Wood

Living room and windows at Ulli Heckmann's compact apartment in Rotterdam

Multipurpose rooms optimise Ulli Heckmann’s Rotterdam apartment

By Zarkon Group,26/03/2024

A bedroom incorporating a bathtub and a window bench is one of several versatile spaces architect Ulli Heckmann created when renovating this compact apartment in Rotterdam, the Netherlands.

Heckmann and his partner, the designer Nienke Bongers, bought the apartment in the Delfshaven neighbourhood in 2020 with the aim of refurbishing it to suit their personal tastes.

The 100-square-metre property is spread across the ground floor and basement of a brick apartment building dating from 1935 that stretches along a dike on the river Schie.

Previous renovations in the 1980s had stripped away all of the interior’s original features, so the couple decided to completely gut the spaces and rebuild them using a modern and affordable material palette.

Kitchen and stairs at Ulli Heckmann's compact apartment in Rotterdam — The open-plan kitchen and living area receive daylight from the garden

The existing layout did not make the best use of the garden access, so Heckmann moved the bedrooms upstairs and created a large living space below with direct access to the outdoors.

“The original downstairs plan showed one room facing the garden and one towards the street, which was quite gloomy and dark,” the architect told Dezeen.

“Since the new downstairs is basically mono-orientated, an open layout with the kitchen cupboard as a room divider seemed the best solution in terms of space with an option for privacy.”

Kitchen and wooden fixtures at Ulli Heckmann's compact apartment in Rotterdam — Heckmann completely rebuilt the interior spaces using affordable materials. Photo is by Yuta Sawamura

The largely open-plan configuration creates a space for cooking, eating and socialising that receives plenty of daylight from the large windows at one end.

Freestanding cupboards screen a small private space that Heckmann explained can be used for “reading a book, inviting friends to stay over or simply drying the laundry without putting it in the middle of the living room.”

Wood staircase at Ulli Heckmann's compact apartment in Rotterdam — The kitchen is divided by a wooden cupboard unit for privacy. Photo is by Yuta Sawamura

Throughout the property, built-in storage helps to optimise and organise space, allowing the interior to be used in different ways at different times. Examples include a hidden desk in the children’s bedroom and a window bench in the main bedroom.

“Most of the rooms are not limited to only one purpose throughout the day and night,” said Heckmann, “which helps tremendously for the use of the space – especially as a family.”

The layout of the upper floor is more compartmentalised than the basement level; however, a full-height mirrored door at the end of the hall can be left open to ensure the spaces feel connected.

The two bedrooms at either end of the plan are separated by a walk-in wardrobe and a shower room hidden behind cupboard-like doors.

Bedroom bath at Ulli Heckmann's compact apartment in Rotterdam — The main bedroom integrates a bathtub that can be hidden behind a curtain

In addition to the bed and window bench, the main bedroom contains a bathtub set on wooden blocks that can be screened off using a curtain.

“The need to create multifunctional spaces is one of the reasons why we decided to have the bathtub in the bedroom,” Heckmann explained. “Also, we quite like that it becomes an object in our daily life instead of hiding it away.”

Bookshelf in Ulli Heckmann's compact apartment in Rotterdam — Most of the furniture was built by Heckmann and Bongers with stained or dyed plywood and MDF

The couple had wanted to use natural materials where possible to completely revamp the interior, but the onset of the Covid-19 pandemic caused prices to soar and subsequent lockdowns made commissioning specialist trades much more difficult.

Heckmann and Bongers therefore designed and built most of the furniture themselves, using plywood or MDF that they stained or dyed to give the materials a more unique finish.

The bedroom shelf and the hall cupboards are made from eucalyptus plywood tinted with an earl-grey mixture, while the bedhead is MDF with a hardwax finish.

Bedroom unit in Ulli Heckmann's compact apartment in Rotterdam — The bedhead unit is made from MDF with a warm-toned hardwax finish

Lime plaster was used on the walls throughout the apartment. The downstairs spaces were left raw and natural, while the bedroom has green pigment added to give it a subtle hint of colour.

For the kitchen, Heckmann used MDF boards with oak veneer and a countertop with a dark Forbo linoleum surface. The cupboard under the stairs features an oak frame surrounding polycarbonate panels, while the staircase podium is made from painted MDF.

Computer nook at Ulli Heckmann's compact apartment in Rotterdam — A hidden desk in the children’s bedroom helps to optimise space usage

Ulli Heckmann completed his Diploma studies at the Technical University of Darmstadt, Germany, in 2006 and worked for several years for agencies in Germany and France, including Maison Edouard François.

He founded his architecture and design studio in Paris in 2013 and now works on projects across Europe, ranging from object and interior design to private housing and architectural competitions.

Other recent Rotterdam projects featured on Dezeen include a floating cross-laminated timber office and a multi-faceted auditorium designed using computer modelling.

The photography is by Ulli Heckmann unless otherwise stated.

kraken installation made of reclaimed wood spreads its tentacles in lyon

By Zarkon Group,26/03/2024

UV LAB unveils Le Kraken ephemeral wooden installation

Le Kraken by UV LAB emerges as an ephemeral monumental installation gracing the central esplanade of the historical site housing Les SUBS and the fine arts university of Lyon ENSBA. With dimensions stretching 25m wide, 15m high, and boasting 180m of tentacles, Le Kraken commands attention, constructed from 1000 sqm of reclaimed wood over a period of six weeks with the collective effort of 30 professionals and students.

This imposing wooden structure evokes a sense of awe, transporting viewers to another epoch or perhaps an alternate history. Despite its chilling presence, the Kraken invites interaction, drawing visitors to explore its labyrinthine form and unravel its mysteries.

all images by Collectif des Flous Furieux

Le Kraken acts as A Dynamic Space for Dialogue and discovery

The immersive experience shifts perceptions; what initially appears as a formidable beast transforms upon closer inspection. Visitors can touch, walk through, and even climb the Kraken, blurring the lines between art and reality. The living quality of the installation challenges conventional notions of architectural integrity, embodying a sense of fragility and inclusion.

Le Kraken transcends traditional ontological categories, embodying a political figure that disrupts established hierarchies and boundaries, representing freedom and unpredictability. Its presence challenges the established order, sparking curiosity and prompting contemplation about its next move.

Le Kraken serves as more than just an artwork; it’s a dynamic space for dialogue, play, and discovery, highlighting UV LAB‘s innovative design approach.

project info:

name: Le Kraken
designer: UV LAB | @uv.lab
location: Lyon, France

photography: Collectif des Flous Furieux | @lesflousfurieux

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

Karimoku Case lines minimalist Tokyo apartment with local wood

By Zarkon Group,06/02/2024

Japanese brand Karimoku Case has redesigned an apartment on a hilltop in Tokyo, using wood and a neutral colour palette to create a “calm and serene atmosphere”.

Named Azabu Hills Residence, the project was designed by Karimoku Case – a studio developed by Karimoku Furniture in collaboration with design studios Keiji Ashizawa and Norm Architects.

The studio used the project as an opportunity to optimise the use of local zelkova wood which is increasingly underutilised.

“We sympathized with the story of how zelkova used to be a common material in Japan, but is now being chipped and discarded, and wished to explore the possibilities of zelkova through this project,” lead designer Keiji Ashizawa told Dezeen.

“When I first saw the sample of it, I felt that its gentle reddish hue, along with its story, was a good match for the project,” he continued.

“We decided to create the interior using zelkova that would come in harmony with the gentle light from the north side.”

View into living space of Tokyo residence by Karimoku Case — A neutral material palette creates a “calm and serene atmosphere”

The 226-metre-square apartment was centred around a spacious, open-plan living area and dining room illuminated by floor-to-ceiling windows.

A small workspace nestled behind a wall in the living space makes use of the spacious interior, and is furnished with a desk, chair and shelving made from zelkova wood.

Desk space within Azabu Hills Residence in Tokyo — White plaster walls and wooden floors define the living spaces

The minimalist interior is defined by textured white walls and wood used for flooring, window frames and fittings, which are tied together by cream furnishings, paper lighting fixtures and decorative artwork.

In the living space, lattice wooden screens were used to separate programmes as well as provide cross ventilation through the space to create airy interiors.

“With the residence being located in the middle of a large city like Tokyo, it was important to have a home-like atmosphere that makes you feel at ease,” Ashizawa said.

“We were conscious of the calmness and tranquility needed to achieve this, and designed the interior with well-curated furniture, lighting, and art to create an environment for this purpose.”

Minimalist dining space in Azabu Hills Residence in Tokyo — Wooden, lattice screens allow ventilation through the home

A counter made from zelkova wood divides the living space and adjacent kitchen, while also serving as an additional seating and dining space.

Within the kitchen, cabinets built from gridded wooden frames were finished with concrete countertops, complemented by tiled terrazzo flooring that also features in the home’s entryway.

Bedroom interior of Tokyo apartment by Karimoku Case — Furnishings, paper lighting fixtures and pieces of artwork tie the interior together

Gridded wooden frames are repeated for both storage in the living area and a wall in the main bedroom where the home transitions into a cosy-feel with carpet flooring.

A circular chair and marbled table sit in front of the bedroom’s floor-to-ceiling windows, with a study desk nestled into the corner.

Bedroom interior of minimalist apartment Tokyo by Karimoku Case — Gridded wooden frames feature in the kitchen, living space and bedroom

Other recently completed projects with minimalist interiors include a dental clinic in Montreal designed to feel like “someone’s home” and a London pub converted into a pared-back jewellery showroom.

The photography is by Tomooki Kengaku.

Project credits:

Architect: Keiji Ashizawa Design
Project architect: Keiji Ashizawa / Ryota Maruyama
Client: reBITA / NTT Urban Development Coperation Tokyo
Construction: Tamarix
Furniture collaboration: Norm Architects
Furniture: Karimoku Case
Lighting: Kojima Shoten / Saito Shomei
Lighting plan: AURORA / Yoshiki Ichikawa
Interior styling: Yumi Nakata

First full-height timber wind turbine opens in Sweden

By Zarkon Group,29/01/2024

The world’s first full-scale timber wind turbine has started turning in Sweden, with a tower built by wood technology company Modvion.

The 105-metre-tall tower, located in the region of Skara, is Modvion‘s first commercial wind turbine tower, and follows on from a smaller 30-metre-high demonstration project the company completed in 2020.

While its rotor blades and generator hub are made of conventional materials, the tower is made of laminated veneer lumber (LVL), a type of engineered wood made of thin veneer strips glued together and often used for beams and load-bearing building structures.

The company says that this type of wood is not only strong enough to withstand the forces of a turning turbine, it is much more environmentally sustainable to build with than the currently used steel.

While wind power plays an important role in providing the world with green renewable energy, there are still ample carbon emissions created during their construction — in part because of the steel towers.

Modvion describes its wood towers as reducing the carbon emissions from wind turbine construction by over 100 per cent, due to the combination of a less emissions-heavy production process and the carbon storage provided by trees.

“Our towers, just in the production of them, they emit 90 per cent less than a steel tower that will do carry the same work,” Modvion chief financial officer Maria-Lina Hedlund told Dezeen. “And then if you add the carbon sequestration, then you actually end up with a minus — so a carbon sink. This is great if we want to reach net zero energy production, and we need to.”

Photo of the inside of a large timber cylinder, with a ladder going up the middle — The type of wood used is laminated veneer lumber

Hedlund, who is also an engineer, describes LVL as having a construction “similar to carbon fibre”, with strips of veneer just three millimetres thick sandwiched and glued together, giving it a high strength-to-weight ratio.

This lightness is a benefit, reducing the amount of material needed overall. With a heavy material, there is a “bad design spiral”, says Hedlund, as the weight of the tower itself adds to the load that it needs to carry.

And while some LVL has all their veneer strips facing in the same direction, Modvion uses its “own recipe” specifying the directions of the fibres, improving the material’s performance even more.

Photo of three people in work gear on top of an incomplete wooden tower — The turbine tower is the tallest so far built by Swedish company Modvion. Photo by Paul Wennerholm

The production process involves timber boards being made to order in a standard LVL plant and then delivered to Modvion’s factory. There, they are glued together into larger modules and bent into a rounded form in a step called lamination, and then very precisely machined to fine-tune the shape.

“In the wood industry, you usually see centimetre tolerances, while we are in the sub-millimetre scale,” said Hedlund.

The modular nature of LVL construction addresses another problem Modvion has observed with steel: that with turbines getting ever bigger to give more power, it’s becoming impossible to transport steel towers to site.

They are built as essentially large cylinders and transported by truck, but the base diameter desired for the tallest towers is getting to be taller than some bridges and roads can allow.

Photo of a giant module of curved laminated veneer lumber being engineered in a factory — The timber is laminated into modules at Modvion’s factory

“We’re now reaching a point where they will not get through anymore,” said Hedlund. “So we will see a transition in the wind power industry to modular construction, because this is the way to get them there. And one of the big advantages of building in the material we do is that it’s naturally built modular.”

While steel could also be built modular, it would require bolts rather than glue to join it together on site, which Hedlund says is a disadvantage.

“Bolts are not very nice when you have so much dynamic loading, because it will loosen over time,” she said. “So first of all, you have to have to put them in place which is a lot of work, and then you have to also service them over the lifetime.”

Photo of a worksite with a man in hi-vis operating machinery in the foreground and a large curved module being lowered into place in front of him — The modules were assembled and glued together on site

The Skara turbine has a capacity of two megawatts, which represents the maximum power output the turbine can achieve under ideal conditions. This is a bit lower than the average capacity for new turbines built in Europe.

On the outside, the tower has a thick white coating that makes it look similar to steel, and it’s rotor blades and generator hub, which are not supplied by Modvion, are made of conventional materials like fibreglass. This may change in the future, however, with another company, Voodin Blades, working on the technology for wooden blades.

Modvion was founded in 2016 by university peers David Olivegren and Otto Lundman. While its current focus is wind turbines, it is dedicated to wooden technology more broadly, and Hedlund told Dezeen that the team believes it has “the world’s strongest joint for timber construction”, which could also be put to other uses.

Another recent milestone for wind power came in the form of a wind-powered cargo ship, which had been retrofitted with two 37.5-metre-tall sails.

Eight interiors where burl wood provides natural texture

By Zarkon Group,23/01/2024

This week’s lookbook rounds up eight interiors with furnishings and surfaces finished in burl-wood veneer, allowing its swirly, psychedelic graining to serve a decorative function.

Burl wood is a rare and expensive wood, often only available in thin sheets of veneer. That’s because it is derived from the knobbly outgrowths of tree trunks and branches – also known as burls.

Like the botanical equivalent of a callous, these outgrowths form in response to different stress factors and grow unpredictably, creating complex unexpected grain patterns behind their gnarled bark.

Burl wood has been experiencing a renaissance over the last few years, with interior designers including Kelly Wearstler using it to evoke the bohemian flair of its 1970s heyday.

Mixed and matched with other patterns, the material is now used to communicate a kind of organic understated luxury, much like natural stone.

From a Michelin-starred restaurant to a home that was designed to resemble a boutique hotel, read on for eight examples of how burl wood can provide textural richness to a modern interior.

This is the latest in our lookbook series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring rooms with net floors, interiors with furry walls and homes with mid-century modern furniture.

Botaniczna Apartment, Poland, by Agnieszka Owsiany Studio

This tranquil apartment in Poznań was designed by local firm Agnieszka Owsiany Studio to give the owners a reprise from their high-pressure medical jobs.

The interior combines a calming mix of pale marble and various kinds of wood, including oak cabinetry, chevron parquet flooring and a console and vanity, both finished in speckled burl.

“My clients asked for a high quality, almost hotel-like space, as they were in need of everyday comfort,” founder Agnieszka Owsiany told Dezeen.

Find out more about Botaniczna Apartment ›

Ulla Johnson flagship, USA, by Kelly Wearstler

Burlwood brings “a touch of 1970s California nostalgia” to the Ulla Johnson flagship store in Los Angeles, courtesy of local designer Kelly Wearstler.

The unusual veneer was used liberally to cover walls, ceilings and shelves, as well as forming a statement display cabinet where the material’s natural wavy surface texture provides an added element of tactility (top image).

Find out more about the Ulla Johnson flagship ›

Koda hair salon by Arent & Pyke — Photo by Prue Ruscoe

Koda hair salon, Australia, by Arent & Pyke

This hair salon in Sydney’s Queen Victoria Building was designed by Australian studio Arent & Pyke to be “best appreciated from seated height”.

Drawing attention away from the building’s extra-tall ceilings, freestanding quartzite-rimmed mirrors are placed at angles in front of the styling chairs, framing a vintage hanging cabinet made from pale burl.

Find out more about the Koda hair salon ›

Opasły Tom restaurant by Buck Studio — Photo by Pion Studio

Opasly Tom restaurant, Poland, by Buck Studio

Buck Studio employed a limited palette of colours and materials to create visual continuity throughout Warsaw restaurant Opasly Tom, which occupies a split-level building that was broken up into a series of rooms of different sizes.

Coral-orange chair cushions mirror the hardware of the totem-like pendant lights, and several burl-clad cabinets are dotted throughout the eatery. These match the kaleidoscopically patterned panelling in the hallway and the private dining rooms.

“This contemporary, minimalistic design approach produces the impression of coherence while creating a powerful aesthetic impact,” explained the Polish studio, which is headed up by Dominika Buck and Pawel Buck.

Find out more about the Opasly Tom restaurant ›

Warsaw apartment by Mistovia — Photo by Oni Studio

Warsaw apartment, Poland, by Mistovia

Elsewhere in Warsaw, Polish studio Mistovia designed an apartment for an art director and her pet dachshund to resemble an “elaborate puzzle” of contrasting patterns.

Walnut-burl cabinets dominate the kitchen, with their trippy swirling pattern offset against monochrome tiles, brushed-metal drawers and a terrazzo-legged breakfast bar.

Find out more about the Warsaw apartment ›

Imperfecto, USA, by OOAK Architects

Upon entering Michelin-starred restaurant Imperfecto in Washington DC, diners are greeted by a custom-made maître-d stand clad in panels of burl-wood veneer, creating a mirrored tortoiseshell pattern across its surface.

The interior, designed by Greek-Swedish studio OOAK Architects, sees neutral tones paired with splashes of blue and white that nod to the restaurant’s Mediterranean menu.

“OOAK Architects has used varied, high-quality finishes and authentic materials including Greek and Italian marbles, as well as brass and wood from different parts of the world, creating contrasting textures across the space,” the team said.

Find out more about Imperfecto ›

Interior of Black Diamond house by YSG — Photo by Anson Smart

Black Diamond house, Australia, by YSG

Australian interiors studio YSG introduced a sumptuous mix of materials to this house in Sydney’s Mosman suburb to evoke the feeling of staying in a luxury hotel.

This approach is evidenced by a number of custom furniture pieces dotted throughout the home, including a Tiberio marble vanity in the downstairs powder room and a poplar-burl cabinet with a bronzed mirror that looms over the nearby living room.

Find out more about Black Diamond house ›

Studio Frantzén, UK, by Joyn Studio

Restaurant Studio Frantzén in London’s Harrods department store serves a fusion of Nordic and Asian food that is also reflected in its Japandi interiors – taking cues from both Scandinavian and Japanese design.

Interiors practice Joyn Studio leaned heavily on both cultures’ penchant for wood, combining seating banquettes made from blocks of end-grain pine wood with gridded timber ceilings and seating booths framed by burl-wood wall panelling.

Find out more about Studio Frantzén ›

Hamptons artist studio by Worrell Yeung is tucked among the trees

By Zarkon Group,06/01/2024

Architectural studio Worrell Yeung has completed a two-storey, black-coloured home extension called Springs Artist Studio that is meant to offer the “experience of being perched in the trees”.

The Brooklyn-based firm was tasked with designing the 800-square-foot (74-square-metre) addition for a Long Island house belonging to a florist and a painter.

The couple has an extensive collection of art and special objects. Their home is located in Springs, a hamlet in East Hampton that is popular with artists.

“The hamlet of Springs has a strong history of painting,” said Max Worrell, co-founder and principal of Worrell Yeung. “We were drawn to that lineage; Jackson Pollock, Willem de Kooning, Helen Frankenthaler and Jane Freilicher all painted out here.”

Artist studio interior by Worrell Yeung — It is an addition to a Long Island home

The team conceived a two-storey addition that contains a painting studio on the upper level and an exhibition space down below that doubles as a garage.

The ground floor also has a powder room.

Artist studio interior featuring a gabled roof — The building has a gabled roof

In response to strict zoning rules and environmental sensitivities, the studio created a small-footprint building that preserved existing trees and minimised the overall impact on the landscape.

Rectangular in plan, the building has a gabled roof and walls clad in pine boards that were stained black to match the main house.

Birch plywood interiors — Interior finishes include birch plywood

Different-sized boards were used “to create a sense of shifting, lateral scale that counters the vertical massing of the structure”.

The lower portion of the building is covered in 12-inch-wide boards (30 centimetres), while the upper areas are clad in 4-inch and 1-inch versions (10 and 2.5 centimeters).

In the power room, the birch plywood has been stained blue

“From afar the studio reads as an abstract volume,” the architects said.

“Up close, the textured wood and varied-sized planks break down the scale of the building to something more accessible and rich with detail.”

The black cladding is interrupted on the upper level by a band of ribbon windows.

The architects worked with Silman Structural Engineers to create the continuous windows, which are supported by steel-rod cross bracing and slender steel columns that match the mullions.

Within the building, the four-foot-tall (1.2-metre) ribbon windows offer immersive views of the landscape.

“Natural light streams in while unique views appear from each direction, framed by unobstructed glass corners,” the team said.

Ribbon windows in extension by Worrell Yeung — These offer immersive views of the landscape

“We wanted to create this experience of being perched in the trees – a retreat for working,” added Jejon Yeung, cofounder of Worrell Yeung.

Interior finishes include birch plywood, which was used for flooring, walls and cabinetry. In the powder room, the plywood is stained a rich shade of blue.

The decor includes vintage Eames molded fibreglass chairs and a vintage chandelier by David Weeks.

Black cabin in the woods — The siding was painted black to match the main house

The addition is connected to the main home by a glazed passageway that brings in the natural surroundings while “providing a moment of respite between home and the studio/work environment”.

Other projects by Worrell Yeung include a series of gabled timber buildings on a New York farm and a refresh of a cedar-clad dwelling on Long Island that was originally designed by famed US architect Charles Gwathmey.

The photography is by Naho Kubota.

Project credits:

Architecture: Worrell Yeung
Design team: Max Worrell, Jejon Yeung, Yunchao Le Structural Engineer: Silman
Contractor: Fifth and Dune

Back-lit glass brick bar at the Studio Frantzén restaurant

Wooden elements “take centre stage” in Studio Frantzén restaurant

By Zarkon Group,15/12/2023

Scandinavian and Japanese influences come together at Studio Frantzén, a restaurant in London’s Harrods department store designed by Joyn Studio.

Stockholm-based Joyn Studio created the sleek interiors for Studio Frantzén – the latest restaurant opened by chef Björn Frantzén.

The two-storey eatery is arranged across a main restaurant and bar on the fifth floor, as well as on an additional mezzanine and rooftop terrace on the sixth floor of Harrods.

In stark contrast to the department store’s famed Edwardian baroque terracotta facade, Studio Frantzén features a contemporary palette that takes cues from both Scandinavian and Japanese design – a trend known as Japandi.

Bar at Harrods by Joyn Studio — Studio Frantzén is located across two levels at Harrods

Visitors enter the restaurant at a domed reception area, which references Scandinavian churches and forest chapels, according to the studio.

The curved walls were clad with blocky cherry wood while illustrations of Nordic animals by Ragnar Persson decorate the ceiling and a Swedish wooden Dala horse was perched on the welcome desk.

“Undoubtedly, wood takes centre stage in this restaurant,” Joyn Studio founding partner Ida Wanler told Dezeen.

Main restaurant with bespoke timber seating by Joyn Studio — The main restaurant is composed of two dining halls

The reception area gives way to a “glowing” bar composed of stacks of glass bricks bathed in amber light, which is mirrored by a ceiling of gridded copper.

Informed by traditional Japanese izakaya – a type of casual watering hole serving snacks – the large main restaurant is composed of two dining halls with bespoke geometric terrazzo and marble flooring.

Bespoke timber seating illuminated by a chandelier — One features bespoke timber seating

One hall features an open kitchen and Joyn Studio-designed chunky seating booths and sofas carved out of end-grain wood. This was sourced from a large Hungarian pine tree, cut into cubes and then glued together piece by piece.

This double-height space is illuminated by a spindly oversized chandelier by Swedish studio Front.

Gridded ceiling within dining hall — The other follows the same gridded geometry as the bar

The other dining hall, tucked around the corner and connected to a wine cellar, follows the same geometry as the bar.

Sliding timber doors and a gridded wooden ceiling are interrupted by ultramarine benches in booths and delicate, ribbed paper lampshades.

“To create a distinctive Nordic dining experience with Asian influences within a historic London building, we delved into the architectural and design legacy of the early 20th century,” explained Wanler.

“Inspired by the journeys of our predecessors to the far east, where they assimilated influences and pioneered a style known as Swedish Grace, we embraced the resonances between traditional Japanese and Nordic architecture and craftsmanship,” she continued.

Mezzanine level by Joyn Studio — Mirrored artwork by Caia Leifsdotter was included in the mezzanine

On the upper floor, the mezzanine includes three intimate dining booths accentuated by a burnt orange carpet and a wall-mounted Psychedelic Mirror by designer Caia Leifsdotter.

Characterised by marble, rattan and wooden accents, the rooftop terrace offers expansive city views.

“Aiming to infuse creativity into the traditional luxury context of Harrods, we envisioned a relaxed and comfortable ambiance with sparks of richness created in unexpected ways,” said Wanler.

In 2022, Joyn Studio was longlisted for the title of emerging interior design studio of the year at the Dezeen Awards.

Elsewhere at Harrods, fashion house Prada recently opened a green-hued pop-up cafe that referenced one of Milan’s oldest patisseries.

The photography is by Åsa Liffner.

studio albori rebuilds this ‘casa di legno e paglia’ with wood and hay

By Zarkon Group,27/10/2023

casa di legno e paglia: reimagining tradition

Rising amidst in the picturesque town of Laveno, Italy, overlooking the serene Lake Maggiore, the Casa di Legno e Paglia by Studio Albori is a stunning example of sustainable architecture that pays homage to the region’s rich history. Adhering to local regulations, the small residential reconstruction mirrors the structure of its predecessor, while embracing eco-friendly and repurposed materials. This combined influence from both tradition and modernity creates a dwelling that is both aesthetically pleasing and environmentally responsible.
images © Luca Bosco

the house of wood and hay

The architects at Studio Albori construct the foundation of Casa di Legno e Paglia with metal gabions — caged walls filled with locally sourced stones — a technique that reinforces the building’s structural integrity while reducing environmental impact. The primary framework is made of Piedmontese larch wood, a deep-rooted connection to the region’s natural resources that ensures both aesthetic beauty and sustainability. One unique feature of the house is its perimeter walls, which are filled with straw bales. Straw is a sustainable and energy-efficient material that provides excellent insulation, keeping the house cool in the summer and warm in the winter. The straw-filled walls are then plastered with lime, imparting a timeless aesthetic and reinforcing the commitment to eco-friendliness. This structure of larch wood and hay lends the dwelling its name in Italian: Casa de Legno e Paglia.

salvaged materials include window frames, roof tiles, and stone to breathe new life into the project

circular design by studio albori

In a nod to circular economy principles, Studio Albori has incorporated a number of salvaged materials into the project, breathing new life into the remnants of the past. The house proudly features external and internal window and door frames, roof tiles, parapets, gates, grates, and stones in the garden, all thoughtfully salvaged from the pre-existing building or sourced from local scrapyards. This commitment to reclamation not only enhances the project’s sustainability but infuses it with a sense of historical relevance. The Casa di Legno e Paglia exemplifies the power of architecture to bridge the past and the present. Through its thoughtful design and sustainable practices, Studio Albori has created a residence that is both timeless and innovative.

the renovation integrates into Laveno’s historic context by replicating the profile of the pre-existing structure
natural materials and an exposed wooden structure merges traditional and contemporary design
foundations of stone-filled gabions, contribute to its structural stability while minimizing environmental impact.

Madera displays custom wood products in Los Angeles showroom

By Zarkon Group,17/10/2023

Design and fabrication firm Madera has unveiled its latest showroom in Los Angeles, which was designed to showcase wood flooring and millwork products and has been captured in this exclusive video produced by Dezeen.

The West Coast hub, which is Madera‘s second showroom, is located in the Arts District of Los Angeles while its flagship showroom is in New York City.

The showroom features a selection of wood products ranging from the brand’s signature wide-plank Thrasher flooring to custom cabinetry and benches.

The space, which was converted from a former metal foundry into a showroom, aims to encourage clients to embrace wood and view it as an essential and natural element in design.

The entryway features bespoke Douglas fir tables and benches, while the living room space has made-to-order Thrasher cabinetry showcasing the various finishes the brand offers.

The kitchen displays a large custom island combining Madera’s Dogwood Ash and Travertine finishes, while a nearby conference room houses the brand’s Abechi Façade cladding in black.

Madera showroom in Los Angeles California — The showroom kitchen features a custom island that combines Madera’s Dogwood Ash and Travertine finishes

Madera’s mission is to bring the natural beauty of wood into the spaces their clients inhabit to “redefine its place in the modern home”, according to the brand.

Its Los Angeles wood shop, where custom stair parts and millwork elements are produced, is located only a short distance from its showroom.

outside of Madera showroom in Los Angeles — Madera’s showroom is located in the Arts District of Los Angeles

The brand recently launched its Seamless Wood Design system, which aims to ensure wooden products in an interior all complement each other.

The system was created to offer designers and homeowners a customisable option that enables them to retain the character of wood throughout an interior.

Partnership content

This video was produced by Dezeen for Madera as part of a partnership. Find out more about Dezeen partnership content here.