wooden house in yagota by airhouse floats in the japanese forest 
CategoriesArchitecture

wooden house in yagota by airhouse floats in the japanese forest 

airhouse unveils hovering house in yagoto 

 

In a hilly residential area in Nagoya City, Japan, Airhouse has nestled a small Aichi Prefecture, residence into a slope engulfed in greenery. The House in Yagoto perches above a steep incline, surrounded by a thick curtain of trees and a forest to its northern edge. Resolving this challenging typology while minimizing cost and impact to the environment, the architects’ design solution conceives a construction foundation of only four steel columns, reducing the building’s ground contact area with a cantilevering reinforced concrete floor atop which a dark cedar-clad home appears to delicately float.

airhouse's wooden home floats above a steep slope in the japanese forest 
all images by Toshiyuki Yano

 

 

a serene mountain villa emerges in the japanese forest

 

The cantilevered floor serves as the foundation for the House in Yagoto which emerges as a seemingly hovering volume emerging above the landscape and steep slope. Its dark form sits in stark contrast to its context as its outer walls clad in cedar create the appearance of a serene mountain villa. With minimal impact on the natural surroundings, the team at Airhouse was able to economically construct the structure without cutting a confined, flat base in the ground and large retaining walls. ‘As a result, by thinking about the foundation of the building, we were able to build a house economically even on a sloping land, and we believe that we were able to create a rich living environment that floats in the forest,’ notes the Japanese architecture office.

 

Stepping inside the home, residents are greeted with a serene living experience immersed in nature. Airhouse has devised an airy interior completed with natural materials and open spaces that engages in continual dialogue with its natural context. From the cedar exterior to the carefully calculated height of the platform and structure and large opening in the direction of the forest, the concept seeks to weave views of the outdoors inside for an uplifting getaway.

airhouse's wooden home floats above a steep slope in the japanese forest 
Airhouse’s House in Yagoto emerges from a hillside in Japan

airhouse's wooden home floats above a steep slope in the japanese forest 
the home perches atop a reinforced concrete platform

airhouse's wooden home floats above a steep slope in the japanese forest 
the cedar-clad exterior creates the appearance of a serene mountain villa

airhouse's wooden home floats above a steep slope in the japanese forest 
a lofty, airy interior with industrial and natural finishes

airhouse's wooden home floats above a steep slope in the japanese forest 
large windows bring views of the adjacent forest inside

Reference

Mjøstårnet helped wooden architecture reach “new heights”
CategoriesSustainable News

Mjøstårnet helped wooden architecture reach “new heights”

Next in our Timber Revolution series is a profile of Mjøstårnet, an 85.4-metre-high tower in Brumunddal, Norway, that was one of the world’s first true timber skyscrapers.

The 18-storey mixed-use building was named world’s tallest timber building by the Council on Tall Buildings and Urban Habitat (CTBUH) when it was completed in March 2019, comfortably surpassing the 53-metre Brock Commons Tallwood House in Vancouver.

Architecture studio Voll Arkitekter believes that the milestone demonstrated what the future of sustainable architecture could look like.

Mjøstårnet next to a lake
Mjøstårnet is located along Norway’s lake Mjøsa

“Wood construction has gained a new renaissance and we are proud to be able to help wooden architecture reach new heights,” Voll Arkitekter partner Øystein Elgsaas told Dezeen.

“Mjøstårnet is not the blueprint of a tall timber building but a contributor to further sustainable development,” Elgsaas added.

“Sustainable-wise, the most important aspect of our building was to show that it is possible to build large, complex timber buildings, and in that fashion, inspire others to do the same.”

Facade of Mjøstårnet
The building is surrounded by abundant forestry

Located on the shore of Norway’s biggest lake, Mjøsa, which lends its name to the building, the 18-storey tower contains apartments, a hotel, office space and a restaurant.

It was built using two types of engineered wood: cross-laminated timber (CLT) and glue-laminated timber – also known as glulam. Because both kinds of wood are formed of layers of lamellas glued together crosswise, they are significantly stronger than standard wood.

The exterior of a timber building in snow
It was constructed with CLT and glulam. Photo by Øystein Elgsaas

Large glulam trusses made from light-coloured spruce wood support the structure along its facades as well as forming its internal columns and beams. Meanwhile, CLT was used to support the building’s three elevators and two staircases.

The structural mass timber was left exposed inside, making the tower quick to build. The groundwork for the project began in April 2017 and the first timber construction took place just six months later.

Voll Arkitekter's Mjøstårnet
The building is 85.4 metres tall. Photo by Øystein Elgsaas

The studio was particularly keen to use timber because of its sustainability credentials. Trees act as carbon sponges, absorbing atmospheric carbon which is then locked up in the wood and stored in the building.

Wood is also less carbon-intensive to manufacture, transport and construct than concrete, meaning that the production process has lower embodied carbon emissions. The embodied carbon from buildings made of steel and concrete amounts to 11 per cent of global carbon emissions.

The view from the top of Mjøstårnet
Glulam timber trusses support the structure

“Wood is a better option than concrete when it comes to the carbon storage in the material itself,” said Elgsaas.

“Where you traditionally need a large quarry to source the material for the concrete production, it leaves large scars in the environment that don’t ‘heal’ in the same way as a large area used for harvesting trees does,” he continued.

“A sustainably managed forest and harvesting of the trees would actually benefit the area’s biological diversity.”

Norwegian law requires forest owners to ensure harvested areas are “regenerated within three years”.

An interior staircase made from glulam timber
The timber was sourced from spruce and pine trees nearby. Photo by Øystein Elgsaas

Brumunddal’s proximity to a major forestry and wood processing hub meant that the materials for Mjøstårnet were sourced from nearby spruce and pine forests.

“The spruce used in the construction of the glulam elements, such as trusses, columns and beams, were sourced locally in the area of Ringsaker,” Elgsaas recalled.

“The timber is cut to standard board size planks at the local sawmill and then processed at Moelven, where they make the final glulam products used in the construction,” he added. “Moelven is just a fifteen minutes drive from Brumunddal.”

The interior of Mjøstårnet
Mjøstårnet houses an office, hotel and restaurant. Photo by Øystein Elgsaas

Scandinavia’s access to large woodlands gives it an abundance of local wood resources, fuelling a surge in architects turning to wood for projects in the region.

Among the notable tall timber projects in Nordic countries is Sweden’s Kajstaden Tall Timber Building by CF Møller Architects and Finland’s tallest wooden apartment block, Puukuokka, by OOPEAA.

According to Elgsaas, the timber industry has changed since Mjøstårnet was built and public scepticism over the potential of timber for tall buildings has subsided.

“The focus on the environment and the benefits of using wood has changed dramatically since we began our project back in 2015,” he said.

“People have discovered the possibility and benefits of using different building materials and that there is no longer a predetermined solution to what a larger and more complex building could be made from.”

A bedroom interior by Voll Arkitekter
All of the timber was processed in nearby Moelven

Although the studio was committed to using timber, the material did not come without its issues. The inherent lightness of timber proved tricky for the architects because the top of the building was prone to shifting in the wind.

“Peak accelerations due to wind on the top floor of Mjøstårnet is on the limit of what is acceptable for residential buildings,” said Elgsaas.

“The acceleration in the movement is quicker than in a heavier building of steel and concrete and if not kept within the required levels, it could lead to nausea.”

A tall mass-timber building beside a lake
Voll Arkitekter believes the building pushed the limits of timber construction

Architects create composite buildings – wood-concrete-hybrid structures or timber frames with concrete cores to avoid this problem. However, Voll Arkitekter decided to incorporate concrete within Mjøstårnet’s floors to give it the necessary sturdiness and weight.

“We increased the weight on the upper floors: floors 12 to 18 are 300 millimetre-thick concrete made of a precast element at the bottom and an in-situ layer of topping concrete,” Elgsaas explained.

“Replacing wood flooring with concrete flooring on the upper floors meant that the building would be heavier towards the top and that would slow down the acceleration in the movement of the building when affected by wind forces.”

Mjøstårnet at sunset
The studio hopes it encourages more sustainable building creation

In 2022, Mjøstårnet was overtaken as the world’s tallest timber building by Ascent, an 86.6-metre-tall tower in Wisconsin, which was designed by Korb + Associates Architects.

An all-timber building is classified as such by the CTBUH if both the main vertical or lateral structural elements and the floor are constructed from timber.

Ascent is unlikely to hold the top spot for long, as a 100-metre-tall housing block in Switzerland timber building by Danish studio Schmidt Hammer Lassen is set to become the world’s tallest when it completes in 2026.

The photography is by Ricardo Foto unless stated otherwise.


Timber Revolution logo
Illustration by Yo Hosoyamada

Timber Revolution

This article is part of Dezeen’s Timber Revolution series, which explores the potential of mass timber and asks whether going back to wood as our primary construction material can lead the world to a more sustainable future.

Reference

wooden hedge facade enfolds villa on the coastline of stockholm
CategoriesArchitecture

wooden hedge facade enfolds villa on the coastline of stockholm

‘Fenced Maximalism’ stands on a coastal area of Sweden

 

Swedish architectural studio Byggfenomen takes over a domestic villa program congested inside a fence-like facade located in a coastal area of Stockholm. Standing on the eastern waterfront region of the capital, the residence is surrounded by weathered pine trees that divide the landscape plane into vertical strips while the low and harsh ground cover gradually transforms into naked bedrock towards the waterline, a typical disposition of seafront topography. Emerging from the dense vegetation, the wooden cladding enclosing the structure expands vertically fusing with the woodland and leaving specific external surfaces uncovered. The openings set up glass frames overlooking the scenery. Deviating from conventional villa-type structures spreading the program on the site, ‘Fenced Maximalism’ assembles all functions within the defined plan, namely the lawn, flowerbed, pond, gravel, breakfast terrace, evening terrace, conservatory, social space, guestroom, bedroom, bathroom, wine cellar, kitchen.

wooden hedge facade enfolds villa on the coastline of stockholm
all images by Henrik Nielsen

 

 

The layout spreads ten levels treated with specific materiality

 

To avoid the elimination of trees and plantation on the site, the plot condenses all indoor and outdoor functions inside a strictly defined plan forming a fence structure that applies wood cladding throughout the exterior. The double-skin facade blends with the surrounding nature allowing open views from specific parts where the hedge subsides and through the vertical slits of the sheltering formation. The project by Stockholm-based studio Byggfenomen distributes ten levels laying out each zone on the plan treated with specific materiality.

 

The planes overlap and connect in a spiral-like circulation and the intersections are emphasized in different ways to allow sensory negotiations between the environments. The different layers of the construction present convenient spaces and features, such as the ‘Bacchus’ temple that shapes a folding framework stored beneath the building cooling the wine naturally before it is elevated into the common dining area. Another sufficient element is the rainwater collector holding the water on one floor and draining it as a natural shower in the pond below.

wooden hedge facade enfolds villa on the coastline of stockholm
the wooden cladding enclosing the structure expands vertically merging with the woodland

wooden hedge facade enfolds villa on the coastline of stockholm
the double-skin facade allows light to pass through the vertical slits of the sheltering formation

Reference

Wooden furniture and artworks decorate Hiroo Residence in Tokyo
CategoriesInterior Design

Wooden furniture and artworks decorate Hiroo Residence in Tokyo

Designer Keiji Ashizawa used muted tones to make the most of the sunlight in this apartment in central Tokyo, which features wooden art pieces and furniture that was specially designed for the space.

For the Hiroo Residence, named after its location in the city’s Hiroo neighbourhood, Ashizawa wanted to underline the quality of the light in the flat.

Hallway of Hiroo Residence
A cut-out wall lets light into the hallway, which has an artwork by Sara Martinsen

In the open-plan kitchen and living room, light streams in from a balcony, and the designer took advantage of this light source by creating a cut-out wall so that the light carries through to the hallway next to it.

“I think you can see we have a very nice sunlight here,” he told Dezeen during a walkthrough of the apartment. “So I didn’t want to use white, as it would be too bright – instead I used muted, subtle tones.”

Living room corner in Hiroo Residence
A wooden artwork by Atelier Plateau and a slatted sideboard decorate the living room

He also wanted Hiroo Residence to feel like a peaceful place to come home to in a busy city, using natural materials to create a calm ambience.

“Outside it’s super noisy but inside it’s very quiet, so I chose muted tones that also fuse with the materials; the wood and the stone,” Ashizawa said.

The tranquil 200-square-metre apartment, which overlooks the Arisugawanomiya Memorial Park, has three bedrooms and two bathrooms, as well as a kitchen and dining area, a small workspace and plenty of storage spaces.

Wooden furniture in Tokyo apartment by Keiji Ashizawa
Shaker-informed chairs and a wooden light were used for the kitchen

Before designing the interior, Ashizawa changed the layout of the flat to make it more open, taking out an existing hallway to create a bigger dining space.

“Our goal was to design a space that can only be created by meticulously crafting from the smallest detail to the furniture, resulting in a quiet, comforting, and inspiring atmosphere with little noise, surrounded by natural materials crafted with tactility,” Ashizawa said of the design.

Sofa and coffee table in Hiroo Residence
Keiji Ashizawa used a neutral colour palette for the home

He worked with the Japanese wooden furniture company Karimoku on the project, which is the eighth in its Karimoku Case Study series that sees it collaborate with architects on bespoke furniture and interior projects.

As a result, wood was used throughout Hiroo Residence, with white-stained oak covering many of the floors.

Ashizawa also worked with Karimoku to create wooden window frames and sliding doors, which were placed throughout the flat to add privacy without taking up too much space.

The furniture matches the wooden interior details and includes two pieces created especially for the project – a sideboard with decorative wooden slats and a dining chair with a woven seat that was inspired by both Shaker designs and classic Scandinavian chairs.

Bedroom of Tokyo apartment by Keiji Ashizawa
Wooden panels cover the bedroom walls

In the bedroom of Hiroo Residence, wooden wall panels add a tactile and more natural feel, which is echoed in the built-in shelves and drawers in the en-suite walk-in closet.

Cabinets were also used to hide different functions in the kitchen, where a large wooden unit takes up an entire wall.

Kitchen by Karimoku for Tokyo flat
An entire wall is taken up by a wooden kitchen unit

Even smaller details in the flat, such as the long kitchen lamp, were made from the material.

Artworks in wood by Danish art studio Atelier Plateau and the artist Sara Martinsen, which were created especially for the space,  decorate the walls.

Karimoku has worked with Ashizawa on a number of projects, including its second showroom which just opened in Kyoto, Japan, and the Azabu Residence Case Study, where the designer referenced mid-century American design.

The photography is by Tomooki Kengaku.

Reference

Tiny Timber: 6 Small-Scale Retail Designs With Beautiful Wooden Interiors
CategoriesArchitecture

Tiny Timber: 6 Small-Scale Retail Designs With Beautiful Wooden Interiors

How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Shops can provide impressive shopping experiences even with limited floor areas. Instead of using shiny and luxurious materials that crowd the space, wood can easily bring intimacy and coziness to compact spaces. This collection includes six examples of retail designs that smartly employ wood in small store spaces. They demonstrate the possibility of timber-clad interiors, revealing how wood can evoke a range of atmospheres from quiet calmness to bright warmth to intimate mystery and more.


Mi Pan

By Concentrico, Mexico City, Mexico

Popular Choice Winner, 10th Annual A+Awards, Retail

mi pan_interior_1mi pan_interior_2The bakery Mi Pan celebrates bakers’ hard work in making delicious bread. Metal trays reoccur on the shelves, wall cladding and ceiling decorations. These are the same type of tray used for bread production, reminding people of the heart of Mi Pan – the kitchen.

Instead of regular shelves, the design team uses trays and timber frames to hold freshly-baked bread. The trays emphasize the fact that the bread comes straight out of the kitchen as they are ready. Timber frames extend onto the walls and ceiling, breaking the boxy space into rhythmic fragments. The trays that hang from the ceiling hide cables from customers’ sight while making the bakery cozier by lowering the space.


Haregino Marusho

By Tsutsumi And Associates, Yokohama, Japan

haregino marusho_interior_1haregino marusho_interior_3The design team refurbished the floor of the wedding Kimono in the traditional Japanese clothing shop Haregino Marusho and themed it with wood. Many spatial components, including display shelves, partitions and the ceiling, are in warm-color wood of similarly soft patterns. The space becomes an elegant wooden display box that does not take any spotlight from the kimono fabrics.

The ceiling panels are cut strategically to create a layering effect that resembles the Kasane (layering) of the Kimono. They also bring subtle changes in the ceiling height, making the monochromatic space more interesting to wander through.


Blackhills Cafe

By Mora + Suksumek, Lat Phrao, Bangkok, Thailand

blackhills cafe_interior_1blackhills cafe_frontIn the coffee bar Blackhill, smooth wooden surfaces are put in conjunction with rough concrete surfaces. They together create a zen space for enjoying a moment away from the busy central Bangkok. In contrast to the colorful urban environment outside, the materials used in the coffee shop are limited to only wood and concrete. The simplicity of the design makes it almost a meditative space.

The coffee shop has a large, glazed front that welcomes late afternoon sunlight into the shop. Natural light gets through the open-plan interior. A few seats are available by the window and by the counter. Sunset, the visual and smelling experience of coffee-making are presented all at once.


Tsubomi House (Tokyo Bud House)

By FLAT HOUSE, Tokyo, Japan

This small house has a footprint of only 280 square feet, yet it accommodates a biscuit shop and the shop owner’s family. Tsubomi House has seven different levels with no solid partitions between them. Each level is half a story higher/lower than the next one. Without walls separating each functional area, residents can move quickly from one space to another.

The interior finishing is largely in plywood which produces a gentle reflection of light. Natural light, therefore, comes in through openings on different levels and travels in the whole space. Paired with ivory steel, the light-color plywood makes the compact interior bright and continuous.


Sandra Weil Store

By Zeller & Moye, Mexico City, Mexico

sandra weil_interiorsandra weil_detailInstead of presenting the garments all at once, Sandra Weil Store’s design gradually reveals the collections as customers walk around. Floor-to-ceiling slats made of local tropical wood stand in line with equal intervals between them. They form rhythmic partitions that are visually permeable only from certain angles. This allows a comfortable level of privacy in the shop without cutting the small store space into tiny fragments.

Garments hide between the slats, not showing themselves fully until the customer is in front of them. Meanwhile, the light and view change as well from one rack to another. The shopping experience in Sandra Weil is all about exploration.


RE x SUGAR

By CHINA ONDO Studio, Nanjing, China

re sugar_frontre sugar_interiorThis community bakery uses large areas of warm-color timber to create a relaxing atmosphere. Like Blackhills Café, RE x SUGAR also has a transparent shop front that embraces the sunlight. A large folding window connects indoors and outdoors while the window sills become seats.

Woods of different textures create a harmonic yet interesting space. Some wooden surfaces are smooth, for example, the front door, walls, window frames and chairs. Cupboards, the display area of bread and the floor around it are covered in rather rough and pattern-intensive wood.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Reference

Tsumugu by Archipatch is a wooden house designed to connect with nature
CategoriesArchitecture

Tsumugu by Archipatch is a wooden house designed to connect with nature

Japanese architecture studio Archipatch has completed a house in the seaside city of Kagoshima that is built from timber and features a material palette chosen to complement its natural surroundings.

Tokyo-based Archipatch designed the Tsumugu house as a case study for local house builder Shichiro Construction, which wanted to utilise timber sourced from the Kyushu island where the company is based.

Japanese timber house by Archipatch
Archipatch made the Tsumugu house from locally sourced timber

The single-storey property was built to accommodate a family of four and aims to demonstrate how timber construction can be used to create comfortable and versatile living spaces.

“The house is designed to connect with nature,” said Archipatch, “and to realise a comfortable lifestyle in harmony with the ever-changing natural environment.”

Double-height living area through floor-to-ceiling glass window in Japanese house
The rooms of the house are spread across a single storey

In response to shifting domestic habits in Japan following the coronavirus pandemic, the building provides a variety of flexible spaces that allow the occupants to work and socialise at home.

The house comprises three interconnected volumes that are distinguished externally and internally by their different roof heights.

Timber exterior of Japanese home by Archipatch with overhangs and glass walls
Large overhanging eaves provide shading in the garden

The building was constructed with a wooden framework that is left exposed internally. Wood is also used extensively for cladding the walls and ceilings, with other natural materials chosen to complement the timber.

“The exterior and interior design is warm and inviting, using cedar, cypress, and natural stone grown in the region to give a sense of the texture that only natural materials can provide,” Archipatch added.

Visible timber structure in living area of Japanese house with curved desk
Shoji screens can be used to separate the Japanese room from the rest of the house

The main entrance is located in the central block and provides access to a lower volume to the left that houses a small boot room and three bedrooms.

A corridor leads past two single bedrooms to a suite at the far end with its own walk-in closet and study.

Directly in front of the entrance at the centre of the house is a Japanese-style room with a tatami-mat floor that can be used as a sitting room, a simple guest room or as a space for doing housework.

Traditional shoji screens made from wood and paper can be closed to separate the Japanese room from the rest of the house, or opened to provide different connections with the entrance and living spaces.

The main open-plan living areas are positioned to the right of the entrance in the tallest section of the house. At one end of the space sits a sunken lounge, which is lined on two sides with large windows looking onto the garden.

Sunken living room in open-plan living area by Archipatch with exposed beams and grey wall
The open-plan living space features a sunken lounge

Sections of the glazing can be opened to connect the living space with a terrace. This also allows the cool air passing over an adjacent pond to ventilate the interior.

Large overhanging eaves protect the elevations from direct sunlight, while operable clerestory windows allow hot air to escape.

Bathroom with glass door behind cabinet and back-lit mirror
A glass door in the bathroom can be opened for extra ventilation

Next to the lounge is a dining space and kitchen with a curved island. A bathroom behind the kitchen has a door in its rear wall that can be opened to enable cross ventilation through the house.

The house is designed to minimise energy consumption, with high levels of thermal insulation, a geothermal heating system and natural ventilation contributing to its sustainable performance.

Other homes in Japan include a mud-covered house and restaurant hidden below ground level and a compact family home with a large stairwell.

The photography is by Yousuke Harigane.

Reference

Wooden wind turbines store carbon
CategoriesSustainable News

Wooden wind turbines store carbon

Spotted: Today, most wind turbine towers are made of tubular steel. But a partnership is promoting a surprising alternative: wood. Laminated veneer lumber (known as ‘LVL’) is a material made up of stacked layers of thin wood. Pound for pound it is stronger than steel, and Finnish LVL producer Stora Enso is teaming up with Modvion – a company that uses the engineered wood product to make next-generation turbine towers.

Modvion’s towers are built in lightweight modules. This approach has two key benefits from an engineering and construction perspective. First, the modular design makes it possible to build taller towers that can reach stronger winds, leading to more cost-efficient energy production. And second, the modules can be easily transported on public roads – without the need for permits or road reconstructions.

But perhaps the most compelling reason for making the switch from steel to LVL is the sustainability benefits of using a wood-based material. Wood is a renewable resource, and using it reduces the carbon dioxide emissions associated with the turbine tower by 90 per cent. Moreover, using wood as a construction material locks away the carbon dioxide absorbed by the tree during its lifetime for the long term.

“The commitment of Stora Enso to replace fossil-based materials with renewables is a perfect match for Modvion,” explains Otto Lundman, CEO of Modvion. “To solve the climate crisis, we need more renewable energy as well as increased use of sustainable, wooden constructions,” he adds.

Springwise has spotted several recent innovations that use wood as a construction material. These include a skyscraper made from cross-laminated timber, a wall system made from waste wood, and engineered wooden walls strong enough to replace all above-ground steel and concrete.

Words: Matthew Hempstead

Email: info@modvion.com

Website: modvion.com

Reference

Seven wooden kitchens that offer a different take on timber
CategoriesInterior Design

Seven wooden kitchens that offer a different take on timber

Wood has long been used to create kitchens, but architects and designers are finding subtle ways to reimagine the material in the cooking space. Interiors reporter Natasha Levy selects seven standout examples in our latest Dezeen Lookbook.



Wooden kitchens: The Rye Apartments by Tikari Works

The Rye Apartments, UK, by Tikari Works

Spruce-wood cupboards inset with subtle grooves feature in the kitchens of these apartments in south London’s Peckham neighbourhood.

The cabinets and the surrounding cross-laminated timber walls are meant to lend the homes a cosy, domestic atmosphere. Extra warmth is provided by brass door handles and amber-flecked terrazzo that runs across the floors.

Find out more about The Rye Apartments


Wooden kitchens: Ti Clara by Atelier Espaco P2

Ti Clara, Portugal, by Atelier Espaço P2

Atelier Espaço P2 felt that a natural material palette offered “the most honest and true solution” for the overhaul of Ti Clara, a historic home in the Portuguese municipality of Ansião.

The kitchen has therefore been set within a wood-lined gabled niche. Pale plywood has been used to craft its cabinets, as well as the triangular extractor hood above the stove. Contrast is offered by the grey stone countertop, splashback and floor tiles.

Find out more about Ti Clara


Wooden kitchens: Southgrove Road by From Works

Southgrove Road, UK, by From Works

A photograph of a moss-covered stone inspired the earthy green hue of this stained plywood kitchen suite, which design studio From Works incorporated into a Sheffield family home.

“[The photo] sparked conversation about trying to create a space and a material palette that referenced Sheffield’s special position as an earthy regenerating city uniquely connected to the beautiful surrounding Peak District.”

Find out more about Southgrove Road


Wooden kitchens: Urban Cabin by Francesca Perani

Urban Cabin, Italy, by Francesca Perani

Surfaces throughout the kitchen of this 25-square-metre apartment in Albino, Italy are covered in oriented strand board (OSB) – a type of engineered timber made by compressing strands of wood in different directions.

Although architect Francesca Perani was more accustomed to seeing OSB used on building sites, she thought its continuous pattern helped make the micro-sized kitchen appear bigger.

“I love its textural irregularity, random organic composure and recycled properties,” she added.

Find out more about Urban Cabin


Wooden kitchens: Powerscroft Road by Daytrip

Powerscroft Road, UK, by Daytrip

Design studio Daytrip didn’t want the interiors of this London townhouse to seem “over-designed or mass-produced”, so applied a selection of textured and patterned materials.

In the kitchen, grainy Douglas fir wood has been used to make the cabinetry and the base of the central breakfast island. Countertops are pale Evora marble, while walls have been limewashed to leave a “painterly” finish.

Find out more about Powerscroft Road


Wooden kitchens: An Attic for David by MH.AP Studio

An Attic for David, Spain, by MH.AP Studio

The kitchen and all the storage elements of this Barcelona apartment are made from matte-finish MDF.

While this type of engineered wood is often appreciated for being cost-friendly, MH.AP Studio also thought it would create a warm, “enveloping” ambience inside the home – especially when combined with oak parquet flooring.

Find out more about An Attic for David


Wooden kitchens: Hackney House by Applied Studio

Hackney House, UK, by Applied Studio

A jet-black timber kitchen suite forms a striking focal point inside this east London home.

“[The clients] wanted vivid contrast between the background and feature elements,” explained Applied Studio.”We worked with them to introduce natural elements to soften this, hence the visible grain in the joinery.”

Find out more about Hackney House

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