Five ways business can make a positive impact on the planet
CategoriesSustainable News

Five ways business can make a positive impact on the planet

In 2002, Yvon Chouinard, founder of Patagonia, and Craig Mathews, founder of Blue Ribbon Flies, founded 1% for the Planet – an organisation that encourages businesses to commit to donating at least one per cent of their annual sales (not profits) directly to vetted environmental organisations. This giving is then tracked and certified by 1% for the Planet through receipts and revenue documentation.

Fast forward to today, and the organisation has certified $500 million in donations and has set an ambitious target to reach the $1 billion mark by 2027. “Of the $500 million, we certified a hundred million in 2023 alone and it’s made up of small and large donations,” says 1% for the Planet CEO Kate Williams. “It’s diverse, democratic, and distributed – most giving at scale is in big chunks by big players who are calling the shots, but we have a mix of players all over the world coming together and demonstrating that if everyone participates, we can drive big, smart change.”

The many organisations supported by 1% for the Planet members work towards a wide range of goals, which means that for businesses looking donate, there will be something that aligns with their ESG strategy and offers tangible results. We’ve picked five inspiring examples.

Going wild for nature

Walking through the lowland British countryside at the turn of the 20th Century, you would be surrounded by the thrum of life, from the drones of insects and the songs of skylarks and turtle doves to the ‘qwark-qwarks’ of toads. In the uplands, you would stand a chance of spotting a black grouse or maybe even a golden eagle. Today, not so much. Since as recently as the 1970s, 41 per cent of UK species have declined, and wherever scientists look – from farmland to coastal waters – the number and abundance of species is waning. Despite this, Rewilding Britain believes that through protection, restoration, and regeneration work, the rich mosaic of Britain’s habitats can be reclaimed, with benefits not just for biodiversity but also for climate change mitigation and adaptation. Local communities, meanwhile, benefit from more resilient and diversified nature-based economies, as well as improvements in mental and physical health. The organisation has built a network of around 800 rewilding members and 25 marine projects, covering 145,000 hectares of land and 50,000 hectares of sea. Its ultimate goal is to restore and connect habitats across at least 30 per cent of Britain’s land and sea by 2030. Find out more.

Note: Springwise supports Rewilding Britain through its 1% for the Planet donation.

Girl power

In sub-Saharan Africa, 600 million people live without electricity – over half of the region’s population. Hundreds of millions more survive with a limited or unreliable power source. Stable access to electricity is transformational for communities on the continent, and in off-grid areas there is a unique opportunity to bypass fossil fuels and go straight to cleaner forms of generation. For Solar Sister, women entrepreneurs are the key to this process, with the organisation investing in local women so that they can start, grow, and sustain successful clean energy businesses. Support comes in the form of training, mentoring, and a ‘business in a bag’ – a set of key tools to get business owners up and running. In 2018, the organisation set a target to recruit, train, and support 10,000 women by the end of 2023, which it successfully surpassed. Every dollar invested in Solar Sisters creates $10 of economic impact, the non-profit claims. Find out more.

Blue is the new green

Hugging the coastline of every continent except Antarctica is a belt of ‘blue carbon’ ecosystems. Coral reefs, seagrass meadows, mangroves, kelp forests, and wetlands, these marine habitats are hotbeds of biodiversity, and they also act as a massive carbon sink. For all the (justified) popular focus on rainforest preservation, research suggests that coastal wetlands sequester carbon at ten times the rate of mature tropical forests. But despite their importance to the global carbon cycle, marine habitats are among the most threatened on earth with 340,000 to 980,000 hectares of blue carbon ecosystem lost each year. SeaTrees is a programme run by US non-profit Sustainable Surf that delivers coastal restoration projects across all five of the main blue carbon habitats. The on-the-ground legwork is delivered by local charity partners, and the projects deliver benefits to both people and the environment. To date, SeaTrees has planted just under 3 million mangrove trees and 40,000 square feet of seagrass, while restoring over 500,000 square feet of kelp, 14,500 coral fragments, and 85,000 square feet of watershed. Find out more.

From food waste to fine fare

According to the Food and Agriculture Organization of the UN (FAO), if you could collect all the food that is lost and wasted around the world, it would be enough to feed 1.26 billion hungry people every year. In the UK alone, we throw away 9.5 million tonnes of food waste in a typical year – even though 8.4 million people live in food poverty. FareShare is the UK’s national network of food redistributors. Collecting surplus food from businesses across the food supply chain, its 18 member organisations provide the ingredients for nutritious meals to frontline charities and community groups. Delivered via homeless shelters, schools, lunch clubs, and community cafes, the rescued food nourishes vulnerable people of all ages from schoolchildren to the elderly. Each week, FareShare provides enough food to feed almost a million people. Find out more.

Securing Mother Earth’s sacred spaces

In 1990, a gathering of tribal grassroots youth and Indigenous leadership came together in the US to compare notes on the environmental ills afflicting their respective lands, waters, and communities. Out of this was born the Indigenous Environmental Network (IEN), an organisation that helps tribal governments and Indigenous communities build mechanisms to protect their sacred sites and natural resources for the benefit of all living things. In the process, the network facilitates economically sustainable communities and promotes environmentally friendly livelihoods. Practically speaking, IEN acts as a clearinghouse for information, organises campaigns, and convenes meetings of Indigenous community and youth groups, primarily in North America, but also globally. Find out more.

The world is facing many environmental crises from climate change to biodiversity loss. But 1% for the Planet’s environmental partners are demonstrating that, despite this, there is cause for hope. The giving of thousands of global businesses adds up to a lot, and is being translated into tangible action on the ground.

Written By: Matthew Hempstead

Springwise is proud to be a member of 1% for the Planet. We feature Kate Williams in our latest report, Horizon 2030, where she shares how business is helping drive positive change as we approach the end of this decade. To read her opinion piece in full download Horizon 2030 here.

Reference

New Kid on the Block: 6 Ways Architects Are Reinventing the Public Park
CategoriesArchitecture

New Kid on the Block: 6 Ways Architects Are Reinventing the Public Park

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Square footage in the world’s most populous cities is a valuable commodity. There’s a pervasive urge to build bigger and better, extracting profit from every nook and cranny. Amid the frenetic pace of urban development, the public park is a radical thing. Democratic by its very nature, it’s a rare space open to all, where visitors can commune with nature and connect with their community without parting with a dime.

In the face of land scarcity and environmental challenges, the public park is changing. Architects are finding daring new ways to carve out pockets of space, preserve native terrain and shape compelling topographical experiences. Discover how these six winning projects from the 11th A+Awards are reinventing one of our most valuable public typologies…


1. Incorporating the Industrial Past

Bai’etan Exhibition Center Landscape by Sasaki, Guangzhou, China

Popular Choice Winner, 11th Annual A+Awards, Sustainable Landscape/Planning Project

Bai’etan Exhibition Center Landscape by Sasaki Bai’etan Exhibition Center Landscape by SasakiOnce bustling with warehouses, factories and docks, this stretch of land on the banks of Guangzhou’s Pearl River has undergone a dramatic transformation. The former industrial lot is now a remarkable public park, imbued with the spirit of its commercial past.

The fabric of a historic warehouse has been preserved and integrated into a new plaza. Brickwork salvaged from the site extends the roofline down to the ground, creating a tactile connection with the land’s former life. Existing topographic features such as the ficus grove have been preserved along the water’s edge, while the restored timber dock evokes the memory of the energetic, working waterfront. Motifs inspired by the factories, water and native trees are integrated into the design of the metal railings and the floodwall panels. In this dynamic project, past and present are thoughtfully placed in conversation.


2. Elevating Thoroughfares

One Green Mile – Public Space and Streetscape Design by StudioPOD, Mumbai, India

Jury Winner, 11th Annual A+Awards, Sustainable Transportation Project

One Green Mile – Public Space and Streetscape Design by StudioPOD One Green Mile – Public Space and Streetscape Design by StudioPODIn a densely packed metropolis like Mumbai, prioritizing the public realm amongst the city’s vast transport infrastructure is a far from straightforward undertaking. This innovative masterplan sought to readdress the balance, creating a street that fullfils the needs of all spatial users. Impressively, the project reclaimed almost 2.3 acres of land for municipal use.

The geometries of the public walkways were expanded to create a richer experience for pedestrians and cyclists. Trees and shrubs line the thoroughfares, punctuated by ‘micro destinations’ and meeting points. Redundant spaces below the flyover were repurposed into vibrant hubs for the neighborhood to enjoy, encompassing community gardens, socializing zones and play equipment. Within this busy urban jungle, a new public world is flourishing.


3. Preserving Native Ecology

Pima Dynamite Trailhead by Weddle Gilmore Architects, Scottsdale, Arizona

Jury Winner, 11th Annual A+Awards, Public Parks & Green Spaces

Pima Dynamite Trailhead by Weddle Gilmore Architects Pima Dynamite Trailhead by Weddle Gilmore ArchitectsPoised on the boundary between the city and the desert, the Pima Dynamite Trailhead in Scottsdale is a gateway of sorts between two worlds. The beginning of the trail is marked by an angular volume, clad in a corten steel skin that rises out of the sandy wilderness. As well as accommodating restrooms and amenities within, the center’s slatted overhangs frame outdoor rooms, oriented to maximize the outlook and provide respite for hikers, cyclists and equestrians.

Preserving the ecology of the Sonoran Desert was of the utmost importance to the project. To this end, new construction was restricted to land that had already been developed. The building’s low, unraveling form was carefully positioned to harmonize with the site’s natural drainage flow. Where the organic topography was disturbed, native plants were brought in to restore the terrain. These small, sensitive interventions ensure nature remains the guiding force.


4. Emphasizing the Metaphysical

Eucalyptus Society Garden by SWA GROUP / Los Angeles, Guangzhou, China

Popular Choice Winner, 11th Annual A+Awards, Public Parks & Green Spaces

Eucalyptus Society Garden by SWA GROUP / Los Angeles Eucalyptus Society Garden by SWA GROUP / Los AngelesThis astonishing public park at the heart of a college community in Guangzhou is a contemplative space where the metaphysical takes center stage. Defined by sweeping, curvilinear pathways and undulating lawns, scale and form are skilfully handled, resulting in an immersive, thought-provoking design.

The project is infused with cultural symbolism. An ancient Eucalyptus tree anchors the site, evoking the tree that Confucius is rumored to have given lectures beneath. Rhythmic circles radiate out around the trunk. The innermost and outermost rings comprise glass bricks, emblematic of the manmade and natural landscapes colliding. From the meandering 131-foot-long (40 meter) Wisdom Bridge to the pebble-like benches, the park’s architecture is a catalyst for rumination.


5. Fusing Urban and Organic Realms

OCT Bao’an OH BAY by LAGUARDA.LOW ARCHITECTS, Shenzhen China

Popular Choice Winner, 11th Annual A+Awards, Urban & Masterplan

OCT Bao’an OH BAY by LAGUARDA.LOW ARCHITECTS OCT Bao’an OH BAY by LAGUARDA.LOW ARCHITECTSSprawling across 128 acres, this pioneering project on the waterfront of Shenzhen challenges conventional notions of the public park. Rather than a distinct, green space set apart from the city’s commercial hubbub, the new Central District Park combines natural landscapes with retail and cultural functions.

The terrain is complex and multi-layered. From the sky, the land is defined by an intricate pattern of green plazas and rippling hills. But on the ground, their hidden depths are revealed. Beneath the undulations of earth, shop façades emerge from beneath living roofs. A myriad of pathways and promenades snake across the park, connecting the retail village, business center, cultural center and book market. Here, the natural and urban realms are one and the same.


6. Modernizing Heritage Typologies

Shenzhen Lotus Water Culture Base: Landscape Design for Honghu Park Water Purification Station by NODE Architecture & Urbanism, Shenzhen, China

Jury Winner, 11th Annual A+Awards, Architecture +Landscape

Shenzhen Lotus Water Culture Base: Landscape Design for Honghu Park Water Purification Station by NODE Architecture & Urbanism Shenzhen Lotus Water Culture Base: Landscape Design for Honghu Park Water Purification Station by NODE Architecture & UrbanismThis whimsical floating garden within a municipal park in Shenzhen sits on top of a submerged water purification facility. The project had numerous complex facets to negotiate, including concealing the plant’s protruding infrastructure. Ingenious design solutions were devised to transform the industrial site into a picturesque retreat for the city’s residents.

The architects turned to historic local typologies for inspiration. The pagodas, pavilions and gazebos of the traditional Lingnan garden, a landscape aesthetic native to the province of Guangdong, were the perfect fit to disguise the cylindrical volumes. Reimagined through a contemporary lens, the forms read as art installations. The tallest vent has been skilfully utilized as a birdwatching platform, while the other shafts offer vantage points where visitors can admire the lotuses. Form and function combine in perfect harmony.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Transcending Typology: 6 Ways Architects Are Transforming New Spiritual Spaces
CategoriesArchitecture

Transcending Typology: 6 Ways Architects Are Transforming New Spiritual Spaces

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Religion is steeped in symbolism, and places of worship are, by extension, physical manifestations of these belief systems. Architecture is a powerful vehicle for spirituality. It allows the ethereal, the conceptual, to be made tangible and concrete. Spatial design can give form to the cornerstones of faith, orchestrating vast volumes of veneration and shaping intimate nooks for introspection.

Yet, we’ve moved far beyond traditional, time-honored typologies of religious space. Architects continue to experiment with light, scale and form to create subversive and surprising sacred structures. From awe-inspiring parametric projects to a meditative woodland retreat, discover the ways these wonderous places of worship, recognized at the 11th A+Awards, are forging new pathways to architectural enlightenment.


1. Calling on Curvilinear Forms

Sanctuario De La Salle by CAZA, Biñan, Philippines

Jury Winner, 11th Annual A+Awards, Religious Buildings & Memorials

Sanctuario De La Salle by CAZA

Sanctuario De La Salle by CAZAIn a dramatic departure from the historic cruciform plan, this remarkable church in the Philippines is defined by its striking, amorphous form. Shrouded by woodland, the mysterious edifice is veiled by a rhythmic curtain of white slats, eschewing precise angles for flowing, curvilinear lines. The building embraces organic shapes, while its permeable façade establishes a dialogue between the inner world of worship and the external landscape.

At the heart of the church is the drum-shaped congregation hall, framed by a sweeping clerestory window. Above, the tilted ceiling evokes the orbital arc of the planets, reinforcing the connection between the congregation and the wider universe. A series of spherical rooms flank the hall, situated within a larger circulatory area, the small pockets forming a communal space greater than the sum of its parts.


2. Experimenting With Glazing

Church of the Holy Family by ARQBR Arquitectura e Urbanismo, Brasília, Brazil

Popular Choice Winner, 11th Annual A+Awards, Religious Buildings & Memorials

Church of the Holy Family by ARQBR Arquitectura e Urbanismo Church of the Holy Family by ARQBR Arquitectura e UrbanismoA casualty of urbanization, the trees that once surrounded this site in Brasília were all but removed to make way for an adjacent expressway. The acreage’s new Catholic church seeks to reawaken the bucolic soul of the land and illuminate the relationship between the spiritual and environmental realms.

The circular nave, peaceful in its monolithic presence, is partially embedded underground, beneath the natural height of the plot. Inside, parallel ribbons of glazing encase the perimeter. Inset into the roof, a ring of skylights illuminates the ripple of wood panels below. A sweeping glass band rises behind the lectern, balancing on the horizon, drawing the external terrain in. This remarkable project recenters and internalizes the landscape, infusing it with religious significance.


3. Memorializing the Past

Saint Sarkis Church by David Hotson_Architect, Carrollton, Texas

Finalist, 11th Annual A+Awards, Religious Buildings & Memorials

Saint Sarkis Church by David Hotson_Architect Saint Sarkis Church by David Hotson_ArchitectWhile this astonishing church stands in East Texas, it draws on an ecclesiastical tradition some 8,000 miles away. A homage to the historic Armenian church of Saint Hripsime, it features the same domed form, built some 1,400 years on from its counterpart. The structure’s sculptural interior, carved from glass-fiber reinforced concrete, follows the lead of its ancient inspiration. Lighting fixtures, air-conditioning ducts and other modern interventions have been skilfully concealed, creating an ethereal finish that transcends time.

The very fabric of this grand edifice was conceived as a moving memorial too. The west façade is clad in digitally printed porcelain rainscreen, depicting the traditional Armenian cross and motifs drawn from the country’s vernacular art. Yet, upon closer examination, a secondary layer of meaning unfurls — the design dissolves into 1.5 million infinitesimal pixels, representative of the victims of the Armenian genocide.


4. Honoring the Organic World

Meristem Chapel by MOTIV Architects, Surrey, Canada

Finalist, 11th Annual A+Awards, Pavilions

Meristem Chapel by MOTIV Architects Meristem Chapel by MOTIV ArchitectsThis enchanting chapel in British Columbia was conceived as a peaceful place of reflection and reconnection with the organic landscape, at a distance from the frenetic hubbub of modern life. Its name, Meristem, references a plant tissue found in the roots and shoots of foliage, which instigates the growth of new cells. In the same way, this unassuming space seeks to instill spiritual growth in those who find refuge within its walls.

Nestled in woodland, the structure’s steeply pitched form mirrors the silhouette of the surrounding conifers. The materials used in its construction are deeply rooted in the chapel’s locale — plywood and nail-laminated timber panels were salvaged from deconstructed buildings less than 200 meters from the site. Exposed wood envelops the interior, forming a calming space for contemplation. Twelve skylights are embedded in the ridge of the roof, casting mesmerizing sunbeams across the woodwork.


5. Playing with Perforated Skins

Kol Emeth Center by Field Architecture, Palo Alto, California

Finalist, 11th Annual A+Awards, Religious Buildings & Memorials
Finalist, 11th Annual A+Awards, Sustainable Cultural/Institutional Building

Kol Emeth Center by Field Architecture Kol Emeth Center by Field ArchitectureEnvisaged as a progressive beacon, this extraordinary synagogue in California combines centuries-old tradition with modern values, articulated through cutting-edge construction methods. The project negotiated a number of restrictions, including an awkward, triangular plot, a single-story height limit and a tight budget. The result is a versatile place of worship that utilizes humble materials and honors the structure’s environmental context.

The building’s sleek, glazed frame is encircled by a striking perforated skin. A stunning example of parametric design, four tiers of rotating timber slats have been carefully calibrated to maximize the site’s light levels. In the prayer hall, a slatted dropped ceiling falls in organic undulations, allowing light from the glazing above to filter through. Thanks to the synagogue’s porous shroud, its spiritual spaces are punctuated with glimpses of the verdant woodlands and wildflowers.


6. Merging Unexpected Typologies

Madaline Terrace by Dake Wells Architecture, Springfield, Missouri

Special Mention, 11th Annual A+Awards, Religious Buildings & Memorials

Madaline Terrace by Dake Wells Architecture Madaline Terrace by Dake Wells ArchitectureThis innovative project sits at a juncture between contrasting worlds. Bridging Springfield’s energetic commercial district and a quiet neighborhood, the building fuses two surprising typologies: a private law practice and a chapel. Visually compelling, the modernist-inspired structure masterfully balances the needs of its client, a minister and attorney with a proclivity for Le Corbusier and Louis Kahn.

The building reads as a tale of two functions, belied by a unifying architectural thread. A low pavilion houses the law office, accentuated by protruding fins that offer shade from the Missouri sun. Meanwhile, the chapel is expressed as a white cubic volume floating above the brickwork. Inside, the mass has been carved into a majestic, vaulted space. The sequestered glazing in the roof becomes a series of picture frames, capturing snapshots of the tree canopy while obscuring the hustle and bustle of the thoroughfare below.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

6 Homey Ways Architects Are Designing Warmer Office Environments
CategoriesArchitecture

6 Homey Ways Architects Are Designing Warmer Office Environments

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Today, our lives are no longer compartmentalized into rigid schedules, nor is the line separating work from leisure as clear-cut as before. When the global pandemic hit in 2020, everyone was forced to work from home, bringing their meetings and busy agendas to the middle of their living rooms, changing much of what we know about the workplace and further blurring the line between the office and the home. That shift later promoted many businesses to uphold the “working from home” setup, at least in a hybrid format with some in-office days, having realized its environmental, financial and social benefits for many.

Following these trends, many businesses are now adopting a comfortable home-like environment — sometimes prioritizing comfort over formality and other times upping their interior decor game to lure employees back to work. These office designs, of course, come without the challenges of WFH policies, such as unexpected family cameos in Zoom meetings and the difficulty of unplugging at the end of a day in the home office. The following trailblazing honorees from the 11th Annual A+Awards awards showcase examples of offices that are so comfortable that employees will feel right at home.


Bay Area Research Company

By SkB Architects, CA, United States

Bay Area Research CompanyEntering this think tank feels like entering someone’s living room, you almost feel like you need to knock first. Designed as an engaging and emotion provoking workplace that seamlessly flows between what used to be two warehouses in the Bay Area in California, this design research company adopts what the designers termed as a “better-than-home” concept, achieved through the selection of furniture, carpets, plants and materials that have contributed to producing a very relaxing and tranquil work environment. The workspaces are distributed over a wide variety of smaller spaces anchored in the open floor plan and staggered vertically across a number of split levels that together enrich the user experience for the employees, guests and collaborators.


EDGE Suedkreuz Berlin

By TCHOBAN VOSS Architekten GmbH,

 From the outside, the two newly designed EDGE office buildings facing Hedwig-Dohm-Strasse in Berlin give no hint of what their insides look like, presenting employees a pleasant surprise once they enter. Inside the “Carré” building, the larger of the two buildings, a generously naturally lit atrium almost looks like a play area for adults, with its design blurring the boundary between the inside and the outside.

This atrium is playfully furnished with a web of tree like wooden structures that offer a variety of platforms for recreation and communication, connected by a network of by filigree steps that facilitate circulation across the building’s different parts. The sustainable state of the art design of both the buildings, which won the project the DGNB Platinum and DGNB Diamond awards, produces a healthy and vibrant work environment for employees and ensures the longevity of the buildings and the reusability of its materials.


DB55 Amsterdam

By D/DOCK, Amsterdam, Netherlands

Photo by Niels Vlug

Photo by Niels Vlug

Photo by Niels Vlug

It is hard to tell what this place is for at first glance, given the variety of activities taking place around the miscellaneous furniture spread out across this building’s different sections. From a bed to a huge dining table and an abdunance of plants, the open floor plan contains a variety of levels where so much is going on at the same time. For those reasons, it comes as no surprise that this building, which used to be a timber warehouse, has a program that combines work and leisure, giving space to different events and even making room for a children’s playground. The array of windows on the top of the building connect the building with the outside and create a pleasant indoor experience, flooding the central open space with its double volume with natural sunlight, while the natural wood that is used in various elements of the interior give a soft and tranquil work ambiance.


Kabelovna Studios

By B² Architecture ,Praha, Czechia

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Set in what used to be a cable making factory, the super cozy atmosphere of this recording studio was established through the generous use of plants and the floods of natural sunlight that light up the entire space and allow an interplay of shades and shadows that complement the interplay of the musical notes across the sheets. The different recording studios are distributed around a central “living room” with a seating area and a kitchen, with the high ceiling giving a generous breathing space and the restored brick walls giving the studio a rustic and authentic character that offers a rich background for the recording artists.


Shenzhen Yeahka Office

By JSPA Design, Shenzhen, China

The interiors of the Yeahka headquarter office look like an ultra modern apartment set in a futuristic movie scene, with meeting tables hovering over the building’s central space inside glass boxes and the exposed structure of the refurbished building boldly exposed. The rough appearance of the building’s envelope is nicely contrasted with the use of softer materials and lighter colors for the partitions and the furniture, while the high ceilings allow floods of natural sunlight to travel across the office’s atriums and establish a variety of visual connections for visitors and employees across the different floors.


Casa Pich i Pon. LOOM Plaza Catalunya

By SCOB Architecture & Landscape 

Aesthetically, the organization of this office space is remarkably appealing, allowing the eye to travel across a variety of layers and vertical lines around every corner. Whether it is through the contrast of materials, or the perfect positioning of the working chambers inside the open floor plan, a lot is happening inside this refurbished historical building whose celebratory classic exterior celebrates a masterpiece of its time. The color white, which dominates the interior, sets the stage for the other materials to occupy the space, particularly the red brick walls that stand as a reminder of the building’s rich past.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

A Table With a View: 7 Ways Architects Are Upselling Restaurant Design
CategoriesArchitecture

A Table With a View: 7 Ways Architects Are Upselling Restaurant Design

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

As the chef’s adage goes, you eat with your eyes first. Beyond the confines of the plate, a restaurant’s spatial character is the vital ingredient that underlies every meal. While crispy basil leaves and elegant reels of tagliatelle can conjure up fields of sun-dappled groves beneath a Tuscan sun, so too can the undulating curves of a vaulted ceiling or carefully articulated patterns of light.

The unique power of architecture in the hospitality sphere is something the architects of these winning restaurants from the 11th A+Awards know well. From pioneering approaches to sustainability to striking cultural invocations and immersive visual storytelling, each offers an extraordinary new riff on traditional restaurant typologies. Add one part impeccable spatial planning to one part design innovation and mix well — here are seven ways architects are revolutionizing the eatery.


1. Evoking Distant Terrains

Taiga by Park + Associates, Singapore

Popular Choice Winner, 11th Annual A+Awards, Restaurants (S <1000 sq ft)

Taiga by Park + Associates Taiga by Park + AssociatesWhile it may be nestled amid the bustling cityscape of Singapore, this astonishing Japanese restaurant channels the topography of the chef’s native Kochi Prefecture, over 3,000 miles away. A diptych relief painting of a tumultuous rock formation conceals the eatery’s entrance. Stepping through the parted canvas is like stepping into the mountain itself — diners negotiate twists and turns as they navigate the architectural ‘foothills.’

The cocooning, cave-like dining space is texturally rich and immersive. Rugged split-face granite is emboldened by downlighting, while the backlit saké bar is flanked by a glowing onyx rock formation articulated in a graphic 3D surface design. Throughout, metallic finishes glisten as though the restaurant were hollowed out from a mineral vein.


2. Revising the Vernacular

Shanshui Firewood Garden by Mix Architecture, Yibin, China

Popular Choice Winner, 11th Annual A+Awards, Sustainable Hospitality Building

Shanshui Firewood Garden by Mix Architecture Shanshui Firewood Garden by Mix ArchitectureThis extraordinary restaurant in rural Sichuan province takes inspiration from the region’s architectural vernacular. Traditional low, far-reaching eaves offer ventilation and shelter from the elements, while a central courtyard pool blurs the boundary between organic and built landscapes. Curved lines define the interior dining space, which is dissected into more intimate zones, each offering a glimpse of a different rural outlook.

The structure itself comprises red sandstone blocks from the mountains of Sichuan, hewn into usual fish scales, while firewood, the backbone of the area’s agricultural life, is entwined throughout the design. One of its most powerful iterations is the hanging curtain of suspended timber blocks, which encases the structure in a magnificent porous skin. These familiar local materials are skillfully reimagined in unfamiliar ways.


3. Experimenting With Timber Tectonics

Prime Seafood Palace by Omar Gandhi Architects, Toronto, Canada

Popular Choice Winner, 11th Annual A+Awards, Restaurants (L >1000 sq ft)

Prime Seafood Palace by Omar Gandhi Architects Prime Seafood Palace by Omar Gandhi ArchitectsBold in its monochrome execution, this Toronto restaurant was conceived as a mesmerizing timber cathedral. Rather than being shaped by the transient whims of interior trends, the architects opted for an evolving natural material palette that would patina and shift with the passage of time.

Enveloping slats line the vaulted barrel ceiling, extending down over the apertures across one aspect of the dining zone. The effect is a soft diffusion of natural light. Wood here is employed as a protective layer from the city outside — it softens the visual and acoustic experience, carving out an ethereal space at arm’s reach from the hustle and bustle.


4. Celebrating Salvage

Project Big Top by Multitude of Sins, Bangalore, India

Jury Winner, 11th Annual A+Awards, Sustainable Interior Project

Project Big Top by Multitude of Sins Project Big Top by Multitude of SinsWhile many in the industry pay lip service to sustainability, this whimsical restaurant in Bangalore is a true celebration of reuse. 90% of its material fabric comprises recycled and salvaged elements, resulting in a playful, architectural patchwork of curios. Inspired by the spectacle of the circus, the entrance is framed by a ripple of teal arches crafted from scrap metal, while chandeliers shaped from bike chains and metal filings hang overhead.

In the main two-story dining area, a wall of discarded electronics, fixtures and furnishings forms an elaborate collage of waste. The result of this magnificent mismatched interior is two-fold. On the one hand, the fantastical space is an artistic hub of escapism, yet on the other, it subtly reinforces a powerful environmental message.


5. Honoring the Rural Landscape

Steirereck am Pogusch by PPAG architects, Turnau, Austria

Jury Winner, 11th Annual A+Awards, Restaurants (L >1000 sq ft)
Jury Winner, 11th Annual A+Awards, Sustainable Hospitality Building

Steirereck am Pogusch by PPAG architects Steirereck am Pogusch by PPAG architectsSequestered in the Austrian Alps, this pioneering restaurant complex is rooted in its rural mountain locale. The various buildings, some old, some new, form a self-sufficient culinary village that encompasses dining areas, prep kitchens, staff zones, guest accommodation and a kitchen garden. Across the estate, the verdant landscape is never far from view. In one of the restaurants, swaths of glazing encircle the space. Slatted timber dividers create permeable divisions between tables, ensuring the breathtaking outlook takes center stage.

One of the complex’s newer interventions is a pioneering glass structure — a hybrid greenhouse and living space. Ingeniously, the atmosphere symbiotically supports residents and plant life. The structure is stepped into the incline of the hillside, respectful of the rhythms of the existing terrain.


6. Fusing Nostalgia and Futurism

Super Paradise Beach Club by Omniview Design, Mykonos, Greece

Popular Choice Winner, 11th Annual A+Awards, Popular Choice Winner

Super Paradise beach club by Omniview Design Super Paradise beach club by Omniview DesignThe artful revival of this historic beach bar on the Greek island of Mykonos has resulted in a fascinating collision of architectural languages. The unembellished whitewashed walls and rustic, traditional materials including wood and bamboo hark back to the Cycladic vernacular. Historic emblems play out across the scheme — hollows inset into the walls create display nooks around the bar and entryway.

However, the handling of these elements is strikingly futuristic. Complex, curvilinear geometries orchestrated by state-of-the-art technology result in flowing lines that appear otherworldly. The project reads as a fusion of timelines, merging to create an enigmatic space that defies categorization.


7. Architecturalizing Nature

Ling Ling by Sordo Madaleno, Mexico City, Mexico

Jury Winner, 11th Annual A+Awards, Restaurants (S <1000 sq ft)

Ling Ling by Sordo Madaleno Ling Ling by Sordo MadalenoPoised at the top of one of Mexico City’s highest skyscrapers, this extraordinary restaurant subverts expectations. Floating over the city, a flourishing garden unfurls, taking its design cues from the terraces and courtyards prevalent in Mexican architecture. In the triple-height dining zone, a lofty portico structure intertwined with greenery creates a biophilic cathedral of sorts.

In the inner bar and salon, the spatial proportions contract. An innovative vaulted timber framework hangs above patrons. Crafted using intricate stereotomy techniques, the layers of wood ebb and flow in undulations. Trunk-like columns rise to form a canopy overhead, as though, inexplicably, an architectural forest had taken root on the 56th floor.

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

Let Us Count the Ways We Love Induction
CategoriesSustainable News Zero Energy Homes

Let Us Count the Ways We Love Induction

How we cook our food plays a key role in our ability to decarbonize our lives and keep our families healthy. Compared to activities like transportation and space heating, cooking can be modest in its emissions. It’s also one of the last holdouts in the transition to an all-electric, zero carbon home. Fortunately, there are lots of reasons why induction cooking is better than gas: control, speed, safety, health, and the environment. Let’s also look at some things to consider when buying an induction range for your home.

Induction ranges can eliminate the need for gas piped to your home, which is a game changer. Gas stoves have long been the gateway drug that fossil fuel companies use to get inside homes in the first place. Few people care about what fuel heats their water or air, but many home chefs have an emotional attachment to cooking with gas: its ability to adjust temperature quickly and the cozy blue flames that hearken back to humans’ prehistoric love of fire.

Old-school electric-resistance coils take forever to heat up and cool down, making temperature control difficult. Induction technology, however, creates an electromagnetic field that generates heat via the iron in pans. Rather than heating the space under a pan, like a traditional range, the heat emanates from the pan itself. (Here’s more info about the science for those who want to geek out.)

Like many efficient, clean energy technologies, the history of induction cooking goes back 100 years. But induction cooking’s moment has arrived. Currently, only 3% of homes in the US have induction (but the market has grown more than 40% in the past two years), and 70% of homeowners say they would consider induction for their next stove.

Image of three types of induction ranges (includes electric oven) - photo

Different types of induction ranges. Image courtesy of Yale Appliances.

Types of Induction Cooktops

The easiest way to try out induction is with a portable cooktop, also known as a hob. This countertop appliance has one or two burners and plugs into a standard outlet. These are great because they 1. let you try induction for only $60 to $200; 2. are small and portable, allowing anyone (including renters) to use them; 3. serve as a supplemental cooktop when your main range is full; and 4. support resilience. (Our friend, Brian Stewart from Electrify Now, uses his with a portable battery when camping or when the power goes out.) Check out these Epicurious reviews for the best models.

An installed induction cooktop has four or five hobs and sits in a countertop without an oven beneath. If your kitchen design currently has a gas or electric-resistance cooktop, then this will be the easiest swap-out. There are many cooktop options at multiple price points. The Yale Appliances Buying Guide gives a comprehensive list of current models.

An induction range is the full package, with a cooktop and electric-resistance oven, usually convection. It comes in three varieties: 1. freestanding, with knobs and controls at the back; 2. front control, with finished sides and controls on the front; and 3. slide-in, with front controls and unfinished sides, so they work best between cabinets.

Seven Reasons to Love Induction

Our family has been cooking with induction for the past five years. We see many pros, and only one con, when it comes to this technology that is undoubtedly the future of cooking.

Environmental

For us, transitioning to induction means that our cooking fuel comes from clean, renewable sources. Induction is slightly (5–10%) more efficient than electric coils and much more efficient (300%) than gas, according to ENERGY STAR. Because cooking accounts for only 4–5% of energy use in the home, you’ll see only modest carbon reductions by switching to induction.

Burning “natural” gas emits multiple greenhouse gases, including methane, an even more powerful greenhouse gas than carbon. A recent study found that 75% of unburned gas leakage occurs when the stove is off. Induction allows you to remove gas from your home, decarbonizing without sacrifice.

Health

We’ve likely  all heard the accumulating body of research showing that gas is a a major source of indoor air pollution posing a health hazard. Cooking with gas releases toxins like nitrogen oxides, particulate matter, and carbon monoxide—all of which can exacerbate asthma and cardiovascular disease. One Rocky Mountain Institute (RMI) researcher commented that, “For children who live in a home with a gas stove, the increased risk of asthma is on par with living in a home with a smoker.” While there are no regulations for a home’s indoor air quality, the RMI study found that some gas stoves emit indoor NO2 at levels above the outdoor standards.

Safety

In a related home-safety benefit, induction only heats the pans and pots and not the space around them, reducing cooktop temperatures and almost eliminating the possibility that anyone will get burned. Induction “burners” also turn off automatically after 10 seconds when they don’t detect a pan, and they cool down much faster after use. Our three-year-old can help stir hot pots and pans on our induction stove (as long as the contents aren’t boiling), and there is no risk of her burning herself on live flames. If she drops a towel on the stove while cooking, or even touches a burner, it’s no big deal.

Control

Induction stovetops exceed gas ranges’ performance in their ability to quickly change and control heat. There is no lag time with induction cooking like there is with electric resistance. Lowering your heat setting will almost instantly reduce your sauce from a rapid boil to a slow simmer. Induction also offers excellent low heat settings that gas burners typically struggle with.

Speed

You can boil six cups of water in two minutes. (Mic drop.) Because induction stoves are twice as fast as gas or old electric coils, boiling a large pot of water for a quick pasta dinner is actually quick. When first switching to induction, you might be surprised by how much more quickly your food cooks. Watch out!

Cleaning

The solid surface of an induction range means you can clean it with the swipe of a sponge. This is vastly superior to the time and effort it takes to remove and clean the parts of a gas or electric coil range. Plus, the smooth surface serves as an additional kitchen prep surface when it’s not cooking.

Future Proofing

As of this writing, more than 100 cities around the country (including New York City) have banned gas in new buildings, with some of those laws including a phaseout strategy for existing buildings. Go ahead and embrace the induction future before you have to.

Closeup of touch control panel of induction stove; index finger is adjusting timer - photo

Controls like this have a learning curve and many newer models are moving to knobs which are more intuitive. Image courtesy of Maytag.

You get really used to them

The one (and only) con for us is that our stove model has a bit of a learning curve. The button plus slider interface is not as intuitive as knobs (which is why many newer induction models are moving to knobs). While we quickly learned the technique, when we Airbnb our house, or have a new babysitter, we need to run through basic instructions. The advantages to the touch-and-slide controls are  that they rarely break and are more precise than dials, according to Yale Appliances. A stove with touch controls may beep and/or turn off when something—spilled liquid, a spoon, or potholder—touches the control panel. This protects the controls but can be annoying.

Last year at Thanksgiving, we rented an Airbnb with a gas stove and did a lot of holiday cooking. After not using gas for several years, the difference was striking! We could feel the particulate matter in the air infiltrating our eyes and lungs. The flames blew every which way, making us hot, and we had to remind the kids to stay back. One time a burner didn’t ignite, and we had to wait for the smell of gas to dissipate before lighting a match to make it catch. It felt crazy! How is this form of cooking still legal in our homes?

It’s time to add induction stoves to your list of home improvement priorities, so you can look forward to the improved cooking experience, safety, and human health benefits in your future. Here’s a few things you need to consider when buying induction for your home.

The transition to induction means that most of the 47 million homes that currently cook with gas will have to upgrade an electrical outlet. Most gas ranges (unless they are dual-fuel where the oven is electric) plug into a standard 120V outlet, while most induction cooking (except portable) requires a 240V wire with a 50A circuit. If you currently use an old-school electric cooktop, you may still want to upgrade the outlet. When we purchased our induction stove, the install was fairly easy. We already had a 220V outlet, but it was the older version, without grounding, rather than the modern four-prong one.

Some estimates for running a new wire and outlet for an induction stove can run as high as $3,000. Though, in our experience working with a trusted handyman, it was only about $300. Carbon Switch surveyed 90 people who switched to induction and found the average price for electrical work was $987.

Because induction works by magnetic force, it requires pots and pans made of magnetic stainless steel, cast iron, enameled iron, and nickel. Aluminum and some copper pans won’t work. High-end brands usually work, and there are also now many more affordable options. You can check your pots and pans for compatibility simply by grabbing a fridge magnet and seeing if it sticks.

Hoods that vent outdoors are important for all cooking. Even though induction and electric cooktops don’t produce NOx or CO pollution like gas stoves, any cooking, especially at high heat, produces particulate matter that needs to be vented. (This includes cooking on the portable induction hobs.) But ventilation is easier with induction because the stoves produce less ambient heat and far fewer emissions.

Inexpensive Induction range in white kitchen - photo

Inexpensive induction range in our Cleveland house. Image courtesy Naomi Cole and Joe Wachunas

Induction stoves put you on the path to superior, clean cooking and are a core technology in the decarbonized life. Fortunately, Consumer Reports has reported on a recent price decline in induction stoves, with many models now selling for about $1000.

 

For low- and medium-income households, the new Inflation Reduction Act offers rebates of up to $840 to purchase an induction stove. These low-income rebates are expected to roll out later this year. We couldn’t find many local utility rebates, but there are a couple, like this $750 one in the Bay Area.

Decarbonize your life logo

This article springs from two posts by Naomi Cole and Joe Wachunas, first published in CleanTechnica. Their “Decarbonize Your Life,” series shares their experience, lessons learned, and recommendations for how to reduce household emissions.

The authors:

Joe Wachunas and Naomi Cole both work professionally to address climate change—Naomi in urban sustainability and energy efficiency and Joe in the electrification of buildings and transportation. A passion for debarbonization, and their commitment to walk the walk, has led them to ductless heat pumps, heat pump water heaters, induction cooking, solar in multiple forms, hang-drying laundry (including cloth diapers), no cars to electric cars and charging without a garage or driveway, a reforestation grant from the US Department of Agriculture, and more. They live in Portland, OR, with two young children.

 

Reference

Designing with Light: 6 Ways Architects Are Using Swisspearl’s Progressive Cladding Panels
CategoriesArchitecture

Designing with Light: 6 Ways Architects Are Using Swisspearl’s Progressive Cladding Panels

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

We first understand architecture through it’s façade, the face that it presents to us. This first impression is deeply tied to the materials and building systems a structure is made of. As designers and architects collaborate with manufacturers and fabricators, they continuously reimagine what this “first impression” can be and how buildings perform. A global provider based in Switzerland, Swisspearl is a manufacturer known for rethinking cladding and façades. The company’s guiding principle is to develop and produce forward-looking, functional and aesthetically convincing designs with architects, craftspeople and building material suppliers.

The headquarters of today’s Swisspearl Group is located in Niederurnen, where one of the first production facilities for fiber cement was founded in 1903. For many years, Swisspearl has been developing products made of natural materials for use in building envelopes, interior design and landscapes. The company’s products from their workshops in Niederurnen and Payerne have shaped Swiss building culture and, over time, have been used in projects worldwide. Swisspearl became well-known for cement composite panels (formerly called fiber cement panels or fiber-reinforced cementitious panels) offered in a wide color range. The following projects highlight their panels and product innovations used in architecture worldwide.


Denver Botanic Gardens Science Pyramid

By EUA, Denver, CO, United States

This iconic Science Pyramid was inspired by nature. The team wanted the façade of the building to mimic the hexagonal structure of a honeycomb. The pyramid’s two peaks and 16 facets twist and turn towards the sky as if it was a result of the earth’s colliding tectonic plates. Located in the center of the gardens, the pyramid’s proportions are a inverse of the adjacent amphitheater, made to create harmony between the building and the surrounding landscape.

Faced with the task of designing a transparent pyramid, as specified in the competition brief, the architects of the winning competition entry drew their inspiration from the geological processes causing the ragged rock formations of the nearby mountain ridges. The envelope of the structure informed by a biological metaphor and features almost 500 dark gray, hexagonal Swisspearl panels interspersed with thirty photo-voltaic collectors and multiple windows and skylights.


US Land Port of Entry, Warroad MN

By Snow Kreilich Architects, Warroad, MN, United States

Snow Kreilich designed the Warroad Land Port of Entry to support the mission-driven demands of US Customs and Border Protection (CBP). The 40,108 square foot facility was conceived as a specific response to the vast open landscape along the Minnesota-Canadian border. In turn, its form reiterates the dominant horizon of the landscape while making reference to the East-West border.  Inflected building forms facilitate intuitive use by visitors, the officer’s ability to survey the entire site, and vehicle access to secondary inspections.

Swisspearl was used along the building façade, along with cedar planks stained black. Surfaces that face inward, in contrast, are an auburn-colored cedar. The Warroad Land Port of Entry sets a new standard for remote, small ports in achieving the highest design standard for public buildings. While embracing CBP’s operational procedures and inevitably changing technologies, the design advances the dual mission to protect national security while facilitating trade and travel in a comfortable, efficient facility.


Davis-Harrington Welcome Center

By Dake Wells Architecture, Springfield, MO, United States

Dake Wells designed the Davis-Harrington Welcome Center as a new “front door” welcoming visitors to Missouri State University’s campus. The 13,000 square foot facility includes a two-story lobby and 100 seat presentation room to provide a multi-purpose venue for special events. Tasked by the University with providing a “signature piece of architecture”, the design solution was made to be both economical and monumental. The building program is arranged in a two-story scheme, placing administrative functions on an upper level in order to increase the building’s visual presence as it reinforces the campus edge.

The building enclosure combines a variety of materials in response to the surrounding campus context. The architects used a seemingly paper-thin layer of white Swisspearl panels to sheathe the fully glazed upper sections of the east and west façades. As the team explains, the latter extends slightly beyond the pointed corner of the building where the lower part folds slightly away to extend a welcoming gesture to visitors. Inspired by the pattern of a composition booklet, a seemingly random arrangement of circular perforations feeds dappled light into the atrium and allows views from the second-floor walkway.


Myriad Botanical Gardens

By Gensler, Oklahoma City, OK, United States

The design team wanted to transform Oklahoma City’s Myriad Botanical Gardens from an underused park to a vibrant center of activity for residents and visitors. By adding a new restaurant, open-air pavilion, bandshell and addition to the existing conservatory as well as redesigning the landscape, the design team set out to give the park new appeal. The buildings are linked through consistent geometry derived from the pure Euclidian form of the original botanical conservatory. The compositional elements that form the architectural language include single-story geometric forms, white cementitious panels, water-clear glass and extended overhangs.

Each structure has its own unique character informed by its distinct program. Swisspearl was used as siding for the project throughout. The restaurant is a perfect square, where cantilevered overhangs extend 18 feet on the west side to provide shade from the harsh summer sun. Twelve foot curved glass panels form the circular dining area. While the bandshell is a complex 3D sculptural and monumental form. Since the park’s grand re-opening, the new Myriad Botanical Gardens has added vitality to downtown Oklahoma City attracting visitors each year.


Kindergarten Cerkvenjak

By Superform, Municipality of Cerkvenjak, Slovenia

Desigend as a kindergarten is in the village of Cerkvenjak, this project is located in the center of the Slovenske Gorice region of Slovenia. The kindergarten was designed to be inseparably connected with the natural surroundings of the trees and playground equipment. The concept of the kindergarten is similar to its local surroundings with the rhythmic string of volumes and roofs. Because of this concept, the kindergarten does not surpass the scale of an individual house and gives the user — a child — a sense of home.

The architects drew the inspiration for this kindergarten from a nearby learning path running through the Slovenian village of Cerkvenjak. Intended to enrich the children‘s spatial experience, the hallway inside varies in width and each playroom unit boasts a unique, irregular and contorted shape. The design of the Swisspearl envelope support this idea. The kindergarten is a new program and function that upgrades the existing learning path. The result of using the principle of a learning path is a unique division and rhythm of the playrooms, where the kindergarten is closer to the scale of a child.


The Wallis Annenberg Center for the Performing Arts

By SPF:architects, Denver, CO, United States

SPF:architects took on the revitalization of the dormant Beverly Hills post office site to create a new performing arts center. Built on the historic site, the new project includes a 500-seat theater building connected via promenade and outdoor sculpture garden. The historic WPA building built in 1934 is repurposed to house a 120-seat studio theater, a café, gift shop, box offices, administration facilities and a 3-classroom theater school for children. Outside, a garden and courtyard connect the historic with the new building with direct visual connection to the shops and restaurants of downtown Beverly Hills.

Celebrating the history of the site, the skin is formed in copper-colored concrete panels. A 4 foot by 9 foot envelope-shaped panel is repeated across the façade. The result is an abstract textural pattern, engraved into the building skin. Made out of Swis­s­pearl cement boards, the team redesigned the façade to alter the size and mod­u­la­tion of the ​gaps between pan­els, result­ing in 30% sav­ings in mate­r­i­al. The plan preserves and celebrates the historic architecture, as well as affords the Center the opportunity to create a new, state-of-the-art, flexible performing arts facility with ample back-of-house amenities.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

8 Adventurous Ways Architects Innovated in Interior Design in 2022
CategoriesArchitecture

8 Adventurous Ways Architects Innovated in Interior Design in 2022

Architizer’s 11th Annual A+Awards is open for entries! With a Final Entry Deadline of January 27th, 2023, the clock is ticking — get started on your submission today.

The exterior experience of a building — marveling at a remarkable structure in the midst of a busy skyline, for instance — differs wildly from the interior experience. Crossing a threshold into an internal space is a transformative act. With it, the environment becomes intimate. The senses are enveloped by the spatial and material surroundings; the architect’s intent is suddenly palpably personal.

As these A+Award-winning projects demonstrate, the best interior schemes deftly position the user, both practically and emotionally. From stations, theaters and cafés to places of worship and residential structures, take a look at eight ways architects are innovating interior design and creating immersive schemes that scintillate and astound.


1. Stylizing Ceilings

Shanghai Subway Line 14 Yuyuan Station by XING DESIGN, Shanghai, China

Jury Winner, 10th Annual A+Awards, Transport Interiors

Shanghai Subway Line 14 Yuyuan Station by XING DESIGNShanghai Subway Line 14 Yuyuan Station by XING DESIGNConcealed underground, Yuyuan Station is Shanghai’s deepest transport hub. Elevating the experience of this subterranean space came with its challenges. Essential elements of the site, including the walls, columns and flooring, could not be altered. Nevertheless, the architects delivered an immersive scheme that consumes the senses of its users.

A liminal passing place and the gateway to the suburb, the remarkable design embodies both the transience of the space and the topography of the landscape above. Tens of thousands of aluminum panels ripple across the ceiling and around the arches in a complex geometry of waves that echo the Huangpu River, which runs over the metro line. LED lights illuminate the unique undulations of the canopy. Like the passers-by below, the rhythmic ceiling courses in a multitude of diverse routes.


2. Transforming Translucent Materials

Santa Maria Goretti Church by Mario Cucinella Architects, Mormanno, Italy

Jury Winner, 10th Annual A+Awards, Religious Buildings & Memorials

Santa Maria Goretti Church by Mario Cucinella ArchitectsRevising religious architecture can be an imposing task, one that calls for reverence in the same breath as reinvention. This contemporary church in the Calabrian region of southern Italy negotiates that careful dance between tradition and innovation. While its organic, cross-shaped plan is inspired by some of the country’s most impressive Baroque churches, the interior is something of an inversion of the ornate domed designs of its predecessors.

Instead of exposing the structure’s towering scale, the ceiling is filled with a series of translucent veils that fall in soft curved forms. While the design may be a radical departure from historic typologies, it remains steeped in religious language. Natural light, a Christian symbol of holiness, hope and wisdom, cascades down through the church and is cradled in the folds of the drapes. The result is atmospheric ebbs and flows of illumination that reference natural phenomena like the Northern Lights.


3. Utilizing Unobtrusive Divisions

Nil Dos House by Valentí Albareda Studio, Gràcia, Spain

Jury Winner, 10th Annual A+Awards, Residential Interiors (<3000 sq ft)

Nil Dos House by Valentí Albareda StudioNil Dos House by Valentí Albareda StudioIn another life, this building in Spain’s Catalan region was a warehouse. Once a dark space of industry, it’s now been sensitively transformed into a modern light-filled residence. However, traces of the structure’s history still take center stage thanks to considerate spatial organization.

Encased by an exposed brick ceiling and original whitewashed brick walls, the impressive double-height living space is imbued with its industrial roots. An ingenious light wood frame acts as an unobtrusive room divider, simultaneously zoning the kitchen and forming a tabletop, as well as providing a floor for the loft above. While the scheme accommodates modern living, the absence of opaque barriers places meaningful emphasis on the original form and fabric of the building.


4. Merging Past and Future

CoCo Tea Coffee Juice shop in Shiquan Street by OYTT Design, Suzhou, China

Popular Choice Winner, 10th Annual A+Awards, Restaurants (S <1000 sq ft)

CoCo Tea Coffee Juice shop in Shiquan StreetCoCo Tea Coffee Juice shop in Shiquan StreetSituated in the Chinese city of Suzhou, this pioneering café was inspired by the concept of returning to the origin of life. The interior is an unexpected convergence of old and new, responding to the historic street outside while reimagining commercial typologies through a futuristic lens.

The space is framed by curvaceous forms and undulating lines that merge the distinction between walls and ceiling. The effect is a cocooning embrace that channels the topography of caves and the ancient environment, emphasized by punctuations of rugged exposed rock and mottled, organic paint effects. However, these natural emblems are skillfully translated into a contemporary vocabulary, from the sleek architectural staircase to the surprising apertures. Past and future convene in a fascinating conversation, at once forward-looking and mindful of what came before.


5. Experimenting With Solid Surface Patterns

Zhengzhou Grand Theater by The Architectural Design and Research Institute of HIT, Zhengzhou, China

Popular Choice Winner, 10th Annual A+Awards, Hall / Theater

Zhengzhou Grand Theater by The Architectural Design and Research Institute of HITZhengzhou Grand Theater by The Architectural Design and Research Institute of HITA performance complex of impressive proportions, the Zhengzhou Grand Theater encompasses four large venues with distinct architectural characters. In one hall, the walls ripple with a daring solid surface design in pink and orange hues. Narrow, repetitive channels envelop the room, resembling the interior architecture of a living, breathing organism, while the carefully considered contours were crafted to meet high acoustic standards.

While the stage is the focus within the halls, the gaze is guided upwards in the lobby and corridors. Droplet-shaped motifs adorn the ceiling; the intricate design combines engraved shapes with perforated apertures. These unusual skylights illuminate a path between the venues, as well as reducing the roof’s weight and construction costs.


6. Internalizing the Outdoors

Fort 137 by Daniel Joseph Chenin, Ltd., Las Vegas, Nevada

Jury Winner, 10th Annual A+Awards, Private House (XL >6000 sq ft)

Fort 137 by Daniel Joseph Chenin, Ltd.
Fort 137 by Daniel Joseph Chenin, Ltd.Nestled in the arid Nevada desert, this residence reads as an extension of the topography, both externally and internally. Retractable walls of glass, which span across two different aspects, peel away in the main living and dining zone, erasing the boundary between natural and built environments. Exposed rock excavated from the site lines the walls of the living spaces and orients the home within the same tactile language as the rugged terrain.

The color palette throughout the interior is earthy and warm, a combination of cream, peach, terracotta and deep brown that blurs with the desert. In the kitchen, veined surfaces across the countertops and backsplash mirror the relief of the landscape outside in the same sand hues, internalizing the outdoors with stunning effect.


7. Articulating Unusual Arches

SOMESOME Bar & Restaurant by MARS Studio, Beijing, China

Jury Winner and Popular Choice Winner, 10th Annual A+Awards, Bars & Wineries

SOMESOME Bar & Restaurant by MARS StudioSOMESOME Bar & Restaurant by MARS StudioThis visually striking bar and restaurant in Beijing eschews right angles and straight lines. Approaching the curved threshold to this daring space is like delving into a warren. The arched entrance draws the eye down through a cocoon-like portal defined by dark, earthy colors.

Inside, warped surfaces shape the unconventional hospitality scheme, offering an atmospheric spatial journey from start to finish. A complex arrangement of archways creates a sinuous pathway between the tables, bar and glass-fronted outlook. Their intersecting forms serve as elaborate picture frames, revealing unexpected internal and external perspectives to the restaurant’s patrons. The design succeeds in embodying diverse qualities — a large, open interior where air can flow freely, at once segmented into intimate rooms of experience.


8. Innovating Installations

550 Madison Lobby by Gensler,  Manhattan, New York

Popular Choice Winner, 10th Annual A+Awards, Commercial Interiors (<25,000 sq ft)

550 Madison Lobby by Gensler550 Madison Lobby by GenslerDating back to 1984, the lobby of this postmodern building in New York City underwent a contemporary update by architectural firm Gensler. While remaining respectful of the scheme’s heritage materials and capacious proportions, the towering, triple-height ceiling now arches softly around the space. The convex lines of the engraved oculus emphasize the vaulted barrel design, accentuated by the illuminated perimeter, which imparts a celestial, almost weightless effect.

The spherical motif reappears in the remarkable art installation suspended from the ceiling by Alicja Kwade. Called Solid Sky, the presence of the 24-ton marble orb is profound — it presides over the lobby with a quiet intensity, much like its namesake. Visually, the installation anchors the dramatic space and establishes a line of sight to the outdoor garden beyond.

Architizer’s 11th Annual A+Awards is open for entries! With a Final Entry Deadline of January 27th, 2023, the clock is ticking — get started on your submission today.

Reference

5 Ways Architects Can Combat Sterile Stereotypes of Elderly Care Homes
CategoriesArchitecture

5 Ways Architects Can Combat Sterile Stereotypes of Elderly Care Homes

Architizer is thrilled to announce that the 11th Annual A+Awards is officially open for entries! With an Early Entry Deadline of November 4th, 2022, the clock is ticking — get started on your submission today.

As the boomer generation grows old and cultural norms for caring for the elderly shift, retirement homes become increasingly important in our society. When we think of elderly care homes, a sterile and despondent image often comes to mind, one that typically lacks vitality, life and community. Retirement and nursing homes are complex spaces that facilitate a variety of tasks and undertakings. They do not only serve as living spaces; they are medical centers, social domains and spiritual places too. And such multiplex environments have proven to be complex design undertakings.

The architectural field plays an intrinsic role in the betterment of retirement communities. Through careful planning, a deep understanding of the elderly’s needs and a commitment to fostering community, elderly care homes can become places that nurture vibrant lifestyles for their aging population.

Encouraging Movement Through Accessible Floor Plans 

St John’s House Nursing Home by FKL architects, Dublin, Ireland, 2021

Physical mobility decreases with age, and it is imperative that elderly homes both limit and encourage movement. There is a fine line between accessible circulation and inaccessible movement, and architects can help encourage movement through well-devised and safe floor plans. The St John’s Nursing Home in Dublin, Ireland is a space that responds to elderly needs.

This renovation completely reconfigured its amenities in order to best serve its residents. The site’s original chapel was located in an inaccessible and non-central spot. The chapel was then relocated from its former position to a central spot that leads onto an external, enclosed structure. Centralizing this place of worship within the home makes for easier movement and as a result, encourages residents to engage in moments of devotion.

St John’s House Nursing Home by FKL architects, Dublin, Ireland, 2021.

At St John’s Nursing Home, a sheltered promenade was created to join the new building with the existing structure. Covered pathways are ideal for elderly residents as they encourage outdoor movement while protecting residents from extreme weather, such as heavy rainfall, which could cause slippery conditions. 

Moreover, herbs, vegetables and fruits were planted in the outdoor gardens, which create active outdoor spaces where residents can engage their senses through scents, textures and taste. The home’s interior design was carefully placed and boasts contrasting colors in order to remain accessible for residents with cognitive impairments. Thus, creating a space for accessible circulation and healthy movement. 

The Hainburg Nursing Home in Austria is another great example of accessible and tactical design. Inside, niches were implemented in front of each resident’s bedroom door, and thus turn the hallways into active spaces for circulation and gathering that are an extension of residents’ rooms. The interior surfaces are demarcated by their materiality: laminate and linoleum and wooden floors. Meanwhile, contrary to the anonymous and bland exteriors that lend a medical air to many nursing homes, this Austrian project is sheathed in a pattern of colored diamond-shaped Eternit-shingles, offering a unique expression of identity for the place that residents call home; which brings me to my next point.

Steering Away from Sterile Environments 

Home for Dependent Elderly People and Nursing Home by Dominique Coulon & Associés, Orbec, France. Photos by Eugeni Pons

Homes for the elderly encompass much more than a simple place to eat and rest. These spaces are typically equipped with large medical teams made up of doctors and nurses. More often than not, a pragmatic reality takes precedence over design creativity and as a result, sterile spaces are erected. 

However, there are ways to ensure that a caregiver’s work can be performed without a hitch while creating inviting and dynamic spaces. The simplest way to do so is through color. The Home for Dependent Eledery People and Nursing Home in Orbec, France chose unconventional colors for its design. The interior hallways are painted with a bright red and crisp white color, steering away from conventional medical palettes. Even the exterior’s green façade makes for an inviting space and connects the center to the surrounding landscape.

St Brieuc’s Elderly Establishment by Nomade Architectes, Saint-Brieuc, France | Photo by Mathieu Ducros

This bold use of color can be seen in additional homes, including the St Brieuc’s Elderly Establishment in France, which boasts a colorful interior and exterior purposefully done to energize the space. The design respects the area’s residential nature by breaking the program into nine small blocks and borrowing traditional architectural codes, such as double-pitched roof. The array of materials and color further differentiate units of the housing, reinforcing a sense of individuality for the residents in the community.

Encouraging Autonomy Through Separated Public and Private Spaces 

Indeed, balancing autonomy and independence can be a challenge when designing an old folk’s home, especially when most residents require assistance from staff. Separating public and private spaces in order to encourage independence — while not compromising community and efficient care — is key. The Old People’s and Nursing Home in Rolle, Switzerland finds a perfect balance between public and private spaces. Residents’ bedrooms are located on the upper floors while the main level is reserved for communal areas. Additional common spaces are added to upper floors, which encourages private gatherings and therefore, allow residents to socialize on their own terms. 

Old People’s and Nursing Home, Rolle by PIERRE-ALAIN DUPRAZ ARCHITECTE ETS FAS, Rolle, Switzerland, 2015.

Hospitality-Based Design

Some designers have approached the architecture of a senior’s home similarly to that of a hospitality space. The Nursing Home in Sceaux was informed by hotel designs and mimics a similar aesthetic through its thematic spaces. This home has three pronounced gardens, all of which boast a unique theme and create exploratory spaces for residents to discover.

Dining, lounging and media rooms are all separated to further encourage movement and exploration — just like one would in a hotel. Moreover, the entire façade is wrapped by wooden logs which create an enclosed passageway and provides an environment completely atypical of a nursing home but still safe for the elderly. 

Nursing Home in Sceaux by Philippe Dubus Architectes, Sceaux, France, 2013.

Hospitality-influenced design is equally see at the St Brieuc’s Eldery Establishment (mentioned earlier in this article) which has an in-house hair salon and delineated family reception area. These sorts of hospitality-focused spaces bridge the gap between the home and the outside world by providing a sense of ‘normal’ living. Residents can engage in mundane tasks such as visiting the hairdresser and hosting family. 

Improved Areas for Staff and Caregivers 

As important as it is to consider the residents’ needs when designing spaces for the elderly, it is equally paramount to take into consideration the very people that make these spaces possible — the staff. Caregivers have arguably one of the most challenging jobs and it is critical they are well-considered when designing nursing homes and retirement residences. Delineating clear environments where staff can perform their work, as well as look after themselves, help create an environment ideal for growing old.

Architizer is thrilled to announce that the 11th Annual A+Awards is officially open for entries! With an Early Entry Deadline of November 4th, 2022, the clock is ticking — get started on your submission today.

Reference

Ten buildings that incorporate solar panels in unusual ways
CategoriesSustainable News

Ten buildings that incorporate solar panels in unusual ways

A moving wall that evokes a sailing ship and a roof canopy modelled on a banana tree feature in this roundup, which collects 10 buildings that challenge conventional ways of fitting solar panels to help kick off our Solar Revolution series.

Solar panels, also known as photovoltaics or solar electricity cells, are becoming an increasingly common sight in our built environment.

Traditionally installed in the form of rooftop arrays, they capture energy from the sun and convert it into renewable electricity. The stronger the sunshine, the more electricity the panels generate.

While it is not uncommon for solar cells to be installed as an afterthought, this roundup demonstrates how architects are getting creative with the technology, making it a key feature in their designs without compromising on aesthetics.

Read on for 10 buildings completed and upcoming that incorporate solar panels in creative ways:


Aerial image of Google's Bay View Campus
Photo is by Iwan Baan

Bay View, USA, by BIG and Heatherwick Studio

A “dragonscale solar skin” forms the roof of Google’s Bay View campus, which BIG and Heatherwick Studio recently completed in Silicon Valley.

The undulating structure is built from 50,000 solar panels that generate almost seven megawatts of energy, amounting to 40 per cent of the building’s total energy needs.

Find out more about Bay View ›


Solar panels by Marjane van Aubel on the Dutch Biotope pavilion at Expo 2020 Dubai
Photo courtesy of Marjan van Aubel

The Dutch Biotope, UAE, by V8 Architects with Marjan van Aubel

A colourful skylight formed of translucent photovoltaics crowned The Dutch Biotope pavilion at Dubai Expo 2020, casting pink and blue light below like a stained glass window.

Created by V8 Architects the structure incorporates skylights designed by Marjan Van Aubel to show how solar technology could be used as “a form of art” while providing renewable energy.

Find out more about The Dutch Biotope ›


Render of LAD headquarters in China
Render is courtesy of MVRDV

LAD headquarters, China, by MVRDV

MVRDV has reimagined a traditional solar canopy in its design of this office building, which it is currently developing for agriculture company LAD in Shanghai.

Its swooping roof structure will be left open on one side but covered in solar cells on the other in a bid to provide renewable energy for the building and minimise its operational carbon footprint.

Find out more about LAD headquarters ›


Side profile of Powerhouse Telemark by Snøhetta
Photo is by Ivar Kvaal

Powerhouse Telemark, Norway, by Snøhetta

Snøhetta used photovoltaics to cover the angular roof and south-facing facade of the carbon-negative Powerhouse Telemark office in Porsgrunn.

While contributing to the structure’s “clearly identifiable expression”, the studio said the system generates approximately 256,000 kilowatts of renewable energy each year, compensating for the carbon that the building will consume over a 60-year lifespan.

Find out more about Powerhouse Telemark ›


Mount Sinai Kyabirwa Surgical Facility
Photo is by Bob Ditty

Mount Sinai Kyabirwa Surgical Facility in Uganda by Kliment Halsband Architects

Slender tree-like columns support the wavy solar canopy that sweeps over this health facility in Uganda, designed by Kliment Halsband Architects.

While providing energy for the building, the canopy also shelters its outdoor spaces in a nod to banana plants growing in the area. “We thought of solar panels as leaves of banana plants gathering sun and providing shade,” the studio explained.

Find out more about Mount Sinai Kyabirwa Surgical Facility in Uganda ›


Front facade of 550 Spencer offices by Kennon
Render is courtesy of Kennon

550 Spencer, Australia, by Kennon

More than 1,000 solar electric panels that resemble glass will form the facade for this office tower, which Australian studio Kennon recently proposed for Melbourne.

The technology, named Skala, is produced by German company Avancis and has never been used in Australia before. It is designed to replace traditional rooftop arrays and will free up space for a garden on top of the building instead.

Find out more about 550 Spencer ›


Wall of solar panels at La Seine Musicale by Shigeru Ban
Photo is by Didier Boy de la Tour

La Seine Musical, France, by Shigeru Ban

A wall of photovoltaic panels follows the path of the sun at La Seine Musical, a glazed music complex near Paris designed by Shigeru Ban.

Mounted on rails, the sail-like wall is designed to resemble a ship circulating the ovoid structure. This movement also ensures the lobby behind is shaded from direct sunlight over the course of the day.

Find out more about La Seine Musical ›


Stacked exterior of Copenhagen International School by C F Møller Architects
Photo is by Adam Mørk

Copenhagen International School for Nordhavn, Denmark, by CF Møller

Architecture studio CF Møller disguised 12,000 solar panels as blue cladding at the Copenhagen International School for Nordhavn to mirror its waterfront site.

The panels are arranged in a way that creates a sequin-like effect across the exterior and generates over 50 per cent of the electricity needed to power the building annually.

Find out more about Copenhagen International School for Nordhavn ›


Render of the exterior of Sun Rock office
Render is courtesy of MVRDV

Sun Rock, Taiwan, by MVRDV

A rounded form sheathed in photovoltaics will define Sun Rock, an office and operations facility that MVRDV is developing for power company Taipower in Taiwan.

The studio designed its bulbous form to maximise the amount of sunlight its facade can harness throughout the day and, in turn, create enough energy to make the building self-sufficient.

Find out more about Sun Rock ›


Solar panels on Powerhouse Brattørkaia office building in Tronheim by Snøhetta
Photo is by Ivar Kvaal

Powerhouse Brattørkaia, Norway, by Snøhetta

Three thousand square metres of solar cells envelop this office, another Powerhouse by Snøhetta that produces twice the amount of energy it uses.

Its steep and angular exterior is the result of the limited daylight hours in the city, as it helps maximise sun exposure and allows the panels to harvest as much solar energy as possible before dark.

Find out more about Powerhouse Brattørkaia ›


Solar Revolution logo
Illustration is by Berke Yazicioglu

Solar Revolution

This article is part of Dezeen’s Solar Revolution series, which explores the varied and exciting possible uses of solar energy and how humans can fully harness the incredible power of the sun.

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