Architectural Gems: Explore the Stunning Winners of the 6th "Best of LaCantina" Competition!
CategoriesArchitecture

Architectural Gems: Explore the Stunning Winners of the 6th “Best of LaCantina” Competition!

Architectural Gems: Explore the Stunning Winners of the 6th "Best of LaCantina" Competition!

Architizer is excited to reveal the champions of one of the year’s most inspiring architectural design contests!

Returning for its sixth year, the renowned Best of LaCantina Design Competition attracted submissions from innovative architecture and design firms across the United States. Each participant seamlessly incorporated LaCantina’s exquisite doors and windows into their projects in inventive ways. Although the entries varied in location, building type and scale, they all shared a commonality: The ingenious integration of LaCantina products, fostering a seamless connection between indoor and outdoor spaces, accentuated by using beautiful and durable materials.

Taking the coveted Best in Show title this year is the Society Hotel in Bingen, Washington, designed by Waechter Architecture. As part of their winnings, the firm will enjoy an all-expenses-paid trip for two to the 2024 AIA Conference, covering both travel and accommodation. Be sure to stay tuned for an in-depth exploration of their award-winning project, which will soon be featured on Architizer!

Without further ado, delve into each winning design from this year’s competition — projects that truly embody “The Best of LaCantina.”


Best in Show and Best Commercial Project: Society Hotel by Waechter Architecture, Bingen, Washington

Photos by Lara Swimmer

Located in the Columbia River Gorge National Scenic Area, The Society Hotel offers stunning views of the river, surrounding hills and basalt outcroppings. The program includes the adaptive reuse and conversion of a former schoolhouse and gymnasium, twenty new cabins and terraces linked by a covered pathway, and an iconic, freestanding spa.

The spa employs a similar material palette of striated cedar as the surrounding cabins, yet has a distinctly volumetric form. Avoiding a singular front entrance, the building opens onto each side of the ring with dynamic apertures and floor-to-ceiling folding doors by LaCantina. Within, the structure expands upward to a large skylight, which washes light over a series of pools below. Four “hollow” piers shape this collective space while containing more private areas, including changing rooms, a sauna, a kitchen and two massage rooms.

Through its composition and pairing of historic and new architecture, the Society serves as a model for how buildings can reconcile the needs of a sensitive site, visitors and the local community, and maximize connection to the surrounding landscape.


Best Urban Residential Project: Wilson Lane Residence by Michael Belisle Design, Bethesda, Maryland
Consulting Architect: Will Cawood; Interior Design: Renato Parisotto; Lighting Design: Quinn Murph

Photos by Anice Hoachlander, Hoachlander Davis Photography

Wilson Lane Residence sits on a small urban lot within walking distance to downtown Bethesda, Maryland. The client desired to be close to the city center and wanted something drastically different form the more conventional housing styles in the area. The house was designed for entertainment, with open interior spaces, well-conceived exterior spaces and an abundance of natural light.

LaCantina’s Aluminum Outswing 3 and 6 Panel doors allowed for the interior to merge with the exterior, literally and figuratively: in the open position, the family room, deck and patio merge seamlessly; in the closed position they frame a view of the exterior with minimal obstruction.


Best Suburban Residential Project: Two Gables by Wheeler Kearns Architects, Glencoe, Illinois

Photos by Kendall McCaugherty

Located on a one-acre wooded ravine site north of Chicago, the house is strategically positioned within existing trees on the site to take advantage of the picturesque views. Twin gabled volumes — one for sleeping and one for living — are connected by a glazed breezeway that fuses house and landscape. The home, situated upward and slightly angled away from the street, creates an eccentric approach that delays frontal views and enhances privacy.

The frontal procession presents the flanking gabled volumes as solids, composed of warm gray Accoya siding, zinc colored standing seam roofing, punctuated by deeply inset windows. LaCantina Doors were utilized to address unique challenges within the project by incorporating thermally broken construction and optimizing the scale of units. They also enhance visibility and create spacious open areas when the units are opened.


Best Rural Residential Project: Ranch Poolside Retreat by Cabana Concepts / Imagine Beyond, Murrieta, California
Designed by Imagine Beyond; Installed by Cabana Concepts

Photos by Cabana Concepts

Cabana Concepts and Imagine Beyond completed a new poolside retreat for a ranch house, in Murrieta California, featuring a rooftop sunset deck designed for entertaining over 100 guests. The retreat can sleep up to 12 and includes a full kitchen, bar, office, garage, laundry and craft room. The property features a range of sliding, folding and swing doors by LaCantina, all unified by a beautiful finish: Bronze anodized aluminum equipped with flush bottom tracks and black hardware.


Most Innovative Project: Topanga Canyon Hunting Cabin by MSP Design Inc., Topanga, California

Photos by Mason St. Peter

The Topanga hunting cabin features indoor-outdoor living, featuring two open corners aided by LaCantina double pocket doors, an open plan and a large wraparound deck. What was once literally a room, added onto a room, added onto a room, added onto a room with a stairway to another room above is now a very simple and elegant 2-bedroom-2-bath, open living home, that welcomes the outside in and embraces it.


Best Compact Project: Swift Cabin by Ment Architecture LLC, Cougar, Washington

Photos by Luke and Mallory Leasure

This linear cabin stretches out along the length of a site that overlooks a reservoir in southwest Washington, with spectacular views of Mt. St. Helens beyond. A shed roof allows for a vast array of solar panels for this off-grid cabin, which power the main cabin, a custom-designed sauna building and a garage for the family boat.

A warm interior palette is defined by exposed Douglas fir glulam beams and tongue and groove decking at the ceiling, along with warm wood floors and exterior charred wood cladding wrapping through to the interior. The large deck can be enjoyed by walking directly from the living room through a 12-foot-wide opening featuring LaCantina sliding doors.


Best Renovation Project: Waverly Residence by Sasquatch Architecture, Portland, Oregon
Interior Design by Kami Gray Interiors

Photos by Crosby Dove

Located in the Waverly neighborhood in Portland, Oregon, the existing midcentury modern home went through an entire remodel on both the interior and exterior. The interior was transformed with updated floor plans and new finishes by Kami Gray. On the exterior, Sasquatch Architecture designed all of the windows and doors to be replaced and resized, while new paint, cedar soffits and siding were added to warm up the exterior of the home.

The standout feature is a new 16′ wide La Cantina bifold door, seamlessly connecting the interior and exterior. With careful attention to detail, the architects blended the old with the new, creating a timeless and elegant space bringing the beauty of nature inside and enhancing the home’s overall charm.


Best Unbuilt/Planned Project: Contemporary Respite by Sutton Suzuki Architects, Mill Valley, California

Renderings by Sunny Render Studio, photos by Sutton Suzuki Architects

Perched above a sleepy inlet of the San Francisco Bay, this now contemporary home was originally built in 1966. Over the years a number of insensitive additions were built, resulting in a maze-like home disconnected from the surrounding natural beauty. After an extensive remodel and addition of square footage, the home now offers floor to ceiling glazing and a number of water-facing decks where the owners can watch pelicans fish and nature unfold. The flow between rooms is ideal for entertaining, providing a mix of open spaces and cozy corners. Neutral finishes with hints of blue evoke the nearby water and offer a calm respite from the world beyond.

LaCantina’s Zero Post Corner System increases the sense of spaciousness from the kitchen into the slender side yard. When the project is complete, it will be hard to tell whether one is inside or outside, and each respective space will feel doubly as large.


These eight award-winning projects show just a glimpse of the incredible architecture and interiors made possible with the help of LaCantina’s versatile range of contemporary doors and windows. See more amazing case studies like these and learn more about the systems behind them over at LaCantinaDoors.com.

Reference

Simba Vision Montessori School
CategoriesArchitecture

Dezeen Awards 2023 winners announced at ceremony in London

Simba Vision Montessori School

All 50 Dezeen Awards 2023 winners have been announced at this evening’s ceremony in central London.

The winners were revealed at a party at Shoreditch Electric Light Station attended by shortlisted studios along with Dezeen Awards judges past and present including Nelly Ben Hayoun, Omar Gandhi, Patricia Urquiola, Sumayya Vally and LionHeart.

All Dezeen Awards 2023 winners revealed

The winning projects have been selected from more than 4,800 entries from 94 countries. The 39 project category winners were shortlisted for the architecture, interiors, design and sustainability project of the year awards. These projects went head to head to win the overall project of the year awards.

The six Designers of the Year and the inaugural Bentley Lighthouse Award winner were also announced at the ceremony.

View the winners on the Dezeen Awards website or read below:


Simba Vision Montessori School
Simba Vision Montessori School in Tanzania was named architecture project of the year. Photo by Nadia Christ

Architecture

Simba Vision Montessori School by Architectural Pioneering Consultants won the prestigious architecture project of the year award, sponsored by Material Bank. It was also named education project of the year.

The judges said: “This exemplary building manages to do the most with the least. A truly sustainable project with a very limited budget, the building provides a much-needed educational space for the local community that is responsive to people, place and purpose.”

The winning Montessori school with tactile qualities was up against projects that included a linear park with an elevated walkway in Mexico City, a copper-clad shelter constructed from bamboo in Bali and a timber-lined community centre made from salvaged local wood in east London.

Read more about Simba Vision Montessori School and the architecture winners ›


Xokol by Ruben Valdez
A restaurant in a former mechanic’s workshop in Guadalajara won interior project of the year. Photo by Gillian Garcia

Interiors

Restaurant Xokol in Guadalajara by studios Ruben Valdez Practice and ODAmx was named interior project of the year, sponsored by Moroso. It also won restaurant and bar interior of the year.

“Xokol understands the place where it lives and the importance of designing in a specific way for a specific location,” commended the judges. “The result of this understanding is deep and poetic.”

A palazzo with circular elements in Rome, a retail space defined by curved resin walls in the Art Gallery of New South Wales and an exhibition with shrink-wrapped blocks as scenography in Hanover were a few of the projects competing with the Mexican cross-cultural dining space.

Read more about Xokol and the interiors winners ›


CIONIC FUSEPROJECT
Design project of the year was awarded to designer Yves Behar for his bionic leg wrap

Design

The Cionic Neural Sleeve by Yves Behar’s Fuseproject and neuro tech startup Cionic was crowned design project of the year, sponsored by Solus Ceramics and Mirage Spa. It was also awarded product design (health and wellbeing) project of the year.

“For the millions of people suffering from muscular degenerative diseases or injury, this product has the greatest potential to improve the user’s ability to walk and therefore their quality of life,” said the master jury.

Projects vying with the winning bionic leg wrap included sunglasses that have adaptive focus lenses, a climate-change calculator that makes use of real-world data and a minimalist log-like perch designed for active waiting.

Read more about Cionic Neural Sleeve and the design winners ›


Exterior of Phase 2 of Park Hill estate in Sheffield
The latest phase of the redevelopment of Park Hill estate in Sheffield was crowned sustainable project of the year

Sustainability

London architecture studio Mikhail Riches won sustainable project of the year, sponsored by Brookfield Properties. Park Hill Phase 2 was also named sustainable renovation of the year.

The judges said: “Mikhail Riches has taken the ruin of a concrete post-war mass housing project, which was an iconic building of its time, and shown how to care for its legacy while giving it dignity.”

Other contenders for sustainability project of the year included an affordable housing block with pigmented precast concrete panels, a whiskey bar decked with oak from discarded distillery barrels and a chipless, paper-only version of a radio-frequency identification (RFID) tag.

Read more about Park Hill Phase 2 and the sustainability winners ›


Stormwater Pond at Exercisfältet by White Arkitekter
Photo by Måns Berg

Designers of the Year

Scandinavian practice White Arkitekter took home the architect of the year award and Sumayya Vally of Counterspace Studio was named emerging architect of the year.

Interior designer of the year was awarded to Spanish architect Patricia Urquiola and emerging interior designer of the year was awarded to Paris-based studio Uchronia.

London design duo Luke Pearson and Tom Lloyd won designer of the year for their practice Pearson Lloyd and Parisian Audrey Large was named emerging designer of the year.

These categories are sponsored by Bentley.

Read more about the Designers of the Year winners ›


Bonnie Hvillum

Bentley Lighthouse Award

Natural Material Studio founder Bonnie Hvillum has been named the first winner of the prestigious Bentley Lighthouse Award.

The inaugural award recognises designers who are curious and courageous in their approach, and whose work has had a beneficial impact on social and environmental sustainability, inclusivity or community empowerment.

“The whole oeuvre is impressive and beautiful and demonstrates the path that our industry needs to take towards bio-based research, creating greater material diversity whether by repurposing waste or growing new materials,” lauded the master jury.

This category is sponsored by Bentley.

Read more about the Bentley Lighthouse Award winner Bonnie Hvillum ›

Dezeen Awards 2023

Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent.

Reference

Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.
CategoriesInterior Design

Shaw Contract reveals the winners of its 2023 Design Awards

Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.

A hotel overlooking a Japanese castle and a neurodiversity-friendly office building are among the winners of Shaw Contract’s 2023 Design Awards, revealed in this video produced for the brand by Dezeen.

Global flooring company Shaw Contract recognised five winners in the 18th edition of its Design Awards, which celebrate impactful living, working, learning and healing interior spaces around the world.

In total, five Best of Globe winners were chosen by a panel of design professionals from 39 regional winners, which had been narrowed down from over 650 project submissions from 40 countries.

The winners include architecture studio Tatsuro Sasaki, which won an award for its OMO5 Kumamoto by Hoshino Resorts hotel built on Mount Chausu in Kumamoto City, Japan.

The hotel is located in the city centre overlooking Kumamoto Castle and is nestled in amongst the landscape to blend in with its surroundings.

Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.
Shaw Contract reveals Naelofar Office by Swot Design Group as one of the winners of its 2023 Design Awards.

Four workplace designs were also recognised, including Boston Consulting Group’s headquarters in Toronto designed by HOK.

The office features ample open spaces to flood it with natural light and is equipped with circadian lighting to follow people’s natural rhythms and improve productivity.

Another winner was the 345 North Morgan office design by Eckenhoff Saunders, which is located adjacent to Chicago’s metro tracks. The design of the office was informed by classic railway stations and draws from the neighbourhood’s rich industrial history.

Boston Consulting Group's headquarters in Toronto designed by HOK
Shaw Contract reveals Boston Consulting Group Canadian Headquarter by HOK as one of the winners of its 2023 Design Awards.

Other winners include Swot Design Group’s Naelofar Office in Petaling Jaya, Malaysia, which was designed to foster relationships and collaboration in the workplace.

It features meeting rooms with operable glass panels that can be rearranged to open up spaces for functions such as training sessions or events.

Rezen Studio’s Newmont office in Subiaco, Australia also received an award, which Shaw Contract described as an example of “the rapidly evolving office typology which responds to the changes in which businesses are operating”.

Rezen Studio's Newmont office interior in Subiaco, Australia
Shaw Contract reveals Newmont by Rezen Studio as one of the winners of its 2023 Design Awards.

“We believe that design has the power to shape the world around us and create a better future for both people and the planet,” said Shaw Contract.

“That’s why the Shaw Contract Design Awards programme is so important to us. It allows celebration of the designers who share our commitment to creating a positive impact in all interior spaces.”

Each winner was awarded a £2,000 USD charitable donation in the name of their studio to an organisation of their choice. They also received a trophy designed by Singapore-based artist Kelly Limerick using recyclable Shaw Contract’s recycled yarn.

Find out more about all of the winners on the Shaw Contract Design Awards website.

Partnership content

This video was produced by Dezeen for Shaw Contract as part of a partnership. Find out more about Dezeen partnership content here.



Reference

Fables and Fragments: Vision Award Winners Rethink CAD’s Potential
CategoriesArchitecture

Fables and Fragments: Vision Award Winners Rethink CAD’s Potential

Fables and Fragments: Vision Award Winners Rethink CAD’s Potential

We are thrilled to announce the winners of Architizer’s inaugural Vision Awards, the world’s biggest awards program dedicated to the art of architectural representation. Sign up to receive future program updates >  

Architecture is born from drawing. This act of laying out ideas and visions is what brings buildings and cities to life. Over time, as Computer-Aided Design (CAD) and digital technology became more popularized, there was a move from hand drawings to 3D modeling. Now, designers are quickly seeing the rise of AI-assisted visualization. Across these mediums and at the heart of architectural practice is the desire to tell compelling stories about people and places.

This year, Architizer launched the Vision Awards to recognize the talented students, professionals and studios who are envisioning the world’s architecture. Captured through photography, drawings, renderings, videos, physical models and more, there were hundreds of entries submitted across more than 30 categories. Taking a closer look at the winners, we can begin to see how designers are rethinking the potential of computer-aided design. The result is a series of beautiful, compelling works that represent visionary approaches to drawing and storytelling. The following three projects highlight the winners of this year’s Vision Awards for students, professionals and studios.


VENUE ID PINKLAO-SALAYA “Shirakawa-go”

By LWD.Co.,Ltd, Studio Winner, Vision Awards, Computer Aided Drawing

Underlining the idea that CAD drawings can be done in many different styles, the drawing VENUE ID PINKLAO-SALAYA “Shirakawa-go” by LWD.Co was the Vision Awards Studio Winner this year for Computer Aided Drawing. As the team outlines, it was made as an “inspired design that tells the story of a beautiful farming village nestled in the valley alongside the Shokawa River, where one might find an old house reminiscent of a childhood fairy tale.” Reading like a comic, the juxtaposition of angles, moments and frames moves the eye through the drawing and text.

LWD.Co. wanted to create an illustration that highlights the architectural design of Gassho-zukuri houses. “Built using the same architectural characteristics as traditional houses, this design employs the architectural style called Gassho-zukuri. Gassho means hands folded together in prayer. The distinctive feature of this traditional Japanese architectural style is the large gable roof that looks like hands folded together. This creates a beautiful blend between the wooden Japanese frame and the architectural style of a traditional Thai house. This combination is perfect for the hot and humid climate of Thailand; the elevated structure which creates a faux-basement space underneath the house is just one of the unique characteristics of Thai-style houses.”


Fable or Failure

By Alexander Jeong and Brandon Hing, Vision Awards Student Winners, Computer Aided Drawing

This imaginative drawing “Fable or Failure” by Alexander Jeong and Brandon Hing won the 2023 Architizer Vision Award for a Student Drawing in the Computer Aided category. Jeong and Hing’s rendering reimagines a multitude of fantastical scenarios through space travel. As the duo notes, “Fable or Failure is a project that seeks to reimagine how space travel can be conceptualized in the distant future of societal development.” Taking the shape of an exploded axonometric drawing, the winning entry uses black, white and grey linework and shading, as well as a single color to denote outer space.

Together, Jeong and Hing are curious in how a visualization can pose questions of space, community and gathering. “Will space travel be dominated by the rich and corrupt with the ability to experience otherworldly and transformative events, commodifying it? Can we imagine a future of space travel dominated by imaginative individuals or kids, optimistic in carrying the hopes of the future of the earth with them to space? Through three distinct parts: navigation, archival and extension, the organization of the shuttle is designed for a plethora of humanity’s desires in space travel.”


Into the Void: Fragmented Time, Space, Memory, and Decay in Hiroshima

By Victoria Wong, Professional Winner, Vision Awards, Computer Aided Drawing

Navigating the past, present, and future of Hiroshima, Victoria Wong’s incredible triptych is a study in composition and layering. As this year’s Vision Awards Professional Winner in the Computer Aided Drawing category, the drawing has a fantastic collection of stories embedded within it. In Wong’s words, “This triptych adapts Japanese aesthetic theories of transience and imperfection, and applies them to the city of Hiroshima.” The three selected locations (Genbaku Dome, Yagenbori, and Shukkein Garden) are experimental adaptations to the spatial and environmental challenges that facilitate ‘changes’ according to mental statuses and behaviors.

Photo Study: A zoomed-in shot showing one of the panoramic views that was described in the text that Victoria was working with.  

As writer Patt Fin notes, you might not immediately regard Victoria’s work “as an architectural drawing according to the way the term is usually understood. But this work is an architectural drawing in the more important sense; that is, it is engaged with the questions architects deal with every time they undertake a project, no matter how humble. The illustration explores the relationship between the past and the future and how each new addition to a city is an event in its ever-evolving story.”

We are thrilled to announce the winners of Architizer’s inaugural Vision Awards, the world’s biggest awards program dedicated to the art of architectural representation. Sign up to receive future program updates >  

Reference

Photo of Isinnova's Letizia recycled plastic prosthetic leg from 2023 Ro Plastic Prize
CategoriesSustainable News

Prosthetic leg for Ukrainian amputees among Ro Plastic Prize winners

Photo of Isinnova's Letizia recycled plastic prosthetic leg from 2023 Ro Plastic Prize

Design gallerist and curator Rossana Orlandi has announced the winners of this year’s Ro Plastic Prize for sustainable material use during a ceremony at Milan design week.

The Ro Plastic Prize is awarded yearly to projects that feature material recycling, reuse or upcycling, with this year’s winning projects including a bacteria-growing menstrual cup and a 3D-printed prosthetic leg.

Italian company Isinnova won in the Emerging High Technology category with its design for an artificial leg, which was designed to be produced quickly and at a low cost in emergency situations such as wars and earthquakes.

Photo of Isinnova's Letizia recycled plastic prosthetic leg from 2023 Ro Plastic Prize
A bacteria-growing menstrual cup (top) and a 3D-printed prosthetic leg (above) are among the winners of the 2023 Ro Plastic Prize

This is crucial because, without the rapid provision of a prosthesis, a patient’s chances of being able to walk again are decreased due to factors such as muscle atrophy, according to Isinnova CEO Cristian Fracassi.

Made largely from recycled plastic that is 3D-printed to customised designs, the prosthetic was developed in response to the war in Ukraine and is being made on a not-for-profit basis.

There were two winners in the Art and Collectible Design category: designer Geo Minelli with the Kernel tables and architecture studio External Reference with its Pure Plants collection, both from Italy.

Photo of a round black table with a gnarled central base and a smooth top with concentric circles of yellow and green in the centre
THE Kernel table was one of two winners in the Art and Collectible Design category

Minelli’s Kernel tables are made by recycling end-of-life wind turbines made from glass fibre-reinforced plastic into a new circular material called Glebanite.

The tables, which have a smooth top and a gnarled trunk-like base, are the result of two years worth of experimentation with the material’s textures, colours and fabrication techniques.

External Reference’s Pure Plants are artificial plants that are 3D-printed from a corn-based bioplastic called Pure.Tech and available in 17 different “species”, each with an intricate geometry based on phyllotactic leaf patterns.

Photo of an arrangement of sculptural green objects in different shapes with complex geometries resembling plants from 2023 Ro Plastic Prize
Another Art and Collectible Design winner was Pure Plants

There were also two winners in the Inspiring Learning Projects category.

Czech designer Adriana Kováčová was recognised for her recycled plastic Totemo toy, which evolves from a mobile hanger to a construction set, and Italian design studio Cantieri Creativi was awarded for its Artisans Of Now workshop series, held in locations around Italy and focused on reconnecting people with nature and craft.

Photo of a toy city built from a multi-coloured kids' construction set
Adriana Kováčová’s Totemo won in the Inspiring Learning Projects category

Among the runners-up and special mentions in the competition was Italian designer Lucrezia Alessandroni, whose Soothing Cup is a speculative project comprising a menstrual cup and incubator that would enable users to grow vaginal bacteria extracted from their own body with the goal of reducing period pain.

A seaweed-based hydrogel turns the silicone cup into a bio-membrane that can collect vaginal lactobacillus bacteria, which is then cultivated in an incubator in the time between periods.

Photo of a minimal dark green plastic chair with a flatpacked package in the background from 2023 Ro Plastic Prize
The OTO chair by Alessandro Stabile and Martinelli is made of recycled ocean plastic

According to Alessandroni, studies have shown that this bacteria can reduce period pain and cut down on the number of painkillers those affected have to take each month.

Another special mention in the Emerging High Technology category went to Italian designers Alessandro Stabile and Martinelli for the OTO chair, which is made from recycled ocean plastic in a single, reduced-size mould and shipped flat-packed direct to consumers.

In the Art and Collectible design category, special mentions included UK design studio Novavita’s recycled plastic tiles, which have a mottled patterning that is meant to recall natural stone and marble.

And Spanish duo Eneris Collective made third place in the Inspiring Learning Projects category with its playful design for the Nontalo children’s stool, made from waste olive pits.

Ro Plastic Prize 2023 exhibition at Milan design week
The shortlisted projects were exhibited as part of Milan design week

Shortlisted projects for the Ro Plastic Prize were on display as part of an exhibition at Milan design week. And winners were announced on 20 April after judging by a 17-member jury that included Triennale Milano president Stefano Boeri, architect and designer Giulio Cappellini, Parley for the Oceans founder Cyrill Gutsch and Dezeen co-CEO Benedict Hobson.

The prize is an initiative by Orlandi and her daughter Nicoletta Orlandi Brugnoni, who wanted to raise awareness around the importance of plastic recycling and reuse.

Since the first Ro Plastic Prize in 2019, the criteria of the competition has expanded to include other plastic alternatives, with competition categories varying every year.

The Ro Plastic Prize exhibition was on show as part of Milan design week, which took place from 18 to 23 April. See our Milan design week 2023 guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks that took place throughout the week.

Reference

Best of LaCantina 2022: Competition Winners Revealed!
CategoriesArchitecture

Best of LaCantina 2022: Competition Winners Revealed!

Best of LaCantina 2022: Competition Winners Revealed!

Architizer is thrilled to announce the winners for one of this year’s most inspiring design competitions! The 5th Annual “The Best of LaCantina” attracted entries from architecture and design firms around the world, each integrating LaCantina’s stunning doors and windows into their projects in innovative ways. The projects ranged widely in location, building type and scale, but they all share one thing in common: Their use of LaCantina products allows for a seamless connection between inside and out, framed by beautiful, durable materials.

The designers behind this year’s Best in Show, the Panama and US-based firm IM-KM Architecture and Planning — led by Kristin and Ivan Morales — win a trip to next year’s AIA Conference, complete with travel and accommodation. Stay tuned also for an in-depth look at their winning project, Casa Loro, which will be published soon on Architizer!

Without further ado, explore every winning design from this year’s competition, projects that truly encapsulate “The Best of LaCantina”.


Best in Show: Casa Loro by IM-KM Architecture and Planning, Puerto Escondido de Pedasi, Panama

Photos by Anita Calero, Fernando Alda, and Emily Kinskey

IM-KM’s concept for the main house at Casa Loro was to create a “modern tree house” made with contextual materials, designed to enclose indoor and outdoor spaces equally. The pavilions of the main house are all balanced around the central pavilion, which contains the vestibule and indoor and outdoor living rooms. The façades of each pavilion are operable; when opened, the perimeter of the interior spaces become permeable and create a single larger room including the adjacent garden spaces and the ocean at the horizon.


Most Innovative Project: Oyster House by Randall Kipp Architecture, White Stone, VA

Photos by Maxwell MacKenzie

Approached to design a modern, waterfront home yet still fitting in with the local vernacular, Randall Kipp Architecture put a modern spin on classic forms with transparent, gabled rooflines, open spaces, and a steel framework wrapped in glass. The floor-to-ceiling glass panels provide views of the Chesapeake Bay as well as marsh grasses and grains — a bridge between ecosystems.


Best Compact Project: Abodu One by Abodu, San Jose, CA

Photos by Abodu

Specializing in the design and construction of ADUs (accessory dwelling units), Abodu created the eponymous Abodu One, a 500-square-foot, one bedroom ADU dark cedar vertical siding, an integrated deck and LaCantina bifold doors.


Best Urban Residential Project: West Village Historic Townhouse by READ Architecture Design DPC, New York, NY

Photos by Zack Dezon

Located in a quiet street of the West Village, this landmarked carriage house was renovated with a motive of protecting the essence and the character of the townhouse while creating unique and contemporary moments. Through the respectful restoration of the front façade and bringing it back to its original 1925 state, an unexpected transformation is awaiting on the back façade, opening to a joyful surprise of a contemporary urban backyard.


Best Rural Residential Project: Hood River Residence by Catch Architecture, Hood River, OR

Photos by David Papazian

This residence is nestled into a scenic hillside, overlooking an active orchard. All the main rooms open up with LaCantina doors onto this view corridor. LaCantina’s wood option in walnut was a perfect match that continued to enhance the main design feature highlighting the active outdoors lifestyle. The floor-to-ceiling window in the main bedroom upstairs features a Juliette railing, enabling inhabitants to bring the outdoors in with fresh light and plenty of air. With its live green roof over the garage, the house melds with the existing landscape and blurs the lines between indoor and outdoor living.


Best Suburban Residential Project: Westchester Views by Workshop/APD, Armonk, NY

Photos by Read McKendree

Workshop/APD designed this 5 bedroom, 7,000 SF home in Armonk, which offers the convenience of an easy commute to New York City, but on a hilltop site where you are fully immersed in nature. The home has a unique sense of openness, light and air, with soaring vaulted ceilings in the great room and the ability to open almost every room to the outdoors thanks to LaCantina sliding doors. Breezes blow through and the views to the beautifully landscaped site feel like they are part of the interior design.


Best Commercial Project: Alila Marea by Joseph Wong Design Associates – JWDA, Encinitas, CA

Photos by Eric Laignel Photography and JMI

Alila Marea is a fully appointed luxury resort hotel with 130 guest rooms, 6,300 square feet of meeting space, spa, fitness, swimming pool, two restaurants, coffee shop, bar, and underground parking on a 4.3 acre site located on a coastal bluff overlooking the Pacific Ocean in Encinitas, California. JWDA utilized LaCantina Doors to open up the exterior walls and offer as much indoor-outdoor connectivity as possible to the hotel guests. The architects customized the doors to fit the exterior envelope, maintain a waterproof assembly, and comply with acoustic, thermal and accessibility requirements.


Best Renovation Project: North Ranch Remodel by Horwitz A+D and Nancee Wolfe Designs, North Ranch, CA

Photos by Gary Moss Photography

For this radical remodel, the architects started with a French Country style home and unapologetically transformed it into a ‘transitional contemporary’ residence, whilst holding onto the original warmth of the property. Harnessing LaCantina’s bifold and sliding door systems in different parts of the house, the final structure possesses clean lines and a rear wall of the house that blurs the line of indoors and outdoors. Other standout features include a floating glassy spiral stair, a world class kitchen and master suite with an adjacent 350 square-foot patio/balcony.

These eight award-winning projects show just a glimpse of the incredible designs produced by architects with the help of LaCantina’s versatile product range. See more amazing case studies like these and learn more about the systems that make them possible over at LaCantinaDoors.com.

Reference

One Drawing Challenge 2022: Winners Revealed!
CategoriesArchitecture

One Drawing Challenge 2022: Winners Revealed!

One Drawing Challenge 2022: Winners Revealed!

The results are in for one of Architizer’s most inspiring competitions of the year: We are excited to announce the Winners for the 4th Annual One Drawing Challenge! Featuring extraordinary details and produced using a wide range of artistic mediums, the two top winners and 10 commended entries showcase the powerful potential architectural representation to tell stories about our built environment and the wider world in 2022.

This year’s Top Student Prize goes to Victoria Wong from the University of Michigan, whose intricate triptych, entitled “Into the Void”, captured the imagination of the jurors. The incredibly detailed panels depict the “the new collisions of regrowth and reshaping our relationship with different agencies” in Hiroshima, Japan. Meanwhile, artist and architect Thomas Schaller scooped the Top Non-Student Prize for his atmospheric depiction of “Octavia – Suspended City”, a fantastical image of a mysterious metropolis inspired by Italo Calvino’s book Invisible Cities.

Reflecting on this year’s competition, juror Wandile Mthiyane commented: “This year’s finalists stretched my notion of what it means to be a designer: they used the medium of architectural drawing to express their political views, show their support for equity, and stress the importance of climate change. Architecture and design are the frames, but people are the big picture. This year’s best drawings were truly thought-provoking, challenging, and creative.”

The two top winners receive $3,000 each, an exclusive editorial feature on their work, and a seat on an Architizer jury panel next year. Without further ado, view the Top Winners and the 10 Commended Entries from this year’s One Drawing Competition, together with descriptions by their creators. Be sure to share your favorites with the hashtag #OneDrawingChallenge on Instagram and Twitter!


Student Winner: “Into the Void: Fragmented Time, Space, Memory, and Decay in Hiroshima” by Victoria Wong

University of Michigan

“Into the Void” Detail

“Suggested by Lebbeus Woods, architecture is essentially an internalization of society yet an externalization of ourselves. This triptych adapts Japanese aesthetic theories of transience & imperfection, and applies them to the city of Hiroshima. Through investigating the decay & death of artifacts and events, Into the Void illustrates the new collisions of regrowth and reshaping our relationship with different agencies.

The three selected locations are experimental adaptations to the spatial and environmental challenges that facilitate ‘changes’ according to our mental statuses and behaviors. Through displaying site-specific elements, Into the Void captures the heterotopia voids in time, culture, and nature. The over-saturated sites are witnesses and flaneurs through time that capture the architectural scars in the parallel universe where the past, present, and future coexist simultaneously.”


Non-Student Winner: “Octavia – Suspended City” by Thomas Schaller

Schaller Architectural Fine Arts

“Inspired by the iconic book Invisible Cities. by Italo Calvino, this drawing tells the story of Octavia, a city suspended above the Earth by a spider’s web of cables and wires. Interpretations are limitless, but in my interpretation, the inhabitants of Octavia depict the central truth about humanity – connections are profound – but tenuous; just as is our grasp on life itself. Isolation is not sustainable and connectivity – for all its impermanence – remains a more beautiful response.”


Commended Entry: “The city drowned by coffee” by Pengcheng Yang and Zirui Wang

The Melbourne University

“This is a painting about the concept of architecture expressed through images in a dream world. The theme of the painting revolves around the culture of coffee and the society that is triggered by coffee as a sober dependency of people.

1. A distant coffee factory produced an explosion, and the excess coffee caused great pressure inside the building.
2. The origin of coffee often comes from relatively poor countries, such as Brazil, Ethiopia or Colombia.
3. The shepherds mingling in the line represent the story of how coffee was first discovered by the shepherds of Ethiopia.
4. The fragile console tries as much as possible to hold the balance of people’s coffee intake.
5. There are ads and signs like iLLY and Nespresso for capsule coffee everywhere.
6. The mountains of waste formed by coffee consumption.”


Commended Entry: “Remembering Hanami” by Seah XinZe

WilkinsonEyre Architects

“Every spring, cherry trees in Japan bloom with a fleeting magnificence, captivating the nation for two weeks before wilting. During this time, parks are shrouded in pink and the ephemerality of cherry blossoms is appreciated as they are a reminder of the transitory yet overwhelming beauty of life.

Located in Yoyogi park, Tokyo, the project aims to immortalize the spirit of the cherry blossom. The building is a hand-woven landscape of experiences that engage the senses through the extraction of the different aspects of cherry blossom. The distillery boils flowers from the adjacent cherry grove, distributing scented steam through a network of pipes into the various spaces of the building. Visitors enjoy cherry blossom tea under a canopy crafted from sakiori weaving dyed pink from cherry trees and are invited to picnic by the scented water pools.”


Commended Entry: “Synopolis” by Lohren Deeg

Ball State University

“Content with the limitations of their small apartments and quaint terraces, warmly greeting their neighbors, and strolling among the stepped streets, the citizens of Synopolis greet the sunset each evening with decanters of bubbly concoctions, slowness in their constitutionals, diving into delectable sweets, and chatting away the day’s trials and travails over stacks of plates of tapas.”


Commended Entry: “Mycelium Modularity” by Dustin Wang

Young Guns Studio

“This drawing illustrates a forest that has been populated with housing pods made out of mycelium, conceptualizing the utilization of this material in modular architecture.

Mycelium, a natural fungi found in forests, can form rigid, water-resistant structures when molded and grown. Possessing a flexible form, this allows for the creation of these pods around trees and hills – existing in harmony with nature, rather than replacing it. The resulting effect are teardrop-like structures, differing in shape as each is hand-built.

In this scene, pollution is the origin of the hazy, grey sky. With plastic and waste reduction having become an everlasting consequence, mycelium is used in this small community of hopeful outliers, being a last ditch effort to slow down the deep-rooted repercussions of the changing climate.

In an inevitable future where the natural lives in the artificial, the increased awareness of the benefits of mycelium, will aid in revitalization.”


Commended Entry: “(Your) My Bedroom” by Daniel Ho

University of Auckland

“Many see in architecture the plan, section, elevation, axonometric, and BIM model; mathematical conventions communicating the means of construction. However, drawing by measurement to prescribe beyond the floor, walls, and roof is a perverse overstep; measurements cannot make singular the continuous performance of everyday living.

‘(Your) My Bedroom’ departs from such Cartesian description. It draws a transient domestic, where violence and protection coalesce. A place to laugh, cry, hate, love, reflect, and regret; to feel ambition, faith, passion, cynicism, pleasure, and pain. To draw the bedroom should reflect these experiences with all the egotism of the eye, lest the drawing repels the character it endeavors to express.

Singular compositionally, yet multiplicative in evoking identities of the viewer’s own ‘Bedroom.’ Recalling these identities with blue pencil on 2000 x 1500mm paper means democratizing these everyday experiences. Identities range from bodily to microscopic scales; zoom up, explore, and analyze the character, ‘Bedroom.’”

Juror Sabina Blasiotti said of (Your) My Bedroom: “The drawing that excited me the most is (Your) My Bedroom. It immediately spoke to me, and straight away I saw the bedroom in a way that I’d never seen before. The bedroom is often the subject of architectural illustrations, but Daniel is giving us a completely fresh view of the bedroom which can speak to a wider audience. Daniel talks about a coalescence of violence and protection, passion and pain. The bed is the place where we seek refuge when we are sick and suffering, where we stare at the ceiling when we are anxious, but also a place to relax, think and so on. How to depict one single space that encapsulates such a wide spectrum of contrasting feelings and emotions? I believe Daniel successfully did this.”


Commended Entry: “The Stamper Battery” by William du Toit

Te Herenga Waka — Victoria University of Wellington

“Drawing from EM Forster’s 1909 short story “The Machine Stops”, this allegorical architectural drawing re-presents a seminal tale of environmental devastation caused by the 1860 New Zealand goldrush. Propelling the Otago region into economic prosperity, the mining operations were abandoned once the gold dried up—the forgotten industrial artefacts, environmental scarring, and their historic narratives slowly decaying over time, destined to be lost forever.

The Stamper Battery is the final drawing in a series of 7, each preserving the narrative of a different artefact of the historic goldmining process. It combines orthographic, notation and layering techniques to compose a drawing that shifts restlessly on its page—depicting fragments of architecture as they transform and decay over time. The drawing is intended to be exhibited in sequence, avoiding direct intervention on the site while preserving a national heritage story of place identity—acting as a lesson for future generations to learn from past mistakes.”


Commended Entry: “Up” by Thomas Schaller

Schaller Architectural Fine Arts

“Examples of architecture can too often be seen as solid objects, but of course, they are not. They contain spaces, voids in which humans interact, work and play, love and live. In this sense, the volumes contained by architecture are the collective kinetic stories of all who have gone before and will yet arrive. This drawing – “Up” – explores the energies of that process, the ideas of entrance and exit, of doors and stairways that we all employ to knit our internal lives to the external world and in some silent way, to one another and to time itself.”


Commended Entry: “The Gardener’s Diary” by Glory Kuk

KPF

“Dear Diary,
I recently rummaged through my old diaries and found melancholic entries.
Located in Renwick Ruins of Welfare Island, an island that housed the undesirables of the city, much like our rejection of mental health problems.
The drawing diary is informed by small details in life and on site, which is spatially translated. It grows as more details are noticed, the drawing itself as a growing diary where it is reconditioned daily by me, tending, caring and maintaining the space. There is a visitor within me who might create chaos within the garden based on their emotions, the other side of my psyche. We shall leave traces for each other as we will never meet.
The drawing is where the garden is architecturised, and the architecture is gardenised.
It is a safe haven to defuse my worries, through this drawing I shall find my peace…
Yours Truly, The Gardener”


Commended Entry: “Pocket Size City: The Atlas” by Stefan Maier

University of Applied Arts Vienna

“The Atlas – a loose assemblage of maps. It constitutes a multitude of scales within itself. It links between the content and its representations, creates relationships, and references – a hyperlink into the digital space. The atlas holds the weight of the digital mesh.”


Commended Entry: “Ronin’s Lair” by Eduardo Perez

California State University Long Beach

“‘Ronin’s Lair’… an environment that lies between two parallel universes. These series of spaces are a continually morphing and warping training grounds for the ‘wayward samurai’. They are part Japanese Edo Period and part digital future, they are neither today nor tomorrow… they are in a continually shifting threshold space; a warped interim and an evolutionary and non-chronological series of physicality’s and landscapes. My explorations also lie within 2 worlds of the analogue and the digital, my submission is one of the analogue (ink on parchment paper) and it is one of a series of many such explorations in digital, analogue, and hybrid mediums.”


We have been blown away once again by the response from our community for this popular ideas competition. “This year’s entries raised the bar for creative storytelling through visual means, demonstrating again that technology need not kill off drawing as architecture’s medium of choice,” remarked Architizer’s Editor in Chief, Paul Keskeys. “In fact, with advancements in digital sketching and even AI as an additional creative tool, our fundamental approach to ideation is evolving, and I am excited to see what the future holds for architectural drawing in the next decade and beyond.”

As the art of architectural representation continues to evolve, so will our competitions and awards programs, in order to accurately reflect the incredible ability of architects, designers and creative people to communicate complex ideas about the built environment. Sign up for our newsletter in order to be notified when our next evolution is announced, with bigger, bolder opportunities set to emerge in 2023:

Register for the Architizer Newsletter

Reference

Notpla by Superunion
CategoriesSustainable News

Greenhouse-in-a-box among 2022 Earthshot Prize winners

Notpla by Superunion

Prince William has announced the five winning projects of this year’s Earthshot Prize, founded by the royal together with British wildlife presenter David Attenborough to find solutions to “repair our planet”.

The Earthshot Prize winners each received a £1 million grant to scale their projects, with each tackling a different topic from regenerating nature and fighting climate change to eliminating pollution – whether at sea, on land or in the air – based loosely on the United Nations’ sustainable development goals.

Notpla by Superunion
Seaweed packing Notpla is one of the winners of the 2022 Earthshot Prize

Among this year’s winning projects is Notpla – a plastic packaging alternative that is made from seaweed, making it not just biodegradable but also edible – and an affordable flat-pack greenhouse by Indian start-up Kheyti.

This so-called “greenhouse-in-a-box” can help small-scale farmers, whose harvests have been affected by climate change, to produce seven-times higher yields using 98 per cent less water, the company claims. At the same time, the modular structure is 90 per cent cheaper than a standard greenhouse, combining a simple shading cloth with a drip irrigation system and netting on all sides to ward off pests.

Greenhouse-in-a-box by Kheyti from 2022 Earthshot Prize winners
Also among the prize winners is Kheyti’s flat-pack greenhouse

Omani company 44.01 took home another of the competition’s top prizes for its development of a carbon storage system that takes excess carbon dioxide from the air and reportedly sequesters it “forever” by turning it into rocks.

This involves sourcing the atmospheric CO2 from direct air capture (DAC) companies such as Climeworks, dissolving it in water and injecting it into formations of a rock called peridotite, which is abundant in Oman.

Over the span of a year, the peridotite mineralises this carbon dioxide and turns it into solid rock in a natural process known as mineral carbonation, which normally takes thousands or even millions of years.

Talal Hasan standing in front of a rock formation
44.01’s carbon storage system makes use of peridotite

44.01 is among a growing cohort of companies developing technologies to accelerate this process, which is being billed as a solution for carbon storage that is stable and permanent, and thus does not require long-term monitoring.

“We have found a natural process that removes carbon and we’ve accelerated it,” explained founder Talal Hasan. “We believe this process is replicable globally and can play a key role in helping our planet to heal.”

Also among this year’s Earthshot Prize-winning projects is a stove developed by a women-run company in Kenya that runs on processed biomass instead of straight charcoal.

As a result, Mukuru Clean Stoves produce 70 per cent less air pollution than the traditional charcoal cookstoves currently used by around 700 million people across Africa.

The Queensland Indigenous Women Rangers Network received this year’s final accolade for its work in protecting Australia’s Great Barrier Reef by making use of “60,000 years of Indigenous knowledge” combined with modern, digital technologies such as drones.

Woman holding Mukuru Clean Stoves
Mukuru Clean Stoves run on processed biomass

The winning projects for the Earthshot Prize, which says it was “designed to find and grow the solutions that will repair our planet” were announced during a high-profile ceremony in Boston’s MGM Music Hall. This was broadcast by the BBC and presented by the Prince and Princess of Wales alongside celebrities including singer Ellie Goulding and footballer David Beckham.

“I believe that the Earthshot solutions you have seen this evening prove we can overcome our planet’s greatest challenges,” Prince William said. “And by supporting and scaling them we can change our future.”

“Alongside tonight’s winners and finalists, and those to be discovered over the years to come, it’s my hope the Earthshot legacy will continue to grow, helping our communities and our planet to thrive.”

Rangers in Australia standing around a small fire
The Queensland Indigenous Women Rangers Network was the final winning project

The ceremony received criticism from some viewers, as celebrity presenters and performers were flown into Boston to attend the event while the awards’ actual recipients accepted their awards virtually to save travel emissions.

Similarly, Beckham was called a “hypocrite” for his involvement in the event due to his ambassadorship of the Qatar World Cup, which has recently come under fire for its “disingenuous” carbon neutrality claims as the event looks to be on track to emit more CO2 than any other sporting event in recent history.

The Earthshot Prize was awarded for the first time ever last year, with winners including a restorative ecosystem scheme in Costa Rica and a tool that creates fuel from waste. The prize is set to run annually for the next eight years, during what has been dubbed the “decisive decade” for climate change action.

Reference

Twentieth by Woods + Dangaran
CategoriesInterior Design

Dezeen announces interiors winners for Dezeen Awards 2022

Twentieth by Woods + Dangaran

Dezeen has revealed the winners of this year’s Dezeen Awards interiors categories, which include interiors by Proctor and Shaw, Kelly Wearstler and Woods + Dangaran.

The 11 winners awarded in Dezeen’s annual awards programme are located across nine different countries including Denmark, Taiwan, USA, Belgium and Canada.

Three interiors that feature various reclaimed materials have been awarded this year, including a supermarket-style secondhand bookshop in China, a design school with mobile furniture in the south of France and a flexible retail interior for Italian eyewear brand Monc on London’s Chiltern Street.

Other winners this year include Atelier Boter for its glass-fronted community hub in a Taiwanese fishing village and Hariri Pontarini Architects for its warm wood-toned clinic in Canada.

Danish studio Tableau and Australian designer Ari Prasetya collaborated to design Connie-Connie Cafe at the Copenhagen Contemporary, winning them restaurant and bar interior of the year.

Entries were initially scored by our jury of 25 leading international interior designers before the winners were decided by a master jury that met at One Hundred Shoreditch in September and was made up of Lore Group creative director Jacu Strauss, Studiopepe co-founder Chiara Di Pinto and London-based fashion designer Mary Katrantzou.

They were joined by Design Haus Liberty founder Dara Huang and French architect and designer India Mahdavi.

The 11 project winners will now compete to win overall interiors project of the year award, which will be unveiled at the Dezeen Awards 2022 party in London on 29 November.

Find out more about the winning interiors projects on the Dezeen Awards website or read on below:


Twentieth by Woods + Dangaran
Photo by Joe Fletcher

House interior of the year: Twentieth by Woods + Dangaran

Twentieth is a three-storey house designed for a couple and their three young children in Santa Monica. Living spaces are organised around a courtyard with a decade-old olive tree with a U-shape ground floor, creating space for living rooms on both sides of the courtyard.

The kitchen and bathrooms designed by Los Angeles studio Woods + Dangaran feature dark grey marble surfaces with streaks of white.

“This project demonstrates a nice interplay between inside and outside and a good mix of different finishes and textures,” said the interiors master jury panel.

Read more about Twentieth by Woods + Dangaran ›


Shoji Apartment by Proctor and Shaw
Photo by Stale Eriksen

Apartment interior of the year: Shoji Apartment by Proctor and Shaw

Shoji Apartment is a 29-square-metre micro-apartment in London that features birch plywood joinery throughout its interior.

The apartment has an elevated sleeping area enclosed in translucent panels, which reference Japanese shoji screens and lend the project its name.

“This is a highly innovative solution to the treatment of a challenging space that retains all the functionality of a normal apartment,” said the judges. “We would definitely accept an invitation to dinner!”

Read more about Shoji Apartment by Proctor and Shaw ›


Connie-Connie at Copenhagen Contemporary by Tableau and Ari Prasetya
Photo by Michael Rygaard

Restaurant and bar interior of the year: Connie-Connie at Copenhagen Contemporary by Tableau and Ari Prasetya

Connie-Connie is a 150-square-metre cafe located within the Copenhagen Contemporary art gallery, an international art centre in a former welding facility. Tableau created the overall spatial design while Prasetya was in charge of the design and manufacturing of the bar as well as several other furniture pieces.

The cafe explores how furniture can also be art and features chairs made by 25 designers from offcut wood.

“The project addresses everything we expect from an interior design today, not only does it connect on a physical level, it connects with the community,” said the interiors panel. “There is also an impressive sobriety and humility to the design.”

Read more about Connie-Connie at Copenhagen Contemporary by Tableau and Ari Prasetya ›


Downtown LA Proper Hotel by Kelly Wearstler Studio
Photo by The Ingalls

Hotel and short-stay interior of the year: Downtown LA Proper Hotel by Kelly Wearstler Studio

American designer Kelly Wearstler transformed the interior of the Proper Hotel group chain’s new hotel in downtown Los Angeles. Wearstler stripped out alterations made to the 1930s building to reveal existing grand ceilings, checkered tiled floors and wood panelling.

The interiors are furnished with custom furniture as well as vintage furniture and artwork.

“This project exudes a sense of joyfulness that needs to be rewarded!” said the judges. “The interior design evokes an experience that subverts the formality of conventional hotel design through its sense of identity and integrity throughout.”

Read more about Downtown LA Proper Hotel by Kelly Wearstler Studio ›


Dyson Global HQ, St James Power Station by M Moser Associates
Photo courtesy of Dyson

Large workspace interior of the year: Dyson Global HQ, St James Power Station by M Moser Associates

M Moser Associates reconditioned the interiors of a power station in Singapore to create the global headquarters for multinational technology company Dyson. The interiors feature amphitheatre-style seating to encourage informal gatherings and a sculptural spiral staircase in the former turbine hall.

The judges valued using an existing building to house a leading global enterprise such as Dyson.

“We were pleasantly surprised that Dyson, a bleeding-edge company in innovation and technology, have opted for a refurbishment rather than a new build,” they said. “We were impressed with how they took an old shell and modernised it.”

Read more about Dyson Global HQ, St James Power Station by M Moser Associates ›


The F.Forest Office by Atelier Boter
Photo by James Lin

Small workspace interior of the year: The F.Forest Office by Atelier Boter

The community centre situated in a fishing village in Taiwan was designed by Atelier Boter as a hybrid dining, working and event space, loosely divided by a curtain.

The 53-square-metre venue is almost entirely lined with warm-hued plywood. A plywood partition wall at the end of the workspace is fitted with bookshelves and a small hatch, which connects to the kitchen.

“This project is very well embedded in its cultural context and, despite a small budget, the designers were able to create something beautiful and modern – a small jewel within an old fishing village,” said the interiors panel.

Read more about The F.Forest Office by Atelier Boter ›


Deja Vu Recycle Store by Offhand Practice
Photo by Hu Yanyun

Large retail interior of the year: Deja Vu Recycle Store by Offhand Practice

Deja Vu Recycle Store is a second-hand bookshop located on the first and second floors of a three-storey building in Shanghai. Local studio Offhand Practice aimed to create a relaxed shopping environment by mimicking the experience of grocery shopping. The clothes and books are displayed on shelves that resemble fruit and vegetable crates.

Green mosaic tiles made from stone off-cuts were used to frame the building’s windows and accentuate other architectural details.

“This is food for the mind!” said the judges. “It’s stripped back but in a confident way, exuding calmness and thoughtful simplicity.”

Read more about Deja Vu Recycle Store by Offhand Practice ›


Monc by Nina + Co
Photo courtesy of Nina+Co

Small retail interior of the year: Monc by Nina + Co

London-based Nina + Co incorporated biomaterials throughout the interior of eyewear brand Monc’s debut store.

The glasses made from bio-acetate rest on cornstarch-foam shelves and mycelium display plinths. Long mirrors lean on blocks of local salvaged concrete.

“This project demonstrates integrity between the finishes used and the product they are selling,” said the jury. “It is a very well-executed retail interior with an encouraging use of sustainable materials.”

Read more about Monc by Nina + Co ›


Barlo MS Centre by Hariri Pontarini Architects
Photo by A-Frame Photography

Leisure and wellness interior of the year: Barlo MS Centre by Hariri Pontarini Architects

The clinic was designed by Canadian practice Hariri Pontarini Architects for patients who suffer from multiple sclerosis (MS), a complex autoimmune disease that affects the central nervous system.

As some MS patients experience vision and cognitive loss, as well as fatigue and decreased coordination, durability and accessibility were present throughout the design process. Barlo MS Centre features atypical colours, materials, textures and lighting to rethink sterile-looking healthcare spaces.

“We were impressed by the fusion of the spa and the medical facilities, introducing a wellness element into something that would not traditionally have such an emphasis,” said the judges.

“It is a more holistic approach to healthcare design, which is considerate to the mental aspects of healthcare environments.”

Read more about Barlo MS Centre by Hariri Pontarini Architects ›


Ecole Camondo Méditerranée by Émilieu Studio
Photo by Antoine Huot

Civic and cultural interior of the year: Ecole Camondo Méditerranée by Émilieu Studio

Émilieu Studio designed the interior of Camondo Méditerranée design school in Toulon, France. The studio aimed to create a large-scale flexible learning space, only furnished with reused local materials.

The project features a mobile furniture system that can be easily compiled, transported and deployed outdoors. The furniture is made from locally sourced construction offcuts.

“This school sets a new example of how to approach design education, creating a sense of openness and mobility, which is what a school should be all about,” said the interiors master jury panel.

Read more about Ecole Camondo Méditerranée by Émilieu Studio ›


Relaxing Geometry with Pops of Yellow by Van Staeyen Interieur Architecten
Photo by Jochen Verghote

Small interior of the year: Relaxing Geometry with Pops of Yellow by Van Staeyen Interieur Architecten

Arched portals, curvy furniture and yellow decor accents feature in Van Staeyen Interieur Architecten’s revamped attic in Antwerp.

The local studio refurbished a neglected attic in a family home, turning the area into a multi-functional space.

“This is a good example of how design can be joyful and whimsical,” said the judges. “Accessible in many different aspects, financially and physically, it’s not just a playground for kids but a playground for everyone.”

Read more about Relaxing Geometry with Pops of Yellow by Van Staeyen Interieur Architecten ›

Reference

The Natural Pavilion by DP6 Architectuurstudio
CategoriesSustainable News

Dezeen Awards 2022 sustainability public vote winners include a bio-based pavilion

The Natural Pavilion by DP6 Architectuurstudio

After more than 4,000 votes, Dezeen readers have chosen projects by DP6 Architectuurstudio, FADAA and Kenoteq as the winners of this year’s Dezeen Awards public vote in the sustainability categories.

DP6 Architectuurstudio won for its pavilion made from locally sourced wood and recycled-steel joints in the Netherlands, FADAA for its store coated in grey lime plaster in Jordan and Kenoteq for its brick made from construction waste.

Of the total 55,000 votes that were cast and verified across all categories, the sustainability categories received over 4,000 verified votes.

Dezeen Awards 2022 public vote winners in the architecture, interiors and design categories were published earlier this week, the media winners will be revealed later today and the studio winners will be unveiled tomorrow.

Dezeen Awards winners announced in November

The public vote is separate from the main Dezeen Awards 2022 judging process, in which entries are scored by our distinguished panel of judges. We’ll be revealing the Dezeen Awards 2022 winners ahead of the winners’ party at the end of November.

To stay up to date with the latest Dezeen Awards news, including this year’s winners, subscribe to our newsletter or follow us on Instagram and LinkedIn.

Read on to see who was voted most popular in the sustainability categories:

The Natural Pavilion by DP6 Architectuurstudio
The Natural Pavilion by DP6 Architectuurstudio

Sustainable building

The Natural Pavilion serves as a model to tackle construction challenges faced in the Netherlands, including sustainable energy production, housing shortages, biodiversity recovery and climate change adaptation.

The structure by DP6 Architectuurstudio, which features cross-laminated timber floors and recycled glass windows, was voted sustainable building of the year in the public vote with 29 per cent of votes.

In close pursuit was Mustardseed by Localworks with 25 per cent, Floating Office by Powerhouse Company with 23 per cent, The Exploded View Beyond Building by Biobased Creations with 12 per cent and finally Learning and Sports Centre by General Architecture Collaborative with 11 per cent.

D/O Aqaba by FADAA
D/O Aqaba by FADAA

Sustainable interior

D/O Aqaba won sustainable interior of the year with 26 per cent of the votes. The store by FADAA uses stacked bio-bricks made from crushed shells as partitions to protect from the sun and segment the space.

Next up was Apricity by Object Space Place with 23 per cent, Semba Good Ethical Office by Semba Corporation with 20 per cent, The Circus Canteen by Multitude of Sins with 19 per cent and MONC by Nina+Co with 13 per cent.

K-briqTM by Kenoteq
K-Briq by Kenoteq

Sustainable design

K-Briq was developed through academic circular economy research at Heriot Watt University in Scotland and won the sustainable design of the year category with 35 per cent of votes. Kenoteq’s design is made from construction waste and is coloured using recycled pigments.

The runners-up were Tidal Stool by Robotic Fabrication Lab HKU with 28 per cent, Remix by Open Funk with 18 per cent, Maggie’s Southampton by Local Works and Air-It-Yourself by Jihee Moon with seven per cent.



Reference