Prosthetic leg for Ukrainian amputees among Ro Plastic Prize winners
CategoriesSustainable News

Prosthetic leg for Ukrainian amputees among Ro Plastic Prize winners

Design gallerist and curator Rossana Orlandi has announced the winners of this year’s Ro Plastic Prize for sustainable material use during a ceremony at Milan design week.

The Ro Plastic Prize is awarded yearly to projects that feature material recycling, reuse or upcycling, with this year’s winning projects including a bacteria-growing menstrual cup and a 3D-printed prosthetic leg.

Italian company Isinnova won in the Emerging High Technology category with its design for an artificial leg, which was designed to be produced quickly and at a low cost in emergency situations such as wars and earthquakes.

Photo of Isinnova's Letizia recycled plastic prosthetic leg from 2023 Ro Plastic Prize
A bacteria-growing menstrual cup (top) and a 3D-printed prosthetic leg (above) are among the winners of the 2023 Ro Plastic Prize

This is crucial because, without the rapid provision of a prosthesis, a patient’s chances of being able to walk again are decreased due to factors such as muscle atrophy, according to Isinnova CEO Cristian Fracassi.

Made largely from recycled plastic that is 3D-printed to customised designs, the prosthetic was developed in response to the war in Ukraine and is being made on a not-for-profit basis.

There were two winners in the Art and Collectible Design category: designer Geo Minelli with the Kernel tables and architecture studio External Reference with its Pure Plants collection, both from Italy.

Photo of a round black table with a gnarled central base and a smooth top with concentric circles of yellow and green in the centre
THE Kernel table was one of two winners in the Art and Collectible Design category

Minelli’s Kernel tables are made by recycling end-of-life wind turbines made from glass fibre-reinforced plastic into a new circular material called Glebanite.

The tables, which have a smooth top and a gnarled trunk-like base, are the result of two years worth of experimentation with the material’s textures, colours and fabrication techniques.

External Reference’s Pure Plants are artificial plants that are 3D-printed from a corn-based bioplastic called Pure.Tech and available in 17 different “species”, each with an intricate geometry based on phyllotactic leaf patterns.

Photo of an arrangement of sculptural green objects in different shapes with complex geometries resembling plants from 2023 Ro Plastic Prize
Another Art and Collectible Design winner was Pure Plants

There were also two winners in the Inspiring Learning Projects category.

Czech designer Adriana Kováčová was recognised for her recycled plastic Totemo toy, which evolves from a mobile hanger to a construction set, and Italian design studio Cantieri Creativi was awarded for its Artisans Of Now workshop series, held in locations around Italy and focused on reconnecting people with nature and craft.

Photo of a toy city built from a multi-coloured kids' construction set
Adriana Kováčová’s Totemo won in the Inspiring Learning Projects category

Among the runners-up and special mentions in the competition was Italian designer Lucrezia Alessandroni, whose Soothing Cup is a speculative project comprising a menstrual cup and incubator that would enable users to grow vaginal bacteria extracted from their own body with the goal of reducing period pain.

A seaweed-based hydrogel turns the silicone cup into a bio-membrane that can collect vaginal lactobacillus bacteria, which is then cultivated in an incubator in the time between periods.

Photo of a minimal dark green plastic chair with a flatpacked package in the background from 2023 Ro Plastic Prize
The OTO chair by Alessandro Stabile and Martinelli is made of recycled ocean plastic

According to Alessandroni, studies have shown that this bacteria can reduce period pain and cut down on the number of painkillers those affected have to take each month.

Another special mention in the Emerging High Technology category went to Italian designers Alessandro Stabile and Martinelli for the OTO chair, which is made from recycled ocean plastic in a single, reduced-size mould and shipped flat-packed direct to consumers.

In the Art and Collectible design category, special mentions included UK design studio Novavita’s recycled plastic tiles, which have a mottled patterning that is meant to recall natural stone and marble.

And Spanish duo Eneris Collective made third place in the Inspiring Learning Projects category with its playful design for the Nontalo children’s stool, made from waste olive pits.

Ro Plastic Prize 2023 exhibition at Milan design week
The shortlisted projects were exhibited as part of Milan design week

Shortlisted projects for the Ro Plastic Prize were on display as part of an exhibition at Milan design week. And winners were announced on 20 April after judging by a 17-member jury that included Triennale Milano president Stefano Boeri, architect and designer Giulio Cappellini, Parley for the Oceans founder Cyrill Gutsch and Dezeen co-CEO Benedict Hobson.

The prize is an initiative by Orlandi and her daughter Nicoletta Orlandi Brugnoni, who wanted to raise awareness around the importance of plastic recycling and reuse.

Since the first Ro Plastic Prize in 2019, the criteria of the competition has expanded to include other plastic alternatives, with competition categories varying every year.

The Ro Plastic Prize exhibition was on show as part of Milan design week, which took place from 18 to 23 April. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

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Ukrainian studio Bogdanova Bureau’s Kyiv office damaged in missile attack
CategoriesInterior Design

Ukrainian studio Bogdanova Bureau’s Kyiv office damaged in missile attack

Kyiv architecture studio Bogdanova Bureau has vowed to make its office “even more beautiful than before” after it was damaged in a Russian missile attack.

Staff at Bogdanova Bureau arrived at the office on Monday to find the windows blasted into the room and debris and broken glass scattered across the floor.

Bogdanova Bureau office damaged by missile blast
Windows were smashed into the room by the blast

Russian forces had fired a barrage of missiles into the Ukrainian capital and other cities early that morning, killing 19 people and injuring many more.

None of Bogdanova Bureau’s employees were harmed, though some of their possessions were destroyed, the studio told Dezeen. By Tuesday, the team had cleaned up the office and returned to work in the studio.

Ukraine war damage
The team cleaned up the office and returned to work the following day

“In some time we will repair all that is broken and make our place even more beautiful than before,” said studio spokesperson Nadia Sheikina. “As designers, we know how to do it.”

“As well, we are going to rebuild all the destroyed cities and villages, all the schools, homes and ambulatories that were ruined in Ukraine,” she continued. “We already had started working on it.”

Debris on floor
Broken glass and debris was scattered through the office

“We were scared on February 24 when the war started, now we are not,” she added. “We know that the mean enemy wants to invade our land and appropriate our culture, but it will never happen.”

Bogdanova Bureau only recently refurbished its office, completing the project five months before the Russian invasion began.

Bogdanova Bureau's Kyiv office interiors
The office, pictured before the blast, was refurbished five months before the war began. Photo by Yevhenii Avramenko

The office is in the heart of Kyiv next to Shevchenko Park, and is surrounded by a university, libraries, museums, and a cultural centre, as well as apartments and office buildings.

A missile struck the middle of the park close to a children’s playground, with the blast wave destroying windows across the building housing the studio’s office.

Missile strike site in Kyiv park
The missile struck a park outside the office building next to a playground

The bombardment of central Kyiv was part of a series of attacks launched in retaliation after a key bridge linking Russia to the annexed region of Crimea was heavily damaged by an explosion.

In April, Bogdanova Bureau spoke to Dezeen for a piece about how Ukrainian design and architecture studios were dealing with the war.

At the time, its founder Olga Bogdanova urged international clients to trust Ukrainian studios to deliver despite the turmoil of the conflict.

“We thank the international society and especially the international design community for all their support and all their attention,” Sheikina said this week.

War damage in Kyiv
Windows of the building were left damaged

“But after eight months of the war, we feel that some of you got used to the war. Please do not be! It is understandable, no one can be stressed for such a long time and everyone deserves to experience their own life and focus on some normal things around them,” she continued.

“We ask you not to get used to war and pay your precise attention to Ukrainian designers, architects, and artists. Please raise your voice and stand with Ukraine. It can make things different!”

The photography is by Yulia Bevzenko unless otherwise stated.

Reference

An architecture firm in Kyiv creates comfort-first, modular shelters for Ukrainian refugees
CategoriesSustainable News

An architecture firm in Kyiv creates comfort-first, modular shelters for Ukrainian refugees

Spotted: The need for emergency shelters in Ukraine has increased exponentially as a result of the country’s invasion by Russia. In response, architect Slava Balbek began designing new housing for people forced to flee their homes. He knew this would not be easy, but wanted his design solution to help refugees regain some sense of stability.

When half of Balbek’s 75-person company was forced to relocate, he realised that others would need new housing too. After convening a team of 10 architects at his company, he began to work on designs for refugee shelters that could be built quickly. The team analysed 20 existing models from around Europe before deciding on its final product – which is tailored to suit Ukraine’s cold climate.

The shelter’s design is modular, with small units that can be arranged in configurations that cater for different numbers of people – from as few as 50 to hundreds. Some configurations feature communal bathrooms, kitchens, and green space, while others have room underneath them dedicated solely towards playgrounds and sports fields.

The design is open-source, so others are also free to make use of it. However, the firm is asking everyone to maintain the sense of spaciousness and ensure that everyone stays within comfort boundaries to provide ‘dignity life’. “You can change designs, models and produce your own for a more personalised space,” explains Balbek. 

Other innovations, spotted by Springwise, that cater for the needs of refugees in emergency situations include, refugee shelters that pop-up at the touch of a button, shelters made from recycled plastic, and a language learning app that helps migrant children navigate cultural differences.

Written By: Katrina Lane

Email: hello@balbek.com

Website: balbek.com

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