest
CategoriesArchitecture

Vermilion Zhou Design Group Transforms ‘green massage’ into an Alice in Wonderland-Inspired Fantasy Forest

 

‘green massage’ Shanghai Madang Road store – Entering ‘green massage’ Madang Road, is like entering the “Rabbit Hole” in Alice’s Adventures in Wonderland. Inspired by the Mad Hatter’s quote “There is a place. Like no place on Earth. A land full of wonder, mystery…”, your reality shrinks and shifts as you enter this fantasy forest. The process gradually disconnects your tired body from reality.

Architizer chatted with Creative Director Kuang Ming(Ray) Chou and Lighting Design Director Vera Chu at Vermilion Zhou Design Group to learn more about this project.

Architizer: This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Kuang Ming(Ray) Chou & Vera Chu: Massage services are very common in China, but the experience space always looks similar. We tried to jump from the typical oriental design and based on the brand thinking, with a new way to give the consumer a different atmosphere to experience massage service in every “green massage” space. In the end, to relax and treat every tired body and soul.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What was the greatest design challenge you faced during the project, and how did you navigate it?

“green massage” is a chain brand based in Shanghai that has many experience spaces, some being very close to each other. The client’s demand was to keep the same brand DNA and exploring new customers.

“green massage” Madang Road is located in “THE ROOF”, the architecture was designed by Jean Nouvel, and the architecture attracts many people who visit. But “green massage” is on the second underground floor, we have to stand out to attract consumers. That’s why we create the “rabbit hole” entrance. “Curiosity”, and “exploratory” to the new consumers, also a freshness to members.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What drove the selection of materials used in the project?

“green massage” is on the second underground floor so the humidity is a problem, and also fire prevention is what we are concerned about. And we still want guests to feel relaxed in the whole environment, so the material must be the sense of soft, even visual.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

What is your favorite detail in the project and why?

The rippling shape of the ceiling in the reception area, which seems the story’s preface, leads people to enter the story.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

In what ways did you collaborate with others, and were there any team members or skills that were essential in bringing this Award winning project to life?

We intend to create a fantasy space based on our concept, so we choose “Nan Paper Art” as our collaborator. The paper material gives a soft sense that can fit our design and also can be malleable to make a huge size floral garden.

And this is the first time that their creations added lighting design, for them that’s a new inspiration, and for us is a great experience to enrich the whole design.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

Were any parts of the project dramatically altered from conception to construction, and if so, why?

Even though not everything is so satisfactory from conception to construction, embracing change and figuring out the solution is the designer’s mission. Finally, we are so lucky to have good results.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

How have your clients responded to the finished project?

In the beginning, the client has their concern, but eventually, they trust our profession. The result shows the consumers, the actual space users had very good feedback and increased the business.

What key lesson did you learn in the process of conceiving the project?

We have to believe what we do, dig into who is the actual user in every space then provide their actual need.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

How do you believe this project represents you or your firm as a whole?

The design concept is the matter, every design is a new breakthrough, to observe, find out the key problem then solve them. The lighting design in this project was involved in the very early design phase, and it become the key design tone.

© Vermilion Zhou Design Group

© Vermilion Zhou Design Group

Team Members

Creative Director|Kuang Ming(Ray) Chou, Interior Design|Garvin Hung, Yue Hu, Reykia Feng, Chang Song Li, Yu Xuan Li, Ming Rui Gao, Lighting Design|Vera Chu, Chia Huang Liao, FF&E Design|Wan Lu Yang, Video|Ming Shi, Ting Ho, Photographer|Yunpu Cai,

Consultants

Nan Paper Art

For more on ‘green massage’ Shanghai Madang Road store, please visit the in-depth project page on Architizer.

‘green massage’ Shanghai Madang Road store Gallery

Reference

Crawshaw Architects transforms cow shed into Stanbridge Mill Library
CategoriesInterior Design

Crawshaw Architects transforms cow shed into Stanbridge Mill Library

London studio Crawshaw Architects has transformed a former cow shed in Dorset into a library and office, organised around a wooden, barrel-vaulted arcade that references the client’s collection of books on classical Palladian architecture.

The Stanbridge Mill Library, which has been shortlisted in the civic and cultural interiors category of Dezeen Awards 2022, occupies one of several outbuildings of a Georgian farmhouse on a grade II-listed farm.

Exterior of converted barn in Dorset
Crawshaw Architects has overhauled a former cow shed in Dorset

The narrow, gabled brick shed was originally built to house Standbridge Mill Farm’s cows but had stood neglected for over forty years, used as storage for gardening equipment and farm machinery.

Looking to give the building a new purpose while maintaining its existing character, Crawshaw Architects made only small structural interventions, replacing two of its original roof trusses with portal frames that open up the interior.

Entrance to Stanbridge Mill Library
The studio has transformed it into a library and office

“While a decisive transformation of the interior was called for, we felt that the original use of the building needed to be part of the story,” explained the studio.

Stanbridge Mill Library’s focal point is a central “nave”, which is filled with seating areas covered by a wooden barrel vault and slotted between two narrow aisles lined by bookshelves. This plan references classical architectural forms, which are the focus of many of the client’s books.

Library with barrel-vaulted arcade
The Stanbridge Mill Library is organised around a barrel-vaulted arcade

Pale, solid oak has been used for the floor, shelving, storage and the central vault, half of which is covered with planks and the other half left open to allow in light from new skylights.

“The high nave and pair of aisles are in the form of a classical library, but are set out in the register of the original building using the materials and construction techniques of traditional farm carpentry and metalwork,” explained Crawshaw Architects.

White-walled room in Stanbridge Mill Library by Crawshaw Architects
The office occupies the northern end of the building

“The vault, columns, shelves, tables and seating are made of the same solid oak planks and sections, deliberately selected to show knots and natural blemishes,” the studio continued.

Desks are organised to take advantage of light from the windows and are illuminated at night by large pendants suspended from the vault.

The office space occupies the northern end of the building underneath an original roof truss, which is separated from the library by an arched glass door and windows that frame views through the nave and aisles.

To the south of Stanbridge Mill Library, a dog-leg in the plan is occupied by a small kitchen, positioned opposite a bathroom and a small lobby area.

Desks of wooden library in old barn
Pale solid oak has been used throughout

Stanbridge Mill Library features in the civic and cultural interior category of Dezeen Awards 2022 alongside the renovation of the Groote Museum in Amsterdam by Merk X.

Another project on the shortlist is the interior of F51 Skate Park in Folkestone by Hollaway Studio, which won the public vote for the same category.

The photography is by Ingrid Rasmussen.


Project credits:

Architect: Crawshaw Architects
Design team:
Pandora Dourmisi, Aidan Crawshaw
Structural engineer:
Hardman Structural Engineers
Contractor:
CanDo Constructions ltd

Reference

Child Studio transforms 60s London post office into Maido sushi restaurant
CategoriesInterior Design

Child Studio transforms 60s London post office into Maido sushi restaurant

Child Studio has used a glass block wall, dark cherry wood panelling and a soft blue coffered ceiling to channel 1960s London in this sushi restaurant.


Located in a former post office, Maido is an eatery in London’s Saint John’s Wood neighbourhood with interiors designed to honour the heritage of the late modernist building.

Glass blcok wall and wooden cupboard in Maido restaurant
A curved glass brick wall divides the space

“We were fascinated by the unique story of this building and aimed to capture the nostalgic atmosphere of 1960s London, paying tribute to the modernist public spaces of the era,” said Child Studio founders Alexy Kos and Che Huang.

“The design evolved around the bold geometry of this period and the juxtaposition of simple materials: wood, glass, clay and steel.”

Steel panelled bar and MR10 tubular steel chairs by Mies van der Rohe chairs in restaurant interior by Child Studio
Maido is anchored by a steel-panelled bar

The walls across the entire space are clad in cherry wood while shallow alcoves are decorated with a rotating selection of artworks.

A suspended coffered ceiling hangs overhead, its grid pattern echoed in the black quarry tiles on the floor and the semicircular glass brick wall that divides the space.

The curved partition wall also forms a generous, leather-upholstered seating booth at the back of the space.

Wood-panelled walls with art in Maido restaurant
Shallow alcoves are decorated with a rotating selection of art

The focal point of Maido’s interior is a central island bar clad in reflective curved steel panels.

Here, the sushi master prepares and serves authentic Japanese dishes while customers perch on polished aluminium bar stools by Japanese industrial designer Naoto Fukasawa.

“It was important for us to create a range of different seating scenarios and balance the convivial atmosphere with more intimate nooks and crannies,” Che explained.

To complete the space, the studio sourced a selection of classic midcentury furniture pieces. These include antique MR10 tubular steel chairs by Mies van der Rohe and moulded plywood armchairs by Norman Cherner.

Pipistrello table lamps, designed by Gae Aulenti in 1965, sit on the island bar and on a large communal dining table while antique wall sconces produced by Italian manufacturer Stilnovo create a cosy ambience.

Wood-paneleld walls with MR10 tubular steel chairs by Mies van der Rohe in restaurant by Child Studio
Mies van der Rohe’s MR10 chair was used throughout the interior

Founded in 2017 by Che Huang and Alexy Kos, Child Studio has previously completed a 1950s-style interior for a vegan pizzeria in west London, which was shortlisted in the 2019 Dezeen Awards.

All photographs are by Felix Speller and Child Studio.

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