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CategoriesSustainable News

“We can’t detox buildings by swapping fossil-fueled materials for timber”

The way we build must fundamentally shift to harmonise with tree and carbon cycles in order to realise the Timber Revolution, writes Smith Mordak.


There’s an argument that’s often trotted out against building with timber: there isn’t enough of it. The fear is that if we built everything out of wood there wouldn’t be a tree left standing.

This fear seems to be rooted in the idea that sustainability is about substitutions. For example, swapping out concrete, steel, and masonry for timber, but otherwise carrying on exactly as we have been. If we did that, we could well deforest the earth; meeting our targets while catastrophically missing the point. The pursuit of sustainability shouldn’t be to find a ‘green’ way to destroy ecosystems – yes I’m going to poison you, but don’t worry, the poison is organic – it should be about finding a way to live as part of a healthy, regenerative ecosystem.

The pursuit of sustainability shouldn’t be to find a ‘green’ way to destroy ecosystems

I sometimes detect an accompanying undertone to the not-enough-trees argument that almost suggests building buildings out of living things is somehow wrong; that exploiting bio-based materials is worse than exploiting ‘dead’ stuff; some kind of extreme architecture veganism. I wonder whether this comes from the idea that what would be best for Earth is if humans buggered off: put a big KEEP OUT sign at the edge of the atmosphere and divert humanity into little uber-urban enclaves on other planets.

Some might accept the premise of not-enough-trees and tackle it with supply and demand logic: sure, humanity is demanding too much stuff, but that’s okay – we just need to innovate on the supply side by finding ways to grow more trees faster, thereby permitting us to take more trees faster. It’s tempting to accept that argument and leave it at that, because then we don’t have to confront this deep-seated ideology that nature gives and humans take.

There’s a very seductive myth around trees being the original givers in this dynamic: that trees evolved and promptly forested the world to create a cosy oxygen-rich environment that allowed humanity to come forth. However, despite so many sexy tree-woman depictions of Mother Earth (just google it, you’ll see), I don’t buy that trees’ destiny is to provide for us.

Yes, wood is pretty amazing stuff: from a structural engineering perspective it works in compression, tension and bending making it super versatile, and it’s got a strength-to-weight ratio any gladiator would dream of. Combining these properties with its ability to suck up and store carbon from the atmosphere, it’s no wonder wood is hailed as the superfood of the built environment salad. But using timber needs to be more than a fad diet. We’re not going to address the long-term sustainability of creating habitats for humanity with the engineering equivalent of a juice cleanse.

Trees do have form when it comes to calibrating the atmosphere, but they didn’t create Earth for our liking. Early plants colonised land from around 470 million years ago, and sucked up so much carbon from the atmosphere it was never the same again. Within 50-ish million years, oxygen reached present day levels such that it was possible for large, breathing animals to evolve. This incredible feat was achieved in collaboration with fungal mycorrhizal symbionts. The plants’ fungus buddies could access the rock-bound nutrients that made all that lovely growth possible.

But this was a big change for those early plants. They were used to getting lashings of carbon dioxide through their open stomata without having to worry about drying out. In the now-carbon-dioxide-depleted environment, they were losing water fast so needed a better system of sucking up moisture from the soil. Enter lignin. Lignin is what makes your barbeque taste like barbeque, and also, one of the forms of organic polymer that create robust drinking straws for woody plants. It’s these tough, dead cells that allowed plants to evolve into towering forests.

Using timber needs to be more than a fad diet

Which brings us to another myth. This is lesser known, but you might have heard the theory that there was a lag between the evolution of lignin and the evolution of microbes and fungi that could break it down, resulting in billions of trees growing, falling over, not rotting, piling up, and eventually being squished down to create great fat seams of coal. It’s a great story, but the evidence doesn’t back it up.

There are indeed fat seams of coal that were all deposited at around the same time, but this peak actually occurred because wet tropics coincided with nice big basins for collecting the future-coal as part of the assembly of the supercontinent, Pangea. And yes, all that carbon sequestration did cool temperatures. It was an important factor in bringing about the Late Paleozoic Icehouse.

We started extracting from these thick ‘Carboniferous’ coal seams a couple of hundred years ago, and have since been making quick work of transferring all that sequestered carbon back up into the atmosphere under the auspices of ‘nature gives, humans take’. The last few decades we’ve been worrying that there’s not enough for us to take. Not enough coal, not enough oil, not enough timber, not enough ecosystem services.

We don’t seem to appreciate that we’re never really taking stuff, we’re just breaking it down and moving it about, often making it useless to the ecosystem in the process. We never really consumed that carbon, we just shifted it into the atmosphere and a few people amassed great privilege in doing so.

We characterise emissions and other toxic effluents as pollution; as stuff that’s leaked out from where it’s supposed to be to where it isn’t supposed to be. We seem to think that the solution to the climate crisis is to tackle this pollution by working out how to stop things from leaking. We seem to think that we have that much control! But we can’t detox our built environment by swapping out fossil-fuelled building materials for timber any more than we can detox ourselves by swapping out our lignin-flavoured barbeque for a juice cleanse.

What if, instead, we stopped trying to solve the problem of an unhealthy ecosystem by trying to build impenetrable walls between the ‘good’ parts and the ‘bad’ parts: walls between nature and humanity, between humans and polluting industrial processes, between polluting industrial processes and the atmosphere? What if instead we accepted that we are continuous with everything on Earth and, like those early plants, need to nurture our relationships with our buddies – fungus and otherwise – to ensure we slot into an ecosystem that can support life as a whole?

We should definitely build with timber, but not because nature is there for us to pilfer

It’s just like skipping (or jump rope). You’ve got two friends spinning the rope and you want to jump in. You don’t just career in and steal the rope. You watch, you listen, you internalise the rhythm, and then at a carefully judged moment you make a dash, and keeping pace with the rotations you jump, jump, jump as the rope goes round, round, round. It’s true for the rotations of the skipping ropes and it’s true for the water cycles, carbon cycles, nutrient cycles, rock cycles – all the cycles. We need to observe, understand the rhythm, and then keep pace.

We should definitely build with timber, but not because nature is there for us to pilfer and not because it’s a silver bullet for balancing the carbon budget. We should build with timber because we and trees evolved in the same oxygen-rich environment, so we can cohabitate; we can share our water and nutrients and carbon and lifecycles.

This means slotting our buildings into the big game of carbon jump rope in such a way that respects and keeps pace with the rhythm. This means building buildings such that the resources we use to make them can regenerate within the building’s lifetime. We should cohabitate with trees because they’re the best Earth-mates a human could dream of.

Smith Mordak is a multi-award-winning architect, engineer, writer and curator and the incoming chief executive of the UK Green Building Council.

The photo is by Jason Leem via Unsplash.


Timber Revolution logo
Illustration by Yo Hosoyamada

Timber Revolution
This article is part of Dezeen’s Timber Revolution series, which explores the potential of mass timber and asks whether going back to wood as our primary construction material can lead the world to a more sustainable future.

Reference

Diagram of the colour-changing material showing, from top, a layer of PE film, a gold grid, graphene, a layer where copper is deposited or stripped away, an aqueous electrolyte layer and copper foil
CategoriesSustainable News

Colour-changing facade material could help to heat and cool buildings

Researchers from the University of Chicago have invented a cladding material that changes colour to help with heating or cooling and could be retrofitted to improve buildings’ energy efficiency.

The composite material consists of several different layers including copper foil, plastic and graphene, and based on the outside temperature can change its infrared colour – the colour it appears under thermal imaging.

At the same time, it also changes the amount of infrared heat it absorbs or emits from the building. On hot days, the material appears yellow under thermal imaging, indicating that it is emitting more heat, while on cold days it appears purple because it is retaining that heat.

Diagram of the colour-changing material showing, from top, a layer of PE film, a gold grid, graphene, a layer where copper is deposited or stripped away, an aqueous electrolyte layer and copper foil
Top: the material appears yellow under thermal imaging when in heating mode and purple when cooling. Above: a layer of copper is deposited on a film to trigger heating mode

When used on a facade – for example in the form of shingles – the material could potentially reduce the need for heating, ventilation and air conditioning (HVAC) and lower a building’s overall energy consumption.

“We’ve essentially figured out a low-energy way to treat a building like a person; you add a layer when you’re cold and take off a layer when you’re hot,” said materials engineer Po-Chun Hsu from the Pritzker School of Molecular Engineering, who led the research.

“This kind of smart material lets us maintain the temperature in a building without huge amounts of energy.”

Cladding responds to temperature like a chameleon

The University of Chicago describes the material as “chameleon-like” because it can change its colour in response to the outside temperature.

At a chosen trigger temperature, the material uses a tiny amount of electricity to either deposit copper onto a thin film or strip it away.

This chemical reaction effectively transforms the material’s central layer – a water-based electrolyte solution – into solid copper. The low-emitting copper helps to retain heat and warm the interior of a building, while the high-emitting aqueous layer keeps a building cool.

The layer of water-based electrolytes also helps to make the material non-flammable, and the researchers describe the switching process from metal to liquid and back again as “stable, non-volatile, efficient and mechanically flexible”.

“Once you switch between states, you don’t need to apply any more energy to stay in either state,” said Hsu. “So for buildings where you don’t need to switch between these states very frequently, it’s really using a very negligible amount of electricity.”

Material could reduce energy consumption by eight per cent

As part of their study, published in the journal Nature Sustainability, the researchers also created models to test the energy savings that could be achieved by applying their material to buildings in 15 US cities, representing 15 climate zones.

In areas that experienced a high variation in weather, they found the material could save 8.4 per cent of a building’s annual HVAC energy consumption on average. At the same time, the material relied on just 0.2 per cent of the building’s total electricity for its operation.

As it stands, building construction and operations account for nearly 37 per cent of global carbon emissions, most of which is attributed to building operations including lighting, heating and cooling.

To slash these emissions, the material could be used to retrofit poorly insulated or historic buildings and improve their energy efficiency, as the researchers suggest it would be more convenient to install than insulation.

However, several of its components – including the monolayer graphene and gold microgrid used as transparent conductive layers – are currently still expensive and complicated to manufacture.

The researchers have so far created only six-centimetre-wide patches of the material but imagine assembling them like shingles to form larger sheets.

With the watery layer active, the material is a dark white colour, which turns a coppery brown when the copper layer is active.

But the material could also be tweaked to show different colours by adding a layer of pigments behind the transparent watery layer.

Another approach to keeping buildings cool is to paint them white. For this purpose, researchers at Purdue University recently developed the “whitest paint on record”, which reflects 98 per cent of sunlight.

Images courtesy of Hsu Group.

Reference

Water House 2.0 in Taiwan
CategoriesSustainable News

Water-filled windows use sunlight to heat and cool buildings

British startup Water-Filled Glass has developed panes of glass filled with water that use sunlight to power a “crazy” energy-saving heating and cooling system.

Founded in 2020 by Loughborough University architecture lecturer Matyas Gutai and his colleagues Daniel Schinagl and Abolfazl Ganji Kheybari, Water-Filled Glass (WFG) aims to use patented technology to make heavily glazed buildings significantly more sustainable.

Its windows contain a thin layer of water between glass panes, which absorbs heat from sunlight or other radiation, such as heat leaving a room.

The warmed water is then pumped through sealed pipes at low pressure to colder areas of the building, through an underfloor system or into thermal storage.

Water House 2.0 in Taiwan
Water-Filled Glass estimates its system can reduce energy bills by around 25 per cent

By absorbing thermal energy in this way the water-filled glass also limits how much solar heat gain enters the building through windows, reducing the need for air-conditioning in hot climates.

“We know that putting water in the window sounds like an outright mad idea,” Gutai told Dezeen.

“But we believe this is important because when you think about the energy of buildings and cutting carbon emissions, there’s still great potential and opportunity to think about glazing. Glass is responsible for a great part of heating and cooling energy consumption, and it’s a ubiquitous material, it’s on almost every building.”

Experimental pavilion by Water-Filled Glass
Water House 2.0 in Taiwan is an experimental project testing the heating and cooling system

“And if you think about that potential, I think even crazy ideas are somewhat warranted,” he continued. “Even if the idea sounds a bit mad off the bat, I think it’s important to think of alternatives to what we have. So we have crazy ideas, but we’re not crazy.”

WFG estimates that, depending on climate and a building’s window-to-wall ratio, its technology can reduce energy bills by around 25 per cent compared with standard windows.

The startup’s first commercial projects, an industrial building in Hungary and a residential development in the US, are now under construction.

It has completed two prototype buildings using the technology, named Water House 1.0 and Water House 2.0 (pictured) – the former a small cabin in Hungary and the latter a pavilion at Feng Chia University in Taiwan.

Interior of Water House 2.0
The technology prevents solar heat from entering through windows, reducing the need for active cooling

Gutai said water-filled glass allows buildings to be heavily glazed without compromising sustainability.

“The whole idea comes from the recognition that moving energy is much, much cheaper than heating or cooling the space,” said Gutai, who previously worked for prominent Japanese architect Shigeru Ban and in Kengo Kuma’s research lab at the University of Tokyo.

“That really excited us about water-filled glass,” he added. “We wanted to actually give architects the opportunity to build even completely fully glazed buildings if they want to without any compromise on sustainability.”

Because the system uses off-the-shelf glass and parts, WFG claims it does not greatly increase the embodied-carbon impact of construction as well as being easy to manufacture.

The company also insists its system has no impact on the aesthetics of the building inside or out, since water absorbs most energy from the part of the light spectrum that is invisible to humans.

A monitoring device is fitted to clean the water automatically, with maintenance checks required once a year.

Diagram of water-filled glass
A thin layer of water sits between panes of glass and absorbs heat from sunlight

In colder climates, the water-filled glass system uses triple-pane windows, the outer cavity filled with argon insulation to prevent the water from freezing during winter.

Capable of heating water up to temperatures of around 40 degrees Celsius, the technology can be connected to a conventional heat pump or boiler.

WFG has also developed a retrofit version of its product, where the system can be fitted behind existing glazing without having to destroy the windows already in place.

The images are courtesy of Water-Filled Glass.

Reference

Water-filled glass house
CategoriesSustainable News

Dezeen Agenda features water-filled windows that heat and cool buildings

Water-filled glass house

The latest edition of our weekly Dezeen Agenda newsletter features windows filled with water that can help to heat and cool buildings. Subscribe to Dezeen Agenda now.

British startup Water-Filled Glass has developed panes of glass filled with water that use sunlight to power a “crazy” energy-saving heating and cooling system.

Water-Filled Glass (WFG) aims to use the patented technology, which it estimates can reduce energy bills by 25 per cent, to make heavily glazed buildings more sustainable.

Twelve architecture projects to look forward to in 2023
Twelve architecture projects to look forward to in 2023

Other stories in this week’s newsletter include a roundup of architecture projects to look forward to in 2023, Sony’s reveal of its first-ever electric car and an attack on Oscar Niemeyer’s government palaces in the Brasília riot.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to Dezeen Debate, which is sent every Thursday and contains a curated selection of highlights from the week, as well as Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours on Dezeen.

Reference

Wind farm
CategoriesSustainable News

UK Net Zero Carbon Buildings Standard to verify net-zero carbon buildings

A group of leading industry organisations including the Royal British Institute of Architects have come together to create a building standard that will verify net-zero carbon buildings in the UK.

Named the UK Net Zero Carbon Buildings Standard, the initiative will help the industry to ensure and prove that buildings claiming to be net-zero hold up to that claim.

The launch, announced by the Royal British Institute of Architects (RIBA), responds to confusion over the term net-zero and “a clear demand for a single, agreed methodology”.

It is also hoped to encourage the industry to decarbonise and help the UK to meet its 2035 and 2050 emissions targets.

Standard will “help the entire industry to move forward”

“This is a really exciting and timely initiative that will help the entire industry to move forward in its efforts to reach net-zero carbon,” reflected RIBA president Simon Allford.

“Working together we will address current ambiguities around the much-used term and develop a common understanding, based on clear performance targets, to support all those involved in the procurement, design, construction and operation of buildings.”

Net-zero carbon buildings are designed to eliminate all possible emissions over a building’s lifetime. This takes into account both embodied carbon, which are emissions caused by the construction supply chain, and operational carbon, which are emissions caused by a building’s use.

Any remaining emissions must be offset by removing carbon from the atmosphere.

As the built environment is responsible for around 40 per cent of all greenhouse gas emissions, net-zero carbon architecture could help the UK meet its decarbonisation targets.

The UK Net Zero Carbon Buildings Standard will verify both new and existing buildings, and take into account both their operational and embodied carbon emissions.

The Carbon Trust among supporters

Among the industry bodies backing the initiative are RIBA, the Carbon Trust, the Chartered Institution of Building Services Engineers (CIBSE), the UK Green Building Council (UKGBC) and The Institution of Structural Engineers (IStructE).

The Better Buildings Partnership (BBP), Building Research Establishment (BRE), London Energy Transformation Initiative (LETI) and Royal Institution of Chartered Surveyors (RICS) are also in the steering group.

“We look forward to contributing to the development of this highly impactful standard, which will be instrumental in guiding the UK real estate industry, the construction sector and the wider built environment, in the rapid and urgent transition towards net-zero,” reflected the Carbon Trust’s director Dominic Burbridge.

“Addressing the energy demand of the built environment and the associated emissions is a key driver in accelerating the move to a sustainable, decarbonised future and we are excited to be supporting such an important and pioneering initiative.”

Delivery will require “radical collaboration”

According to the RIBA, the standard will be accessible to everyone and “anyone who wants to fund, procure, design, specify, or occupy a net-zero carbon building and anyone wanting to demonstrate that their building is net zero-aligned with an industry-agreed standard”.

The steering group is now looking for support from other industry figures and stakeholders to deliver the standard.

“A UK Net Zero Carbon Buildings Standard will be critical for asset owners and managers to evidence that their buildings are built and operating in line with climate science,” concluded Sarah Ratcliffe, the CEO of steering-group member BBP.

“An industry-wide standard will enable stakeholders including investors and occupiers to differentiate between assets that are net-zero and those that are not,” she continued. “It will take radical collaboration to deliver this project.”

Architecture is “one of the least well-represented businesses” in the UN initiative to get companies to commit to net-zero emissions by 2050, according to UN climate champion Nigel Topping.

In 2019, RIBA launched a voluntary challenge to help architects create net-zero carbon buildings. However, less than six per cent of UK studios have signed up.

The main image is of the carbon-negative Paradise office by Feilden Clegg Bradley Studios.

Reference

Low-Cost, High-Value Opportunities to Reduce Embodied Carbon in Buildings
CategoriesSustainable News Zero Energy Homes

Low-Cost, High-Value Opportunities to Reduce Embodied Carbon in Buildings

Buildings account for at least 39% of energy-related global carbon emissions on an annual basis. At least one-quarter of these emissions result from embodied carbon, or the carbon emissions associated with building materials and construction. The solutions for addressing embodied carbon in buildings have not been widely studied in the United States, leaving a significant knowledge gap for engineers, architects, contractors, policymakers, and building owners. Further, there is little information about the cost-effectiveness of reducing embodied carbon in buildings.

RMI’s new report, Reducing Embodied Carbon in Buildings: Low-Cost, High-Value Opportunities, helps fill this knowledge gap. The report demonstrates low- or no-cost options to reduce embodied carbon in buildings and provides design and construction strategies that can help limit a project’s embodied carbon. The case studies showcased in the report show an embodied carbon savings potential of 19% to 46% at cost premiums of less than 1%. Current practice indicates that we can achieve these reductions by specifying and substituting material alternatives with lower embodied carbon during the design and specification process. Far greater reductions are possible through a whole-building design approach.

This report was developed to help building owners, designers, contractors, and policymakers understand the low-cost and no-cost solutions for reducing embodied carbon in buildings. To accomplish that, we studied three building types and considered design strategies that can reduce embodied carbon at any stage of a project’s design and construction phases. The report quantifies the construction cost difference associated with low-embodied-carbon solutions and points to next-generation solutions that could drive even greater reductions.

 

Top categories of building materials for reducing embodied carbon.

 

Critical Materials Driving Embodied Carbon in US Buildings

In order to tackle embodied carbon in buildings, we first need to understand the carbon impact of the industries driving embodied carbon emissions. A building’s structure and substructure typically constitute the largest source of its up-front embodied carbon, up to 80% depending on building type. However, because of the relatively rapid renovation cycle of building interiors associated with tenancy and turnover, the total embodied carbon associated with interiors can account for a similar amount of emissions over the lifetime of a building. Our report focuses primarily on structural materials, metals (including steel and aluminum), cement, and timber. Each of these materials has a different embodied carbon content but is critical to our consideration of structural systems in this context.

 

Proven Solutions and Strategies to Reduce Embodied Carbon

Today, there are many solutions that can be leveraged to limit embodied carbon in new buildings. The totality of low-embodied-carbon solutions includes a long list of offerings that span a wide range of complexity.

Most simply, low-embodied-carbon solutions for buildings can be broken down into three main categories: whole-building design, one-for-one material substitution, and specification. In general, whole-building design solutions can drive the greatest embodied carbon savings. However, material substitution and specification can also result in substantial embodied carbon savings, especially when these solutions target carbon-intensive materials such as concrete and steel. Furthermore, these categories are not mutually exclusive — they can be combined or performed in parallel to drive deeper embodied carbon savings.

The following graphic demonstrates embodied carbon best practices that can be implemented throughout the building design and construction process.

Case Studies in the Economics of Low-Embodied-Carbon Buildings

One core objective of the report is to answer the question: How much can we reduce embodied carbon in new buildings at no additional cost?

In short, this study shows that embodied carbon can be reduced by 19% to 46% in mid-rise commercial office, multifamily, and tilt-up-style buildings by leveraging low- and no-cost measures. Together, these measures increased overall project costs by less than 1%, which is within the margin of error for most construction project budgets.

 

Skanska, one of the world’s leading sustainable construction firms, provided cost data from three actual projects in the Pacific Northwest and conducted an analysis under the guidance of RMI to generate the results of this study.

These case studies lead us to a few powerful observations. Even though the strategies employed do not include comprehensive, whole-building design strategies, they still yielded reductions of up to 46% in up-front embodied carbon through specification and material substitution measures. Given that these conclusions are based on three case studies in the Pacific Northwest, we can note them as strong anecdotal evidence, rather than broadly applicable conclusions.

Given the fact that we were not able to redesign building structural systems, we were unable to draw deep conclusions about the cost, carbon, and material impacts of whole-building design solutions, such as substituting more structural steel and concrete with wood. Given this scope, our key findings are:

  1. Optimizing the ready-mix concrete design can lead to significant embodied carbon reductions (14% to 33%) at no cost, or with a possible cost reduction in some cases.
  2. Rebar contributed up to 10% of total project embodied carbon in two case study buildings, but rebar’s up-front embodied carbon can be cut in half with minimal cost impact to the overall projects. These results may vary by location, as rebar with high recycled material content may not be available at a low cost premium in other regions.
  3. Insulation material selection can be a significant factor in project-level embodied carbon, with insulation making up approximately 20% of one building’s baseline embodied carbon content. Insulation products utilizing hydrofluoroolefin (HFO) or other foaming agents with low global warming potential can reduce embodied carbon impacts significantly, and several emerging plant-based products have the potential to store more carbon than is emitted in their production.
  4. Glazing remains a critical challenge for reducing embodied carbon, between the significant amount of heat required for glass production and the high-embodied-carbon materials often used for framing. Products available today can cut embodied carbon in glazing by approximately 25%, but at a 10% cost premium.
  5. For some finish materials such as flooring, carpet tiles, ceiling tiles, and paint, embodied carbon reductions of more than 50% are possible at no up-front cost premium. In some locales, carbon-sequestering materials may even be available.

 

Read the Report to Learn More

The Reducing Embodied Carbon in Buildings report includes detailed information about each of the three building case studies, sections exploring related topics such as tenant fit-outs and building reuse, and further analysis of our key conclusions. Download the report to learn more about opportunities for reducing embodied carbon in buildings, and why embodied carbon needs to be addressed now to drive the most impact.

 

Matt Jungclaus is Manager of Carbon Free Buildings at the Rocky Mountain Institute

Reference

Brick social housing in Norfolk
CategoriesSustainable News

Six buildings that show reuse “isn’t a constraint on creativity”

As ditching demolition in favour of reusing existing buildings becomes crucial in the face of climate change, Building for Change author Ruth Lang selects six buildings that show that renovations don’t need to be dull.

With 80 per cent of buildings projected to exist in 2050 already built, Lang wrote the book Building for Change: The Architecture Of Creative Reuse, which is published by Gestalten, to draw attention to the need to creatively reuse our existing buildings if we hope to reach net-zero emissions by mid-century and avert the worst effects of global warming.

Reuse “a provocation to be more inventive”

“Focusing efforts on new build constructions alone can only have 20 per cent of the impact required,” said Lang, who is an architect and teacher at the Royal College of Art and the London School of Architecture.

“The exciting thing for me was how this isn’t a constraint on creativity, but actually a provocation to be more inventive in using what we already have,” she told Dezeen.

Preserving the embodied carbon of existing structures is increasingly becoming more of a focus for architects and environmental groups, with high-profile projects including the M&S Oxford Street redevelopment facing critiques over relying on demolition.

Lang believes that studios need to rethink their approaches toward reuse with greater training and willingness to challenge briefs to stop bulldozing from being the “go-to approach”.

“We now need to reconsider projects at the briefing stage, to identify how the design will respond not only to its immediate future but also the impact it will have on future generations,” she said.

“I’m hoping that the project profiles will give some more insight as to how the aims of creative reuse can be delivered in practice,” she continued.

“We rarely talk about the processes involved in delivering schemes such as these – especially regarding the complexities of creative reuse – as we tend to merely celebrate the end result.”

Renovation can have “a financial and environmental bonus”

The book explores different approaches towards reuse and contains numerous case studies from around the world that she hopes will expand architects’ and clients’ thinking on the subject.

“I’m hoping that clients and building owners can be convinced that reuse doesn’t negatively impact the overall quality and creativity of the proposed scheme, and can instead have a financial and environmental bonus,” she said.

“If we can all begin to consider the opportunities for reuse from the outset, we’ll open up new territory for creative approaches which we might not ordinarily consider.”

The buildings contained in the book all intend to show an optimistic view of reuse, which aims to create buildings that continue to function for generations.

“The projects I’ve been researching seem to unlock a whole new set of values, particularly around the character, history and emotional attachment that becomes associated with the buildings we interact with as part of our day-to-day lives,” explained Lang.

“Although it was one of the premises of modernism, very few people want a blank slate in that respect. By seeing our buildings as aggregates of these values, alongside their carbon consumption, we must place consideration for what we are passing on to the next generation at the heart of architectural design,” she continued.

“The buildings I’ve included in the book all set an optimistic territory for this experience which will stretch beyond our own – and I look forward to more following suit.”

Below Lang highlights six buildings that demonstrate these ideals:


Tai Kwun Centre by Herzog & de Meuron
Photo by Iwan Baan

Tai Kwun Arts Center, Hong Kong, by Herzog & de Meuron and Purcell

“Although the first impression of Herzog and de Meuron and Purcell’s transformation of the historic police and magistrates site is of the new build insertions, the project has put as much energy into the retention and integration of the existing structures.

“Extensive testing and forensic research into the traditional ways of the building was undertaken, as no records were available of the construction. When they discovered the reinforced concrete was unusually made of bundles of wires, lab testing checked the structure was sufficient for its new use, which saved it from having to be removed.

“These have been sensitively augmented with subtle new structures, to enable them to meet current building standards. The new aspects of the scheme adopt innovative forms of reuse, too, recycling alloy wheels to form the distinctive aluminium bricks for the new auditorium.”


Inside the Mo de Movimiento restaurant with wooden furniture and lighting fixtures made from upcycled fluorescent light casing

MO de Movimiento restaurant, Madrid, Spain, by Lucas Muñoz

“The reworking of the materials that characterise this transformation of an old recording studio into a restaurant space has given rise to a sense of social rehabilitation, too.

“The designers worked collaboratively with local craftspeople to reinterpret old techniques – such as creating adiabatic cooling systems – and helping them to identify new applications for their skills.

“They experimented with different techniques to transform strip lighting into chandeliers, construction waste into furniture and electrical offcuts into door handles. The result is an innovative interior with a tiny carbon footprint and an ongoing social legacy.”


Zietz MOCAA, by Heatherwick Studio, Cape Town, South Africa
Photo by Iwan Baan

Zeitz MOCAA, Cape Town, South Africa, by Heatherwick Studio

“Alongside the environmental value of retaining the concrete silos, Heatherwick Studio’s team recognised the social value the building made through its controversial history of trade and extraction.

“To retain and repurpose the existing structure demanded huge amounts of work to be undertaken including extensive surveying of the concrete tubes, which were found to need repair.

“A new 200-millimetre-thick concrete inner sleeve was added using 8,500 cubic meters of concrete and requiring almost 1,200 workers on site for 5.3 million man-hours over the course of 36 months. It takes a lot of work to make something appear so simple.”


Party and Public Service Center of Yuanheguan Village by LUO studio in China
Photo by Jin Weiqi

Party and Public Service Centre, Yuanheguan, China, by LUO Studio

“This project proves how an abandoned construction doesn’t have to be a dead end. To reuse the derelict concrete frame of an aborted house construction, the architects set about surveying the extent of decay to see how much additional structure would be required to turn the intended private dwelling into a community space.

“Rather than impose their design vision upon the site, this required them to look, experiment and adapt, transforming the design process. The resulting timber structure has been sized accordingly to span neatly upon the found structure, requiring little demolition and using bespoke joints to form the interface between old and new.”


Kibera Hamlets School, by SelgasCano, Nairobi, Kenya
Photo by Iwan Baan

Kibera Hamlets School, Nairobi, Kenya, by SelgasCano

“Although great projects for provoking design innovation, the pavilions of biennales and exhibitions have long been identified as being materially wasteful. SelgasCano and Helloeverything’s commission for Copenhagen’s Louisiana Museum sought to address this by designing a pavilion (above and top) with a legacy use in mind.

“The scaffolding structure used netting, chipboard and sheets of polycarbonate plastic with water containers as ballast for the structure – materials that could be found and put to use by the local community in its intended new home in the largest slum of Nairobi, where it will provide much-needed facilities for education and entrepreneurship.”


Harrow Arts Centre, by DK_CM, London, UK
Photo by Neil Perry

Harrow Arts Centre, London, UK, by DK-CM

“This was one of the initial inspirations for the book project. I was by fascinated how DK-CM had taken the brief for a new building and demonstrated how a strategic process of rehabilitation and reuse would bring greater value for the client – not least because it would save them the enormous cost of hiring portacabins.

“It takes huge bravery to provoke a client into questioning whether they need a new building, giving up the opportunity for creating one of those eye-catching new build schemes that often grab awards and headlines in the press, and instead turning your efforts to a much more labour-intensive process of surveying and rehabilitation.

“Yet the values they have brought are multiple – in the environmental benefits, the social connections forged with the community and in setting an example that reuse can be achieved to such high standards on a grand scale.”

Reference

BlocPower: Renovating Buildings and Cities on the Path to Zero
CategoriesSustainable News Zero Energy Homes

BlocPower: Renovating Buildings and Cities on the Path to Zero

By Joe Emerson, Founder, The Zero Energy Project

Brooklyn-based BlocPower is an innovative for-profit startup that aims to renovate thousands of older buildings to become highly energy efficient, all-electric, and low–carbon emitting. All while creating good jobs for low-income people. As a “public benefit” corporation, BlocPower’s core goals include energy efficiency, renewable energy, greenhouse gas reduction, economic development, job creation in low-income communities, and financial return for its investors.

BlocPower contracts with building owners, local governments, and utilities to decarbonize residential buildings. They start by making them all-electric, removing all the fossil fuel–powered HVAC, stoves, and water heaters; replacing them with highly efficient heat pump heating and cooling systems, heat pump water heaters, and electric stoves with induction ranges. Wherever possible, they add rooftop solar or purchase renewable power for the buildings.

Making It Simple for Owners and Residents

Using advanced modeling and project-management technology, BlocPower handles the contractors; engineering and design; the equipment, removals and installations; as well as the construction loans. Sure, it’s challenging for building owners and residents to go through this process, but BlocPower does everything they can to make it easier. In addition, they provide the financing needed to pay for the project in a way that saves the owners money, usually from the very first year.

BlocPower reports that owners often save 40–60% on their utility bills after the renovation. So the annual total loan payments for the renovation are often less than the annual energy savings. As a result, even though BlocPower lends the money with interest, the owner pays less each year because of the energy savings.

Aiming High

BlocPower has a contract to electrify every residential building in the city of Ithaca within 4 years. Other cities with climate action plans are negotiating with BlocPower to assist them in decarbonizing. While they help to decarbonize a city, BlocPower hires local, low-income residents to do the work.

As an investor-backed company, BlocPower is growing its financial clout in order to scale up its building energy renovations and lending services to meet building energy efficiency needs nationwide. They systematically take advantage of all available government grants, and they’re developing Silicon Valley and Wall Street investors,  as well as crowdfunding. As BlocPower plans to go public and take their operations nationwide, they could have a massive impact on carbon emissions as they move homes and buildings across the country forward on the path to green energy.

BlocPower aims to make it possible for cities to meet their climate goals while creating a profit center for investors; creating healthier residences and workplaces; and lowering energy bills.

Reference

Aerial image of Google's Bay View Campus
CategoriesSustainable News

Ten buildings that incorporate solar panels in unusual ways

A moving wall that evokes a sailing ship and a roof canopy modelled on a banana tree feature in this roundup, which collects 10 buildings that challenge conventional ways of fitting solar panels to help kick off our Solar Revolution series.

Solar panels, also known as photovoltaics or solar electricity cells, are becoming an increasingly common sight in our built environment.

Traditionally installed in the form of rooftop arrays, they capture energy from the sun and convert it into renewable electricity. The stronger the sunshine, the more electricity the panels generate.

While it is not uncommon for solar cells to be installed as an afterthought, this roundup demonstrates how architects are getting creative with the technology, making it a key feature in their designs without compromising on aesthetics.

Read on for 10 buildings completed and upcoming that incorporate solar panels in creative ways:


Aerial image of Google's Bay View Campus
Photo is by Iwan Baan

Bay View, USA, by BIG and Heatherwick Studio

A “dragonscale solar skin” forms the roof of Google’s Bay View campus, which BIG and Heatherwick Studio recently completed in Silicon Valley.

The undulating structure is built from 50,000 solar panels that generate almost seven megawatts of energy, amounting to 40 per cent of the building’s total energy needs.

Find out more about Bay View ›


Solar panels by Marjane van Aubel on the Dutch Biotope pavilion at Expo 2020 Dubai
Photo courtesy of Marjan van Aubel

The Dutch Biotope, UAE, by V8 Architects with Marjan van Aubel

A colourful skylight formed of translucent photovoltaics crowned The Dutch Biotope pavilion at Dubai Expo 2020, casting pink and blue light below like a stained glass window.

Created by V8 Architects the structure incorporates skylights designed by Marjan Van Aubel to show how solar technology could be used as “a form of art” while providing renewable energy.

Find out more about The Dutch Biotope ›


Render of LAD headquarters in China
Render is courtesy of MVRDV

LAD headquarters, China, by MVRDV

MVRDV has reimagined a traditional solar canopy in its design of this office building, which it is currently developing for agriculture company LAD in Shanghai.

Its swooping roof structure will be left open on one side but covered in solar cells on the other in a bid to provide renewable energy for the building and minimise its operational carbon footprint.

Find out more about LAD headquarters ›


Side profile of Powerhouse Telemark by Snøhetta
Photo is by Ivar Kvaal

Powerhouse Telemark, Norway, by Snøhetta

Snøhetta used photovoltaics to cover the angular roof and south-facing facade of the carbon-negative Powerhouse Telemark office in Porsgrunn.

While contributing to the structure’s “clearly identifiable expression”, the studio said the system generates approximately 256,000 kilowatts of renewable energy each year, compensating for the carbon that the building will consume over a 60-year lifespan.

Find out more about Powerhouse Telemark ›


Mount Sinai Kyabirwa Surgical Facility
Photo is by Bob Ditty

Mount Sinai Kyabirwa Surgical Facility in Uganda by Kliment Halsband Architects

Slender tree-like columns support the wavy solar canopy that sweeps over this health facility in Uganda, designed by Kliment Halsband Architects.

While providing energy for the building, the canopy also shelters its outdoor spaces in a nod to banana plants growing in the area. “We thought of solar panels as leaves of banana plants gathering sun and providing shade,” the studio explained.

Find out more about Mount Sinai Kyabirwa Surgical Facility in Uganda ›


Front facade of 550 Spencer offices by Kennon
Render is courtesy of Kennon

550 Spencer, Australia, by Kennon

More than 1,000 solar electric panels that resemble glass will form the facade for this office tower, which Australian studio Kennon recently proposed for Melbourne.

The technology, named Skala, is produced by German company Avancis and has never been used in Australia before. It is designed to replace traditional rooftop arrays and will free up space for a garden on top of the building instead.

Find out more about 550 Spencer ›


Wall of solar panels at La Seine Musicale by Shigeru Ban
Photo is by Didier Boy de la Tour

La Seine Musical, France, by Shigeru Ban

A wall of photovoltaic panels follows the path of the sun at La Seine Musical, a glazed music complex near Paris designed by Shigeru Ban.

Mounted on rails, the sail-like wall is designed to resemble a ship circulating the ovoid structure. This movement also ensures the lobby behind is shaded from direct sunlight over the course of the day.

Find out more about La Seine Musical ›


Stacked exterior of Copenhagen International School by C F Møller Architects
Photo is by Adam Mørk

Copenhagen International School for Nordhavn, Denmark, by CF Møller

Architecture studio CF Møller disguised 12,000 solar panels as blue cladding at the Copenhagen International School for Nordhavn to mirror its waterfront site.

The panels are arranged in a way that creates a sequin-like effect across the exterior and generates over 50 per cent of the electricity needed to power the building annually.

Find out more about Copenhagen International School for Nordhavn ›


Render of the exterior of Sun Rock office
Render is courtesy of MVRDV

Sun Rock, Taiwan, by MVRDV

A rounded form sheathed in photovoltaics will define Sun Rock, an office and operations facility that MVRDV is developing for power company Taipower in Taiwan.

The studio designed its bulbous form to maximise the amount of sunlight its facade can harness throughout the day and, in turn, create enough energy to make the building self-sufficient.

Find out more about Sun Rock ›


Solar panels on Powerhouse Brattørkaia office building in Tronheim by Snøhetta
Photo is by Ivar Kvaal

Powerhouse Brattørkaia, Norway, by Snøhetta

Three thousand square metres of solar cells envelop this office, another Powerhouse by Snøhetta that produces twice the amount of energy it uses.

Its steep and angular exterior is the result of the limited daylight hours in the city, as it helps maximise sun exposure and allows the panels to harvest as much solar energy as possible before dark.

Find out more about Powerhouse Brattørkaia ›


Solar Revolution logo
Illustration is by Berke Yazicioglu

Solar Revolution

This article is part of Dezeen’s Solar Revolution series, which explores the varied and exciting possible uses of solar energy and how humans can fully harness the incredible power of the sun.

Reference

7 Buildings Structured Like Origami Sculptures
CategoriesArchitecture

7 Buildings Structured Like Origami Sculptures

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

The Japanese art of origami consists of intricately folding paper to create detailed and delicate sculptures, ideally without using any cuts or glue. Triangular forms and fragmented surfaces are distinctive features of such sculptures. Much like these paper figures, origami-inspired architecture is a series of volumes that appear to be formed using folded sheets of paper.

These buildings feel light and in motion. The freedom from a traditional box shape also gives rise to dynamic interior configurations that are exciting and innovative. Cutouts and inward folds help carve out windows, balconies and terraces. Below are just a few examples of origami-inspired structures that can offer some out-of-the-box inspiration.

Origami House by Office of Architecture in Barcelona, Sant Cugat, Spain

White sloped roofs of the house stand out against the lush vegetation of the forest behind. The home looks more like a series of open boxes that look more like a pavilion than a home. Guests encounter a pool as soon as they reach the entrance, much like a plaza. This gives way to the changing volumes of the home, defined by sloping roofs and large windows.

The services are all located on a concealed lower floor, without any connecting staircase in sight. From within, the angled planes make it look like a camera lens that captures different parts of the scenery around. A well-hidden narrow staircase leads to a lower level which houses an indoor swimming pool and sauna. The home also features a library, cinema room, a loft, staff housing, garage, and more.

Klein Bottle House by McBride Charles Ryan, Rye, Australia

Challenging the idea of standard cuboidal spaces, the house takes inspiration from a unique surface developed by topological mathematicians. This allows the architects to create new and interesting spaces that create interest and create fun. Originally imagined as a complex spiral, the design slowly evolved into the form of a Klein Bottle, and then finally an origami version of the complex shape to create spatial intrigue. The form wraps around a central courtyard and a grand staircase, making all spaces feel both near and separate from each other. In addition to its energizing form, the house also showcases a changing color palette that incorporates shades of red, black and white.

Cardero by Henriquez Partners Architects, Vancouver, Canada
Popular Winner, 2021 A+Awards, Multi Unit Housing High Rise (16+ Floors)

Folded strips of white covering the façade are the first thing that makes visitors stop in their tracks when they see Cardero. These modules are inspired by seagulls and seaplanes found in the Coal Harbour area as well as hand gliders found in the Grouse Mountain region nearby. In addition to being an aesthetic element, the origami-like screen also acts as a sun shade on the building’s southern and western façades. While one part of the tower has 26 floors, the other side has 21 floors to help it fit better with the buildings on that side.

Kinematic Sculpture by Skidmore, Owings & Merrill (SOM), Chicago, Illinois

Much like folds in a paper, the dynamic pavilion is made of 99 flat wooden panels that are connected at different angles with stainless steel hinges to form a continuous sheet. It hopes to use kinematics to show the mathematical relationships between force and motion as it uses its hinged arrangement to change forms. It also shows how principles of origami, which is often associated with paper, can be adapted to other materials and architecture. This also paves way for similar structures that can be customized to cater to different programs.

Zigzag House by Cobaleda & Garcia Arquitectos, Pozuelo de Alarcón, Spain

The geometric configuring of this home starts from the plan itself. Instead of a traditional grid, Cobaleda & Garcia Arquitectos opted for a diamond-shaped pattern that is better suited for the oddly shaped plot. This helped create cavities along the exterior for green spaces. The fragmented geometry continues to the upper level as well as the roof, causing it to aptly be named the Zigzag house. The form is achieved using reinforced concrete slabs.

Images by Milo Keller

Temporary Chapel for the Deaconesses of St-Loup by LOCALARCHITECTURE, Pompaples, Switzerland

When renovating the mother house of the Deaconess Community of St-Loup, the studio proposed to construct a temporary chapel that worshipers could visit while the main building was inaccessible. Given their expertise in timber construction, they devised a computer-generated form that would use thin timber panels and could be built directly on the ground. The form appears like an accordion-folded tunnel that has just been stretched. Each panel reflects light in different directions and gives the building dimension and height. The gable end comprises clear plastic panels covered with fabric to filter natural light into the gathering space.

Images by David Frutos

Coworking LAB Nucía by CrystalZoo, Alicante, Spain
Jury and Popular Winner, 2020 A+Awards, Government & Civic Buildings

The building’s solid volume appears to have cutouts that open into the structure to create windows and intermediate spaces. The design is governed by a central core around which the geometric volume shapes itself. The bright yellow used in the interior spaces contrasts with the muted gray of the exterior walls, holding an unexpected surprise as one goes in. The core is a large stepped space that can be used for presentations, social interactions and staged talks. There is a large terrace behind it that also governs the programming of the building. It connects to workshop areas, classrooms and offices.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

Reference