Tropical Modernism exhibition explores “the politics behind the concrete”
CategoriesInterior Design

Tropical Modernism exhibition explores “the politics behind the concrete”

London’s Victoria and Albert Museum has launched its Tropical Modernism exhibition, which highlights the architectural movement’s evolution from colonial import to a “tool of nation building”.

According to the Victoria & Albert Museum (V&A), the exhibition aims to examine the complex context, power dynamics and post-colonial legacy of tropical modernism – an architectural style that developed in South Asia and West Africa in the late 1940s – while also centralising and celebrating its hidden figures.

Archival Image in Tropical Modernism exhibition at the V&A LondonArchival Image in Tropical Modernism exhibition at the V&A London
London’s V&A museum has opened a major exhibition exploring tropical modernism

“Tropical modernism is experiencing something of a modish revival as an exotic and escapist style popular in verdant luxury hotels, bars and concrete jungle houses,” the exhibition’s lead curator Christopher Turner told Dezeen.

“But it has a problematic history and, through an examination of the context of British imperialism and the de-colonial struggle, the exhibition seeks to look at the history of tropical modernism before and after Independence, and show something of the politics behind the concrete,” he continued.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The exhibition traces the evolution of tropical modernism within a South Asian and West African context

The exhibition follows the V&A’s Tropical Modernism exhibition at the 2023 Venice Biennale, which revealed the team’s precursory research on tropical modernism in a West African setting.

For the in-house iteration of the exhibition, additional architectural models, drawings and archival imagery have been introduced to interrogate tropical modernism in India alongside the African perspective.

Exhibition materials line a series of rooms within the V&A’s Porter Gallery, divided by brightly coloured partitions and louvred walls referencing tropical modernist motifs.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
Archival imagery, architectural drawings and physical models line the gallery rooms

The exhibition begins by tracing tropical modernism back to its early development by British architects Jane Drew and Maxwell Fry. Stationed together in Ghana from 1944, Drew and Fry adapted international modernism to the African climate, proposing functional over ornamental design.

Drew and Fry would also become part of the Department of Tropical Studies at the Architectural Association (AA), which exported British architects to the colonies from 1954 in a bid to neutralise calls for independence.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The exhibition aims to centralise local professionals who have gone widely unrecognised for their contributions to the movement

The exhibition continues by spotlighting local Ghanaian figures who worked with Fry and Drew, noting the power shifts that were taking place behind the scenes to reappropriate the architectural style for an emerging era of colonial freedom.

Influential political leaders Jawaharlal Nehru in India and Kwame Nkrumah in Ghana are the exhibition’s key personas, framing the evolution of tropical modernism from conception to regionalisation.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
Gallery rooms are divided by brightly coloured partitions informed by tropical modernist motifs

“The heroes of our exhibition are Nehru and Nkrumah, the first prime ministers of India and Ghana,” Turner explained. “Tropical modernism, a colonial invention, survived the transition to Independence and was appropriated and adapted by Nehru and Nkrumah as a tool of nation building.”

“Nkrumah, who sometimes sketched designs for the buildings he wanted on napkins, created the first architecture school in sub-Saharan Africa to train a new generation of African architects, and this institution has partnered with us on a five-year research project into tropical modernism.”

Archival image of University College Ibadan used in Tropical Modernism exhibition at the V&A LondonArchival image of University College Ibadan used in Tropical Modernism exhibition at the V&A London
According to the V&A’s research, tropical modernism shifted from its western Bauhaus roots towards a localised vernacular styles

Through a host of physical models and artefacts, the city of Chandigarh becomes the exhibition’s narrative focal point for tropical modernism in India.

Under prime minister Jawaharlal Nehru, Chandigarh was the first large-scale modernist project, recruiting Drew and Fry along with French architect Le Corbusier to plan the ideal utopian urban centre.

As with Nkrumah – who saw how the Africanisation of architecture could become a symbol of progress and change – the exhibition also aims to highlight Nehru’s ambitions for a localised modernism drawing from the Indian vernacular, rather than the Western Bauhaus style.

The display culminates in a video featuring 16 key tropical modernist structures, interspersed with interviews and footage explaining the social and political context behind each building’s realisation.

“We made a three-screen 28-minute film, shot in Ghana and featuring panoramic portraits of over a dozen buildings, cut with archive footage from the time and interviews with architects like John Owusu Addo and Henry Wellington, and Nkrumah’s daughter, the politician Samia Nkrumah,” said Turner.

Archival image of Maxwell Fry and John Noah used in Tropical Modernism exhibition at the V&A LondonArchival image of Maxwell Fry and John Noah used in Tropical Modernism exhibition at the V&A London
The exhibition aims to address gaps in the museum’s African and South Asian studies

According to Turner, the exhibition begins to address gaps in the V&A’s collections and archives pertaining to architecture and design in the global south.

“Archives are themselves instruments of power, and West African and Indian architects are not as prominent in established archives, which many institutions have now realised and are working to address,” Turner explained.

“Tropical modernism was very much a co-creation with local architects who we have sought to name – all of whom should be much better known, but are excluded from established canons.”

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The display will inhabit the V&A’s Porter Gallery until 22 September 2024

Bringing tropical modernism back into contemporary discourse was also important to the V&A as a timely investigation of low-tech and passive design strategies.

“Tropical modernism was a climate responsive architecture – it sought to work with rather than against climate,” Turner said.

“As we face an era of climate change, it is important that tropical modernism’s scientifically informed principles of passive cooling are reexamined and reinvented for our age,” he added.

“I hope that people will be interested to learn more about these moments of post-colonial excitement and opportunity, and the struggle by which these hard-earned freedoms were won.”

Image of video used in the Tropical Modernism exhibition at the V&A LondonImage of video used in the Tropical Modernism exhibition at the V&A London
A 28-minute video captures footage of remaining tropical modernist structures at the end of the exhibition

The V&A museum in South Kensington houses permanent national collections alongside a series of temporary activations and exhibitions.

As part of London Design Festival 2023, the museum hosted a furniture display crafted from an Alfa Romeo car by Andu Masebo and earlier in the year, architect Shahed Saleem created a pavilion in the shape of a mosque at the V&A as part of 2023’s Ramadan Festival.

The photography is courtesy of the Victoria & Albert Museum.

Tropical Modernism: Architecture and Independence will run from 2 March to 22 September 2024 at the V&A Museum in London. For more events, exhibitions and talks in architecture and design visit the Dezeen Events Guide.

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machteld d’hollander’s ‘martelaar house’ is a tropical oasis in ghent
CategoriesArchitecture

machteld d’hollander’s ‘martelaar house’ is a tropical oasis in ghent

a garden house in belgium

 

The Belgian city of Ghent is the unlikely backdrop for this Martelaar House, a lush oasis by local architect Machteld D’Hollander. The home stands in contrast to its urban surroundings — known for its medieval influences and dreary climate — as it is infused with a tropical, sunlit atmosphere and gardens which flourish from the outside-in.

The renovation project includes the addition of two contemporary garden pavilions, with plants and trees thriving in place of a cramped structure. Still, the design team leaves a reminder of the dwelling’s industrial past with elements of the original structure, including some of its original derelict walls, left to shine between the foliage.

Martelaar House Machteld D'Hollanderimages © Stijn Bollaert@stijn_bollaert

 

 

a place for escape by machteld d’hollander

 

The Martelaar House is more than just a renovation — it is a transformation by Machteld D’Hollander of space and atmosphere. The conversion of a once-enclosed and cluttered industrial space into a verdant sanctuary lends an escape from the surrounding urban environment. With a keen understanding of the power of greenery, the architect teams up with landscape designers Bart & Pieter to emphasize this integration of nature into the built environment. Walls that once defined boundaries are replaced with a profusion of plants and trees, creating a harmonious coexistence of architecture and landscape.

Martelaar House Machteld D'Hollandernature grows inside and out the residential renovation

Martelaar House Machteld D'Hollander
landscape designers Bart & Pieter infuse the space with gardensMartelaar House Machteld D'Hollander
the renovation includes two new pavilionsMartelaar House Machteld D'Hollanderthe once-cluttered industrial building is opened up with full-height glass walls



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maayaa retreat in south india reflects tropical modern aesthetic
CategoriesArchitecture

maayaa retreat in south india reflects tropical modern aesthetic

MAAYAA tropical retreat draws from Balinese architecture

 

Architectural studio aslam sham architects constructs MAAYAA, a Balinese-themed getaway nestled within a lush palm plantation. Located just an hour’s drive from Coimbatore, at the border of Tamil Nadu and Kerala, the retreat showcases earthy tones and textures, instilling a sense of calm. The spaces are designed to evoke an eye-soothing serenity, as pathways adorned with verdant foliage exude tranquility and elegance.

 

Aiming to encapsulate Bali’s essence, MAAYAA’s design forms around tropical modernism. Perched in Anakkatti and embraced by the converging Siruvani and Bhavani Rivers, the building is set atop a cliff with river vistas. The resort’s core design objective is to amplify and preserve the surrounding scenery.

maayaa retreat in south india reflects tropical modern aesthetic
all images by Ishi Sitwala

 

 

fluid transition between the built and the land

 

With most of the construction situated below the entrance level, visitors descend to these spaces, greeted by shallow, expansive water bodies integrated into the roof slabs. This fluid transition through the entrance passage leads to the restaurant, where panoramic views of the river and distant mountains unfold.

 

The lower floors house banquet halls, conference rooms, and offices, while the lowest level boasts an infinity pool seamlessly blending with the landscape. The design team achieves a harmonious fusion between architecture and nature, creating an environment where boundaries blur between built and natural elements. The resort consists of two types of accommodations; standard rooms with river-view balconies, and independent cottages featuring plunge pools that overlook both the river and the hinterland. These structures follow the natural contours of the land, interconnected by passages and bridges at various levels, conveniently linked to the clubhouse and communal amenities. Drawing from Balinese architecture, the chosen materials and design vocabulary mirror the tropical retreat concept, paying homage to the region’s aesthetic.

maayaa retreat in south india reflects tropical modern aesthetic
the Balinese-themed getaway nestled within a lush palm plantation

maayaa retreat in south india reflects tropical modern aesthetic
MAAYAA’s design forms around the concept of tropical modernism



Reference

Spreading rocks on tropical farmland to capture carbon
CategoriesSustainable News

Spreading rocks on tropical farmland to capture carbon

Spotted: Wanting to help make the long-standing agricultural practice of remineralising soil with rock powder even more effective, a team of researchers formed InPlanet. Focused exclusively on accelerating the natural carbon removal that occurs when carbon dioxide reacts with silicate rocks and water, the process cleans the air and improves crop outputs. 

Working with mines across Brazil, the company is scaling a sustainable farming practice that has been practiced in the country for generations. The high temperatures and consistent rainfall of the tropics significantly affect the quality of farmed soil. But, spreading ground rock across the fields improves soil biodiversity, and particularly its mineral content, as many commercial fertilisers kill off helpful growth as well as weeds. 

Once the crushed rock is spread, the CO2 will remain inground for thousands of years, whether in the field itself or as sediment in the oceans if it runs off. Farmers can save money they would otherwise spend on chemical fertilisers, and as well as enriching the soil, the rock captures high volumes of CO2 that would otherwise remain in the atmosphere.  

The country has set itself a goal of certifying up to 1,000 mines by 2050 as suppliers of the rock for agricultural use. InPlanet is using its research and development (R&D) capabilities to help farmers economically justify the switch from pesticides and other synthetics to enhanced rock weathering (ERW) field management. Having recently closed an oversubscribed €1.2 million pre-seed round of funding, the company is planning to expand its team and monitoring capacity.  

From growing minerals underground that lock away captured CO2 to using sequestered carbon for industrial processes, Springwise has spotted a range of ways that captured carbon dioxide is being used.

Written By: Keely Khoury

Reference